Music

5 Must-Hear New Country Songs: Luke Combs, Shelby Lynne, Becky Buller & More

This week’s slate of new music includes fresh tracks from Luke Combs, Shelby Lynne and Becky Buller. Combs offers up a contribution to Twisters: The Album, while Lynne teams with Karen Fairchild, Ashley Monroe and Gena Johnson to craft new music. Bluegrass mainstay Buller highlights the importance of mental health care on her latest, while Aaron Vance blends radio-ready sonics with a romantic vibe. Meanwhile, Laci Kaye Booth issues her full-length debut, chock-full of top-shelf songwriting.

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Luke Combs, “Ain’t No Love in Oklahoma”

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Combs issues one of his most ferocious vocals to date from the first blistering notes of this thumping barnburner. Written by Combs with Jonathan Singleton and Jessi Alexander, this song is part of the companion album to the movie Twisters. As such, this careening country-rock number blends lyrics that center on translating the passion for thrill-seeking that comes with chasing tornadoes. “Scared of nothing and I’m scared to death,” is how Combs describes it on one verse, while the wall of thunderous percussion and sinewy guitars churn, winding into a chorus that feels tailor-made for crowds to lift up their cups and shout along with.

Shelby Lynne, “Over and Over”



As Lynne’s masterpiece album I Am Shelby Lynne celebrates its silver anniversary, the singer-songwriter proves she continues to possess one of music’s most distinctive voices on her new song “Over and Over.” She depicts the tale of someone remembering an old flame, and the cascade of memories that keep trailing from the past to the present. Horns, tambourine and a swell of voices further elevate Lynne’s crystalline voice. The song was produced by Lynne, Karen Fairchild, Ashley Monroe and Gena Johnson, as Lynne prepares an upcoming album with Fairchild.

Becky Buller feat. Aoife O’Donovan, “Jubilee”



Ten-time International Bluegrass Music Association award winner Buller puts a spotlight on a subject rarely covered in bluegrass music with her latest album, Jubilee, which centers on battling with depression. Released May 17, the album was initially commissioned by the FreshGrass Foundation to debut at their Bentonville, Arkansas festival. Buller and her band recorded the album live; on the title track, featuring Aoife O’Donovan, she remembers the idyllic early days of love, but yearns for a time of respite as demands and stresses pile up — a topic that no doubt resonates deep with so many listeners. The harmonies here are superb, backed by expertly-rendered mandolin, guitar, banjo, bass and fiddle.

Aaron Vance, “Will You Marry Me (Cause I Wanna Be Your Man)”



Mississippi native Vance has been releasing music for more than a decade, with songs including “Cabin Fever” and “Outlaw Jones,” and has been spotlighted by the Black Opry as well. Here, he dusts off a song he wrote solo in 2015. “Will You Marry Me,” produced by Rich Karg, gives a fun, uptempo vibe to this romantic missive. Groovy, twangy guitars and laid-back percussion provide an undertow as Vance’s clear, resonant voice chronicles a couple’s story from friendship to lovers, as he pops the question in song. Vance is steadily stacking his cards as a singer-songwriter of ineluctable artistic power.

Laci Kaye Booth, Loneliest Girl in the World



Livingston, Texas native Booth issues her debut full-length album with Loneliest Girl in the World, out via Geffen Records. Across 15 tracks, Booth largely stays within slow grooves and singer-songwritery sonic terrains, which place the focus squarely on her softly smokey voice and vivid story arcs. She tries to shake off her overthinking, “good girl” ways in “Nightmare” and in “South,” she muses how she’ll handle it if her lover’s wanderlust for open spaces leads him from the city and out West. Snippets of phone calls with family lead into the album’s closer “Hang on Houston,” as she sings of missing home as she chases her dreams in the “ten-year town” of Nashville. Smart songwriting and tasteful production proliferate the album, highlighting her talents as both writer and vocalist and making Booth one of the genre’s brightest newcomers.

Eddie Vedder Slams Harrison Butker During Pearl Jam Concert: Watch

Eddie Vedder had some choice words for Harrison Butker following the Kansas City Chiefs kicker’s controversial commencement speech at Benedictine College last week. 

During Pearl Jam’s Saturday (May 18) concert at MGM Grand in Las Vegas, the 59-year-old rock star cut right to the chase when expressing his feelings about Butker’s beliefs, particularly the athlete’s assertion that women should prioritize raising families instead of pursuing careers outside of the home. 

“There should be pride in homemaking, whether you’re a man or woman,” he began. “It’s maybe one of the hardest jobs and you should definitely take pride in it. But you shouldn’t not follow a dream because you think … you’re going to benefit by giving up your dreams? I couldn’t understand the logic.”

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“He was telling men, ‘Don’t forget to puff up your chest and be more masculine, don’t lose your masculinity,’” Vedder continued while strumming his guitar, as captured in a fan video. “The irony was that when he was saying that, he looked like such a f–king p—y.”  

The “Even Flow” singer added, “There’s nothing more masculine than a strong man supporting a strong woman.” 

The concert comes a little over a week after Butker took the stage at Benedictine’s May 11 commencement ceremony to condemn President Joe Biden, abortion, birth control, Pride Month and “the cultural emasculation of men” before discouraging the female graduates in attendance from “thinking about all of the promotions and titles” they would soon get in their careers. 

“I would venture to guess that the majority of you are most excited about your marriage and the children you will bring into this world,” the NFL player continued at the time. “I can tell you that my beautiful wife, Isabelle, would be the first to say her life truly started when she started living her vocation as a wife and as a mother.” 

In the same speech, Butker also promoted antisemitic misinformation about a congressional bill, as well as quoted the song “Bejeweled” by Taylor Swift — whom he simply referred to as Chiefs tight end Travis Kelce’s “girlfriend” — while admonishing church leaders who become “overly familiar” with their parishioners. “This undue familiarity will prove to be problematic every time,” he said with a smile. “Because as my teammate’s girlfriend says, ‘Familiarity breeds contempt.’” 

Vedder isn’t the only star who’s spoken out against Butker’s comments. Maren Morris, Flavor Flav and more celebrities have all used their platforms to condemn the athlete’s words. However, other stars such as Whoopi Goldberg and actress Patricia Heaton have publicly defended Butker’s right to say them. 

See the moment Vedder slammed Butker at Pearl Jam’s Las Vegas concert below. 



Nas to Celebrate 30th Anniversary of ‘Illmatic’ With Four Las Vegas Shows Featuring Live Orchestra

Nas is taking his talents to Las Vegas. The Queensbridge icon is taking over the Encore Theater at Wynn Las Vegas for four consecutive shows throughout Labor Day Weekend to close out the summer in epic fashion.

In celebration of Nas’ Illmatic debut album turning 30 this year, Escobar is slated to head to Sin City for four unique performances starting on Thursday, Aug. 29, through Sunday Sept. 1.

The Nas With the Las Vegas Philharmonic collaboration features the rapper performing an array of anthems from his decorated discography, with a live symphony orchestra at his back.

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Tickets will be going on sale on Friday (May 24) at 10 a.m. PT via Ticketmaster. Prices start at $69.95 plus applicable fees.

“Las Vegas has always served as a creative outlet for my music, and these performances will take that to the next level,” Nas tells Billboard in a statement. “I am excited to partner with the Las Vegas Philharmonic to bring this first-of-its-kind performance to Encore Theater and to showcase my music to my fans in Las Vegas in a whole new way.”

AEG Presents Las Vegas SVP Bobby Reynolds adds: “We could not be more thrilled to welcome Nas to Encore Theater at Wynn Las Vegas for this historic collaboration with the Las Vegas Philharmonic to celebrate one of the greatest hip-hop albums ever made. Marrying Nas’ legendary catalog with the unparalleled sound of the Las Vegas Philharmonic Is guaranteed to be an unforgettable and must-see experience for all Nas fans, and there is no venue more perfect in Las Vegas for this collaboration or a better place to be this Labor Day Weekend for entertainment than Encore Theater.”

Nas is no stranger to the dice rolls of Vegas, which Esco raps about on 1999 I Am… standout “Undying Love.” “Pacino life, G a roll, casino dice At The Mirage, Vegas strip, neon lights Gamblers, puffin’ cigars, couples and stars Flashin’ cameras, dealers, shuffling cards,” he rhymes.

In April, the 50-year-old rapper celebrated the 30th anniversary of Illmatic by turning the clock back to reunite with DJ Premier for “Define My Name,” in which the two artists announced a long-rumored joint album.

More information regarding the shows and ticketing can be found on the Wynn website.

T.I. Credits J. Cole for Stepping Out of Kendrick Lamar-Drake Feud: ‘That Was Quite Mature of Him’

While the dust appears to have settled in the Kendrick Lamar and Drake feud, other rappers are still providing their takeaways from the massive battle that swept the hip-hop world and permeated pop culture.

T.I. pulled up to Big Boy’s Neighborhood in an episode that dropped May 16, where he broke down the Drake-K. Dot battle as Big Boy peppered him with questions. Tip believes that Cole chose “peace and tranquility” when it comes to bowing out of the feud after dropping “7 Minute Drill” (which he later removed from streaming services following his apology to Lamar at Dreamville Fest).

“You gotta have thick skin,” he said. “You gotta be really unfazed and unbothered. We don’t know the temperament or sensitivity of Cole’s dynamic. We never seen Cole upset, we don’t know where that’ll take him. That was quite mature of him.”

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As far as the jarring allegations made by both sides, T.I. says he doesn’t believe everything he hears. “I just appreciate the skill sets and the presentation — the art,” he explained. “I try to take it all with a grain of salt. All the s–t they saying can’t be true.”

The “What You Know” rapper continued: “It got to be some embellishment or some ambiguous nature in some of this. It can’t all be true, but I just mostly listen for the double entendres, quadruple entendres, and the metaphors and just the skill in which they present they art.”

Kendrick and Drake’s peers might not be as thrilled as fans about the beef, as T.I. believes some may have had their release dates and rollout plans thrown off and pushed back as a result of the feud taking up a ton of oxygen in the rap eco-system over the last month.

“They done kinda f—-d it up for some other who were planning to drop in this period,” he said.

Drake dropped “The Heart Part 6” on May 5, and Kendrick hasn’t replied since, signaling an end to the war. K. Dot’s “Not Like Us” ruled last week’s Billboard Hot 100, while his “Euphoria” diss track came in at No. 3 in its first full week of tracking ahead of Drake’s “Family Matters” (No. 7) in an animosity-filled top 10.

Find T.I.’s full interview below. Talk about the Kendrick-Drake feud begins around the 34-minute mark.



Jon Wysocki, Founding Staind Drummer Dead at 53

Jon Wysocki, the founding drummer of rock band Staind has died at 53. The news was confirmed on Saturday, when Wysocki’s current band, Lydia’s Castle, posted about his passing on Instagram, writing, “On 5/18/2024 at 8:02pm, @jonwysocki4 passed away surrounded by family and friends that loved him dearly.”

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Staind also paid tribute to Wysocki in an Instagram post on Sunday, in which they wrote, “We first met Jon through mutual friends in 1994. We came together with Mike, Aaron, and Johnny April in 1995 and founded Staind. The 17 years that followed were some of the best memories of our times together. From practice in Ludlow, Mass to touring around the world, Jon was integral to who we were as a band. Our hearts go out to Jon’s family, and fans around the world who loved him.”

At press time no information on the cause of death had been announced. Lydia’s Castle member Shawna Hornbeck wrote on Saturday that Wysocki, was, “currently in the ICU. He has been having issues with his liver that requires him to be under the attention of medical professionals to ensure that he is treated properly. While he has been struggling, there are signs that he is recovering slowly.”

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Born on Jan. 17 ,1971 in Westfield, Mass., Wysocki co-founded second-wave grunge band Staind in Springfield, Mass. in 1995 with singer/rhythm guitarist Aaron Lewis, lead guitarist Mike Mushok and bassist Johnny April. The band self-released their debut album, Tormented, in 1997, followed by their 1999 major label debut, Dysfunction, which was co-produced by Limp Bizkit singer Fred Durst and featured the singles “Mudshovel” and “Home.”

After co-headlining the Family Values tour with Limp Bizkit in late 1999, the band dropped their third LP, Break the Cycle, in May 2001, which debuted at No. 1 on the Billboard 200 album chart and spawned their signature No. 5 Hot 100 hit “It’s Been Awhile.” Wysocki played on seven on the band’s eight studio albums — through 2011’s self-titled seventh LP — before taking his leave in 2011, reportedly due to friction with singer Lewis; he was replaced by drummer Sal Giancarelli.

In a statement on his X account on Sunday, Lewis wrote, “I’m so sad. I lost my friend. A friend I loved like a brother… fought with like a brother… cared for like a brother… worried about like a brother… cried over like a brother… because he was my brother in arms. My journey would’ve been different without him… The battles we fought together. The battles we fought against each other. The battles we fought side by side alone with our own demons. The battles we won and the battles we lost. He was my friend. He was our brother. My heart is broken. My world has changed. I’ll see you on the other side my friend. My brother. Godspeed. My heart, my love, and my condolences go out to his family and loved ones. I’m so fu–ing sad. He will be missed.”

After leaving Staind, Wysocki briefly joined Chicago hard rock group Soil, but never recorded with them. On Sunday they also paid tribute to their late bandmate, writing on FB, “Today we lost one of the greats. Jon Wysocki was not only a great friend, a great drummer, but a great human being. It was an honor to have him in SOiL for the time we did. We had so many laughs, so many good times. You will be missed dearly. Until we meet again dear friend…..”

See the statements about Wysocki’s death below.

Grammy Museum in L.A. to Open Permanent Grammy Hall of Fame Interactive Exhibit in Early 2025

When the Recording Academy put the Grammy Hall of Fame on hiatus for one year, they said they were rethinking the entire process. They weren’t kidding. The first fruits of the retooling will be seen on Tuesday (May 21) when the inaugural Grammy Hall of Fame Induction Gala is held at the Novo Theater at L.A. Live in Los Angeles.

Michael Sticka, president/CEO of the Grammy Museum, says his hope for the induction event is to “build it to ultimately be the Museum’s version of MusiCares’ Person of the Year, to raise money for our programming.”

There are also plans to “build a permanent interactive exhibit to celebrate the Hall of Fame and educate our visitors. That will open early next year.”

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The first five inductions into the Grammy Hall of Fame were announced on the Grammy telecast in March 1974, and the Grammy Museum opened in December 2008, but this is the first time the Museum has partnered with the Recording Academy in a major way to celebrate the Hall of Fame.

“The Hall of Fame and the Museum pretty much go hand-in-hand,” Sticka says. “When we first started talking about what this thing really could be, we talked about how the Hall of Fame should live in the Museum. It makes perfect sense.”

These changes are the result of Sticka’s meeting with Recording Academy CEO Harvey Mason Jr. and Ruby Marchand, the Academy’s chief awards and industry officer, to brainstorm ways to build the Grammy Hall of Fame into a higher-profile entity. “The whole idea was ‘let’s get away from simply doing a press release,’” Sticka says of the upcoming gala.

They also made several major changes in the way the Grammy HOF operates. In recent decades, 25 or more inductees have been inducted each year. Starting this year, there will be just 10. “We wanted to whittle it down to a manageable number. If we had 25-30 recordings, it’s really hard to properly recognize each of them during an event.”

This year’s 10 new inductees bring the total number of recordings in the Grammy Hall of Fame to 1,162.

There will be live performances to honor six of this year’s honorees at Tuesday’s event, and interstitial video presentations for the other four. R&B singer William Bell will perform his own inducted recording, “You Don’t Miss Your Water.” Andra Day will perform a song from Lauryn Hill’s The Miseducation of Lauryn Hill, The War and Treaty will sing Charley Pride’s “Kiss an Angel Good Morning,” Elle King will perform Wanda Jackson’s “Let’s Have a Party” and Hanson will take on the Doobie Brothers’ “What a Fool Believes.”

“We really focused on the tribute performance [format], but William wanted to do [his own song] and we weren’t going to say no to that opportunity,” Sticka says.

This year’s Induction Gala will be produced by Ken Ehrlich, who has amassed nine Primetime Emmy nominations across four decades, along with Chantel Sausedo and Ron Basile. Greg Phillinganes will serve as musical director.

This year’s gala will be filmed but not televised. The plan is to cut together this first induction gala and send it to the Academy’s partners, CBS, which has aired the Grammy telecast every year since 1973, and PBS, which aired the Academy’s Special Merit Awards under the title Grammy Salute to Music Legends for about five years under its Great Performances banner.

“It’s tough to pull off a first-time event,” Sticka says. “There’s no proof-of-concept. [We’re] filming it so we can show what it’s going to look like and show what’s possible and hopefully somebody picks it up in the future to televise.”

Clips from the show will be housed on COLLECTION:live, the Grammy Museum’s streaming site.

A second change in the Grammy Hall of Fame process is that the Academy no longer sets aside a certain number of spots for pre-1950 recordings. The one pre-1950 recording being inducted this year, Kid Ory’s Creole Orchestra’s “Ory’s Creole Trombone” (1922) impressively made the cut without a spot being set aside for very old recordings. Now, the only requirement is that all recordings must be at least 25 years old.

The choices were made by a special member committee of about 20 people who had several Zoom meetings. Sticka says he sat in with the committee but didn’t vote. “There was a lot of conversation around a lot of the recordings,” he reports.

A third change is that the Grammy Hall of Fame will honor a record company each year. Atlantic Records, which was celebrating its 75th anniversary when these discussions got underway, is the first label to be honored. (The label was founded in October 1947 and released its first recordings in January 1948.) Even though the 75th anniversary has passed, it will be honored. 76th anniversary just doesn’t have same ring.

Atlantic doesn’t have any recordings being inducted this year, but it has 38 past Hall of Fame inductions.

As part of the salute to Atlantic, two current Atlantic artists are performing Grammy Hall of Fame classics by legendary Atlantic artists. Shinedown is performing Led Zeppelin’s “Stairway to Heaven.” Ravyn Lenae is singing Roberta Flack’s “Killing Me Softly With His Song.” Atlantic had a great deal of input into their segment. “They know themselves best, so we left it up to them,” Sticka says. “We had a lot of conversations with them.”

Starting this year, all artist(s), producer(s), songwriter(s) and engineer(s) who work on a Grammy Hall of Fame inductee will receive a certificate, provided they worked on 51% or more of the recording and had primary participation in those capacities. No statuettes, though. You have to win a Grammy in competition to get one of those.

Katy Perry Waves Goodbye To ‘American Idol’ Era With Tears, Flying Pizza and a Towering Dress Paying Tribute to Contestants

Katy Perry ended her seven-year American Idol run in style on Sunday night (May 19), singing, table jumping and pizza-tossing her way off the stage during the three-hour season 22 finale. While the episode was ostensibly meant to crown this year’s winner — which it did, spoiler alert, in singer Abi Carter — it was also a night to celebrate Perry, who announced earlier this year that she would be leaving the series after serving alongside Lionel Richie and Luke Bryan since the show jumped to ABC in 2018.

In a testament to Perry’s up-for-anything attitude, Idol ran a clip package mid-way through Sunday’s show featuring highlights from her often wild-and-wacky run. From Bryan jump-scaring his partner early on to Perry visiting Luke’s farm for a lesson on corn science, crying with contestants, modeling a series of increasingly outrageous outfits and getting ice cream smooshed on her face by her cohorts, Perry looked happy, and emotional, as the last hour ticked down.

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Just before the final votes were read, Perry, 39, took to the stage one last time to perform “What Makes a Woman” from her 2020 album Smile with finalist Jack Blocker. Initially seated while wearing what looked like a metallic bustier, Perry began to rise up as Blocker sang the second verse, revealing an expansive dress plastered with the faces of Idol contestants who’ve appeared on the show during her run. Soaring high above the stage as paper butterflies rained down all around her, Perry’s dress was the perfect lasting image of the singer’s sweet embrace of her Idol era.

“143, I love you,” Perry said as she held up heart hands. Later in the show, as Katy munched on a slice of pizza, the women of the top 12 performed a medley of Perry’s songs, including “Teenage Dream,” “Dark Horse” and”California Gurls.” The performance ended with Perry jumping to her feet and climbing up on the judge’s desk to flex her arms as Bryan pelted her with beach balls.

With the sand running out following Carter’s coronation, Perry let the tears flow freely as this year’s winner sang Billie Eilish’s Oscar-winning “What Was I Made For?” to cap her golden season 22 run, with Richie sharing a last, long hug with Katy as confetti rained down around them.

Idol has been renewed for a 23rd season, but at press time Perry’s replacement had not yet been announced.

Check out images from Perry’s final night below.

Carín León Reveals Tracklist, Cover of New Album ‘Boca Chueca Vol.1’

Carín León’s new album will be released May 30, and it won’t be business as usual, as the Mexican star exclusively tells Billboard.

Boca Chueca Vol. 1 drops at 8 p.m. ET on May 30, and features 19 songs, including bilingual collabs with country stars Kane Brown and Leon Bridges as well as Latin icons like ranchera star Pepe Aguilar and Mexican rockers Panteón Rococo. See the full tracklist for the first time below.

But the real change, says León, starts with the album cover, a surrealist painting that shows León’s face close up, with a sinister-looking hand holding his mouth open in a crooked grimace that is a direct reference to the album’s title; “Boca Chueca” translates to “Crooked Mouth.” And that title in turn represents the album’s contents, says León.  

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“What we wanted to highlight on the cover was […] all those problems you suffer as an artist who is always exposed,” León said in a voice note he sent to Bilboard. “All those fears they carry from before. All that contributes to the music and the art we all make as artists. Making this album was like a small embrace and a conciliation with many things people think are bad, but that are also part of you. The cover has that dark look which in a way has a lot to do with us and also speaks about the reinvention in this album. It has more daring words, more of a street vocabulary. Boca Chueca has a lot to do with that less genteel side of Oscar Armando,” says León, referring to his given name, Oscar Armando Díaz de León.

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The cover art of Boca Chueca was designed by Alan Ortega, a member of León’s band who plays the pedal steel guitar but is also a painter. In fact, he did the also surrealistic cover of León’s album Colmillo de Leche, where he is depicted with a lion’s head.

Boca Chueca Vol. 1 is the studio follow-up to Colmillo, which peaked at No. 8 last year on Billboard’s Top Latin Albums chart. Since its release, León has been getting traction as one of the top regional Mexican music stars in the market, touring arenas and performing at festivals like Stagecoach.

His new tour, also called Boca Chueca, kicks off July 22 and includes stops at Madison Square Garden and, in a departure for a Mexican act, at Wizink Center in Madrid.

As for Vol. 2 of Boca Chueca (the album), no word yet on when it will be released, but the implication is it won’t be long. Here is the full tracklist of Boca Chueca, Vol. 1.

Final Tracklist: 

1.⁠ ⁠”Cuando la vida sea trago”
2.⁠ “⁠Otra vez”
3.⁠ ⁠”Casi oficial”
4.⁠ ⁠”Frené mis pies”
5.⁠ ⁠”Círculo vicioso”
6.⁠ ⁠”Que haga el paro”
7.⁠ ⁠”Bebé no cambies tú”
8.⁠ “⁠⁠Por eso bye”
9.⁠ ⁠”Qué feo se siente el amor”
10.⁠ ⁠”No sé” con Panteón Rococó
11.⁠ “⁠The One (Pero no como yo)” con Kane Brown
12.⁠ ⁠”Lamentablemente” con Pepe Aguilar
13.⁠ ⁠⁠”Aviso importante” con Bolela
14.⁠ “⁠It Was Always You (Siempre fuiste tú)” con Leon Bridges
15.⁠ ⁠”Banqueteras”
16.⁠ “⁠⁠1”
17.⁠ ⁠”Aunque tú no lo sepas”
18.⁠ ⁠”Por culpa de un tercero”
19.⁠ ⁠”Despídase bien”

Vince Staples Prepping ‘Dark Times’ Album, Drops Contemplative ‘Shame on the Devil’ Video

Vince Staples announced the upcoming release of his sixth full-length studio album, Dark Times, on Monday morning (May 20), revealing that his Def Jam LP will drop on Friday (May 24). The 13-track collection is described in a release as “a muscular and revelatory work refining elements that have been present in his catalog for the last decade: dense lyricism over lush, layered beats; wry, melancholic observations about life; finding pockets of light in an endless dark.”

The album was previewed with the contemplative “Shame on the Devil,” whose 50-second video is a split-screen with one side containing a close-up of Staples rapping his lamentations over the song’s laconic beat. The other side of the screen portrays the shadows of a woman and a child arguing in a room with a man in profile who, at one point, removes the halo hovering over his head as Staples rap/sings, “Shame on the devil/ I’m touched by an angel/ The lord made me special.”

In a statement, Staples called the track a “personal achievement… it’s me mastering some things I’ve tried before that I wasn’t great at in the beginning. It’s a testament to musical growth, song structure — all the good stuff.”

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A release noted that the album was recorded over seven months in North Hollywood, with the title coming to the rapper/actor “intuitively” after he listened to the whole thing and noticed some recurring “heavy” motifs. “I’m Black, and that’s what we’re evading,” he said of the album cover, a stark black-and-white image of Staples with his eyes closed in deep thought. “We all have our things that could kill us. We all have that imminent threat.”

Dark Times is the follow-up to 2022’s Ramona Park Broke My Heart and Staples’ first big project since February’s debut of his five-episode Netflix series The Vince Staples Show.

Watch the “Shame on the Devil” video and see the Dark Times track list below.



Dark Times tracklist:

  1. “Close Your Eyes and Swing”
  2. “Black & Blue”
  3. “Government Cheese”
  4. “Children’s Song”
  5. “Shame On the Devil” 
  6. “Étouffée” 
  7. “Liars”
  8. “Justin”
  9. “‘Radio’”
  10. “Nothing Matters” 
  11. “Little Homies” 
  12. “Freeman” 
  13. “Why Won’t the Sun Come Out?”

Abi Carter Wins ‘American Idol’ 2024

Take a bow Abi Carter.

The 21-year-old Indio, CA native wins the 2024 edition of American Idol, joining a list of previous champs that includes Kelly Clarkson, Ruben Studdard and Carrie Underwood.

Carter held her nerve during Sunday night’s (May 19) three-hour finale, winning ahead of Jack Blocker, a 25-year-old from Dallas, TX, and Will Moseley, a 23-year-old from Hazelhurst, GA.

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The budding musicians performed “Bed of Roses” by Jon Bon Jovi, “Somewhere” from “West Side Story”, “River” (with Bishop Briggs) and the original song “This Isn’t Over”.

It sure wasn’t over. When America voted, Carter came out on top.

Carter reigned over a season 22 finale that saw Rock And Roll Hall of Famer Jon Bon Jovi participate as guest mentor, plus special performances from Nick Fradiani, New Kids On The Block, Jason Mraz, Hootie And The Blowfish, Cece Winans, James Bay, Wynonna Judd, Seal, Bishop Briggs and Cody Johnson.

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Speaker to Billboard when the top 10 was announced, Carter said, “I want to be an artist. I’ve never felt so passionately about something. I went to school and got a psychology degree because I figured if I can’t express my emotions through something artistically, maybe I can just help other people express their emotions. I was going to be a family therapist.”

As one Idol is crowned, one queen of the reality TV show departs — Katy Perry. The U.S. pop superstar completes her stint on the panel, and has announced that her future plans include new music.