Music

Brett Favre Says Taylor Swift Could Be Blamed If Travis Kelce & Chiefs Don’t Make Super Bowl

Legendary quarterback Brett Favre believes that Taylor Swift may take the blame if the Kansas City Chiefs don’t make it to the Super Bowl this year.

The Pro Football Hall of Famer was recently asked if he thinks that the pop superstar has become a “distraction” for Chiefs tight end Travis Kelce amid the couple’s highly publicized romance in recent months.

“I think it’ll be a distraction if they don’t make it to the Super Bowl,” Favre tells TMZ.

The former Green Bay Packers star, who won the Super Bowl in 1997, star added, “If they don’t win it or get to the Super Bowl, people are going to say, ‘That’s why.’”

Favre is confident, however, that the Chiefs have a pretty good shot at making the championship game, which will place at Las Vegas’ Allegiant Stadium on Feb. 11. Grammy-winning R&B icon Usher has been tapped to headline the 2024 Super Bowl Halftime Show presented by Apple Music.

“Until someone proves me otherwise, I think they’ll go all the way,” he said.

The Chiefs are set to take on the Miami Dolphins in a Wild Card playoff game on Saturday (Jan. 13) at Arrowhead Stadium in Kansas City, Mo.

Swift recently spent New Year’s Eve cheering on her boyfriend in KC as the Chiefs took home a victory against the Cincinnati Bengals.

The “Love Story” singer was also spotted at the Chiefs’ Christmas game against the Las Vegas Raiders. Although the Chiefs were defeated, the tight end said on the Dec. 29 episode of his New Heights podcast, “It ended well, with good Christmas cheer and great people. That’s always gonna save Christmas, no matter if you lose to the Raiders or not.”

Leon Wildes, Immigration Lawyer Who Prevented John Lennon’s Deportation, Dies at 90

Leon Wildes, a prominent immigration lawyer best known for his landmark, yearslong fight in the 1970s to prevent John Lennon from being deported and enable the former Beatle to receive permanent residency in the U.S., has died at age 90.

Wildes died Monday (Jan. 8) at Lenox Hill Hospital in Manhattan. His son — immigration attorney and Englewood, New Jersey Mayor Michael Wildes — said that he had been in failing health after a series of strokes.

“Dad felt he effectively lived the American Dream for a kid from Olyphant PA and spent his life facilitating the same experience for scores more,” said Michael Wildes, who is also the managing partner for the firm his father helped start, Wildes & Weinberg. “He was beloved by his family, was extraordinarily humble, and beloved by our Bar.”

Leon Wildes was a graduate of the New York University School of Law who co-founded Wildes & Weinberg in 1960 and, by the end of the decade, had gained enough stature to serve as president of the American Immigration Lawyers Association. His name would become part of musical and political history after an old law school classmate, Alan Kahn, called in 1972 and told him that Lennon and Yoko Ono needed his help getting their visas extended.

Wildes agreed to meet with the couple at the Manhattan offices of Apple Records, the label founded by the Beatles in the late 1960s. But he did have one embarrassing confession about Lennon and his artist wife.

“I have no idea who these people are,” he told Kahn, later saying he misheard their names as “Jack Lemmon and Yoko Moto.”

What Wildes initially thought would be a formality turned into one of the most dramatic legal struggles of the era. Lennon and Ono had moved from England to New York City, trying to track down Ono’s daughter from a previous marriage, Kyoko Chan Cox, whom her ex-husband had abducted.

John and Yoko also were active in the New Left politics of the time, opposing the Vietnam War and backing efforts to defeat President Richard Nixon in his bid for re-election. With the minimum voting age lowered from 21 to 18, Lennon’s plans included a 1972 tour of the U.S. that would potentially attract millions of young people.

As government files later revealed, some Nixon supporters feared that Lennon could damage Nixon politically. In a February 1972 memo sent to Sen. Strom Thurmond, a South Carolina Republican and a member of a Senate subcommittee on internal security, aides recommended a “strategic countermeasure,” terminating Lennon’s visa. (The government would also try to deport Ono, a Tokyo native, but she was granted permanent residency in 1973).

Thurmond forwarded the memo to Nixon’s attorney general, John Mitchell, whose deputy, Richard Kleindienst, contacted the Immigration and Naturalization Service. In March, the INS informed the British rock star that his visa would not be extended. Officials cited a drug bust in London in 1968, when Lennon pleaded guilty to possession of “cannabis resin.” Under U.S. law at the time, non-residents faced deportation if “convicted of any law or regulation relating to the illicit possession” of narcotic drugs or marijuana.

Over the next two years, Lennon and Ono endured ongoing government harassment, with FBI director J. Edgar Hoover at times personally involved. Their phone was tapped and their whereabouts closely followed. Lennon would say the pressure helped lead to the temporary breakup of his marriage. The musician left for Los Angeles in 1973 and embarked on what he called his “long weekend” of drinking and drugs, ending with the couple reconciling in 1975.

Meanwhile, musicians and writers and other public figures urged the government to let him stay. Letters of support were signed by everyone from Fred Astaire and Dick Cavett to Saul Bellow and Stevie Wonder. Bob Dylan composed a hand-written note praising John and Yoko as enemies of “this mild dull taste of commercialism” forced on the culture by the “overpowering mass media.”

The Lennons didn’t always help their case. When the couple held their first press conference to discuss the deportation order, the two pulled tissues out of their pockets and declared the birth of a new country, “Nutopia,” a paradise with “no land, no boundaries, no passports, only people.” As representatives of Nutopia, John and Yoko granted themselves diplomatic immunity.

Yoko later apologized, Wildes would recall.

“Leon, you have to understand. We are artists. We have a message,” she told him.

Thanks to Wildes’ ingenuity and the shocking twists of politics in the 1970s, Lennon’s deportation was delayed and ultimately revoked. Wildes found a loophole in the immigration drug law after Lennon told his lawyer that he had been found guilty of possessing hashish, not marijuana (“Hash is much better than marijuana!” Lennon joked). Wildes also highlighted an obscure, unacknowledged government policy of “prosecutorial discretion,” under which officials used varying standards in deciding immigrant cases to pursue.

Meanwhile, the FBI’s targeting of Lennon ended after Nixon’s re-election in 1972, and the INS campaign to deport him began to lose momentum after the growing Watergate scandal led Nixon to resign in August 1974. By October 1975, Mitchell was among many former Nixon officials serving jail time, and Lennon was celebrating an extraordinary week of milestones. On Oct. 7, a federal appeals court judge in New York reversed the deportation order, citing the government’s “secret political grounds.” Two days later, on Lennon’s 35th birthday, Ono gave birth to their son, Sean.

For a final hearing, in July 1976, Wildes brought in Norman Mailer and Gloria Swanson, among others, to testify on Lennon’s behalf, and the INS granted the musician his green card.

“It’s great to be legal again,” Lennon said after the hearing.

The legacy of Lennon’s struggles would endure for decades. When President Barack Obama launched his Deferred Action for Childhood Arrivals program (DACA), for which some children of immigrants were granted temporary relief from deportation, he drew upon reasoning similar to what Wildes had revealed on behalf of Lennon: prosecutorial discretion.

Rock stars, too, were affected. Mick Jagger, who also had been arrested in England on drug charges, was among those who found it easier to travel to the U.S.

“I have in my passport a notation stating that the ineligibility of my visa is withdrawn ‘because of the Lennon precedent’,” Jagger said in a 2005 book, Memories of John Lennon, published upon the 25th anniversary’s of Lennon’s murder. “So I have him in my memory every time I enter this country.”

Wildes continued to practice law after his time with Lennon and was an adjunct professor for more than 30 years at the Benjamin N. Cardozo School of Law. His honors included the Edith Lowenstein Memorial Award for excellence in advancing the practice of immigration law and the Elmer Fried Excellence in Teaching Award.

Wildes was married three times, most recently to Alice Goldberg Wildes, and is survived by two children, eight grandchildren and five great-grandchildren.

Descended from European Jews, Wildes grew up in a small Pennsylvania community where he was often the only Jew in his class. He attended Yeshiva College as an undergraduate and became interested in immigration law after working with the Hebrew Immigrant Aid Society in the late 1950s. Wildes published articles in the Cardozo Law Review among other journals and wrote a book on the Lennon case, John Lennon Vs. the USA, that came out in 2016.

An opera fan when he was young, he would become fully vested in the Beatles universe, to the point of using “Imagine” as music when a caller to his office was placed on hold. He remained close to Yoko, appeared in the 2006 documentary The U.S. vs. John Lennon and even attended some Beatles conventions, among them the Chicago-based Fest for Beatles Fans.

“I spoke there three times, and every time after I spoke, dozens of people came up, shook my hand and thanked me for what I had done for John Lennon,” he told Pennyblackmusic.co.uk in 2017. “And I learned from these wonderful people that it is really something to marvel about and to enjoy this beautiful music of the Beatles. I learned a lot about that kind of music, and now I favor it as well.”

Billboard Expands in Asia With Launch of Billboard Korea

Billboard is expanding its global footprint in Asia with the launch of Billboard Korea.

The expansion, in partnership with Global Entertainment Media Group (GEMG), will be dedicated to the flourishing Korean music scene. Billboard Korea‘s first issue, Billboard K Vol.1, is scheduled for release in June.

“We are thrilled to announce our expansion into Korea,” Billboard president Mike Van said in a statement. “Billboard has long celebrated the rich contribution of Korean music across our platforms. This expansion is a significant milestone for our brand and underscores our dedication to amplifying the voices and talent that shape the vibrant Korean music scene.”

Yuna Kim, chairperson of GEMG and publisher of Billboard Korea, added, “Now that the status of K-artists and K-pop has risen worldwide, Billboard Korea will play a crucial role in promoting K-culture.”

Billboard Korea will offer a comprehensive platform that not only amplifies Korean artists’ visibility but also fosters cultural exchanges and appreciation on a global scale, according to a press release.

Ahead of its first published issue, Billboard Korea is set to launch its official website and digital platform in spring 2024.

Billboard Korea adds to the list of the publication’s international editions, including Billboard Japan, Billboard Arabia, Billboard Español, Billboard Brasil and others.

J Balvin & Maluma Unveil New Collaboration & More Uplifting Moments in Latin Music

From career milestones to new music releases to major announcements and those little important moments, Billboard editors highlight uplifting moments in Latin music. Here’s what happened in the Latin music world this week.

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J Balvin & Maluma Join Forces (Again)

Four years after dropping their first collaborative effort, “Qué Pena,” J Balvin and Maluma are joining forces for a second track. “Gafas Negras” (Black Sunglasses), expected to come out on Jan. 25, will seemingly find both artists in their new era as Don Juan (Maluma) and Don Jose (Balvin). This week, the two Colombianos shared a preview of the upcoming track while they discussed parenthood by the beach: “Rio (Balvin’s son) is going to steal Paris (Maluma’s soon-to-be-born daughter),” Balvin jokes in the clip. “By that time I’ll wear my black sunglasses so people can’t see my reaction,” Malum replies. Check out the silly clip below:   

Karol G & Elena Rose Create Magic

Elena Rose kicked off 2024 with a new career move: Announcing that she and Karol G were creating music together. “Thank you warrior for the light that we shared and this beautiful moment. I love and admire you,” the Venezuelan songwriter expressed on Instagram with a set of photos alongside the Colombian singer. “Women who read me, let’s take care of ourselves, protect ourselves, love ourselves and encourage ourselves to continue being Bichotas forever. This year is ours!!!!” Rose has written songs for artists such as Selena Gomez, Becky G, Christian Nodal, Sebastian Yatra, Rauw Alejandro, and many more. 

Ivan Cornejo’s First Stadium Date

Mexican American artist Ivan Cornejo is set to perform his first stadium show on March 3, as part of the Houston Rodeo lineup. The 19-year-old singer-songwriter, who is featured in the Genre Now issue as the future of regional Mexican music, announced he’s part of the event on Thursday (Jan. 11) with the caption: “HOUSTON BUCKLE UP !!! the first stadium I’m performing! see you at the rodeo.” The announcement comes just months after Cornejo wrapped up his most ambitious tour yet, Terapia Tour, which he closed out with a record-breaking concert at Toyota Arena in Ontario, Calif., becoming what the venue says is the highest-selling single Latin music show in its history.

Kali Uchis Is Expecting

On the eve of releasing her debut Spanish-language album, Orquideas, Kali Uchis revealed that she and rapper boyfriend Don Toliver were expecting their first baby together. “Starting our family. Don’t take too long to get here little pooks, mom & dad can’t wait to share our life with you,” said the sweet announcement video on Instagram. The heartfelt clip is backed by Uchis’ album track “Tu Corazón Es Mío” (your heart is mine) and shows raw footage of the couple together as well as videos of them as little kids.    

J.Lo’s Touching Golden Globes Moment

Earlier this week, Jennifer Lopez and actress Brie Larson had a wholesome moment at the 2024 Golden Globes carpet. Larson, who was nominated for best performance by a female actor in a limited series, anthology series, or a motion picture made for television for Lessons in Chemistry, did not hold back from fangirling when meeting Lopez for the first time in mid-interview with Entertainment Tonight. “You mean so much to me. I’m such a huge fan,” she said to Lopez, who also began to shed a tear. “I saw ‘Selena’ and it made me want to be an actor. You’ve always meant so much to me. It’s been a dream of mine so thank you so much. Your work ethic is so important.” 

Also in tears, Lopez then told ET reporter Kevin Frazier that she once was in Larson’s shoes. “I remember being a little girl and watching ‘West Side Story’ and Rita Moreno changing my life,” she recalled. “So to have someone say to me, ‘I watched ‘Selena’ and it made me want to be an actress’ it’s so moving. It’s like your dreams came true and it’s such a beautiful thing.” Relive the adorable encounter below: 



Kali Uchis Talks Keeping Her Pregnancy Private, New Music & More: ‘There’s So Much to Be Excited For’

When Kali Uchis picked the orchid as the title and theme of her new album Orquídeas, which arrived on Friday (Jan. 12), she didn’t know it was the flower of fertility. And then, later in her rollout, she found out she was pregnant with her first child, telling Billboard News, “It all came together perfectly.”

“The flower, for me, it always symbolized timelessness, femininity, luxury,” says the Colombian artist. “It has an eerie, mystical quality about it as well. It’s also the national flower of Colombia, so for me it all tied in.”

Orquídeas is Uchis’ fourth album and second Spanish-language full-length (she typically switches between English and Spanish on each project). Features include her friend Karol G (“Labios Mordidos”), plus Peso Pluma (“Igual Que Un Ángel”), Rauw Alejandro (“No Hay Ley Parte 2”) and the “unpredictable” pairing of City Girls’ JT alongside El Alfa (“Muñekita).

The Grammy winner debuted in 2018 with Isolation, followed by Sin Miedo (del Amor y Otros Demonios) in 2020 and last year’s Red Moon In Venus. She believes that Orquídeas, defined by its uptempo, high-energy productions, perfectly compliments those prior albums.

“I’m not a new artist anymore, I’m looking at my discography as a whole,” she says. “My next album that I’ve been working on that is also going to come out this year is all downtempo music. So being able to have to contrast, there’s so much within me that needs to be expressed and I never want to confine myself to anything.”

She confirms that forthcoming fifth album was written and recorded while pregnant, which is perhaps where the inspiration for a more soothing, lower energy release came from. And while she says “there’s so much to be excited for” about motherhood (she will soon welcome her first born with longtime partner Don Toliver), she also admits how hard it was to keep her pregnancy private, saying she still had a few shows and a red carpet appearance on her calendar — both of which made it harder to hide her growing baby bump.

Balancing her professional life with her private one has always been a priority to Uchis, who says she most looks up to Sade for how she walks that line. “It is such a fine line between trying to understand how much of ourselves are we really meant to share, or do we really feel comfortable sharing. And at the end of the day, I really thought it was strange that there is such an expectation on an artist to share their personal life,” says Uchis. “I try to remember that my music is supposed to be in the forefront, my private life and personal matters, I really don’t want that to be something that’s consuming or overshadowing my work.”

And as someone who puts their art first — and who has always embraced her bicultural upbringing along the way, having been born and raised in Virginia — Uchis has become a safe space for others who hope to do the same. “There’s a lot of artists who sing in Spanish who are English speakers primarily and they’ve come to me like, ‘You really make me want to make music in English too. I’ve always wanted to but my label doesn’t want me to do that because this or that is what sells for me,’” she says. “I think as an artist, what’s most important always is the thought of no limitations…I feel like everyone should be as free and creative as possible.”

Watch the full interview above.

A Complete Guide to Every 2024 Grammy Party & Event (Updating)

The 66th annual Grammy Awards are almost here, and before Music’s Biggest Night takes over the Crypto.com Arena in Los Angeles on Sunday (Feb. 4), this year’s top talent, nominees and more will be spending the week celebrating their achievements at countless parties and events.

SZA leads this year’s pack of nominees with nine nods — including record and song of the year nods for her Billboard Hot 100 No. 1 hit “Kill Bill” and an album of the year nomination for her 10-week Billboard 200 chart-topping sophomore album SOS. Phoebe Bridgers, Victoria Monét and engineer/mixer Serban Ghenea follow with seven nominations; and Taylor Swift, Jack Antonoff, Olivia Rodrigo, Billie Eilish, Miley Cyrus, Jon Batiste and Brandy Clark are up for six.

Highlights of this year’s Grammy event roundup include NMPA and Billboard’s Grammy Week Songwriter Awards and Showcase, honoring Antonoff, Kelsea Ballerini, Jessie Jo Dillon, Dan Nigro, Leon Thomas III and more. Additionally, Spotify will hold its annual Best New Artist party, which includes performances from this year’s nominees: Gracie Abrams, Fred again.., Ice Spice, Jelly Roll, Coco Jones, Noah Kahan, Victoria Monét and The War And Treaty. Meanwhile, this year’s MusiCares Person of the Year event will honor Jon Bon Jovi.

See below for where celebs will be spending Grammy Week. (Updating through Grammy night with new events. Events are invitation-only.)

Japanese Conductor Yukari Saito on Communicating With Orchestra & More: Billboard Japan Women in Music Interview

Conductor Yukari Saito spoke with Billboard Japan for its Women in Music interview series celebrating female players in the country’s entertainment industry. The WIM initiative in Japan began in 2022 to honor artists, producers and executives who have made significant contributions to music and inspired other women through their work. The first 30 interviews in this series were published in Japan last year as a “Billboard Japan Presents” collection by writer Rio Hirai, who continues to speak with women to highlight their stories.

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Saito moved to Dresden in 2013 and gained experience in Europe conducting the Lille National Orchestra and the Vienna Tonkunstler Orchestra. She returned to Japan in 2021 and this year, is set to conduct the Tokyo Philharmonic Billboard Classics Orchestra at Billboard Japan’s Women In Music Vol. 2 concert on Feb. 8 featuring singer-songwriters Reo Ieiri and Miliyah Kato. The 40-year-old maestro looked back on her career dedicated to the world of classical music and shared some experiences that changed in her life after spending time in Dresden.

First, could you share your thoughts on the upcoming WIM concert in February?

I’m interested in various genres of music, so I’m really looking forward to performing with two different types of musicians like Ms. Reo Ieiri and Ms. Miliyah Kato.

You usually work in the world of classical music. What opportunities do you see in the collaboration between pop and orchestral music?

First, I feel grateful to be tapped to participate in this precious opportunity. We’re still in the process of working out the details, but I have a feeling I’ll be able to find a new style within myself that’s different from my usual work. The way I feel about this concert is the same as how I usually feel about creating classical music together with everyone, but depending on the rhythm and mood of the piece, there will be changes in my conducting style and the sound expressed by the orchestra, so I’m excited about that. I look forward to seeing what positive effects the synergy produces.

This concert is part of Billboard Japan’s Women in Music project. What do you think about this kind of event focusing on women’s empowerment?

It’s something that’s been relatively uncommon (in Japan), isn’t it? Some people might come because the project interests them, so it makes me glad to think we’ll be able to bring our music to a wider and more varied audience.

I understand you originally wanted to be a pianist. How did you come to be a conductor?

At some point while studying at music school to become a pianist, I began to feel that it might be hard for me to become a professional. I became interested in conducting around then and met various teachers who told me, “You might be suited for it.” I then met Mr. Seiji Ozawa, who nominated me as a conducting trainee. That’s how I got started.

Why do you think you were suited for the job?

Maybe I always had a good sense of rhythm. I conducted in a choral competition when I was in junior high school. At the time, I only did it because I didn’t want to sing, [laughs] but the teachers praised me and told me I did a great job.

Does being a woman have any influence on doing your job?

I haven’t experienced too many moments where I thought, “This happened because I’m a woman.” When I wanted to become a pianist growing up, I’m sure there were times I thought, “I wish I could be like that” when seeing female concert pianists wearing beautiful dresses. I also remember thinking how awesome the pianist Martha Argerich was.

As a conductor, I believe I’m capable of flexible expression with meticulous attention to detail, even if I can’t compete with men in terms of physical size and strength. So I’d say I’m aware of the differences but don’t let it bother me. There are plenty of female players in classical music and it’s a merit-based industry, so I don’t think women are rejected as a member just because of their gender.

Because the world of classical music values tradition, I’d imagined there might still be some elements of sexism left. It’s nice to know it’s merit-based. So you’ve never encountered any gender imbalances?

Well, I’ve had experiences where I went to greet an elderly male concertmaster and he seemed surprised that I was going to conduct, but at the time I thought maybe it was because I was acting intimidated and not because I was a young woman. I think I might have accepted such moments as a net positive because the gap between that first encounter and my actual high level performance on stage would result in a good impression.

You know what though, this isn’t about sexism, but unfortunately some racism might still be around. There are no Asians at all in some orchestras, or if there are, only Japanese are included for some reason.

I see. So you didn’t encounter sexism but you did witness some leftover Western-centric values. Outside of the classical music world, do you see any differences in values between Germany and Japan?

In Germany, I often encountered protests. The sight of LGBTQ people asserting their rights, for example, is striking in its earnestness. I didn’t come across such scenes in Japan very often before I left for Germany, which made me think that such problems were hidden. Things seem to have changed now, though. Also, a lot of women (in Germany) clearly express their opinions. In Japan, many people are somewhat modest or reserved, but the culture in Germany doesn’t consider that to be a good thing.

Did you change after spending time in such an environment?

I think I did. The first thing that took me by surprise when I went to Germany was when I was told during a lesson, “Don’t you have your own will?” When we were asked, “What do you think?” the people around me would express their opinions, but I was at a loss at first.

How did you manage to change from not being used to expressing your opinion?

By being honest with myself, I guess. If I think too much about what will happen if I say something, I won’t be able to say anything, so I try not to think about it too much. What’s also important, along with naturally expressing what I feel, is delving deep within myself to figure out why I feel that way. I think this makes my words more convincing.

Is being convincing a necessary skill for your work as a conductor of orchestras?

I think so. In my case, I taught myself how to think in order to overcome that initial setback of not knowing what my own will was. I’m glad I’ve gained experience by repeatedly making such gaffes.

When do you find your work as a conductor most rewarding?

It is rewarding, but I work pretty hard to get there.

What’s the hardest part of your job?

It goes without saying that I have to use my brain and convince everyone in the orchestra. It’s a lot of work, but there comes a moment when things just click. The players and I make eye contact and we’re like, “This is the sound, right?” and the sound comes out exactly as we intended. It’s hard to put into words, but I guess it’s like having a dialogue with sound. When that happens, I’m like, “Yes! We did it!” and pump my fist in my mind.

This interview by Rio Hirai first appeared on Billboard Japan

Paula Abdul Says Ariana Grande’s ‘Yes, And?’ Tribute to Her Is an ‘Honor’

Paula Abdul is loving Ariana Grande’s “Yes, And?” music video.

In the new clip, released on Friday (Jan. 12), Grande wears a ballet-inspired outfit with a hat that pays homage to legends like Janet Jackson and Abdul — and the nod doesn’t end there. The clip, directed by Christian Breslauer, seems to take inspiration from Abdul’s visual for her own “Cold Hearted,” leaning deeper into the late-’80s energy of the song itself with the warehouse set-up, the dancers, audience and more.

Upon seeing the video, Abdul took to Instagram to give “Yes, And?” her stamp of approval. “WOW! Waking up to see Ariana Grande pay homage to ‘Cold Hearted’ in her new music video ‘yes, and?’ was EVERYTHING!!! What an honor! What was your favorite part of the video? I love you, Ari!!!” she tweeted. Grande herself also put a side-by-side of their videos on her Instagram Story, writing, “love you so @paulaabdul.”

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On Monday (Jan. 8), Grande shared that although “Yes, And” is not the title for her forthcoming seventh album, the single’s artwork will be double as one of the album cover variants. She first confirmed new music at the tail end of last year with a Dec. 27 Instagram post, and officially started teasing the new single on Jan. 4 with sweatshirt bearing the track’s title — a callback to her announcement for Sweetener lead single “No Tears Left to Cry” back in 2018.

Green Day’s Mike Dirnt Says Band Was in No Rush to Diss Donald Trump: ‘It Was Just Low-Hanging Fruit’

Green Day has a plethora of hits to their name, but for many fans, “American Idiot” towers above the rest. That single — a protest song of the George W. Bush administration that eventually inspired a Tony-winning Broadway musical — has become a key example of contemporary politically conscious tracks, and many expected a similar song from the Grammy-winning band following the election of former President Donald Trump in 2016.

In a new interview with Rolling Stone, bassist Mike Dirnt explains why the band chose to hold off on addressing Trump in their music.

“‘The American Dream Is Killing Me’ [from the band’s forthcoming Saviors album] was written by Billie [Joe Armstrong] almost four years ago. But we all knew it was just low-hanging fruit. We’re not a parody of who we are, and songs like that need time to be fleshed out,” Dirnt said. “If that means just sitting back and letting life happen, so be it. And it was one of the last things we recorded.”

The band’s new record, Saviors, arrives Jan. 19, and “The American Dream Is Killing Me” served as the set’s lead single. The song has since peaked atop Rock Airplay and at No. 22 on Hot Rock & Alternative Songs. Dirnst notes that the track’s title was initially a line Billie was kicking around “a while back ago,” but the band agreed that it was “just not the right time” for that particular sentiment.

“I think it’s a wider statement than Trump. It’s more important than him,” Dirnst asserts. “It speaks to the fact that Billie’s dad was a Teamster truck driver, and his mom was a waitress, and somehow they could afford to raise five kids and buy a home, and that just doesn’t work for everybody anymore. We are back-asswards right now.”

Saviors marks Green Day’s 14th studio album. The rockers have released three additional singles from the record, including “Dilemma,” “One Eyed Bastard” and “Look Ma, No Brains!” The band is set to embark on a North American stadium tour in support of the record — in addition to the 30th anniversary of Dookie and the 20th anniversary of American Idiot — with support acts such as The Smashing Pumpkins, Rancid and The Linda Lindas.

Recently, lead singer Billie Joe Armstrong trolled Trump during the band’s performance at Dick Clark’s New Year’s Rockin’ Eve with Ryan Seacrest (Dec. 31). He altered the original “I’m not part of a redneck agenda” lyric in “American Idiot,” to “I’m not part of the MAGA agenda.”

Green Day has earned 11 top 10 entries on the Billboard 200, including the chart-toppers American Idiot (three weeks), 21st Century Breakdown (one week) and Revolution Radio (one week). On the Billboard Hot 100, the beloved band has notched nine career entries, including the top 10 hits “Boulevard of Broken Dreams” (No. 2) and “Wake Me Up When September Ends” (No. 6).

Britney Spears Teases ‘Something’ on the Way

Britney Spears has something up her sleeves.

The pop superstar took to social media on Friday (Jan. 12) to share a brief teaser clip. “Something’s coming,” the screen reads, as “…Baby One More Time” plays in the background. Spears’ debut hit is celebrating its 25th anniversary this year. She also linked a mailing list for fans to stay in the loop.

While Spears didn’t indicate exactly what she’ll be releasing, the star recently revealed that she won’t be dropping music any time soon. “Just so we’re clear most of the news is trash,” she wrote in a lengthy caption via Instagram earlier this month. “They keep saying I’m turning to random people to do a new album … I will never return to the music industry !!!”

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Spears’ post comes following a Page Six and US Sun report that the pop superstar is working with Charli XCX and Julia Michaels to co-write a long-awaited 10th studio album. The singer’s last album was 2016’s Glory, though also teamed up with Elton John for 2021’s “Hold Me Closer.”

The “Piece of Me” star is also fresh off the release of her long-awaited, tell-all memoir The Woman in Me, which hit shelves back in October. You can order the memoir at various retailers including Amazon (also available on Kindle), Barnes & NobleTargetWalmart and Bookshop.