Music

Karol G’s Record-Breaking Mañana Será Bonito Tour Grosses More Than $307 Million

Karol G wrapped the Mañana Será Bonito Tour on Tuesday night (July 23) to record-breaking results. According to figures reported to Billboard Boxscore, the trek grossed $307.1 million and sold 2.3 million tickets over 62 shows.

The Mañana Será Bonito Tour spanned almost a full year, kicking off Aug. 11, 2023, at Las Vegas’ Allegiant Stadium. Karol G played 15 stadium dates in the U.S., bringing in $138.4 million, landing at No. 1 on last year’s annual Latin recap.

Then, Karol G played 29 shows in Latin America, adding $125.4 million. Finally, she played 18 shows in Europe, topping off with another $43.4 million.

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The Mañana Será Bonito Tour is the highest-grossing Latin tour by a woman in Boxscore history, topping her own $trip Love Tour from 2022. On average, her per-show gross grew from $2.2 million on that trek, to $4.9 million on this trek. Her per-show attendance blossomed from 12,836 tickets to 36,371. And with almost double the workload – 62 shows on three continents, compared to 33 in the U.S. and Canada – her total tour gross multiplied more than four times, from $72.2 million to $307.1 million, with total attendance up 432%, from 424,000 to 2.3 million.

Karol G’s tour followed the release of its namesake album, Mañana Será Bonito. Released on Feb. 24, 2023, it became not only her first top 10 album on the Billboard 200, but her first No. 1. On a macro level, it was the first all-Spanish-language album by a woman to top the chart.

While Spanish-language music has blossomed in North America over the last decade, Karol G’s recent run of shows in Europe is particularly noteworthy. High-grossing tours by pan-generational Latin artists like Aventura, Bad Bunny, Daddy Yankee, Peso Pluma and RBD have stuck to the U.S., Canada and Latin America. Luis Miguel is playing shows in Europe this summer, though he’s exclusively in Spain. Karol G played multiple arena dates in France, Germany, Italy and more, breaking ground for Latin acts abroad.

The Mañana Será Bonito Tour ended on a high note, with four shows at Madrid’s Estadio Santiago Bernabeu. Those dates collectively earned $23.6 million and sold 220,000 tickets. Both figures set venue records, passing previous appearances by Luis Miguel, The Rolling Stones and Bruce Springsteen. It’s the second highest-grossing engagement from the tour, just under the $25.4 million double-header at the Rose Bowl in Pasadena, Calif.

Ultimately, the Mañana Será Bonito Tour is the 30th trek in the Boxscore archives (dating back to the mid-80s) to gross $300 million. Among women, it’s just the seventh, joining a group with stints by Beyoncé, Madonna, P!nk and Taylor Swift.

Grouped by genre, the Mañana Será Bonito Tour is only the second tour by a Latin artist to clear the $300 million threshold, barely missing the 2022 high mark set by Bad Bunny’s World’s Hottest Tour ($314.1 million). Luis Miguel will likely join them with one more update, as his current tour sits at $298.7 million through July 13. Further, Karol G is the first Latin woman to join the $300 million club.

Dating back to reports from January 2018, Karol G has grossed $400.9 million and sold 2.96 million tickets over 128 reported shows, extending her margin as the highest-grossing woman in Latin music.

Travis Scott’s Milan Concert Gets Mistaken for Earthquake by Italian Locals

Travis Scott is looking to shake up the world every time he hits the stage. La Flame’s European leg of the Circus Maximus Tour rumbled through Milan on Tuesday, and the 80,000 in attendance sparked worries of a possible earthquake in Italy.

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Scott rocked the Ippodromo Snai La Maura open-field venue in Milan, and citizens thought tectonic plates were shaking after he performed his “FE!N” anthem eight times in a row, per Il Messaggero.

While the National Institute of Geophysics and Volcanology didn’t report any earthquakes in Milan, X users complained about vibrations. “Am I the only one who heard the #terremoto in Milan,” one asked in Italian, while another person added: “Did I alone feel three good tremors of #Terremoto in Milan?”

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La Flame posted aerial footage of the wild scene featuring a sea of people, phone lights and pockets of mosh pits from above as he sent his ragers into a frenzy.

“LAST NIGHT WAS A DREAM. ‘NO THIS ISNT FESTIVAL. THIS A SHOW ON THE TOUR’ IN THE WORDS OF STROMBERG,” Scott wrote to Instagram. “MILAN YALL OWE ME NOTHING. YALL GAVE YALL ALL 80k OF YALL HAD THE BEST TIME EVER. CIRCUS MAXIMUS. @whitetrashtyler WAS ACTUALLY TURNT ABOUT THIS.”

It’s not the first time a Travis performance has been mistaken for an earthquake in Italy. Reports emerged last year of rumored tremors during a June 2023 Scott show at the same venue.

The Circus Maximus Tour continues its European run the rest of July with a pair of shows in Germany and then another two in Spain to close out the month.

Scott’s world tour has only just begun, with the “SICKO MODE” rapper heading to South America for a string of shows in September. He’ll return to the U.S. for a singular show at MetLife Stadium in New Jersey on Oct. 9 before heading down under to Australia/New Zealand to wrap the trek up.

There’s music on the way from the Houston native, as Scott is set to appear on Ice Spice’s Y2K! debut album on Friday (July 26). Trav and the “Deli” rapper teamed up on a track titled “Oh Shhh…”

Karol G Is First Artist to Top Hot Latin Songs, Latin Airplay & Tropical Airplay Charts Simultaneously in Over a Decade

Karol G attains a new milestone across the Billboard charts as her latest single, “Si Antes Te Hubiera Conocido,” lands at No. 1 on the Hot Latin Songs and Latin Airplay charts, while ruling the Tropical Airplay chart for a second week, on the rankings dated July 29.

The new chart achievements land as Karol G wrapped up her Mañana Será Bonito Tour, with four sold-out shows at the Estadio Santiago Bernabéu in Madrid on July 23.

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On the multimetric Hot Latin Songs chart, “Si Antes Te Hubiera Conocido” ascends 2-1 with streaming and radio gains. In the tracking week of June 12-18, the song collected 12 million official U.S. streams, up 15%, according to Luminate. The sum yields a 47-44 rise on the overall Streaming Songs chart, plus her ninth No. 1 on Latin Streaming Songs with the Greatest Gainer award of the week.

Despite a 1% slip in digital sales, “Si Antes Te Hubiera Conocido” remains at No. 1 on Latin Digital Song Sales, with 1,000 downloads sold during the same tracking frame.

In the radio world, the song reinforces its position as a summer hit, lifting 2-1 on the overall Latin Airplay tally with an 8% gain in audience impressions, to 8.2 million logged in the tracking window. There, Karol collects an 18th champ, placing her closer to her only female contender among acts with the most No. 1s: Shakira, who continues to rule among women, with 23 No. 1 songs since the overall radio ranking launched in 1994.

Diving further into the new champ, the merengue-based track wins a new term atop Tropical Airplay –and its fourth week in the upper region– after the song jumped 3-1 and Karol became the second solo woman to rule Tropical Airplay on her own this decade.

First Artist to Rule Hot Latin Songs, Latin Airplay & Tropical Airplay Since 2014:
As if the new No. 1s weren’t enough, as “Si Antes Te Hubiera Conocido” makes a splash across Billboard charts, Karol becomes the first artist to be No. 1 simultaneously on Hot Latin Songs, Latin Airplay and Tropical Airplay charts in over a decade. The last artist to pull the trick was Romeo Santos when “Odio,” featuring Drake, took over the three charts on the May 10, 2014-dated recap.

Notably, just seven months prior, Santos also seized the No. 1 slot across the three surveys with the ubiquitous “Propuesta Indecente,” on the chart dated Oct. 5, 2013.

Preceding Santos, four other artists accomplished the multilateral ruling in 2013 through three songs: Prince Royce with “Darte Un Beso” (Sept. 7, 2013), Marc Anthony through “Vivir Mi Vida” (11 weeks at No. 1, June 1-Aug. 10, 2023-dated lists), and Tito El Bambino and El Patron by “Por Qué Les Mientes,” where Marc is also featured (Jan. 19, 2013).



Fourth Solo Woman to Lead Hot Latin Songs Since 2010:
With “Si Antes Te Hubiera Conocido” hitting No. 1 on Hot Latin Songs, Karol G racks up another chart-topper unaccompanied by another artist – a rarity for a female act. On the airplay-, streaming data- and digital sales-blended list, only three women have ruled the 50-deep tally on her own since 2010.

Here’s a review of the four female solo occupants of the summit since 2010:

Artist, Title, Peak Date, Weeks at No. 1
Gloria Estefan, “Hotel Nacional,” Jan. 14, 2012, one
Paulina Rubio, “Me Gustas Tanto,” Feb. 11, 2012, one
Kali Uchis, “Telepatía,” May 22, 2021, eight
Karol G, Provenza,” May 14, 2022, one
Karol G, “Mi Ex Tenía Razón,” Aug. 26, 2023, one
Karol G, “Si Antes Te Hubiera Conocido,” July 27

Beyond its Latin charts’ coronation, “Si Antes Te Hubiera Conocido” makes worldwide improvements, moving from No. 7 to its new No. 5 peak on the Billboard Global Excl. U.S. tally, with 53.8 million non-U.S. weekly streams, up 10%.

On the Billboard Global 200, the song boasts 65 million worldwide streams, but slips 12-13 despite a 10% gain.

Watch Olivia Rodrigo Get Emotional While Doing a Pregnant Fan’s Gender Reveal Mid-Concert

Olivia Rodrigo has a new personal favorite moment from her Guts World Tour: doing an onstage gender reveal for a pregnant fan in Atlanta on Tuesday (July 23).

In clips posted online, the 21-year-old pop star immediately got fired up to participate in the major life moment as soon as she saw someone in the pit holding up a sign that said, “Olivia, will you do my gender reveal?” Rodrigo instantly started running to the other side of the stage to get to the fan, who handed her a card enclosed with the top secret info.

“Oh my god! I’m actually gonna cry, this is so exciting,” she gushed, asking the fan’s name. “You guys, do we think that Savannah’s having a boy or a girl?”

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After cheers from the audience at State Farm Arena encouraged her to open the card, she said, “I have butterflies in my stomach.”

“Savannah, you’re having a boy!” Rodrigo cheered, cutting right to the chase without drawing out suspense. “I’m gonna cry. I can’t believe I was a part of that. Oh my god, congratulations. I’m emotional, I think that was one of the coolest things I’ve ever done.”

Rodrigo, who kept the card as a keepsake, posted another angle of the moment to her Instagram Story. “maybe my favorite thing to ever happen at a show omg,” she wrote.

For the “Vampire” singer to say that the reveal was one of her favorite tour moments carries some weight, given that she’s been on the road for a solid five months. The Guts trek kicked off in California in February, and Rodrigo has since traveled through the U.S., Canada and Europe. In September she’ll embark on a run through Asia, followed by a closing leg in Australia.

With support from Chappell Roan, The Breeders, Pinkpantheress and Remi Wolf, Rodrigo has been performing songs from both of her Billboard 200-topping albums — 2021’s Sour and 2023’s Sour — each night. At different points over the course of the run, she’s welcomed Noah Kahan, Sheryl Crow and Jewel on stage for guest performances.

Watch Rodrigo help with a fan’s gender reveal below.

Kai Cenat Previews New Drake & Lil Yachty Song ‘Supersoak’ on His Stream

During a recent stream, Kai Cenat played a new song by Drake and Lil Yachty titled “Supersoak.”

The Toronto rapper opens the track with an apparent shot at Soulja Boy, rapping, “I’m watchin’ the moves, playin’ it close/ S.O.D., super soak.” Soulja, whose label Stacks on Deck is often referred to as S.O.D.M.G., recently went on a mini-rant via X about Drake.

“You disappointed me,” he tweeted. “Doing all them weak ass songs with them n—az look where It got u none of them n—az you collab with or took on tour had yo back.”

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The song samples social media star Mr. Hotspot’s “Goodness Gracious” with Drake, even going so far as to acknowledge it with the lines, “WhatsApp attachment, first time I seen you naked/ Out in Santorini, but you textin’ faded/ Say you coming home to give me that goodness gracious.”

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Kendrick criticized Drake for working with Lil Yachty on the diss track “Euphoria,” rapping, “I’m allergic to the lame sh–, only you like bein’ famous/ Yachty can’t give you no swag neither, I don’t give a f— ’bout who you hang with.”

However, the Atlanta rapper didn’t appreciate being mentioned, revealing on his A Safe Place podcast that his phone blew up once the song dropped. “So many people kept calling and texting me with excitement of my name being used, and for me it kinda just felt like… I really didn’t want anything to do with it,” he said. Yachty did say he was tipped off, though, adding, “I knew that my name was mentioned before it came out. I didn’t hear the record but I had got word that I was mentioned. I wasn’t surprised.”

There’s no word on when “Supersoak” might officially hit streaming services.

Top 5 Latin Music Short Films of 2024 So Far: Nathy Peluso, Bizarrap & More

Plus, an honorable mention for the SoundCloud short documentary Scenes: Música Mexicana, starring Ivan Cornejo, Xavi, DannyLux & Conexión Divina.

As the global appetite for Latin music continues to swell, a wave of impactful cultural and visual storytelling in the form of short films has emerged. So far in 2024, Latin artists across multiple Spanish-language subgenres have turned to audiovisual media to effectively enhance their stories, songs and overall artistic ethos.

This phenomenon is evident in productions ranging from Bizarrap’s artificial intelligence dilemma, BZRP.ia, to the multi-faceted and theatrical presentation of Nathy Peluso’s latest album, Grasa. There is also the captivating exploration of Tijuana in Todos Los Caminos Conducen al Hipódromo Agua Caliente (All Roads Lead to the Agua Caliente Racetrack) by music producer Espectro Caudillo — who directed the film under the stage name Gallo Fortuna — where somber electronic music meets the dark mystique of the border city. These films act as windows into the artists’ world, bridging the gap between sonic expression and cinematic narrative.

Our curated selection also includes notable works by Argentine duo CA7RIEL & Paco Amorosa (Baño María), and Apple’s short film ¡Suerte! shot on iPhone 15 Pro — featuring regional Mexican prodigy Ivan Cornejo, which showcases a diverse range of approaches and visions. In addition, we give an honorable mention to SoundCloud’s short documentary, Scenes: Música Mexicana, featuring Mexican-American talents such as Xavi, DannyLux, Ivan Cornejo, and Conexión Divina.

This list aims to highlight five of the best Latin music short films we have seen so far in 2024. Check out our varied selection, and dive into each of the videos below.

Note: all these short films are under 30 minutes.

Gospel Star Kim Burrell Apologizes for ‘Hurtful’ Remarks About LGBTQ+ Community; GLAAD Responds

After making a series of homophobic remarks throughout her career, gospel singer Kim Burrell made an official apology over the weekend.

While accepting the Aretha Franklin Icon Award at the 39th annual Stellar Gospel Music Awards, Burrell offered an apology to the LGBTQ community for the “hurtful” comments she’s made over the years.

“I have, over the course of time and with much soul-searching, come to fully understand the reach and impact of my voice beyond Gospel music,” the singer explained. “There is such a care to take when you realize you’re not just preaching to the choir anymore. You’re preaching to the ones who wanted to be in the choir and were too scared to come because they didn’t understand our language. … [I] understand that some of my past words, comments, preaching have been received by the LGBTQ+ community as negative and hurtful. There’s nothing more hurtful than to think — to imagine — that you’ve said something in the name of God, and it hurt somebody.”

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The singer continued, claiming that her use of “church lingo” may have contributed to her ignorant comments. “We have a church jargon that everybody doesn’t get. And sometimes you have to say it for the people in the back. And for that, I want to apologize to the LGBTQ community. Let’s give them a great big round of applause,” she said to the audience. “We want them to have strength and to sincerely know that we must all do the work to embrace all of God’s people. Tonight, I hope this award and this moment can be the beginning of bridge-building and listening to each other as we follow peace with all men and develop the character of God, which requires seeing God.”

In a now-infamous sermon in 2017, Burrell called LGBTQ+ people “perverted” and told those living with a “homosexual spirit” that “I love you and God loves you but God hates the sin in you and me.” As a result of Burrell’s sermon, Ellen DeGeneres canceled the singer’s appearance on her talk show, saying at the time, “There’s no room for any kind of prejudice in 2017.”

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In response, Darian Aaron, the director of local news: U.S. South for LGBTQ+ advocacy organization GLAAD, published a statement calling Burrell’s apology merely “a first step” toward “accountability and healing” for the community.

“Black LGBTQ people who remain in traditional faith communities are very familiar with the anti-LGBTQ rhetoric Burrell and others have espoused throughout her career,” he wrote. “We are well-versed in the ‘lingo and jargon’ of Black church culture and a gospel music industry that benefits from our gifts but demands us to be silent about our truth. …  Burrell’s speech is evidence of a tipping point where Burrell, the Black church, and the gospel music industry can recognize and accept us all as people of faith and as worthy of Black liberation as anyone else.”

Watch a clip of Burrell’s apology below, and read the entirety of GLAAD’s response on their website.

Song of the Summer Race Heats Up: Can Shaboozey or Kendrick Lamar Unseat Post Malone & Morgan Wallen? 

The Contenders is a midweek column that looks at artists aiming for the top of the Billboard charts, and the strategies behind their efforts. This week, we take stock of the current Song of the Summer race, which is tighter this year than the past few, thanks to sparring smashes between Post Malone & Morgan Wallen, Shaboozey, Kendrick Lamar and Sabrina Carpenter

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Post Malone feat. Morgan Wallen, “I Had Some Help” (Mercury/Big Loud/Republic): A couple months ago, it seemed like a pretty safe bet that Post Malone and Morgan Wallen’s “I Had Some Help” would reign all season on Billboard’s Songs of the Summer chart. The song blasted to No. 1 on the Billboard Hot 100 immediately upon its May release – zooming past an unusually stacked array of major hits in the top 10 at the time — with staggeringly big numbers across the board. As radio airplay picked up for it at a blinding pace and its sales and streaming numbers stayed strong, it looked like it might follow the path of Wallen’s 2023 smash, “Last Night,” which both started and ended the season atop the Songs of the Summer chart, while reigning for four total months on the Hot 100.  

And in truth, it still very well might. “I Had Some Help” has ruled the Songs of the Summer chart for all eight weeks of the list’s 2024 existence thus far, and has topped the Hot 100 for six frames, as well. Its numbers remain strong in all areas: On this week’s charts (dated July 27), it remains in the top five on Radio Songs (No. 1, its fourth week atop the chart) Streaming Songs (No. 3) and Digital Song Sales (No. 4). It’s still gaining on the airwaves, and should get an extra late-summer boost when Posty releases his long-anticipated full country album, F-1 Trillion (due Aug. 16).  

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But “I Had Some Help” has had some competition. After towering over the rest of the Hot 100 for its first five weeks of release, “Help” briefly ceded the crown to Sabrina Carpenter’s “Please Please Please.” Then after recapturing it the next week, “Help” again let the title slip the following frame — and in the two weeks since, it’s yet to reclaim it, as Shaboozey and Kendrick Lamar have taken turns trading off the top spot.   

Which is hardly to say that “Help” has fallen off dramatically or unexpectedly: It’s naturally experiencing a slow decrease in streams and sales, but it’s also still No. 2 on this week’s Hot 100, and very much still a threat to jump back up to No. 1 any time the competition sags for a week or two. However, its chances of matching or even nearing the 16 weeks (!!) “Last Night” spent atop the Hot 100 last year are growing slim — and while it remains the clear Song of the Summer frontrunner, it also remains vulnerable in the race if any of the songs beneath it experience another power surge.  

Shaboozey, “A Bar Song (Tipsy)” (American Dogwood/EMPIRE/Magnolia Music): Though it initially seemed like it would be scrapping with Tommy Richman’s “Million Dollar Baby” on the undercard for this summer’s title fight, Shaboozey‘s “A Bar Song (Tipsy)” has elbowed its way into the main event. With consistently impressive streaming numbers and downright stunning sales since its April release, radio was the final piece of the puzzle for “A Bar Song” — and it has delivered on that front, attracting airplay from a historic array of radio formats, and climbing all the way to No. 2 on Radio Songs so far, behind “Help.” Like that song, “Bar Song” ranks in the top five on each of the Hot 100’s three component charts this week — and actually tops “Help” with its No. 2 placement on both Streaming Songs and Digital Song Sales.  

More crucially, “Bar Song” also tops “Help” on the Hot 100 this week — its second frame atop the chart. That’s still four behind Post and Morgan, of course, so “Bar Song” has plenty of catching up to do if it wants to really challenge “Help.” But it helps that “Bar Song” has also been in the fight since the very beginning of this SotS season — debuting at No. 4 on Songs of the Summer and working its way up to No. 2 by the end of June — so if it continues growing on radio as it has so far and “Help” starts to recede a little, or if it gets a momentum-boosting remix or new video, there’s certainly a chance that “Bar Song” could steal this race yet.  

Kendrick Lamar, “Not Like Us” (pgLang/Interscope/ICLG): Pre-”I Had Some Help,” it looked like “Not Like Us” was going to be the song to beat this summer. It debuted atop the (already very crowded) Hot 100 with an incomplete first week of tracking, thanks to otherworldly levels of excitement around it as the knockout punch in the increasingly fevered back-and-forth between Kendrick Lamar and rival-to-the-north Drake. “I Had Some Help” quite impressively managed to lap it the very next week, and as interest in the beef died down (and radio understandably was slower to pick up the virulent missive than the cartoonishly crossover-friendly “Help”), it seemed like “Not Like Us” would bow out of the Song of the Summer race before it even really began.  

But as the hip-hop and pop worlds should’ve learned from his bout with Drake in the first place, you can never count out Kung Fu Kenny. Lamar’s new signature smash was doubly adrenalized by his much-publicized, nationally-streamed Juneteenth concert spectacular The Pop Out, and then by the song’s official music video, which dropped on July 4. Following the boost from the latter, “Not Like Us” even reclaimed the Hot 100’s top spot for the first time in two months. It’s back down to No. 3 on this week’s listing, and may have finally run out of extra lives, but we’re twice bitten, three times shy there — especially since it’s up 6% in airplay this week, according to Luminate, and at No. 9 on Radio Songs, and we still haven’t gotten any kind of official remix for the song.  

Sabrina Carpenter, “Espresso” & “Please Please Please” (Island/Republic): If you could somehow merge the popularity and momentum from Sabrina Carpenter’s two summer singles so far, you’d undoubtedly have yourself the song of the season: “Espresso” and “Please Please Please” both reached the Hot 100’s top five (the latter marking her first leader), and have been fixtures of the Songs of the Summer’s top 10, with Carpenter the only artist with multiple entries in the 20-position seasonal chart’s top half this week. With Carpenter’s new album due the week after Post Malone’s in August, her two four-quadrant smashes will undoubtedly receive a sizeable bump. But if she wants to challenge for the SotS No. 1 spot with either song, she won’t be able to wait around for that — neither is higher than No. 5 on the chart this week, and Billboard’s summer season officially ends following the chart dated Sept. 7.  

Nickelback Hilariously Defends ‘Deadpool & Wolverine’ From Hate & Ryan Reynolds Loves It

Canadians have each others’ backs!

Nickelback shared a video on Tuesday (July 23) defending the upcoming Deadpool & Wolverine film from any hate. In the clip, all four members of the band rock Deadpool and Wolverine masks, though they soon decide that the costumes are too itchy and unmask themselves.

“We’re Nickelback, experts in navigating irrational hate in the face of tremendous success,” the band’s frontman Chad Kroeger tells the camera. “We have an important preemptive message for anyone thinking of criticizing the film Deadpool & Wolverine or Ryan Reynolds.”

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Kroeger then begins listing off the film franchise’s list of accomplishments, including that the first two Deadpool films grossed more than $1.5 billion at the box office, and accolades including two Critics Choice Awards, four MTV Movie & TV Awards, one GLAAD Award, a People’s Choice Award, two Teen Choice Awards and many more.

“As for Mr. Ryan Reynolds, just look at this photograph,” Kroeger adds, before the screen flashes to a photo of the Deadpool star as Nickelback’s 2005 hit “Photograph” begins to play. “That is a beautiful Canadian man right there.”

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Upon seeing the clip, Reynolds was overjoyed. “My god. I love those guys,” he said in response.

Nickelback’s video was a hilarious parody of a 2018 Once Upon a Deadpool teaser, in which Reynolds’ Deadpool vehemently defends the rock band after someone likened the Marvel franchise to “if the Beatles were produced by Nickelback. It’s music, but it sucks.”

“I’ve had it with all this Nickelback hating. You think that makes you cool with the cool kids in school?” Deadpool angrily says in response, before listing off Nickelback’s array of accomplishments, including selling 50 million albums worldwide, and an array of nominations and awards.

Watch the original video below. Deadpool & Wolverine hits theaters on Friday (July 26).



Elevation Worship, Transformation Worship Debut Atop Billboard’s Faith-Based Album Charts

Elevation Worship scores its eighth No. 1 on Billboard’s Top Christian Albums chart as its latest LP, When Wind Meets Fire, ignites atop the tally dated July 27.

Released July 12, the set earned 8,000 equivalent album units in the United States through July 18, according to Luminate. It was recorded live over two nights, in May 2023 and March 2024, at Elevation Church in Charlotte, N.C.

“We’re so grateful and honored to have this new album hit No. 1,” the act’s frontman, Chris Brown, tells Billboard. “Our hope is that these songs will continue helping people encounter God’s presence just like they have for our church over the past year.”

Elevation Worship adds its eighth Top Christian Albums leader and first since Can You Imagine?, which started in the penthouse in June 2023. It most recently led before that in May 2021 with its collaboration with Maverick City Music, Old Church Basement. The collective earned its first No. 1 in March 2013 with Nothing Is Wasted.

Dating from its first leader, Elevation Worship boasts the most Top Christian Albums No. 1s. Lecrae and Passion follow with six each in that span, with Bethel Music, MercyMe, NEEDTOBREATHE and Chris Tomlin tied with five leaders each.

‘Dominion’ Dominates

Transformation Worship achieves its second No. 1 on Top Gospel Albums in as many appearances as Dominion opens atop the survey. The seven-song set earned 5,000 units in its opening week. It also debuts in the runner-up spot on Top Christian Albums.

The Tulsa, Okla.-based group broke through with Overflow: The Album, which opened at Nos. 1 and 2 on Top Gospel Albums and Top Christian Albums, respectively, just less than two months ago.

Transformation Worship launched at Tulsa’s same-named church by lead pastor Michael Todd.