Music

Willie ‘Prophet’ Stiggers Honored at National Action Network’s Annual Convention

On Saturday (April 13), Willie “Prophet” Stiggers, co-founder/president/CEO of Black Music Action Coalition (BMAC), was honored at the National Action Network’s 21st Annual Convention Youth and College Day by the Reverend Al Sharpton for his commitment to the youth program, as well his lifelong activism in the music industry and within the Black community.

Prophet first joined the National Action Network (NAN) two years after its launch in 1993 and spearheaded the youth movement for the organization. He began to work closely with Sharpton, building chapters across the country and becoming a youth activist in the New York metro area. Prophet launched BMAC in 2020, modeling the advocacy organization’s blueprint after NAN.

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Prophet expounded on his connection to NAN during his acceptance speech, saying, “As I spent more time in the music industry over the following decade and focused on BMAC, I faded into the shadows on the business side. Throughout my journey, I still stood on the same principles but was more focused on building my family and ensuring that my children weren’t a statistic. That I wasn’t a statistic.”

Prophet added, “The activist giant in me woke up in 2020. Society was not going to use the deaths of George Floyd, Breonna Taylor, and Ahmaud Arbery to share generic posts and act as if the knee of this country hasn’t been on the necks of Black artists and civilians for decades. My goal was to hold the industry accountable. Many people at the time didn’t know this other passionate, activist side of me and were shocked. My blueprint was modeled after being a student of NAN and a student of Reverend Sharpton. Learning how to speak my truth in an unapologetic way. The spirit of not letting these issues stand there and be idle, but getting in the ring and fighting.”

Under Prophet’s leadership, BMAC has been committed to holding the music industry accountable while creating new pipelines of access and opportunity, both artistically and economically, for the Black artist community.

Mariah Carey Serenades Da Brat With Long ‘Lost’ Song in Honor of Rapper’s Birthday

As far as birthday serenades go, having Mariah Carey sing for you is pretty hard to beat. Da Brat knows this first-hand after the Songbird Supreme performed a snippet of an unreleased track the pair seemingly worked on together in honor of the rapper’s 50th on Sunday (April 14) — see a clip below.

In a video sent in to the talk show Dish Nation — which Da Brat co-hosts — Mimi sang a few bars from an untitled track she later claimed producer L.T. Hutton “lost.”

“It’s driving me crazy, ’cause you’re making me sad every minute,” she crooned. “Cry every second/ Why should I, why should I, why should I keep hanging on?”

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“You know the song, Tat Tat,” Carey told her longtime friend and collaborator after she finished. “That’s our song, and L.T. Hutton lost it. Where are you? Where did you put that song?”

“I love you so much, happy birthday,” she added. “They told me the number. I don’t do numbers. I don’t know what it is, have no recollection of any of it.”

Born Shawntae Harris, Da Brat has hopped on a number of the “We Belong Together” singer’s tracks — including the remixes of Carey’s “Heartbreaker,” “Loverboy” and “Always Be My Baby,” to name a few. In response to her famous friend’s message, the hip-hop pioneer said, “That was beautiful … Oh Sug, I love you, MC.”

The day marked Da Brat’s first birthday as a mom, having welcomed a baby boy named True Legend with wife Jesseca Harris-Dupart in July last year. “I can’t believe he came out of me! Feels like a dream,” the Grammy-nominated artist told People at the time. “He’s perfect in every way. This journey has been more amazing than we could’ve ever imagined.”

Watch Carey sing part of an unreleased song for Da Brat’s birthday below.

Taylor Swift to Launch ‘Tortured Poets Department’ Spotify Library Installation in Los Angeles

The Tortured Poets Department is under renovation, with Chairman Taylor Swift gearing up to cut the ribbon on a new library wing ahead of her 11th studio album’s highly anticipated release later this week.

As announced Monday (April 15), the pop star is teaming up with Spotify to launch an open-air Tortured Poets Department library installation at The Grove in Los Angeles, featuring curated poetry excerpts, books and visual surprises for fans to pore over, each representing a small piece of the singer’s new era. Doors will open to the public Tuesday (April 16) and continue welcoming Swiftie scholars over the next two days leading up to the 16-track LP’s arrival on Friday (April 19).

The pop-up will be different each day, with curators planning to add new aspects to the library as the countdown to Tortured Poets gets shorter. Spotify will document the changes on social media; plus, the album’s page on the streaming platform will be continuously updated with any surprises Swifties uncover onsite.

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“This campaign is a continuation of the work we’ve done in support of Taylor over her past few album releases,” Jackie Augustus, Lead, Country & Folk, Artist Partnerships, tells Billboard. “The way Taylor’s fans connect with and champion her music is unlike any other. We’re excited to bring this album activation to life for Swifties in LA this week.”

The installment is only the latest bit of fanfare Swift has enjoyed ahead of The Tortured Poets Department, which follows her 2022 Billboard 200-topping effort Midnights. The 14-time Grammy winner has also been partnering with Apple Music to pump up fans for the new project, unveiling self-curated playlists based on the “five stages of heartbreak” earlier this month and, most recently, hiding one-worded clues about her new album in the lyrics to some of her older songs on the platform.

See Spotify’s announcement below.

CBS Apologizes After Billy Joel’s 100th Madison Square Garden Show Broadcast Was Cut Off During ‘Piano Man’

CBS has officially released a statement on Monday (April 15) after Billy Joel’s long-awaited concert special, The 100th: Billy Joel at Madison Square Garden – The Greatest Arena Run of All Time, was cut off during the end of Joel’s iconic ballad, “Piano Man.”

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In the statement shared with Billboard, a spokesperson for CBS explained the mix-up, writing “A network programming timing error ended last night’s Billy Joel special approximately two minutes early in the Eastern and Central Time Zones. We apologize to Mr. Joel, his fans, our affiliated stations, and our audience whose viewing experience was interrupted during the last song. Due to the overwhelming demand from his legion of fans, BILLY JOEL: THE 100TH – LIVE AT MADISON SQUARE GARDEN will be rebroadcast in its entirety on CBS on April 19th at 9:00PM ET/PT.”

According to viewers, the show was originally slated to run from 9-11 p.m. on CBS, but the network’s live coverage of the Masters golf tournament pushed back the start of the Joel concert’s airing about half an hour, which meant that the climactic ending of the show was cut off for many viewers to throw to the local news. As a result, for many fans, the screen went black during 1973’s “Piano Man.”

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Joel will be back at MSG on April 26 and May 9 for two more gigs at his home-away-from-home, before hitting the road this summer for a run of baseball stadium gigs that run through November.

11 Rap Songs That Sample Ellie Goulding

Future & Metro Boomin, Drake, Young Thug, Lil Baby, Big Sean and French Montana all have this thing in common in their discography.

“Mile High Memories” from Future and Metro Boomin‘s latest album We Still Don’t Trust You evoked an unexpected memory from pop music: The song contains a sample of Ellie Goulding‘s 2012 track “Hanging On.” And it’s far from the only rap song to sample the English electro-pop singer-songwriter.

Drake famously sampled the two-time Grammy-nominated artist’s “Don’t Say a Word” on the Jay-Z-assisted “Pound Cake / Paris Morton Music 2,” which she pointed out in a 2020 TikTok video. Her covers of Active Child‘s “Hanging On” and The Weeknd‘s “High For This,” the latter of which is sampled on Soulja Boy‘s “Rockstar,” have extended the original songs’ histories and brought them to new genre territories. And her backwards intros (think Missy Elliott’s “Work It”) from “Hanging On” and “Starry Eyed” are fascinating to follow along to in “Mile High Memories” and “I Know” by French Montana, featuring Chinx.

An Ellie Goulding sample in rap music is so nice, Young Thug had to use it twice. He and Rich Homie Quan sampled “Beating Heart” on “Love Me” in August 2015, and one month later, Thug sampled “Hanging On” on “Calling Your Name.” (“Hanging On” got a remix from British rapper Tinie Tempah.) And one MC’s sampling history with EG led to an actual collaboration between the two: Goulding tapped Big Sean for “Easy Lover” from her last studio album Higher Than Heaven after he sampled “Fighter Plane” on his song “High,” featuring Wiz Khalifa and Chiddy Bang.

Billboard rounded up 11 rap songs that have sampled Ellie Goulding, in order of newest to oldest.

Gunna Announces New Album ‘One of Wun’ Is On the Way: See the Cover Art

Gunna season has returned. The YSL rapper announced on Monday (April 15) his official plans for a new album titled One of Wun.

While the Atlanta native did not reveal a release date for the new project, he did uncover the LP’s artwork. Designed by Calvin Clausell Jr., Gunna continues with the floral theme from A Gift & a Curse as his face is covered by a mix of blue and white flower petals.

Gunna kicked off the rollout for One of Wun with a pair of singles, “Bittersweet” and “Prada Dem,” which features an assist from Offset. In tandem with the album announcement, the 30-year-old unleashed a special performance video for “Bittersweet” showcasing his new dental work.

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The “Fukumean” rapper is slated to hit the road with Flo Milli this spring for 16 shows as part of The Bittersweet Tour starting up in May. Stops are scheduled for Detroit, Chicago, Seattle, San Francisco, Houston, Miami and more before wrapping up the tour with a hometown performance in Atlanta at State Farm Arena on June 11.

Gunna’s A Gift & a Curse album arrived in June 2023 and debuted at No. 3 on the Billboard 200 with 85,000 album-equivalent units sold in the first week. The album’s second single “Fukumean” earned Gunna his first No. 1 hit on the Hot R&B/Hip-Hop Songs chart and topped the Rhythmic Airplay chart as well.

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The new LP comes after Gunna’s long legal battle in the ongoing YSL RICO trial. In December 2022, Gunna took an Alford plea deal in order to be released from prison and effectively end his involvement in the case.

Find the cover art for One of Wun below.

Sabrina Carpenter’s Delicious ‘Espresso’ and 4 More Cool New Pop Songs This Week

Looking for some motivation to help power you through the start of another work week? We feel you, and with some stellar new pop tunes, we’ve got you covered.

These tracks from artists including Perrie, Tinashe, Mimi Webb and more will get you energized to take on the week. Pop any of these gems into your personal playlists — or scroll to the end of the post for a custom playlist.

Coolest Pop Song of the Week: Sabrina Carpenter, “Espresso”



We are now multiple years into Sabrina Carpenter’s ascent to pop’s A-list: beginning with her promising singles in 2021 and continuing with her excellent 2022 full-length Emails I Can’t Send, the former Disney Channel star reinvented her kid-friendly sound, leaned into wink-heavy hook writing and showcased her charisma while expanding her listenership. The commercial wins have kept accumulating: “Nonsense” went viral and became her highest-charting Hot 100 hit (No. 56 peak) last year, then “Feather” lapped it this year (No. 26 peak) while becoming Carpenter’s first No. 1 at Pop Airplay. All the while, Carpenter was playing to stadium audiences while opening for Taylor Swift’s Eras tour, and lining up a high-profile slot at Coachella.

New single “Espresso” was released last week to coincide with that festival performance, and is off to a hot start, creeping into the top 5 of Spotify’s U.S. Top 50 chart on Monday. The song could very well take Carpenter even higher on the Hot 100 and into a new tier of music stardom — which is great, because “Espresso” might be her most immediate, buoyant single to date.

The hallmarks of New-School Sabrina are present: the sunny synth-pop production (with a funk riff here to keep things fresh), the radio-friendly chorus, the tongue-in-cheek lyrics that personalize the entire affair (“My ‘give a f–ks’ are on vacation,” Carpenter shrugs). The difference between “Espresso” and her past singles resides in the coziness of Carpenter’s delivery: the way she sinks into each syllable — “And I got this one boyyyy, and he won’t stop callinnnnn’ / When they act this waaaay, I know I got ‘em” — communicates an easy command that complements both the songwriting and Carpenter’s breathy tone. “Espresso” has a lot going for it, but Carpenter provides its identity, and has seemingly placed her fingerprints on another hit.

Here are some more new pop songs worth checking out this week…

Instagram & Threads Are Celebrating Taylor Swift’s Upcoming Album With Easter Eggs for Swifties

Taylor Swift is just days away from unveiling her 11th studio album, The Tortured Poets Department, on April 19, and Instagram and Threads are celebrating the upcoming release with fun hidden features for Swifties.

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Starting on Monday (April 15), fans can go to Swift’s Instagram page via mobile and see a countdown to the album’s release when they pull down and refresh the profile. The countdown will lead Swifties to follow the superstar over on Threads, where there are two more Easter eggs to enjoy. Conversations tagged #TTPD, #The Tortured Poets Department, #Tortured Poets, #TSTTPD, #Swifties or #Taylor Swift on Threads will reveal a special shimmer effect, while celebratory hearts will appear on-screen when someone “likes” a post tagged with any of the above tags.

Instagram and Threads noted that more exciting experiences will add to their platforms in the coming days.

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The Tortured Poets Department will be Swift’s first album of new material since October 2022’s Midnights, which won album of the year and best pop vocal album at the 2024 Grammys. She also put out (Taylor’s Version) re-recordings of Speak Now and 1989 in 2023, as she embarked on her career-spanning Eras Tour.

Swift has already announced the track list, as well as three variants of the 16-track album, each featuring a different bonus track: “The Manuscript,” “The Bolter” and “The Albatross.” The Tortured Poets Department also features two major collaborations: Post Malone, who is featured on the first album, “Fortnight,” as well as Florence + The Machine on track eight, “Florida!!!”

Which Is Your Favorite Luis Fonsi Billboard No. 1 Hit? Vote!

Luis Fonsi is currently on a promo tour in Argentina, where he’s also celebrating his 46th birthday Monday (April 15). 

“I LOVE Argentina,” he expressed on Instagram on the eve of his special day, along with a set of photos with his fans and industry friends. He’s also spending the day reposting birthday wishes he’s receiving on social media from artists such as Laura Pausini, and his wife, Águeda López, to name a few. 

Meanwhile, in honor of the Puerto Rican act’s birthday, Billboard has put together a poll with all of his No. 1 hits on the Hot Latin Songs chart. 

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Fonsi’s first No. 1 title arrived in 2000 with the romantic tune “Imaginame Sin Ti,” which topped the chart for two weeks. In 2008, he unleashed “No Me Doy Por Vencido” — a passionate ballad about resilience and not giving up — which spent 19 weeks at No. 1.

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His biggest No. 1 hit to date, however, arrived in 2017 with “Despacito,” in which he delivered a more urban and rhythmic approach in collaboration with Daddy Yankee. 

“It was just another song in Spanish,” he told Billboard in 2020. “I’ve been doing this for 21 years. It’s just, I’m putting out an album, let me do a new song. This idea pops to my head, then Daddy Yankee jumps on it, it starts to sound really cool. We release it, it becomes a huge hit.”

The “Despacito” remix featuring Justin Bieber spent 56 weeks at No. 1 on the Hot Latin Songs, and also skyrocketed the track to the top of the Billboard Hot 100 chart. 

“He opened up a lot of doors for us,” Fonsi noted. “I’m really grateful that things just happened in such a beautiful way and all the stars aligned … The whole world was dancing and singing in Spanish, I’m proud of that.”

Below, check out all of Fonsi’s No. 1 hits on the Hot Latin Songs chart, and vote for your favorite one:


Benson Boone’s ‘Beautiful Things’ Holds Atop Billboard Global Charts

Benson Boone’s “Beautiful Things” remains the biggest song in the world, as it notches a seventh week at No. 1 on the Billboard Global 200. It also holds atop the Billboard Global Excl. U.S. chart for an eighth week at the summit.

The Billboard Global 200 and Billboard Global Excl. U.S. charts, which began in September 2020, rank songs based on streaming and sales activity culled from more than 200 territories around the world, as compiled by Luminate. The Global 200 is inclusive of worldwide data and the Global Excl. U.S. chart comprises data from territories excluding the United States.

Chart ranks are based on a weighted formula incorporating official-only streams on both subscription and ad-supported tiers of audio and video music services, as well as download sales, the latter of which reflect purchases from full-service digital music retailers from around the world, with sales from direct-to-consumer (D2C) sites excluded from the charts’ calculations.

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‘Beautiful Things’ Leads Global 200 for Seventh Week

Benson Boone’s “Beautiful Things,” on Night Street/Warner Records, holds for a seventh nonconsecutive week at No. 1 on the Billboard Global 200, with 83.9 million streams (down 2%) and 22,000 sold (up 31%) worldwide April 5-11.

Hozier’s “Too Sweet” jumps 6-2 for a new Global 200 high, up 30% to 70.9 million streams worldwide. The song also becomes the Irish singer-songwriter’s first top 10 since the Global Excl. U.S. chart originated (13-7; 35.8 million streams, up 50%, outside the U.S.)

Artemas’ “I Like the Way You Kiss Me” climbs 5-3 for a new Global 200 best; Future, Metro Boomin and Kendrick Lamar’s “Like That” falls 2-4, two weeks after it debuted at No. 1; and Ariana Grande’s “We Can’t Be Friends (Wait for Your Love)” slips 4-5, after it debuted at No. 1 in March.

Boone No. 1 on Global Excl. U.S. for Eighth Week

Benson Boone’s “Beautiful Things” scores an eighth nonconsecutive week atop the Billboard Global Excl. U.S. chart, with 60.1 million streams (down 3%) and 8,000 sold (essentially even week-over-week) outside the U.S. April 5-11.

Artemas’ “I Like the Way You Kiss Me” bounds 4-2 for a new highpoint on Global Excl. U.S.; ILLIT’s “Magnetic” backtracks to No. 3 from its No. 2 best; Ariana Grande’s “We Can’t Be Friends (Wait for Your Love)” descends 3-4, four weeks after it debuted at No. 1; and Djo’s “End of Beginning” keeps at No. 5, after reaching No. 3.

Plus, FloyyMenor and Cris Mj’s “Gata Only” pushes 9-6 for a new Global Excl. U.S. high. The song also becomes the first top 10 on the Global 200 for both Chilean artists (15-10; 59.5 million streams, up 21%, worldwide).

The Billboard Global 200 and Billboard Global Excl. U.S. charts (dated April 20, 2024) will update on Billboard.com tomorrow, April 16. For both charts, the top 100 titles are available to all readers on Billboard.com, while the complete 200-title rankings are visible on Billboard Pro, Billboard’s subscription-based service. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.