Music

Juvenile Says a New Hot Boys Album Is in the Works

Juvenile was on Instagram Live over the weekend when he got annoyed by fans asking about a Hot Boys reunion. The crew consisting of Juvenile, B.G., Lil Wayne, and Turk haven’t released an album since 2003’s Let ‘Em Burn, so he’s been asked about a reunion since before Instagram was even a thing.

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Well, it looks like all the pestering has finally worked, because the Cash Money Millionaire revealed that not only will the Hot Boys will be reuniting at Essence Fest in New Orleans this July, but that they’ve also been working on a new album.

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“Hot Boys is back together, man. What you talkin’ about put the Hot Boys back together? Show y’all ain’t keeping up with s–t,” he says in a clip from his Live. “Turk gonna be with me tonight, I’m gonna be with B.G. next week. Me, Wayne, Turk, and B.G., all of us gonna be on stage in New Orleans with Mannie Fresh and Birdman. And we already done started working on a Hot Boys album. Any other f—king questions? Keep on askin’ put the Hot Boys together. Have some f—kin’ patience.”

It’s unclear whether or not there is a larger rollout planned for the upcoming Hot Boys reunion. It’s hard to imagine the plan was to have Juvie randomly blurt it out on Instagram Live.

Juvenile most recently found success making a video for the title track to his 1998 album 400 Degreez. The video features producer Mannie Fresh and was made to celebrate the multiplatinum album’s 25th anniversary.

Aside from creative differences, one factor that greatly effected the Hot Boys is incarceration. B.G. and Turk both served lengthy prison sentences, with the former serving 12 years and the latter serving nine.

Since being released in September, B.G. has been dropping a torrent of music, including “Gold Teeth Grizzle” and “Really Understand.” A few months after Turk came home in 2012, a remix to his song “Zip It” surfaced featuring Juvie, Wayne and B.G., making it one of their first reunion songs since 2003.



Either way, this is great news for white tee enthusiasts everywhere.

Taylor Swift’s ‘Cruel Summer’ Is Now Her Sole Longest-Charting Hot 100 Hit

Taylor Swift’s “Cruel Summer” becomes her sole longest-charting hit on the Billboard Hot 100, adding a 54th week on the survey, dated May 25. It one-ups the 53-week run of her fellow former No. 1, “Anti-Hero.”

“Cruel Summer” claims the mark among Swift’s 263 career Hot 100 entries, the most among women in the chart’s history.

The song was originally released on Swift’s 2019 Republic Records album Lover. The label began promoting the song as a single last June, after Swift began performing it on her The Eras Tour, her first in which she’s been able to spotlight songs from Lover, which was released shortly before the onset of the COVID-19 pandemic.

“Cruel Summer” debuted at No. 29 on the Hot 100 dated Sept. 7, 2019, and remained on the chart the following week. It returned on the June 3, 2023-dated ranking, reached the top 10 last July and notched the first of its four weeks at No. 1 on the chart dated last Oct. 28, becoming the 10th of Swift’s 12 career No. 1s. It places at No. 20 on the May 25-dated Hot 100.

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Among Swift’s Hot 100 hits, “Cruel Summer” has also logged the most weeks in the top five (20) and top 10 (34).

Swift and Jack Antonoff co-produced “Cruel Summer” and co-wrote it with St. Vincent. Notably, in between its Hot 100 debut and re-entry, the three were credited as co-writers of Olivia Rodrigo’s “Deja Vu” for its interpolation of “Cruel Summer.”

“The song we said was the best [on Lover], but we thought, ‘Oh, you know what? This will be our secret best song,’ ” Antonoff said of “Cruel Summer” upon its Hot 100 coronation. Added Swift, “We just wanted to say thank you so much for making ‘Cruel Summer’ a Hot 100 No. 1, and it’s not even summer anymore. It’s deep fall, I’m wearing a sweater.”



Here’s an updated look at Swift’s longest-charting Hot 100 hits (through the list dated May 25, 2024).

  • 54 weeks, “Cruel Summer,” No. 1 for four weeks, beginning Oct. 28, 2023
  • 53 weeks, “Anti-Hero,” No. 1, eight weeks, beginning Nov. 5, 2022
  • 50 weeks, “Shake It Off,” No. 1, four weeks, beginning Sept. 6, 2014
  • 50 weeks, “You Belong With Me,” No. 2 peak, Aug. 22, 2009
  • 49 weeks, “Love Story,” No. 4, Jan. 17, 2009
  • 48 weeks, “Teardrops on My Guitar,” No. 13, March 1, 2008
  • 38 weeks, “Blank Space,” No. 1, seven weeks, beginning Nov. 29, 2014
  • 36 weeks, “I Knew You Were Trouble.,” No. 2, Jan. 12, 2013
  • 36 weeks, “Our Song,” No. 16, Jan. 19, 2008
  • 35 weeks, “Delicate,” No. 12, July 28, 2018

“Cruel Summer” additionally became Swift’s longest-leading hit on the all-format Radio Songs chart, reigning for 12 weeks – twice as long as her second longest-ruling single (“Blank Space”). It’s her also her longest-leading No. 1 on Adult Pop Airplay (23 weeks – the most for a song by a woman) and Pop Airplay (10 weeks). Plus, it crowned the all-genre Streaming Songs and Digital Song Sales surveys for a week each.

All charts dated May 25 will update on Billboard.com Tuesday, May 21.

Sabrina Carpenter Says She’s ‘So Not Chill’ About Making Her ‘Saturday Night Live’ Debut

Sabrina Carpenter is amped up after making her Saturday Night Live debut, and it’s not just because of all that “me espresso” she’s been drinking.

Following her first-ever performance on the show Saturday (May 18), the 25-year-old singer shared her excitement the next day on Instagram. “literally working late cuz I’m a singer,” she joked, captioning a clip of her performing her hit single “Espresso” on the SNL stage the night prior.

Carpenter added, “@nbcsnl thank you for having us I’m sooooo not chill about it and never will be.”

In addition to “Espresso” — which recently peaked at No. 4 on the Billboard Hot 100, marking the rising pop star’s first-ever top 10 hit — Carpenter sang a medley of two of her Emails I Can’t Send standouts, “Feather” and “Nonsense.” For the latter, the Work It actress improvised one of her famous NSFW outros, singing, “He is 30 Rock-hard ’cause I said ‘hi’/ My sense of humor is but I am not dry/ SNL I just came for the first time.”

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She also appeared as Daphne alongside the night’s host, Jake Gyllenhaal, in a Scooby Doo-themed skit during the episode. In spite of what some fans predicted, the installment featured no allusions to the two stars’ mutual connection, Taylor Swift, who befriended Carpenter on the Latin America, Asia and Australian legs of her Eras Tour more than a decade after dating the Brokeback Mountain actor.

The May 18 show marked SNL‘s season 49 finale, meaning the series won’t resume until the fall. A week prior, Vampire Weekend performed on the Maya Rudolph-hosted episode, before which Dua Lipa did double duty as musical guest and host.

See Carpenter’s post below.

Saweetie Pays Homage to Grace Jones, ‘The Inspiration Behind the NANi Cover’

Saweetie saluted Grace Jones on the icon’s 76th birthday Sunday (May 19), and thanked her for inspiring the cover art of the rapper’s newest single “NANi.”

“Happy birthday to THE ICON, Grace Jones,” she wrote on X. “thank you for the massive print you’ve made in fashion, culture & cuntiness. The inspiration behind the NANi cover.”

The pose Saweetie is striking on the “NANi” single artwork is directly inspired by the artwork for Jones’ 1985 greatest hits album Island Life, which features the almost-nude singer stretching her right arm forward, with a microphone in hand, and stretching her left arm backward, touching her right foot that’s extended upward while her left leg stands strong. But the impossible arabesque pose, captured by Jean-Paul Goude, is actually a montage of images of Jones striking different poses that were cut and pasted together. It also made Billboard‘s 100 Best Album Covers of All Time list at No. 27 last year.

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The “Icy Girl” MC recreated the image for her “NANi” cover, but instead of holding a mic, she’s holding a lime-green hair dryer that’s blowing her bubblegum pink locks away. “we gon’ fkkk up the Summer,” she wrote last week while officially announcing “NANi.”

Earlier this month at the 2024 Gold Gala — where Saweetie received the first-ever Billboard Gold Music Honor during the event dedicated to recognizing the 100 most impactful Asian Pacific changemakers in culture and society over the past year — she told Billboard on the red carpet, “‘NANi’ is that girl. ‘NANi’ is main character energy.”

Post Malone & Morgan Wallen’s ‘I Had Some Help’ Soars In at No. 1 on Billboard Hot 100

Post Malone’s “I Had Some Help,” featuring Morgan Wallen, launches at No. 1 on the Billboard Hot 100 songs chart. Post Malone achieves his sixth leader with the bitter breakup song and Wallen adds his second.

Notably, the track premieres with 76.4 million official U.S. streams, according to Luminate, the top total for a song in a single week since YouTube song user-generated content was removed from chart calculations in 2020. It surpasses Taylor Swift’s “Fortnight” – featuring Post Malone – which drew 76.2 million only three weeks earlier. Prior to the two songs, Olivia Rodrigo’s “Drivers License” held the mark with 76.1 million in its first frame, as reflected on charts dated Jan. 23, 2021.

“I Had Some Help” arrives as the 1,172nd No. 1 in the Hot 100’s history, and the 80th to debut in the top spot. It concurrently blasts to No. 1 on the Hot Country Songs chart, where it’s established pop star Post Malone’s first leader and Wallen’s eighth.



The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data, the lattermost metric reflecting purchases of physical singles and digital tracks from full-service digital music retailers; digital singles sales from direct-to-consumer (D2C) sites are excluded from chart calculations. All charts (dated May 25, 2024) will update on Billboard.com tomorrow, May 21. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.

Below is a rundown of the latest Hot 100’s top 10.

Tyla Sizzles & Stops Traffic in Twerk-Filled ‘Jump’ Video Featuring Gunna & Skillibeng

“From Jozi to Ibiza,” it’s all eyes on Tyla. The South African singer returned on Monday (May 20) to drop off the steamy “Jump” video featuring appearances from Gunna and Skillibeng.

Nabil helms the colorful clip while Tyla invites the YSL rapper and Jamaican dancehall artist to Africa for the visual.

The Grammy-winning musician twerks from the balcony and even stops traffic with her breathtaking looks. “See me now, and that’s what they prefer/ I don’t touch no wheel ’cause I got a chauffeur/ First class how I get ’round the world,” she sings.

A fight briefly interrupts the action while Tyla undergoes several vibrant wardrobe changes before settling on a Rolling Stone lips logo tank to roll to the club with Gunna.

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“A perfect picture like a Polaroid/ She a trophy, no award/ Baby sweet and tender like sirloin/ Told the chauffeur take you to a Chanel store/ Ever play with you, it be a world war,” Wunna raps.

The boastful “Jump” had a run on the TikTok Billboard Top 50, where it peaked at No. 11 in April. The Sammy Soso-produced track landed on Tyla’s self-titled debut album, which landed at No. 24 on the Billboard 200 in March following its release.

The 22-year-old graced the cover of Billboard in late March alongside her debut’s arrival, where she displayed the utmost confidence in herself and declared her run has only just begun when it comes to carving out her global legacy.

“I’m really confident in what I’ve created,” she said. “Now’s a time where I can showcase a performance style where I’m not really dancing as much. Maybe I strip back a little bit more and I’m just serving vocals. But there’s no way to stop me. I’m always going to find a way.”

Watch the “Jump” video below.



R&B/Hip-Hop Fresh Picks of the Week: Lila Iké & H.E.R., Elijah Blake, Your Old Droog & More

With Kendrick Lamar‘s “Not Like Us” enjoying a Billboard Hot 100 No. 1 debut — alongside an ever-extending stint at the top of the zeitgeist thanks to Baltimore Mayor Brandon Scott — the Compton rapper’s musical scuffle with Drake continues to cast an unmistakable shadow over R&B/hip-hop and pop culture discourse.

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Nonetheless, the past week has seen the industry collectively begin to pick its jaws up from the ground and return to regularly scheduled non-Kendrick/Drake-centric programming. Both Vince Staples and Lupe Fiasco announced new albums — Dark Times and Samurai, respectively — while Lil Wayne headlined Travis Kelce‘s Kelce Jam 2024, which also featured performances from 2 Chainz and Diplo. Of course, a harrowing 2016 surveillance video appearing to show Sean “Diddy” Combs assaulting his then-girlfriend Cassie Ventura in a hotel surfaced via CNN, effectively corroborating Ventura’s account of the 2016 assault in her now-settled lawsuit against the Bad Boy mogul.

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With Fresh PicksBillboard aims to highlight some of the best and most interesting new sounds across R&B and hip-hop — from Lila Iké & H.E.R.’s sultry “Boy Is Mine”-esque duet to Elijah Blake’s nostalgic reflection on two lovers who just can’t seem to make things work. Be sure to check out this week’s Fresh Picks in our Spotify playlist below.

Freshest Find: Lila Iké & H.E.R., “He Loves Us Both”



The legacy of Brandy & Monica‘s seminal “The Boy Is Mine” is well-documented, and this seductive new duet from reggae star Lila Iké and R&B dynamo H.E.R. showcases just how far that ’90s Grammy-winning tune has traveled. “I know you probably judgin’ what I did/ I know you probably hopin’ I forgive/ He don’t make it easy to walk away/ I know because he make me feel the same,” they croon back and forth, effortlessly emulating the tug-of-war that anchors Brandy & Monica’s original. Iké’s soulful, intentional phrasing plays well against H.E.R.’s riff-laden performance. Both of their voices wrap around the plaintive guitars and steady percussion, prioritizing selective restraint over bombastic belts which drives home the tension between the position of each vocalist. This is how crossover collaborations should sound.

2Rare feat. Skilla Baby & Rob49, “C4”



Nearly four decades later, Eazy-E’s classic single “Boyz N the Hood” is once again being revitalized in rap’s mainstream — but here, 2Rare flips the hardcore West Coast anthem into a raunchy club banger, with help from Skilla Baby and Rob49 looking to heat up just in time for the summer. Instead of Eazy’s ‘64 Impala, Rare plays off of the explosive C4: “She the type to blow just like C4/ Fiending for the D like I was giving her dope,” he raps on the chorus while mimicking Eazy-E’s flow. This year is slated to be another busy campaign for the Warner Records signee, and the Philly native has plenty of more energetic tunes on the way with a project also on the horizon.

Elijah Blake, “Sugarwater & Lime”



Elijah Blake has spent the better part of the last decade writing on hits for R&B heavyweights — including Usher (“Climax”) and Rihanna (“No Love Allowed”) — but, recently, he’s shifted his focus to his own output. With “Sugarwater & Lime,” the latest single from his forthcoming eponymous LP, Blake explores the frustration of trying to make something work without having all of the right ingredients. “Baby, we can’t make lemonade/ From sugarwater and lime/ But we tried/ We couldn’t make lemonade/ But maybe we can heal from heartbreak/ In due time,” he sings over a brassy arrangement accented by warbling bass, symphonic strings and ’70s-esque drum licks. Blake’s voice ranges from tender falsetto to nimble rap-sung cadences and dizzying riffs, tracing the inevitably convoluted route of an almost-there love.

Your Old Droog, “Mercury Thermometers”



Classic boom-bap rap might have taken a backseat compared to the force it was decades ago in the culture, but Your Old Droog is still doing the sub-genre justice. The New York rapper connected with Conductor Williams for “Mercury Thermometers” and Droog’s shrewd wordplay over the dusty production and cymbal drums doesn’t disappoint. “This is Bob Dylan without the harmonica/ This some iconic bars and a hard moniker,” he raps. Y.O.D. boasts about taking the hard route to fame with no handouts or stimulus packages, but still being able to persevere. Look for Droog to work with plenty of acclaimed hip-hop producers on his upcoming album, Movie, which arrives on June 21. 

Deb Fan, “Lady”



With “Lady,” the first single from R&B artist-producer Deb Fan’s forthcoming sophomore EP, the Hong Kong-raised, L.A.-based singer challenges restrictive stereotypes and outdated portrayals of womanhood in Asian culture. “There’s some beauty in made-up rules/ King of my world with none to lose,” she coos in an ethereal tone over sparse, atmospheric production reminiscent of contemporary R&B stars like Kali Uchis, while still finding room for the slinky bass of ’90s R&B. With a vocal performance that simultaneously mourns the constricting nature of expectations placed on women and rings with the hope of a concerted rebirth, Deb Fan makes some real magic on “Lady.”

BIG30, “Come Save Me”



BIG30 paints his hood love story with the first verse of “Come Save Me.” This isn’t exactly Romeo and Juliet, but the Memphis native admits he’s been “looking for love in all the wrong places” recently. He realizes how toxic this love is, but he’s not trying to hide it anymore and even wants her to have his baby. “Ain’t talkin’ ’bout with no picture, baby, pop out with my child,” he raps. Adding another layer to the chaos, the wind instrument loop hilariously sounds like it recalls the Austin Powers theme song. Learn more about BIG30 as his Still King album is filled with gripping street tales from the NLess rapper. 

Tom Hanks Asks Son Chet to Explain the Drake vs. Kendrick Lamar Feud to Him: ‘Who’s Winning??’

Drake and Kendrick Lamar‘s rap feud is a family matter to the Hanks clan. Feeling out of the loop on modern hip-hop’s biggest beef to date, Tom Hanks recently reached out to his 33-year-old son Chet Hanks for an explanation of the whole debacle, making for a hilarious conversation which the latter shared on Instagram Monday (May 20).

Posting screenshots of the text chain on his Story, Chet revealed that his father — simply saved in his phone as “Pops” — began by messaging him, “Big Main, can you explain the Drake/Kendrick Lamar feud to me?”

Chet obligingly launched into a lengthy rundown of the feud, noting how each of the rappers has been dropping a series of diss tracks aimed at each other throughout April and May, starting with Drake’s “Push Ups.” Then came Drizzy’s since-deleted “Taylor Made Freestyle,” “Family Matters” and “The Heart Pt. 6,” as well as K. Dot’s “Euphoria,” “6:16 in L.A.” and “Meet the Grahams.”

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Of Lamar’s Billboard Hot 100-topping final diss “Not Like Us,” the younger Hanks told the Academy Award-winner that it was “pretty much the sonic equivalent of when you took me to your high school in Oakland and we walked in on the basketball game and everybody started going nuts.”

“Like if you heard it you would just automatically know how to Crip walk with a stank face while clutching an Oscar in each hand with Marshawn Lynch,” Chet added. “Then dap him up and tell him ‘Town Bidness’ which solidified the win not only for Kendrick but the entire West Coast.”

Suffice to say, Tom — who also shares son Truman with his wife, singer-actress Rita Wilson — was incredulous. “Holy cow!” he wrote back. “These are fighting words. People taking sides?? Who’s winning??”

“Did you not just read what I said,” Chet replied with three cry-laughing emojis.

Could Taylor Swift Headline a Future Kelce Jam? Here’s What Travis Kelce Thinks

It sounds like Travis Kelce is all for having Taylor Swift headline a future Kelce Jam festival — but there would definitely be some logistical details that would need to be handled first. 

At his second-ever Kelce Jam music festival at Azura Amphitheatre Saturday (May 18) in Kansas City, the Chiefs tight end spoke with Billboard‘s Michael Saponara about the possibility of his superstar girlfriend ever headlining the event. “I don’t know, man — that’d be crazy,” he said with a big laugh. “We’d have to go to a stadium.”  

With respect to Swift’s dozens of sold-out stadium-sized stops on her ongoing global Eras Tour, Kelce added, “I don’t think the amphitheater we’re in right now could hold that.” 

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This year, Kelce Jam was headlined by Lil Wayne, 2 Chainz and Diplo and featured performances from Irie and E-V. In April, Kelce told Billboard that the festival would serve as his “last hoo-rah” to celebrate the Chiefs’ 2024 Super Bowl win. 

While at the event, Kelce also ranked his top three favorite Swift songs — the latter two of which are tracks from The Tortured Poets Department believed to be about him, so he might be a little biased. “Golly,” he told sports journalist The Schmo. “‘Blank Space,’ ‘The Alchemy’ and ‘So High School.’” 

The festival comes shortly after the 14-time Grammy winner gave both “The Alchemy” and “So High School” their live debuts at her Eras concerts in Paris May 9-12. The latter track was one of several new numbers she added to her three-hour-plus show as part of the Tortured Poets mini-set, while the former was included by Swift in the acoustic surprise song section of her final performance at La Defense Arena, which Kelce attended. 

See clips of the tight end talking about Swift at the 2024 Kelce Jam below. 

Kid Rock Reportedly Waves Gun During Interview, Uses Uses Racial Slurs: ‘Write the Most Horrific Article About Me’

After years of speaking mostly to right-wing outlets, Kid Rock recently sat down with a reporter from Rolling Stone magazine, and according to writer David Peisner, their sometimes unhinged chat included Rock ranting about immigration, liberally using the N-word and, at one point, waving a gun in the air.

The story features a number of disturbing and off-putting scenes, including Rock casually dropping racial slurs a number of times and the opening bit where the writer notes that Rock’s white butler goes by the racially charged nickname “Uncle Tom.” It also mentions that Rock keeps the original General Lee from The Dukes of Hazzard — which famously has a Confederate flag emblazoned on its roof – in a hangar on his 214-acre Nashville estate. Rock makes sure to tell the writer that Tom is his major domo’s real name, laughing, “don’t give me some s–t in the article.”

Near the end, after noting that Rock has switched from sipping white wine to downing three or four Jim Beam and Diet Cokes in quick succession, Peisner writes, “He’s sitting in a dark leather chair, shouting at me about something or other, when he reaches behind the seat, pulls out a black handgun, and waves it around to make some sort of point.”

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Rock then notes, “And I got a f–king g–damn gun right here if I need it! I got them everywhere!” At press time a spokesperson for Rock had not returned Billboard‘s request for comment the claims in the RS piece.

The article traces Rock’s path from a child of privilege in the Detroit suburbs living in a huge house with his Republican dad, to his rise as an ambitious rapper and a libertarian who criticized the GOP’s stance on gay marriage and abortion before his deep-dive into right-wing politics. “I’m part of the problem,” Rock says at one point about the divisions roiling the country. “I’m one of the polarizing people, no question. Sometimes I bitch about other people, then I look in the mirror and I’m like, ‘Oh, yeah, why don’t you shut the f–k up too?’”

The rapper-turned-rocker-turned-country crooner wore a “This Bud’s For You” hat during the chat, a year after posting a video in which he attempted to shoot up a case of Bud Light, seemingly in pique over the brand’s celebration of trans social media influencer Dylan Mulvaney. While Rock says he’s moved on from the boycott of parent company Anheuser-Busch he helped promote, the piece notes that among the “bigger targets” Rock, 53, is now going after are progressive ice cream company Ben & Jerry’s and Planet Fitness, reportedly a target of right-wing anger for its trans-inclusive policies.

“I don’t want to hurt people’s jobs and stuff like that when they don’t have any dog in the fight, but there’s a whole lot of other companies we should be going after,” he tells Fox News host Laura Ingraham during an appearance taped a few hours into RS sit-down, during which he also rages against “DEI crap” and predicts that friend Donald Trump will win the presidential race in Michigan this year. On his way to the taping, Peisner says Rock tries to dial up one of his “besties,” former one-term president Trump, who doesn’t take the call.

Peisner says he spent a year trying to get Rock to talk to him, speaking to a dozen people who’d worked with the singer over the years who had been upset by his transformation from a party-time rapper and rocker to a MAGA-fueled culture warrior whose music has taken a backseat to his public protestations. Kenny Olson, who played lead guitar in Rock’s band for more than a decade in the 1990s said he couldn’t understand the heel turn.

“I don’t understand where a lot of this came from,” said Olson. “I’ve always felt music should inspire people, not divide people. A lot of people from back in the day ask me, ‘What’s going on?’ I don’t know.”

Rock explains to Peisner that he hasn’t done many interviews lately because he felt they all became “this gotcha moment,” saying he doesn’t need the attention while gesturing to the green valley in front of him and adding, “look around. I live in my own world. And it’s great.” At one point, while flipping through a photo album of pics from his career, Rock lands on one in which he’s wearing a rebel flag-designed shirt while sharing the stage with the members of Run-DMC.

“Nobody said a f–king word,” he says of the group’s three Black members. “No one. That was the thing until all this woke s–t started happening.” He claims there was no deeper meaning to him rocking the reviled symbol many see as a nod to the era of slavery. “I was using the Confederate flag because I love Lynyrd Skynyrd, and I think it just looks cool,” he says.

The story includes a trip to one of the dates on Rock’s Rock the Country tour, in which Peisner describes a “sea of American flags, Trump 2024 merch” and rants by Rock about
“open borders, high taxes and a declaration that ‘Joe Biden can kiss my motherf–king Anglo-Saxon ass.’” In one back-and-forth, Rock appears to parrot Trump’s hateful rhetoric against immigration, calling some “murderers! They’re rapists! They are! MS-13!” before shouting “9/11!” in a seeming attempt to tie immigration to terrorism; Peisner says he noted the well-documented anecdotal evidence that immigrants commit crime at much lower levels than citizens.

As for his full-throated embrace of Trump — the presumptive GOP presidential nominee currently embroiled in a criminal hush money trial and facing three other trials tied to his attempts to hide top secret documents and interfere with the 2020 election — Rock says he knows exactly who the former Apprentice host is.

“You think I like Trump because he’s a nice guy?” Rock says. “I’m not electing the deacon of a church. That motherf–ker likes to win. He likes to cheat in his f–king golf game. I want that guy on my team. I want the guy who goes, ‘I’m going to fight with you.’”

Peisner says Rock — whose bi-racial son was born from a high school relationship with a Black woman — liberally uses the n-word throughout the interview, in which he speculates that a decade out from his last big hit, the singer’s right wing embrace might be as much about “managing the emotional fallout of a waning career as it is about any deep-seated beliefs.”

In the end, even after lamenting that, “no one’s ever going to say, ‘F–k Prince,’” as he considers his checkered legacy, Rock triples down on his divisive nature in a most Trump-ian fashion. “I don’t care,” he maintains as Peisner tries to suggest that maybe he actually cares a lot what people think of him. “No, I don’t. You don’t understand. I really don’t give a f–k.”

So, after insisting that the writer watch a series of performance videos before allowing him to leave, the chat ends with Rock asking Peisner for a favor. “Just write the most horrific article about me,” says the tipsy host. “Do it. It helps me.”