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Carry That Crate: Paul McCartney ‘7” Singles’ Box Set Tells Story of Post-Beatles Career, Warts & All

The new Paul McCartney box set includes more than 50 years of singles – 65 re-creations of previous 7-inch releases and 15 new ones, plus a book – in a wood crate that comes with straps to make it easier to lift. Have silly love songs ever weighed so much? It’s the ultimate way to preserve, and sell, a music format that was originally intended to be disposable.  

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All told, The 7” Singles Box makes a solid case for McCartney as the auteur of the three-minute pop song. In The Beatles, McCartney helped remake the album as an ambitious art form – but he remains devoted enough to singles to keep a jukebox in his London office. By some measures, he’s the most successful singles artist of all time: The Beatles are No. 1 on Billboard’s ranking of the top-charting Hot 100 acts of all time and McCartney is No. 13 as a solo artist (including his work with Wings). When it came out, “Mull of Kintyre” was the best-selling single in U.K. history – and it may not even be one of the dozen best songs here. 

Appropriately for its focus on singles, this set offers a refreshingly warts-and-all picture of McCartney’s post-Beatles career. (McCartney owns the rights to his solo recordings, so the decision was his, and it’s a good one.) At a time when most of his ’60s and ’70s peers are editing their legacies, McCartney includes everything, from the sublime (“Band on the Run,” “My Brave Face,” a live version of “Maybe I’m Amazed” and much more) to the silly (“Ode to a Koala Bear;” “Rudolph the Red-Nosed Reggae,” the bass-heavy B-side of “Wonderful Christmastime”).

Paul Mccartney box set

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The dig against McCartney is that he often didn’t live up to his genius, but maybe he just wasn’t always in the mood. Part of the point of Wings was that making music in the shadow of The Beatles was freighted by the kind of expectations that make it hard to make great pop singles. John Lennon and George Harrison both began their solo careers making music that was arguably more adventurous, but both of them also eventually got back to basics. McCartney certainly wasn’t afraid to be ambitious: One of these singles, previously unreleased as such, features the Royal Liverpool Philharmonic Orchestra. Another is “We All Stand Together,” from the movie Rupert and the Frog Song. You get the sense that he got a kick out of both of them. So will many listeners. 

More than any other major artist, McCartney proved that pop music could be both artistically ambitious and awfully silly – sometimes even both at once – and succeed on its own terms either way. Not all of these songs were received well when they were released, but many deserve another listen – especially as singles. So does the music McCartney continues to make. As big as this box is, “it doesn’t include my latest single,” McCartney writes in the foreword, “because I haven’t written that one yet.”

Beth Stern Names Foster Cat After ‘Angel’ Taylor Swift Following Singer’s Donation to Animal Rescue

Taylor Swift may be the “Anti-Hero” in some regards, but not when it comes to cats. Animal advocate Beth Stern revealed Sunday (Dec. 18) that the pop star made a big donation to her pet rescue foundation Beth’s Furry Friends, and in return, she named a new foster cat in honor of Swift, who turned 33 years old on Dec. 13.

“Welcome new foster from Oman!!” wrote the Kitten Bowl host, sharing a photo of the new kitty. “Her name is Angel Taylor in honor of recent birthday girl, Taylor Swift who sent me a sizable donation to Beth’s Furry Friends to help me save more lives.”

“When I learned about this horrifically abused kitty who was beaten and had her ears cut off, I reached out to @street_cats_of_oman to ask if I could assist in her journey to much needed medical help and a forever family,” Stern continued. “She arrived to JFK on the day that Taylor sent me her generous donation.”

The Oh My Dog! author, who is married to radio star Howard Stern, has a lot in common with Swift when it comes to feline fondness. The “All Too Well” singer has long been open about her love for cats — “Guess I’ll just stumble on home to my cats,” she sings on “Gorgeous” — and has adopted three of her own: Meredith, Olivia and Benjamin.

Stern, meanwhile, has been caring for cats in need through Beth’s Furry Friends for years, and is also a spokesperson for and a board member of the North Shore Animal League. According to her website, she has provided spay/neuter care, foster care and facilitated adoptions for more than 2,000 kitties.

“Kitty Angel Taylor is currently being assessed at my specialist vet hospital,” Stern concluded her post. “I can’t wait to love her and help her heal and find her a forever family. Thank you, Taylor Swift, for helping me save more Angels. You are truly one yourself.”

See the foster kitty Beth Stern named after Taylor Swift below:

INTO1 SANTA on New Track ‘I’m from…’: ‘I Wanted to Put My Entire Life into This Song’

INTO1 SANTA’s new song “I’m from…” was released digitally on Nov. 25, 2022. SANTA made his debut in 2020 as a member of WARPs UP, a boy band made of Japanese and Chinese members. In 2021, he joined INTO1, a limited-time-only boy band, through his involvement in the Chinese TV show CHUANG 2021.

Since then, he has been active in the Chinese entertainment scene. SANTA began polishing his dance skills from an early age, and he has won countless dance contests. These include “STREET DANCE KEMP EUROPE,” one of the world’s top dance battle contests, for which he became the youngest winner ever.

In “I’m from…,” whose lyrics he wrote himself, he opens his heart, sharing his feelings about how far he has come by chasing his dreams. He spoke to us at length about his new song, what he’s been doing in China, his family and colleagues, and his future plans.

Congratulations on the release of your new song, “I’m from…” What are your feelings on the release of the single?

Thank you! The theme of “I’m from…” is how I used to live and what I’ve learned from it. The song’s title, “I’m from…,” refers to where I came from. I am where I am today thanks to the support of my family, my friends, my colleagues, and all kinds of people. I poured that gratitude into this song, and when creating it, whether it was writing the lyrics, creating the track, or filming the video, every step was something that I could never have done alone, so I felt that same sense of gratitude through the process of making the song. I really am just filled with this tremendous sense of thankfulness to everyone.

Did you start feeling this sense of gratitude to those around you during the course of your own artistic activities?

I think the impression I make on other people now is “that’s the guy who came here to China from overseas.” I was also a dance world champion, so I think people have that surface level-view of me, like “that’s the dance world champion.” But it’s precisely because of those successes that I realized “I want to work hard to bring joy to the people around me.” This song is about that desire, so I wrote the lyrics along with a lyricist and included memories I have of my friends and family.

In the lyrics, you also express your thanks to each of your parents.

I feel like I’ve been blessed with family and friends, and that’s how I’ve gotten to where I am today. At first, my dream was to be the best dancer in Japan. After I took that title, I wanted to become the best in the world. I won a dance contest in the Czech Republic when I was 17, taking the title of world’s best, but I actually wasn’t all that happy. At the time, what I kept thinking was just “I want to hurry back to Japan and tell my family.” I wanted to see them break out in tears of joy when I told them. I wanted to tell my friends and hear them bragging about me. That was when I realized why I’d been working so hard to succeed. The thing that led me to coming to China and trying to become even bigger is the same — if I make it big, it’ll make my family and friends happy and they’ll look forward to what I do next. That, in a way, is what drives me.

I see. So that’s why you have the one line in Japanese, “arigato.”

Right. That expresses my gratitude in the native language of the people who’ve supported me. My family has been behind me since I was born, and my friends have supported me since I met them, so this “arigato” expresses my thanks to them.

Did it take a long time to write the lyrics? Do you have any stories about the writing of the song?

As far as writing the lyrics, I’m always jotting down my feelings of gratitude. With this song, I wanted to sing about my whole life, so picking which individual events to use in the lyrics was difficult. Translating Japanese directly into Chinese would also sound a little strange, so I had to think about how to phrase things.

One line that makes a particular impression was “It’s not easy to chase your dreams.” As you touched on, it must have been really hard to overcome the language barrier and work overseas. How did you manage to do that?

Chinese has been incredibly hard for me. I really struggled, and I’m still learning. [Laughs] However, I never thought of that in a negative way. I think most people who’ve studied a foreign language will know what I’m talking about, but the more you come to understand what people are saying, the more you come to like them, and the more you come to understand their country. So, for me, it wasn’t an unpleasant struggle. In the line “It’s not easy to chase your dreams,” what I was talking about was how only a handful of people can achieve their dreams — and this also applies to when I was a dancer — so achieving your dreams is no easy matter. You have to work hard, and even then there’s only a slim chance that your hard work will be rewarded. However, I like the time I spend trying to achieve those difficult dreams, which I think is why I can keep going.

You began polishing your skills as a dancer since you were a young boy. Have you always taken on difficult challenges?

Yeah, I can’t stand to lose. [Laughs] For example, when I appear on TV sometimes they’ll introduce me as “the world’s number one dancer!” But the reality is that “the world’s number one dancer” also means “the dancer that’s lost the most times in the world.” That’s how often I’ve lost. I’ve won contests less often than I’ve lost them.

What kinds of things did you struggle with?

When I was a dancer, the hardest thing was making ends meet. Victories in street dance contests don’t come with millions of yen in prize money. So that was hard. It was like, I’d produce results, but I wouldn’t have any money. [Laughs]

People often talk about your brilliant successes, but you’ve also experienced setbacks along the way.

That’s right.

What led you to decide not to remain a dancer but to do what you’re doing today?

When I was pushing myself to get results, it was like playing a sport. My mindset was simple: “I lost. What a disappointment. Next time, I’m going to win.” But when I won (the dance contest) and went beyond, then, like I said earlier, I realized why it was that I was working so hard. Now that I know my objective, it feels like I can try all kinds of things. It’s like I’ve kept moving forward led by the spirit of “I want to make it bigger, and if an opportunity presents itself, I want to take advantage of it.” In the past, I just aimed for whatever goals were dangling in front of me, but now my goals are those deep in my heart, and I want to do my best to achieve them. The reason I put the “…” at the end of “I’m from…” is that I’m not just trying to point to some “location,” like saying that my nationality is Japanese, or that I started out as a dancer, but instead at something deeper. That’s the idea that I’m trying to convey through that space.

On Twitter, you’ve released some illustrations that express the “I’m from…” concept. Did you make them yourself?

Yes, those are mine. They were really hard to make. [Laughs]

It seemed like the contents of the illustrations reflected the message of the song. How did you make them?

First I thought of the story, and then I just started drawing off the top of my head, using a black pen. Then I zoomed in and drew the next element of the story. Then at the end I went in and added color and details.

Have you always been gifted at illustration?

In high school, I was in the Design Information Section, so I studied things like Illustrator. At the time, my future plan was to make a living as a dancer. I figured that when I became a dancer I’d hold my own events or announce that I was offering lessons, so I could save some money if I knew how to do that myself. [Laughs] That’s when I started studying illustration.

Is it important to you to properly express your ideas to others?

Yes. This time around, I told my life’s story in the form of a song, but in general I like communicating not through words, but through dance, or art, or some other medium.

Dancing and art are other ways of expressing yourself. So, along those lines, what does music mean to you?

Well, for example, in the (dance) freestyle battles I’m taking part in now, the DJ plays whatever song they want, and the dancer has to improvise to the music. So if the song isn’t conductive to what I’d originally wanted to express, I need to match the music. However, in situations like the “I’m from…” song, where I can make the music that I want, I’m able to express things even more granularly — I can express things that I couldn’t express through dance. It’s like I have another method to express things directly.

“I’m from…” is an edgy track with a chorus melody that stays with you. Have you always been a fan of this type of music?

No, not really. [Laughs] I listen to all kinds of genres of music. I really like old ballads, I like music by bands, I like foreign hip-hop… That’s why I plan to write songs in other different styles in the future, too.

What inspires you, whether in music or in your life?

I find travelling overseas really stimulating, but, actually, what inspires me the most is my father. He used to be an entertainer himself.

Oh, is that so?

Yes. So when I was little, he often took me with him to the radio station where he had a radio program. I saw a lot there, and I saw a different side of my father than the one who just lounged around at home. [Laughs] So my first stimulus was seeing him at work and thinking, “This job is cool.” He was a comedian, so the approach I took was very different, but I aspired to go out in front of people and communicate through self-expression. Also, ever since I was little, I’ve always been eager to win, so I wanted to surpass my father. So starting from there, I’d gradually build up new experiences and try to take on new challenges, and that’s what got me here.

I see. So, what kinds of things do you appreciate about living in China?

I’d have to say China’s language and culture. I started studying Chinese after arriving in China, and at the start it was hard. I didn’t understand anything. But as I came to understand more, I found myself able to understand conversations between people on the street. Or, for example, when I first came, if I got in a taxi and the driver started talking to me I would have no idea what he was saying, but after a while I came to understand that they were saying “It’s hot today” or “A new cafe opened near here recently.” I learned more and more about the culture and people’s lives, and it became really enjoyable. This is something that I really appreciate about living overseas, and it’s a lot of fun.

That’s something you can’t really experience unless you really get out there and do things. I’m sure there will be some teenagers who read this interview and think “I want to work overseas like INTO1 SANTA.” Do you want to inspire people like that?

Yes, I do. There are probably readers who want to work overseas, and, since I started out as a street dancer, there are dancers who came after me, and child dancers — people who knew me back when I was a child dancer. They’ve also seen me during all those times when I wasn’t sweeping the battles, and I’m sure now when they see me they are like, “it looks like he’s really having fun, now.” I hope that this can spur them on, showing them that “it’s okay to chase your dreams.”

You’ve also released a music video called “I’m from… (Live Show Video).” What’s that video like?

I have very strong preferences about everything I create, so I thought about what kind of content the video should have, how it should be filmed, and what kind of dancers I should dance with. There are a lot of props in the background that are tied to things in my own life. I think viewers will enjoy it even more if they look not only at my performance but also the other elements of the video.

What are your future career dreams and goals?

I really want to give back to the people that have supported me, so I want to keep giving back to them for as long as I can. I also want to share what I’ve learned with others in the hope that I can provide someone, even if only one person, with the inspiration and encouragement they might need in their life.

Do you have any final message for our readers?

Thank you, from the bottom of my heart, for your support. My new song, “I’m from…,” is an expression of my gratitude, and I hope you find it an uplifting song that provides positivity in your life, so I’d love it if you could listen to over and over again. Thank you!

This interview by Takayuki Okamoto first appeared on Billboard Japan

Machine Gun Kelly & The Chainsmokers to Headline ‘Sports Illustrated’ Super Bowl Party: Exclusive

Two’s a party. On Monday (Dec. 19), Sports Illustrated shared exclusively with Billboard the names of not one, but two special musical headliners slated for the publication’s 2023 Super Bowl Weekend event, Sports Illustrated The Party: Machine Gun Kelly and The Chainsmokers.

Presented by Captain Morgan and produced by Medium Rare and Authentic Entertainment, the event will take place at Talking Stick Resort in Scottsdale, Ariz., Saturday, Feb. 11, the big game. Guests planning to attend can expect over-the-top production, a custom-built festival- sized “mega-structure” and an “immersive” main stage experience, according to the announcement.

Tickets and VIP Tables go sale Wednesday (Dec. 21) at 10 a.m. MT via the event’s official website.

The announcement comes on the heels of Sports Illustrated‘s recent reveal that Shaquille O’Neal will stage an event called “Shaq’s Fun House” on Friday, Feb. 10, also taking place at Talking Stick Resort. Presented by Netspend and produced by Medium Rare in partnership with Authentic Entertainment, the fifth annual event will be headlined by hip-hop icon Snoop Dogg, and will feature a performance by Diplo.

Sports Illustrated the party

Courtesy Photo

Diplo won’t be the only DJ in the building, though. Shaq is also expected to take a spin on the turntables, performing under his stage name DJ Diesel.

Super Bowl LVII will see two teams facing off Feb. 12 at State Farm Stadium in Glendale, Ariz. — just a couple cities over from Sports Illustrated‘s festivities in Scottsdale. And though it might feel like the whole world already knows and is counting down the days ’til game time, it’s worth mentioning that Rihanna will headline the Super Bowl Halftime Show, making her return to live performance after about six years off.

Last year, Kygo, Jack Harlow, Frank Walker, David Solomon and DJ Irie performed at Sports Illustrated The Party, taking the stage at Century Park in Los Angeles the Saturday before Super Bowl LVI. The next day, the L.A. Rams took home the Lombardi trophy after beating the Cincinnati Bengals by three points. Dr. Dre, Snoop Dogg, Eminem, Mary J. Blige and Kendrick Lamar all teamed up for a memorable joint halftime show.

Kids of Brandy, Diddy, Notorious B.I.G. & More Take the Spotlight in ‘MTV’s Family Legacy’ Docuseries: Exclusive

MTV Entertainment Studios is teaming up with Glass Entertainment Group for the brand-new docuseries MTV’s Family Legacy, which will dive into MTV’s most celebrated events and iconic artists through the eyes of their children.

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The intimate docuseries will capture musicians through the lens of their kids, with exclusive footage and brand-new interviews with the children of beloved music stars, including Van Halen’s Sammy Hagar, Backstreet Boys’ Brian Littrell, *NSYNC’s Joey Fatone, Boyz II Men’s Nathan Morris, TLC’s Chili, Sean “Diddy” Combs, Brandy and Melissa Etheridge. The kids of late legends The Notorious B.I.G. and Linkin Park frontman Chester Bennington are also featured in the series, which will be narrated by actor and musician Quincy Brown, the son of Al B. Sure and Diddy’s late ex Kim Porter.

While the MTV’s Family Legacy docuseries doesn’t arrive until 2023, a special around the series is set to premiere as part of the monthlong “We Speak Music” programming on MTV starting Dec. 19.

family legacy

In other big news for MTV, RuPaul’s Drag Race announced a “global expansion” of its brand, which includes a new deal that will see the flagship show move over from VH1 (its home for the last six years) to MTV for its long-awaited 15th season. 

In alphabetical order, season 15 of RuPaul’s Drag Race will see AmethystAnetraAura MayariIrene DuboisJaxLoosey LaDucaLuxx Noir LondonMalaysia Babydoll FoxxMarcia Marcia MarciaMistress Isabelle BrooksPrincess PoppyRobin FierceSalina EsTittiesSugar and Spice all compete for the title of America’s Next Drag Superstar — as well as a newly increased cash prize of $200,000.

New York Police Seeking Help Identifying Man Who Said ‘Kanye 2024’ During Antisemitic Attack

New York police are still searching for the person who assaulted a 63-year-old man in Central Park last week in what officials described as an antisemitic attack. According to NBC News, the incident took place last Wednesday evening when the as-yet-unidentified male assailant allegedly hit the elderly victim in the back of the head after making antisemitic remarks while saying “Kanye 2024.”

The latter appeared to be a reference to the reported second long-shot White House bid by disgraced rapper Kanye West (who now goes by Ye), who has gained attention in the past few months for a string of interviews with right-leaning media outlets in which he made a series of antisemitic remarks while repeatedly proclaiming to conspiracy theorist Alex Jones: “I like Hitler.” Last week, West was named “Antisemite of the Year” by the watchdog group StopAntisemitism.

NBC reported that the alleged attacker — described as a man of medium build in his 50s with a light complexion — fled on a bike after the assault, which left the 63-year-old victim with a chipped tooth and a broken hand; the person of interest in the case had a bike with a trailer featured a sign that read “Hungry Disabled.”

“Crimes like these have a ripple effect across communities and cause unique trauma on top of physical harm,” Scott Richman, the regional director of the Anti-Defamation League of New York/New Jersey, told CNN. While the attack appeared random, Richman told CNN that it was an example of how Ye’s antisemitic rhetoric has “perpetuated violence and incited others to act out.” Richman added, “When public figures with huge platforms fan the flames of antisemitism, people will copy it and begin to think it’s normal.”

Councilman Eric Dinowitz, who chairs New York city council’s Jewish Caucus, agreed, telling CNN, “I am deeply disturbed by this vile, yet predictable antisemitic attack in Central Park. Anti-Jewish attacks are rising at an alarming rate, fueled by hateful rhetoric and willful ignorance. These attacks on Jewish New Yorkers are not isolated incidents, but a pattern of attacks on an entire people.”

The Anti-Defamation League reported that antisemitic attacks reached an all-time high in the U.S. in 2021, with figures up 34% from 2020. Over the past several months there have been a series of incidents in which others have seemingly expressed solidarity with Ye’s repetition of anti-Jewish tropes and stereogypes, including unknown persons who hung a “Kanye is right about the Jews” banner over the 405 Los Angeles freeway in October while making the “Heil Hitler” salute; the same message was displayed on the outside of TIAA Bank Field in Jacksonville, FL a few days later.

Zendaya Talks Hopes for Rue in ‘Euphoria’ Season Three: ‘A Little Bit of Happiness and a Little Bit of Joy’

On Sunday afternoon (Dec. 18) , Zendaya, Sydney Sweeney, Hunter Schafer and Maude Apatow took part in an awards season Q&A for their hit show Euphoria, accompanying a screening of season two’s fifth episode, “Stand Still Like the Hummingbird.”

The episode was largely seen as the season’s breakout, as Golden Globe nominee Zendaya’s Rue runs throughout the night to evade police, drug dealers and her mother’s attempts to bring her to rehab — while also revealing Cassie’s (Sweeney) secret relationship with Nate (Jacob Elordi). Creator Sam Levinson had originally written an entirely different version of the season, but Zendaya said that the plan for this stand-alone episode always remained pretty constant.

“There was a much sadder ending to this season, and so we were thinking, ‘We can’t leave her here, she means too much to us,’” Zendaya told the crowd inside the Paramount Theater. “I think, collectively, as a people, we all needed a little bit of hope. We needed something to look forward to, some goodness and some joy, and trying to find that in a very painful time,” as they worked on the second season amid the pandemic.

“That felt very relevant to, I think, a lot of people, but also important to me when it comes to Rue. I want people to know that there is something beautiful inside of her, whether she can see it at that time or not,” the star and executive producer continued. “So then, he proceeded to completely change the ending, and it ended in the most beautiful way and the most incredible performances that you guys brought to life that blow my mind. And really, the idea [is] that art can save lives in many ways. So it went through many iterations, but I’m grateful where it ended, and I’m grateful for all the stories that were then shared with me after that ending.”

The cast also discussed each of their characters’ arcs in that pivotal episode (which originally aired in February) and the logistics of that Rue run (which surely played a part in Zendaya’s second Emmy win in September). With a third season on the horizon, the stars were also asked what “euphoria” looks like to each of their characters going forward.

Sweeney said that for Cassie it would be a family, as “she’s looking for a family in everyone else. She looks for it and her friends, she looks for it in the guys,” and Apatow said for Lexi it’s “freedom from yourself and your thoughts and negative thoughts, negative self-talk. Once that’s out of the way. you can realize your full potential, and I think that’ll probably [be] hers: stop attacking herself.”

“Each of these characters have their own vice in a way, and I think the product of Jules’ vice that she’s looking for is closeness with other people and feeling affirmed in that closeness without any judgment or real connection and safety in that connection,” Schafer added for her character. “I think she finds it in not the best ways a lot of the time, but I think end of the day, it’s what she’s looking for — what she knows is there with, Rue but there’s stuff in the way; what she knows is with her dad, but there’s stuff in the way; what she knows could be with Elliot, but he’s an addict and everything.”

Finally, Zendaya said for Rue, her one wish “is literally just to be able to be alive and maybe enjoy it.” She said Rue feels like she’s always drowning and hopes that she can, for a moment, just be able to breathe and keep her head above water with “a little bit of happiness and a little bit of joy.”

“And I know that she can do it because Sam wrote it, and Sam is Rue, and he’s done it,” Zendaya continued, as her character is famously based off of the creator’s own struggles with addiction. “He’s proof that there is hope for Rue and anyone like Rue, and from the beautiful letters and people who have reached out — I am so grateful for those experiences when somebody comes up to me, and they speak about Rue and how they’ve connected to her or whatever part of their healing journey she has been able to be a part of. To me that is the greatest, greatest gift I can ever ask, it gives me euphoria and purpose in what I do.”

“I just hope for a little bit of joy and for her just to be able to breathe and love without the fear of losing,” she added. “I mean she’s gonna have to go through some things, yes, but you know, we’ll get there.”

This article originally appeared on The Hollywood Reporter.

Dave Grohl and Greg Kurstin Kick Off 2022 ‘Hanukkah Sessions’ With ‘Spinning Wheel’ Cover

Dave Grohl and pal producer/songwriter Greg Kurstin cranked up the “Hanukkah Sessions” for a third year on Sunday night (Dec. 18) for another round of covers of songs made famous by Jewish musicians. In a twist, this year’s efforts were all recorded live at Los Angeles’ intimate Largo on Dec. 5 with a cast of all-star guests taking the stage at the 250-capacity club.

The pair also brought in a ringer to handle vocals for the first of the eight night celebration of lights: director Judd Apatow. The Bros co-producer stepped to the mic for a run through Blood, Sweat & Tears’ 1969 Grammy-nominated Billboard Hot 100 No. 2 hit “Spinning Wheel,” which, according to a Variety report on the event, was inspired by a karaoke night in Hawaii with Grohl’s family. “A little blood and plenty of schvitz went into this year’s Hanukkah Sessions — but the only tears you’ll be shedding will be tears of nachas when you hear Judd Apatow sing ‘Spinning Wheel’ by Blood, Sweat & (No) Tears!” read the video’s description.

“This is a song that means a lot to me, it was performed by the great Hank Kingsley [Jeffrey Tambor] on The Larry Sanders Show. This is a tribute to Garry and to Hank,” said Apatow at the top of the clip, referring to the infamous sidekick on the fake talk show hosted by his late friend Garry Shandling. And with that, with Grohl on drums and Kurstin on keys, Apatow sang-talked the swinging psychedelic soft rock classic on a stage decked with multiple menorahs, some stray tinsel and a killer horn section.

During Kurstin’s jazzy piano solo Apatow did some awkward dad dancing before the late-song break, announcing casually, “there’s more” before diving back in with a series of goofy faces as the band went into a song-ending freak-out. Proclaiming himself out of gas (or was it oil?) at the end, an out of breath Apatow joked, “Dave I know you do five-hour concerts, but that’s all I could do. I need a month off.”

Grohl and Kurstin released the first “Sessions” in Dec. 2020 in the midst of the first winter of the COVID-19 pandemic, dropping one new cover for each night of the holiday. In the midst of a concerning rise in antisemitic incidents and hate speech in the U.S., proceeds from the Largo night went to the Anti-Defamation League.

Among the other guests at Largo were P!nk, Kurstin’s The Bird and the Bee collaborator Inara George, Grohl’s mighty-voiced 16-year-old daughter Violet, Beck, the Yeah Yeah Yeah’s Karen O and Jack Black. The inaugural 2020 “Sessions” featured covers of songs by he Beastie Boys, Drake, Mountain, Peaches, Bob Dylan, Elastica, The Knack and the Velvet Underground, while last year’s edition brought eight crazy nights of covers, including a black metal take on Lisa Loeb’s “Stay (I Missed You),” as well as the Ramones’ “Blitzkrieg Bop,” Barry Manilow’s “Copacabana (At the Copa),” the Clash’s “Train in Vain,” Kiss’ “Rock and Roll All Night,” Van Halen’s “Jump,” Amy Winehouse’s “Take the Box” and Billy Joel’s “Big Shot.”

Watch the “Spinning Wheel” cover below.

Stevie Wonder Presents House Full of Toys Benefit: ‘Let’s Show the World How to Love Again’ 

“I’m going to be singing this whole time, so get ready,” one attendee laughingly declared to her neighboring seatmates at Stevie Wonder’s annual House Full of Toys Benefit Concert. But not to worry.  

Wonder and his guests — including Gregory Porter, Trombone Shorty and Jody Watley — had everyone inside Los Angeles’ sold-out Microsoft Theater singing and dancing along to each and every note Saturday evening (Dec. 17). Just Wonder playing a few notes on his harmonica in the wings before walking onstage with the evening’s musical director/longtime friend Rickey Minor was enough to send the audience into a cheering frenzy even before the concert got underway. 

House Full of Toys, presented through Wonder’s nonprofit We Are You Foundation, benefits children, people with disabilities and families in need with concertgoers donating an unwrapped toy. Now in its 24th year, the performer lineup featured Trombone Shorty who had attendees second-lining a la his native New Orleans when he joined Wonder onstage for an exuberant romp through “Sir Duke.” Prior to that, Jody Watley took fans on her own nostalgia tour, performing her 1989 R&B/pop hit “Real Love” before segueing into a classic from the traditional holiday special A Charlie Brown Christmas, “Christmas Time Is Here.” 

Trombone Shorty

Trombone Shorty performs at the 24th House Full of Toys Benefit Concert on Dec. 17, 2022.

Lester Cohen for Wonder Productions Inc.

Meanwhile, Gregory Porter’s sonorous voiced blanketed the venue with “Take Me to the Alley,” the title track to his 2016 album. “That’s what we’re here for,” added Porter afterwards, referencing the hungry, homeless and others going through life struggles. “That’s why I had to sing that song.”  

Rounding out the lineup of performers were Tina and Teddy Campbell, the John Paul McGee Trio with Amber Bullock, Kimberly Brewer and Wonder’s daughters Zaiah and Nyah. The pair danced together on a holiday song that Wonder recorded in the late ‘60s, “One Little Christmas Tree,” and returned later to sing along with their dad on the standard “The Christmas Song.” Lucky Daye was also scheduled to perform but canceled owing to not feeling well. 

As always in years past for this holiday concert — and with no offense to the guest stars who have appeared — the night belonged to Wonder. The legend gave as good as he got from an already enthusiastic audience that became more ecstatic each time he sat down at the keyboards or piano and simply sang. Early in the show, Wonder boosted the festive spirit already resonating around the venue when he performed “What Christmas Means to Me,” singing to the original instrumental track recorded back in the ‘60s.   

Shifting from a raucous sing-along to “I Wish,” one of his many classics, Wonder celebrated the 50th anniversary of his 1972 album Talking Book. Beginning with “You Are the Sunshine of My Life,” he then saluted his late ex-wife and co-writer Syreeta Wright (“Such a wonderful spirit”) with the moving “Blame It on the Sun” before closing the Book suite with an emotional turn on “You and I (We Can Conquer the World).”  

Said a tearful Wonder after an ensuing standing ovation, “I love all of you so much. I give all praise to God for all the songs I’ve written or co-written. If you understand love, you can’t spend one second entertaining the spirit of hate … Let’s show the world how to love again.” 

With the clock ticking down to after 11 p.m., Wonder gifted the audience with a mini-concert. The set list included “Do I Do,” “I Love You More” with the aforementioned Brewer, “As,” “Ribbon in the Sky,” “I Just Called to Say I Love You,” “Living for the City” and “Higher Ground.” Closing with another Talking Book selection, the crowd-pleaser “Superstition,” Wonder brought his children and the concert’s entire staff onstage.  

Before walking offstage to “Another Star,” a smiling Wonder said, “I wanted to give you all everything I could give you … I love you; God bless you — and we are done!” 

Billy Joel Postpones Madison Square Garden Concert Due to Illness

Billy Joel‘s last concert of the year has been canceled, the Piano Man told fans on Sunday (Dec. 18). Joel revealed that he is sick and has been advised to rest his voice.

“I’m disappointed to share that I’m under doctor’s orders for vocal rest due to a viral infection so unfortunately, I must postpone my Monday, December 19th concert at Madison Square Garden to June,” Joel wrote on Twitter and Instagram.

“I’m so sorry to let you know so close to show day, but I was hoping to be closer to a full recovery by now,” he added. “Sadly, that hasn’t happened. I look forward to seeing you in the New Year.”

An additional update from a spokesperson for Joel that was posted on his official website confirms that Monday night’s concert is currently rescheduled for June 2, 2023: “All tickets purchased for the December 19, 2022 concert will be honored on Friday, June 2, 2023 and will not need to be exchanged. Please note, the June 2nd performance is subject to change if it conflicts with a playoff game. For more information, please visit www.msg.com. Joel’s Madison Square Garden franchise run will resume as scheduled on January 13, 2023.”

See Joel’s upcoming list of tour dates here, and his announcement below.