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Selena Gomez is looking forward to becoming a mom someday. But in a new interview, the singer-actress revealed that she won’t be able to experience pregnancy and giving birth due to medical complications.
While speaking to Vanity Fair in a cover story published Monday (Sept. 9), Gomez was candid about wanting to start a family with boyfriend Benny Blanco in the future. However, she says it won’t “necessarily [be] the way I envisioned it.”
“I haven’t ever said this,” she told the publication. “But I unfortunately can’t carry my own children. I have a lot of medical issues that would put my life and the baby’s in jeopardy. That was something I had to grieve for a while.”
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“I thought it would happen the way it happens for everyone,” continued Gomez, who has been open about her struggles with Lupus since revealing her diagnosis to Billboard in 2015. “I’m in a much better place with that. I find it a blessing that there are wonderful people willing to do surrogacy or adoption, which are both huge possibilities for me.”
“I’m excited for what that journey will look like, but it’ll look a little different,” she added. “At the end of the day, I don’t care. It’ll be mine. It’ll be my baby.”
The interview comes about four months after Blanco — who’s been dating the Rare Beauty founder since July 2023 — gushed to Howard Stern that having kids with his girlfriend is his “next goal” in life. “It’s always a topic of conversation to me every day,” the producer added at the time.
“He can’t lie,” Gomez told Vanity Fair of her boyfriend’s revealing radio show appearance. “After the interview, I was dying laughing. Like, ‘Anything else you wanted to put out there?’”
“I’ve never been loved this way,” she continued of Blanco. “He’s just been a light. A complete light in my life. He’s my best friend. I love telling him everything.”
The cover story comes amid a busy time for Gomez, who recently crossed over into billionaire territory thanks to her makeup business, investments and music and acting projects, according to a Sept. 6 report from Bloomberg. She’s currently up for a best actress Emmy nomination for her performance in Only Murders in the Building, the fourth season of which premiered Aug. 27, and she’s earning critical acclaim for her part in Jacques Audiard’s Emilia Perez, which hits Netflix in November following its May premiere at the Cannes Film Festival.
As she reiterated in the interview, though, her biggest priorities right now are her relationships. “Before I met my boyfriend, I was single for five years, with the exception of going on a few dates,” she told the publication. “And I was like, ‘OK, if this is the vibe, then what is the most important thing to me? Family.’”
See Gomez’s Vanity Fair cover below:
BTS’ global ARMY issued a statement over the weekend in which the K-pop superstars’ most ardent fans emphasized that they are ride or die, no matter what. “The BTS ARMY is a vast fandom based around the world, yet a small number of people have recently released statements through the media claiming opinions that are contrary to the beliefs of the overwhelming majority of ARMY.”
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The statement posted on a variety of social platforms from the band’s biggest global fan groups came after recent comments and claims from South Korean media and some fans in the wake of member Suga’s drunk-driving episode last month. In early August, Seoul police said they spoke to Suga (born Min Yoon-gi) on August 6 after he fell off his electric scooter while driving it near his home.
“Despite ARMY’s opposition to this imperious behavior, they continue to act against the fandom’s wishes while using ARMY’s name,” the statement continued. “It was further revealed that fans of other groups organized these actions. Therefore, we would like to clarify our position as the Global ARMY Alliance both domestically and internationally.”
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The message then spotlighted the three-point support plan proposed by the global ARMY:
The group that claims to speak for ARMY, while dismissing the majority of ARMY’s opinions, cannot in fact represent ARMY. The Global ARMY Alliance calls on them to stop abusing ARMY’s name.
The Global ARMY Alliance supports all seven members of BTS.
The Global ARMY Alliance does not ask BTS members to take any more responsibility than legally required.
While the statement representing 127 ARMY divisions from around the world did not specifically mention the Suga incident, the message posted on Sunday (Sept. 8) ended with the double-down, “as stated above, global ARMY fan bases, both domestic and international, have gathered to affirm with one voice that we continue to support all seven members of BTS. Additionally, we strongly urge media not to give credibility to individuals with unconfirmed representation.”
After the scooter stop, Suga issued the first of two apologies to fans, writing on Weverse, “I bow my head and apologize to those who have been hurt by my carelessness and wrong action.” In addition, the 31-year-old rapper assured ARMY that no property or people had been impacted in the incident he said happened after he had drinks at dinner and then hopped on his electric kickboard, not realizing he could not operate a two-wheeled scooter while intoxicated during what he described as a short trip to his home.
“In the process of setting up an electric kickboard at the front door of the house, I fell alone, and there was a police officer around me, so I took a breath test,” he said, noting that a fine was issued and his license was suspended. In a second, handwritten note posted on August 25, Suga again apologized for what he said was the “disappointment and hurt of my misbehavior to my fans and everyone who loves me. I’ve made a big mistake, forgetting the responsibility to repay you with actions worthy of the love I’ve received… Due to this incident, I have greatly damaged the precious memories I made with the members and fans and put a lot of pressure on the name of the BTS. I feel so sorry and painful that it’s hard to express because it’s causing damage to the members and the team. I’m sorry that the members who always trusted me have a hard time because of me. And I know the disappointment that the fans who supported and supported me must have felt.”
Suga’s license was suspended after police said he had a blood-alcohol content of 0.227, well above above the 0.08 level that triggers license revocation after he drove the seated electric scooter while impaired in the Yongsan District in central Seoul.
According to Variety, in the weeks following the stop, more than 1,400 stories have been posted on Korean media sites about the DUI, with many reportedly containing speculative details and others spotlighting “fake news.” Among the reports were two from mainstream media outlets Yonhap and JTBC, which reportedly featured footage of a man using a scooter on a a road at night that they claimed was Suga, though after police revealed a week later that Suga was riding on a footpath during the incident JTBC reportedly apologized for “causing confusion.”
After some commentors online suggested that Suga should be booted from the band in the wake of the DUI, the statement makes it clear that the global ARMY group supports all seven members of BTS; the K-pop superstars are currently on a hiatus slated to last through next summer while its members complete their mandatory South Korean military service.
Check out the statement below.
Christian Hayes, a singer-songwriter from Rome, Ga., has signed with Capitol Records. Hayes is one of Capitol’s first signings since the label realigned in February under Tom March as chairman/CEO of Capitol Music Group and Lillia Parsa and Arjun Pulijal as co-presidents.
“We’re thrilled to welcome Christian to the Capitol Records family. As a singer, songwriter and performer, he demonstrates remarkable depth,” said March in a statement. “Christian is gifted at channeling raw, genuine emotion into music that resonates with listeners and transcends genres.”
“It all still feels surreal — music has always been a part of my life and to be able to sign with such a longstanding powerhouse of a label like Capitol is more than I could’ve ever dreamt. The team at Capitol has a point to prove and so do I,” said Hayes.
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Hayes’ debut EP, Last I Love You, will come out Sept. 20. The EP’s title track, shortened to “LILY,” has been streamed more than 1.2 million times on Spotify, with more than 2 million total global streams, according to the company.
Hayes began writing poems and songs when he was seven after his grandfather, a former poet laureate for the state of Georgia, gave him a journal. He then picked up a guitar when he was eight. He was active in leading worship music at his church before enrolling in the U.S. Navy Reserve and later attending the University of Alabama beginning in 2018. He subsequently moved to Nashville and has penned more than 900 songs.
Inspired by the music of the Eagles, James Taylor and The Chicks, the singer-songwriter self-released “Leaving,” which landed on Apple Music playlists as well as Spotify’s New Music Friday Country playlist.
Hayes has already inked deals with WME for booking and Universal Music Publishing Group for publishing. “After hearing ‘LILY,’ we were huge fans of Christian’s songwriting,” said Cyndi Forman, senior VP of A&R at UMPG Nashville. “Christian’s approach to songwriting is unique, yet fits right in at a time when genres are blending.”
Hayes is managed by Wild Rose Projects’ Helena Capps.
As conversations about weird fan behavior continue to dominate pop music spaces, pop trio Muna are ready to weigh in with the group’s own experiences. In a post to the band’s Instagram Stories on Sunday (Sept. 8), the group — made up of Katie Gavin, Josette Maskin and Naomi McPherson — called out unacceptable behavior […]
In every era of pop music, boy bands have elicited irrepressible shrieks from adoring fans. In the ’60s, it was the Beatles. In the ’70s, the Jackson 5. More recently, the likes of Backstreet Boys and *NSYNC, who then passed the boy band baton to One Direction and 5 Seconds of Summer.
In 1989, it was New Kids on the Block‘s turn to rule music like only boy bands can.
After Boston-based producer-songwriter Maurice Starr had formed New Edition, which reached No. 4 on the Billboard Hot 100 in 1985 with “Cool It Now,” he followed with New Kids on the Block – brothers Jonathan and Jordan Knight, Joey McIntyre, Donnie Wahlberg and Danny Wood. While their self-titled first LP didn’t hit the Billboard 200 upon its release, follow-up Hangin’ Tough filled the late-’80s boy band void, yielding five infectious Hot 100 top 10s, including the quintet’s first No. 1 in June 1989, “I’ll Be Loving You (Forever).” The ballad followed the No. 10-peaking “Please Don’t Go Girl” and the No. 3 hit “You Got It (The Right Stuff),” which built even more buzz.
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On Sept. 9, 1989, New Kids’ rise culminated in the set and its title track taking over atop the Billboard 200 and Hot 100, respectively. The set was a slow-burner that took 55 weeks to reach the Billboard 200 summit, completing one of the longest climbs to No. 1 in the chart’s history.
By years’ end, New Kids on the Block had charted at last on the Billboard 200, reaching No. 25, and generated its own top 10, the group’s No. 8 cover of the Delfonics’ “Didn’t I (Blow Your Mind).” The group even gleaned a top 10 from a third album, the holiday set Merry, Merry Christmas, when “This One’s for the Children” reached No. 7. In between, Hangin’ Tough‘s fifth single “Cover Girl” rose to No. 2.
(On their summer 1989 tour, New Kids on the Block – and former Billboard publisher Tommy Page, then in his teen-idol days [he passed in 2017] – set out as the opening acts for Tiffany. By the end of the tour, Tiffany and New Kids had swapped spots.)
The Kids’ blend of street (i.e., Wahlberg’s semi-rap on “Hangin’ Tough”) and sweet (Jordan Knight and McIntyre served as the voices of the band’s biggest ballads) helped make them a chart, touring and merchandise powerhouse, one that continued with 1990’s Step by Step. Like its predecessor, the album and its title song became respective Billboard 200 and Hot 100 No. 1s. Follow-up single “Tonight,” which playfully name-checks several of the act’s earlier hits, rose to No. 7.
Ultimately, the group earned the honor of Billboard‘s top artist of both 1989 and 1990.
As musical trends shifted from pure-pop to rap and grunge, New Kids on the Block released the No. 37-peaking Face the Music (billed as NKOTB) in 1994 before taking a hiatus. With enough time passed for nostalgia to help restore its image (along with a return to prominence for pop music), the band blew back in 2008 with the No. 2 hit album The Block (featuring a track with then-new act Lady Gaga), which yielded the quintet’s first top 40 Hot 100 hit since 1992, the No. 36-peaking “Summertime.” Its 2013 album 10 hit No. 6. In between, the act embraced its place in boy band lineage: In 2011, it released NKOTBSB, a collaborative set with Backstreet Boys, which hit No. 7. The acts’ partnership continued in the form of Nick & Knight, aka BSB’s Nick Carter and New Kid Jordan, in 2014.
Most recently, New Kids on the Block released the album Still Kids, which launched at No. 4 on the Top Album Sales chart in June. Lead single “Kids” has hit both the Adult Pop Airplay and Adult Contemporary charts, marking the group’s first appearance on the latter list in nearly 35 years.
“There’s a sense of not wanting to let each other down,” Wahlberg said when the group chatted with Billboard in New York in May. “There’s an urgency that I think you can sometimes hear in the voices, of wanting to deliver the best of a performance. I think that’s present in this record, even in the writing.”
Marsha Ambrosius is setting up shop for one night only with Billboard at Blue Note Jazz Club in New York City tonight — but you don’t need to be near Manhattan to tune in. Featuring songs from her new album Casablanco and beyond, the nine-time Grammy nominee’s performance at the famed jazz club will be […]
E Street bandmember Patti Scialfa reveals her recent cancer battle in the new documentary Road Diary: Bruce Springsteen and the E Street Band, which premiered at the Toronto Film Festival on Sunday night (Sept. 8).
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According to Variety, Scialfa opens up in the film about being diagnosed with multiple myeloma, a type of blood cancer, in 2018, which resulted in her dialing back her public appearances and performances with husband Springsteen’s E Street Band over the past few years.
“This affects my immune system, so I have to be careful what I choose to do and where I choose to go,” she says in the film that looks at the relationship between the 74-year-old rock icon and his longtime bandmates. “Every once in a while, I come to a show or two and I can sing a few songs on stage, and that’s been a treat. That’s the new normal for me right now, and I’m OK with that.”
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Scialfa, 71, who has been a member of the E Street Band since 1984 as a backing vocalist and guitarist — and married Springsteen in 1991 — was not on hand for Sunday night’s movie premiere. In addition to being a member of the Rock and Roll Hall of Fame group, Scialfa has also released three solo albums. Fans have noted her absence on stage during the E Street Band’s current stadium tour, which is the group’s first major outing since 2016.
“Every once in a while, I come to a show or two and I can sing a few songs onstage, and that’s been a treat,” Scialfa says in the movie of her occasional recent live appearances. “That’s the new normal for me right now, and I’m OK with that.” According to Variety, the movie does not make it clear if Scialfa is still be treated or if the cancer was in remission. Springsteen was forced to postpone the tour in 2023 after being diagnosed with a peptic ulcer that caused serious vocal issues.
Road Diary is an intimate look at the rock band’s current world tour and the unique backstage dynamic between the players, a handful of whom have been by Bruce’s side for more than half a century. Given their longevity and despite the physical demands of playing two-hour-plus shows, recent health issues and the inexorable march of time, Springsteen made it clear at Sunday’s premiere that he plans to continue rocking until “the wheels come off.”
Road Diary will come to Hulu and Disney+ on Oct. 25. Watch the trailer below.
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As a longtime songwriter, artist and musical theater enthusiast, JC Chasez knows the power of a good story that strikes an emotional chord.
That’s why he was floored when his friend and Golden Globe-winning musician Jimmy Harry showed him a theatrical adaptation of Mary Shelly’s Frankenstein by his late mother, playwright Barbara Field. “What I found really appealing and very inspiring about the piece is her ability to make it more direct and accessible in terms of the emotion,” the *NSYNC star tells Billboard. “It wasn’t just about a big monster and this kind of, like, growling thing that I initially had the impressions of in films and when reading Frankenstein. I guess I was just young, and just didn’t really have the time to settle in and really dig into the material. Recently, I was able to spend some time with the material and really get a good read and a good understanding of how emotional it was.”
From there, Chasez and Harry took the story’s themes of love, responsibility, loss and the human condition and channeled it into a major creative project: a 16-track musical theater concept album called Playing With Fire, which adds to Fields’ theatrical adaptation that originally written as a play and not a musical. “I was a little bit apprehensive at first. It’s like, you start messing with somebody family,” Chasez says with a laugh of musically building off of Harry’s mother’s project.
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JC Chasez and Jimmy Harry
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Chasez brushed off those nerves soon enough, as Playing With Fire is, in a lot of ways, a culmination of the superstar’s creative talents. In addition to writing the project, Chasez also lends his vocals to a number of tracks on Playing With Fire, alongside singers Cardamon Rozzi and Lily Elise. The album marks his first major musical project since his 2004 solo album, Schizophrenic. “Playing With Fire touches on almost everything that I like,” he happily admits. “I love a good sci-fi film, so you get that aspect, and I love how music can make you so emotional in a different way. Obviously, I love pop music, so I love the fact that you can sing and dance together in musical theater. It was just a great opportunity to bring all of these things that I’ve really enjoyed together into one space.”
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Furthermore, he was pleasantly surprised at how a centuries-old story touches on themes that still exist today, contributing to just how unifying the human experience is — even if Frankenstein’s monster isn’t human, per se. “Shelly was communicating these points hundreds of years ago that we’re still wrestling with today. I was just going, ‘How did you know?’ How did she write something that is so appropriate for now and then? Then, how did Barbara Fields make this so accessible to me? I felt like I had a direct line to the emotions that Shelly was trying to convey because of the way that Barbara framed it.”
He continued, “When we first started writing, we thought that this is about humanity, technology and the dangers and the morality of ‘Just because you can create something, should you?’ We’re still dealing with all of these for questions with encountering different technologies and AI and all that. We were tinkering with the idea, but we started becoming interested in the way Barbara framed it, as a conversation between the creator and his creation, which we framed as a conversation between a father and son getting to the bottom of their issues, their denials, their neglect and the consequences of those things.”
Ultimately, Playing With Fire is a story of growth and real connection, and in accordance with that, Chasez has ambitions for the project to reach as many people as possible. “This is the beginning of a journey to make something that will hopefully end up on a stage that people can sing live every night and communicate to audiences,” he says. “That’s why this technological discussion is so relevant now. I love the fact that real people will be singing these songs. I want it to connect to humanity.”
Playing With Fire is out via Center Stage Records on Oct. 25.
Two weeks after suffering a double tragedy, Mariah Carey is gearing up to return to the stage for her international fans. On Sunday (Sept. 8) the singer posted a rehearsal video on Instagram in which she warmed up her pipes for an upcoming run of overseas gigs. “Back at work. It’s been a couple of […]
Eminem is set to open the 2024 VMAs live on Wednesday (Sept. 11) at 8 p.m. ET/PT from New York’s UBS Arena. The rap icon will treat fans to the first TV show performance from his 12th studio LP, The Death of Slim Shady (Coup de Grace), which recently became his 11th album to enter the Billboard 200 at No. 1.
Eminem last performed on the VMAs in 2022 with Snoop Dogg for a first-of-its-kind performance of “From the D 2 The LBC” inspired by the world of the Otherside metaverse. In 2012, Eminem made a surprise appearance during Dr. Dre and Snoop Dogg’s performance of “Forgot About Dre” and “Still D.R.E.”
Eminem last opened the VMAs in 2010 with “Not Afraid,” followed by a duet performance with Rihanna of “Love the Way You Lie.” In 2000, Eminem performed a medley of “The Real Slim Shady” and “The Way I Am,” which famously included a procession of 100+ Eminem look-alikes.
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During his debut year of 1999, Eminem performed a medley of “Guilty Conscience” and “My Name Is.”
Eminem landed eight nominations this year. His smash “Houdini,” which reached No. 2 on the Billboard Hot 100, is up for video of the year, best hip-hop, best direction, best editing, best visual effects and song of the summer. In addition, Eminem is nominated for artist of the year, and VMAs most iconic performance for his aforementioned 2000 performance.
If he wins in just one of the eight categories, Marshall will break out of a tie with Peter Gabriel for the most wins by a male artist in the show’s history (13). Four superstar women have amassed even more VMA wins. Beyoncé leads with 27, followed by Taylor Swift (23), Madonna (20) and Lady Gaga (18).
Eminem’s 13 wins are the most by a hip-hop artist. With 67 total nods, he is the second-most nominated artist in VMAs history, trailing only Madonna (71).
Megan Thee Stallion is set to host and perform on the VMAs. Katy Perry will receive the Video Vanguard Award and perform a hit medley. Other performers include Anitta (feat. Fat Joe, DJ Khaled + Tiago PZK), Benson Boone, Camila Cabello, Chappell Roan, GloRilla, Halsey, KAROL G, Lenny Kravitz, LISA, LL COOL J, Rauw Alejandro, Sabrina Carpenter and Shawn Mendes.
Cyndi Lauper, who won and appeared on the very first VMAs in September 1984, is set to present, along with former MTV host Carson Daly. Other presenters set for this year’s show are Addison Rae, Alessandra Ambrosio, Amelia Dimoldenberg, Big Sean, Busta Rhymes, Damiano David (Måneskin), DANNA, DJ Khaled, Fat Joe, Flavor Flav, French Montana, Halle Bailey, Jordan Chiles, Lil Nas X, Miranda Lambert, Naomi Scott, Paris Hilton, Suki Waterhouse, Thalía and Tinashe.
Teddy Swims and Jessie Murph are set to make their VMA debuts by performing on the Extended Play Stage.
The 2024 VMAs will air live on Wednesday at 8 p.m. ET/PT across MTV’s global footprint, including BET, BET Her, CMT, Comedy Central, Logo, MTV, MTV2, Nick at Nite, Paramount Network, Pop, TV Land, VH1 and Univision.
Le Sserafim will make their U.S. award show debut by performing on the VMAs pre-show. Hosted by Nessa, Dometi Pongo and Kevan Kenney, the 90-minute live VMAs pre-show special airs from 6:30 p.m. to 8:00 p.m. ET/PT on MTV, MTV2, CMT and Logo.
With the addition of social categories, Taylor Swift still leads in terms of most nominations (12), followed by Post Malone (11), Eminem (eight), Ariana Grande, Megan Thee Stallion, Sabrina Carpenter + SZA (seven each); Benson Boone, Billie Eilish, Chappell Roan, Charli xcx, GloRilla, LISA, Olivia Rodrigo + Teddy Swims (four each).
General fan voting closed Friday (Sept. 6) on MTV’s website. Voting for best new artist remains active through the show.
Bruce Gillmer and Den of Thieves co-founder Jesse Ignjatovic are executive producers. Barb Bialkowski is co-executive producer. Alicia Portugal and Jackie Barba are executives in charge of production. Wendy Plaut is executive in charge of celebrity talent. Lisa Lauricella is music talent executive.
