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Dekko, Danny Ocean & More: What’s Your Favorite New Latin Music Release? Vote!

Another Friday, another round of new releases in Latin music.

This week, Ricardo Montaner‘s son, Héctor Montaner, released his first single in 10 years. Titled “Dale, Dale,” the track serves as the theme song for the Disney+ series about his famous family, Los Montaner. “Dale, Dale” is a contagious cumbia tune that’s also perfect for the holidays. Perhaps best known for the 2004 hit “Amor del Bueno,” Hector never really strayed from music — he’s been producing and writing songs for artists including Thalía, Leslie Grace and his father.

Additionally, Danny Ocean goes experimental with a full electronic song. After releasing part one and part two of his album @dannocean, the Venezuelan singer-songwriter is back with new music. This time, he’s gifted fans a feel-good Spanglish anthem that’s all about living in the moment and embracing a newfound love.

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Also, rising Colombian acts Dekko and Totoy El Frío teamed up for “Antes de que muera.” Written and produced by Dekko himself (real name: Daniel Esquiaqui Lecompte), the acoustic corrido tumbado-inspired track sheds light on a bucket list they wish to accomplish before passing away, starting with “becoming a millionaire” and “owning the world.” “The life that I have led was not the one that mommy wanted/I became more badass that I guarantee/And they criticize me because I do what I want/But they need to know that ‘He who does not risk does not win,’” says part of the motivational lyrics.

Other releases include Fuerza Regida and Grupo Frontera‘s collaboration “Bebé Dame,” Jowell & Randy and Wisin & Yandel‘s “Si Te Pillo” and Quevedo and Myke Towers‘ first team up “Playa De Inglés.”

Which release is your favorite? Cast your vote — or enter in your favorite selection — in the poll below.

Mariah Carey Gifts Front Row Ticket to Superfan With Sprained Foot

Mariah Carey proved once again that she’s the reigning Queen of Christmas when she bumped a superfan who will be attending her Friday night (Dec. 16) “Merry Christmas to All” gig at Madison Square Garden to the front row.

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It all started when a Twitter user named Jordan Faso took to Twitter to reveal that they are planning to attend Carey’s show despite an injury. “Having a sprained foot is not going to stop me from seeing @MariahCarey on friday! i will crawl in MSG,” they tweeted along with a string of laughing emojis.

Carey, upon seeing the post, sweetly replied, “I wouldn’t want you to crawl!! Maybe instead you can sit in the front row for tomorrow’s show???”

Of course, Faso was thrilled over the news. “GUYS IM SHAKING LOL,” the fan wrote.

The interaction came just two days after Carey upgraded another member of her Lambily fanbase, who traveled from Uruguay to New York just to the the show, to front row. “Today I’m traveling from my country, which is 8.598km (5.342,55miles) away from NY, just to see my idol @MariahCarey,” the fan named Mai wrote on Monday (Dec. 12). “I remember when I started saving for this day 5 years ago, wishing and hoping for this day. Words can’t describe my happiness rn, love u forever Mimi!”

“I am so happy you’re going to be here!!!,” Carey responded along with a snowflake and Christmas tree emoji. “How would you like to sit in the front row for tonight’s concert??”

8LOOM Sprouts Up the Japan Charts: Get to Know the ‘Limited Time Only’ TV Show Spinoff Boy Band

8LOOM is a limited-time-only seven-member boy band that was launched by the TBS drama I’ll Be Your Bloom (which airs Tuesdays at 10 p.m. JST).

Their songs have enjoyed continued success on the charts. Their first single, “Come Again,” which was released on September 21, has maintained its position at No. 3 for five consecutive weeks in Billboard Japan’s Heatseekers Songs chart dated November 30, and also came in at No. 49 on Billboard Japan’s Hot 100 song chart. The chart ranks rapidly rising songs poised to become the next breakout hits, by tabulating radio airplays, downloads, streams, and weekly video views for songs in the Japan Hot 100. Their third single, “Melody,” (released on November 9) came in No. 1 for two consecutive weeks on the Heatseekers Songs chart and reached as high as No. 32 on the Japan Hot 100 chart. The band’s success shows no signs of slowing. Let’s take a look at the appeal of 8LOOM’s music, which is tightly linked to the TV show’s concept and story, and how the band has been performing in the charts. 

 The drama series I’ll Be Your Bloom, headed by actress Tsubasa Honda, is an original story from screenwriter Erika Yoshida, winner of the 40th Mukoda Kuniko Award for her drama series Koisenu Futari (2022/NHK). Asuka Nakamachi used to be a high school teacher until a setback forced her into early retirement. A series of events lead her to becoming the live-in dormitory mother for a boy band called “8LOOM.” The seven members of the band just can’t seem to catch their big break, and as Asuka spends time with the band, she becomes closer to them, helping them in their efforts to achieve success. 

 The members of 8LOOM are played by Fumiya Takahashi, Ryubi Miyase, Keito Tsuna, Rintaro Hachimura, Shuto Mori, NOA, and Koki Yamashita. The talented members of 8LOOM, who are actors, musicians, and dancers, have released songs and made their debut as a band outside the drama. Their activities have extended beyond the bounds of a TV series to include appearances at the KCON 2022 JAPAN K-culture festival and a solo concert tour. The band has a steady hold on the spotlight and is continually improving its salesmanship. 8LOOM’s YouTube music videos are subtitled in English, Korean, and Chinese, and their efforts to become a global boy band are one of the distinctive features of the band. Let’s look at the singles they’ve released so far. 

* 1st single “Come Again” 

 The melody line of “Come Again,” 8LOOM’s first single, is fresh and light, yet at the same time melancholic, with a pleasant, bouncy feel. The line “We are blooming here, Myself from tomorrow is calling” is a direct reference to the story of I’ll Be Your Bloom, and to the concept of 8LOOM itself. It’s an ideal debut song thanks to its arrangement, which blends a light pop feel with great musical depth. 

 The music video showcases the vocal and dance skills of each member, and depicts the hard work they’re putting into making their dreams come true. The high quality of the song provides a clear view of their potential as a boy band. In the TV show, the members of the band, who have hit rock bottom, perform a song at a show to a disinterested audience. The iconic scene of them starting to claw their way to a success generated a lot of buzz in social media. 

 This single debuted on Billboard Japan’s Heatseekers Songs chart at No. 3 and kept that position for five weeks. On the Japan Hot 100, it showed tremendous growth on the November 23 chart, going from No. 46 to No. 26 in terms of downloads and from No. 69 to No. 46 for streaming plays. Its overall ranking also improved dramatically, going from No. 91 to No. 50. On the November 30 chart, it climbed even further, to its peak position of No. 49. It performed particularly well in streaming, peaking at No. 36. As the rankings show, more and more people are learning about “8LOOM.” 

* 2nd single “Kimi no Hana ni Naru” 

 8LOOM performed at the Rakuten Girls Award 2022 AUTUMN/WINTER (Makuhari Messe, Chiba) on October 8 and at KCON 2022 JAPAN (Ariake Arena, Tokyo) on October 15. Immediately after they raised their profiles by captivating audiences with these live performances, they released their second single, “I’ll Be Your Bloom.” The song was produced by UTA, who has also produced songs for Daichi Miura, BTS, and Kohei Matsushita. 

 The song begins with a soaring chorus by the entire band. The song stands out with its tight four-on-the-floor beat, its beautiful guitar riff, and the way the melody opens up when the chorus hits. The message shared through the lyrics is one of working together to keep moving forward, no matter what happens. This ties into the TV show’s story, but it’s also a message directed at listeners about “being their flower,” successfully elevating 8LOOM’s presence as a real boy band. Bearing the same title as the TV show, this became 8LOOM’s first anthem. 

 On the Heatseekers Songs chart, the single reached a record high of No. 2 on November 2. On the Japan Hot 100, it came in No. 49 on the October 26 chart, and although it then dropped off the chart for a moment, the rising popularity of the TV show and the accompanying increase in streaming plays, along with the further growth in already-solid downloads caused the single to bounce back up. On the November 30 chart, it came in at No. 35 for downloads and No. 52 for streaming, both new records that hint at the single’s potential to become a long-lived hit. 

* 3rd single “Melody”

 In the fifth episode of I’ll Be Your Bloom, the band is told that if they don’t come in first place in the streaming chart, their contract will be terminated. That’s when this song appears. Released on November 9 as the band’s third single, “Melody” really did come in at No. 1 on the Heatseekers Songs chart on November 23, after the episode aired. Many fans rejoiced that “the show has become reality!” The music video for “Melody” surpassed one million views in just three days, record speed for the band, and on the TikTok Weekly Top 20, a chart measuring songs popular on TikTok, it entered the Top 10 by taking the No. 5 spot on November 30. This was likely driven by the desire among listeners who had become interested in 8LOOM through the series to turn the group into a real-life success story, as well, together with the high quality of the song itself. As the trajectories of the previous two singles show, the success of this song also significantly boosted the rankings of “Come Again” and “Kimi no Hana ni Naru” in the November 23 and later charts, following the airing of the fifth episode. 

 “Melody” begins with the sweet line “My heart sings a beat, Next to you is My Best Place.” With its smooth, delicate rhythm and its sound, evocative of neo soul or city pop, this song has a pop sensibility that appeals to a wide range of listeners (even more than 8LOOM’s previous singles). 

* 4th single “HIKARI” 

 From November 2 to 15, 8LOOM held its first and last multi-city tour — the I’ll Be Your Bloom “Let’s 8LOOM” TOUR ~FIRST and LAST~ — with shows in Tokyo, Osaka, and Fukuoka. As the band broke through in the TV drama, which wound towards its finale, 8LOOM released its fourth single. The kick drum sets a pleasant, fast pace. A synth line floats on top. The rhythm of the chorus bounces long. The lyrics share the message “You shine just the way you are.” This pop tune balances all of the best features of 8LOOM. 

 Looking through the comments on the video for the song, “8LOOM ‘HIKARI’ Special Video for 8LOOMY [TBS],” on the official TBS YouTube channel, you see many sentiments like “I don’t want this to be a limited-time-only group, I want you guys to keep going. I became a die-hard fan after watching the show,” or “The lyrics are so beautiful they bring tears to my eyes. I don’t want 8LOOM to end.” Comments like these are a testament to 8LOOM’s growing momentum. This can be seen in “HIKARI” debuting at No. 31 on Billboard Japan’s Hot 100 chart released on November 30, a new record for the band, as well as the single debuting at No. 8 on th Download Songs chart. 

 On December 2, 3, and 4, 8LOOM played solo shows at Tokyo Garden Theater on their I’ll Be Your Bloom “Let’s 8LOOM” TOUR ~THE FINAL~. They’re still highly active, releasing their fifth single, “Forever or Never,” on December 7th. As the series’ finale approaches, without a doubt, even more eyes will turn to 8LOOM to see what becomes of this “limited-time-only boy band,” so deeply intertwined with the show’s story. 

This article by Tomoyuki Mori first appeared on Billboard Japan.

SEVENTEEN Reveal New Year’s Resolutions, Promise ‘Fresh Music’ in 2023

SEVENTEEN performed at Penske Media’s LA3C festival last weekend, and while they were there, Joshua, Dino and Mingyu chatted exclusively with Billboard News about their love for the holidays and what fans can expect from the group in 2023.

Speaking to Billboard‘s Tetris Kelly, the trio dished on their recent world tour, winning best dance performance male at the 2022 MAMAs, and releasing their new calendar for fans just in time for the holiday season.

“Favorite part of the holidays for me, personally, like, Christmas, I just love the energy, the music that plays and just, like, the overall vibe of Christmas,” Joshua said, while Dino added, “There are lots of festivals and year-end shows like LA3C that happen during the holiday season, and performing as a part of those events is one of my favorite things during the holidays.”

And while Christmas is still more than a week away, the K-pop idols are already looking forward to a bright and busy new year. “I just want all of us to be healthy, I think that’s the most important,” Joshua said after he and several of his bandmates each missed different tour stops due to COVID. “And we want to meet as much CARATs as possible.”

“Just like we did this year, we will come back with fresh music and, how should I put it? Music and performances that are more truthful to who we are,” Dino jumped in, while Mingyu was quick to add, “Please let everyone know they can look forward to everything we’re doing next year!”

LA3C is Penske Media Corporation’s new music, art and food festival celebrating Los Angeles’ culture and diversity, which took place Dec. 10-11 at Los Angeles State Historic Park. PMC is the parent company of Billboard.

Watch Joshua, Mingyu and Dino’s chat with Billboard at LA3C above.

Janet Jackson Is ‘So Excited’ for Together Again Tour, Confirms ‘There Will Be New Music’

Cheers to more escapades! Janet Jackson visited the TODAY show on Friday (Dec. 16) to discuss her upcoming tour, plans for new music and more.

During the chat, the famously soft-spoken superstar was even quieter than usual, on account of losing her voice, but that didn’t stop her from spilling the tea. “I feel great, we’re so excited,” she said of preparations for Janet Jackson: Together Again. “It’s gonna be a fun time with Ludacris as a special guest … You know, I’ve never done it with him before, so he’s a great fit. Thought it would be a lot of fun.”

Jackson also confirmed she has new music on the way. “There is,” she told the panel of hosts with a laugh. “There is new music. A lot of the fans have been saying, ‘Where’s the new music? When are we gonna get new music?’ So there will be new music.”

While the singer didn’t specify a release date or other details, any new music would be her first since releasing her eleventh studio album, Unbreakable, in 2015 and her 2018 one-off, “Made For Now,” with Daddy Yankee.

Jackson also extended an invitation for co-host Sheinelle Jones to join her after seeing a clip the TODAY anchor perform “Rhythm Nation” in full costume. “I’m looking for someone to come on stage and dance with me for a song or two,” she said. “I was serious about you coming on stage.”

Janet’s tour will kick off April 14 in Hollywood, Fla., and runs through June 21, when it will close with a show in Seattle. Watch Janet’s full talk with TODAY above.

‘Merrily We Roll Along’ Revival Starring Daniel Radcliffe, Jonathan Groff to Move to Broadway

The Off-Broadway revival of Stephen Sondheim’s Merrily We Roll Along, starring Daniel Radcliffe, Jonathan Groff and Lindsay Mendez, will move to Broadway in the fall.

The production, directed by Maria Friedman, is currently playing a sold-out run at New York Theatre Workshop through Jan. 22. It came to New York after runs on London’s West End and at the Menier Chocolate Factory.

This is the first Broadway revival of Merrily We Roll Along, after it premiered on Broadway for a short run in 1981. The musical, which features a score by Sondheim and a book by Furth, follows three friends, played by Radcliffe, Groff and Mendez, and travels backwards through time to follow them over three decades of working in entertainment.

A revival of Sondheim’s Into the Woods is currently playing on Broadway and a revival of Sweeney Todd is planned for Broadway this spring.

Sonda Friedman Productions, David Babani, Patrick Catullo and Jeff Romley will produce Merrily We Roll Along on Broadway.

The revival also features Krystal Joy Brown, Katie Rose Clarke and Reg Rogers. Choreography is by Tim Jackson and orchestrations are by Tony Award winner Jonathan Tunick.

Exact dates and the Broadway theater where Merrily We Roll Along will play will be announced at a later date.

This story was originally published by The Hollywood Reporter.

Phoebe Bridgers Reveals How SZA Collaboration Came About: ‘It All Happened So Fast’

Phoebe Bridgers joined Danny Elfman for a live-to-film performance of Tim Burton’s The Nightmare Before Christmas on December 9 and 10 at London’s OVO Arena Wembley, and the duo sat down with NME to discuss their creepy collaboration.

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The “I Know the End” singer revealed that she had “such a crush on Sally” growing up and the film “informed stylistically a lot of me gravitating towards goth stuff as a kid.” Thus, she was the perfect fit to take on the singing role of the rebellious ragdoll, alongside Elfman, who reprised his role as the pumpkin king Jack Skellington for the shows.

Later on in the interview, Bridgers talked about the process making her SZA collaboration, “Ghost in the Machine,” off the latter’s freshly released album, S.O.S. “That record is insane,” Bridgers noted.

“She just hit me up. She just sent me a DM, and then it all happened so fast,” the 28-year-old recalled of how the collaboration came together. “I wasn’t really used to that in that pop world, because vinyl isn’t so much of a consideration until way later. It’s just like, ‘Do you want to be on this record? OK, it’s out next week.’ It was so recent, which I really like. I like that turnaround time. Personally, I sit on stuff for so long and it takes me years to make albums. I like seeing someone else’s world from that angle.”

Of SZA, Bridgers gushed, “She’s definitely my favorite rapper. She’s so, so effective and cool and a great hang.”

Watch the full interview below.

Tunefind Top TV/Movie Synchs of 2022: ‘Grey’s Anatomy’ on Top Again, ‘Euphoria’ Takes Song Honors

For the sixth year in a row, Grey’s Anatomy is the top TV show for music synchs on TV, according to Tunefind.

Tunefind has revealed its year-end top shows, movies, songs and artists for onscreen music synchs in 2022, and the long-running ABC drama again tops the list.

The music discovery website Tunefind’s year-end rankings are based only on traffic and interaction on its website, which helps fans identify what song they heard in a TV show or film. Tunefind’s year-end charts are separate from the monthly Top TV Songs chart, presented with Billboard. The monthly Top TV Songs chart ranks the top songs that appear in TV shows each month, using a combination of metrics from Tunefind and Luminate.

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Grey’s Anatomy appeared on the monthly Top TV Songs list multiple times throughout the year, and a pair of songs featured during its 18th season also appear on Tunefind’s year-end songs ranking: Tommee Proffitt and Fleurie’s “Chasing Cars” and Davis Naish’s “The Story,” both heard in the season finale, which aired May 26. Proffitt and Fleurie’s entry is a cover of Snow Patrol’s 2006 original (which peaked at No. 5 on the Billboard Hot 100), while Naish covered Brandi Carlile’s “The Story” (No. 75, 2007).

Euphoria rockets onto the shows list at No. 2, and one of the songs heard in the HBO series’ second season ranks atop the songs survey: “I’m Tired,” from Labrinth and show star Zendaya. After initially being heard in the fourth episode of the season (Jan. 30), the song eventually reached multiple Billboard charts upon its wide release, including No. 53 on the Hot 100 dated March 19.

Euphoria ultimately boasts five songs on the year-end songs ranking, with “I’m Tired” followed by Sinead O’Connor’s “Drink Before the War” (No. 4), Orville Peck’s “Dead of Night” (No. 7), James Blake and Labrinth’s “(Pick Me Up) Euphoria” (No. 8) and Laura Les’ “Haunted” (No. 9).

Speaking of Labrinth, he takes the cake as the top artist of the year, and Jeff Russo claims top composer honors.

Meanwhile, the top new show is Power Book IV: Force, a continuation of the Starz series that premiered in February, followed by HBO Max’s Peacemaker. And Hulu’s Fresh is named top movie, boasting a soundtrack that includes Blood Orange, Karen O, Danger Mouse, Duran Duran, Peter Cetera and more.

See each of the year-end rankings below.

Top Songs

  1. “I’m Tired,” Labrinth & Zendaya, Euphoria
  2. “Untitled,” Killer Mike, Ozark
  3. “Separate Ways (Worlds Apart) (Bryce Miller/Alloy Tracks Remix),” Journey, Stranger Things
  4. “Drink Before the War,” Sinead O’Connor, Euphoria
  5. “Chasing Cars,” Tommee Proffitt & Fleurie, Grey’s Anatomy
  6. “The Story,” Davis Naish, Grey’s Anatomy
  7. “Dead of Night,” Orville Peck, Euphoria
  8. “(Pick Me Up) Euphoria,” James Blake & Labrinth, Euphoria
  9. “Haunted,” Laura Les, Euphoria
  10. “Desire,” Bob Moses & ZHU, Desire

Top TV Shows

  1. Grey’s Anatomy (supervisor: Justin Kamps)
  2. Euphoria (Jen Malone)
  3. Stranger Things (Nora Felder)
  4. Yellowstone (Andrea Von Foerster)
  5. The Blacklist (John Bissell)
  6. The Umbrella Academy (Jen Malone)
  7. Love Island
  8. Letterkenny (Cody Partridge)
  9. The Boys (Michelle Johnson & Yvette Metoyer)
  10. Bridgerton (Justin Kamps)

Top New TV Shows

  1. Power Book IV: Force (supervisor: Derryck Thornton)
  2. Peacemaker (Ian Broucek & Evyen Klean)
  3. Heartstopper (Matt Biffa & Ciara Elwis)
  4. The Bear (Josh Senior & Christopher Storer)
  5. How I Met Your Father (Season Kent)

Top Movies

  1. Fresh (supervisor: Gabe Hilfer)
  2. Top Gun: Maverick (Kathy Nelson)
  3. The Bad Guys
  4. Turning Red
  5. Nope
  6. Thor: Love and Thunder (Dave Jordan)
  7. Along for the Ride (Jane Abernethy & Jessica Berndt)
  8. The Batman (George Drakoulias)
  9. The Lost City (Rob Lowry)
  10. 365 Days: This Day

Top Artist

  1. Labrinth
  2. Radiohead
  3. Kate Bush
  4. Mazzy Star
  5. Billie Eilish
  6. Ruelle
  7. Sleeping at Last
  8. David Bowie
  9. The Rolling Stones
  10. M83

Top Composers

  1. Jeff Russo
  2. Ramin Djawadi
  3. Siddhartha Khosla
  4. Kyle Dixon & Michael Stein
  5. Dave Porter

Drummer Dino Danelli, Co-Founder of the Rascals, Steven Van Zandt Band Member, Dies at 78

Drummer Dino Danelli, an original member of 1960s New Jersey rock group The Rascals has died at 78. His death was confirmed by Rascals archivist and friend Joe Russo on Danelli’s Facebook page, where Russo wrote, “To know Dino, you must understand that art was his life. Art, music and film consumed his mind and his heart. He was an insomniac, sometimes staying awake for days, because he was always writing, reading, painting, drawing, watching films. He was beyond private and for someone who many consider one of the greatest drummers of all time, humble to a fault.”

Russo said the drummer who manned the kit for the Rascals from 1965-1971 — and also performed with E Street Band member and solo rocker “Little” Steven Van Zandt’s Disciples of Soul from 1982-1984 — was the “most private person I knew.” While he did not disclose a cause of death, Russo wrote that Danelli was “acutely disappointed” about the “abrupt” conclusion of the Rascals’ 2013 “Once Upon a Dream” reunion tour and he noted that after it fell apart the timekeeper was “almost obsessed” with trying to find a way to “keep the ball rolling” as his health began to decline.

“When this project attempt failed, it seemed Dino’s intense artistic spirit began to drift away,” Russo wrote of the musician who was born in Jersey City on July 23, 1944 and formed the Young Rascals with singer Eddie Brigati, keyboardist Felix Cavaliere and guitarist Gene Cornish in 1964.

“Around this time in 2017, I noticed subtle changes in his movements and ability to walk steady. One day, he asked me to pick him up from a doctor’s visit. We returned to his apartment where he began indicating to me certain wishes he would like honored after his passing,” Russo continued. “It wasn’t alarming for a man his age to do so, but it seemed unusually sudden and out of left field.”

With his musical ventures drying up, Russo said Danelli’s desire and ability “to do the creative things he loved suddenly began dissipating. He stopped being ‘Dino.’ Almost overnight it seemed, a huge aspect of the the tremendous personality I knew since I was a teenager virtually began to vanish.” Russo said Danelli ended up in a hospital and then checked out in Dec. 2019, only to return in early 2022 to a rehab center where his condition quickly deteriorated.

“He’d spend every day there until his passing,” Russo explained. “His primary challenges were coronary artery disease and congestive heart failure, but there were many others. He had already required an angioplasty over a decade earlier.” (Read the full Facebook post here.)

Driven by Danelli’s swinging, high-energy drum sound, the Young Rascals (as they were originally known) scored nine Billboard Hot 100 singles, including their signature No. 1 1966 recording of Rudy Clark and Arthur Resnick’s “Good Lovin’,” as well as the 1967 No. 1 “Groovin’,” and 1968’s chart-topping civil rights anthem “People Got to Be Free,” written by Brigati and Cavaliere in the wake of the murders of Martin Luther King Jr. and Robert F. Kennedy. The band — who shortened their name to just The Rascals in 1968 as they moved away from their more eclectic garage soul vibe to a more psychedelic sound — was inducted into the Rock and Roll Hall of Fame in 1997.

After the departure of Brigati and Cornish in the early 1970s, Danelli and Cavaliere carried on and released two more albums to diminishing returns before breaking up in 1971. Danelli formed the group Bulldog with Cornish that year and the duo released a pair of albums before breaking up three years later. Danelli then bounced around, playing with Mountain’s Leslie West and the short-lived power pop act Fotomaker before joining Van Zandt’s band in the early 1980s and playing on the groups first two records, 1982’s Men Without Women and 1984’s Voice of America.

The Rascals reformed in 1988 briefly, with all four original members on hand for their Rock Hall induction in 1997 and then again for a run of shows entitled “One Upon a Dream” in 2012-2013 — which was co-produced and co-written by Van Zandt — before taking that show on the road for a North American run. In a Facebook message, Cornish wrote, “It is with a broken heart that I must tell you of the passing of Dino Danelli. He was my brother and the greatest drummer I’ve ever seen. I am devastated at this moment. Rest In Peace Dino I love you brother.”

Van Zandt also paid tribute, tweeting, “RIP Dino Danelli. One of the greatest drummers of all time. Rascals 1965-1971. Disciples Of Soul 1982-1984. On Broadway at the Richard Rodgers Theater in Once Upon A Dream 2013.” While heartbroken over the inability to carry one with the Rascals, Russo said Danelli continued to work with him on video, art and photography projects as well as writing, recording and producing “entire albums worth of songs together” that have not been released.

“He was the epitome of ‘cool’ and never ceased to impress me with his seemingly endless reservoir of ideas and approaches,” Russo said of his friend and collaborator. “The word ‘artist’ is so commonly used to describe even the slightest level of self expression, but let me assure you Dino Danelli possessed a mindset, a creative philosophy and a set of skills as profound as any of the great artists you’ve ever read about.”

Watch the Young Rascals performing “Good Lovin’” on the Ed Sullivan Show in 1966 below.

Kelly Clarkson Promises She’ll Be ‘Home’ for the Holidays With Christmastime Classic: Watch

Kelly Clarkson spread holiday nostalgia on Friday’s episode (Dec. 16) of The Kelly Clarkson Show with her cover of “I’ll Be Home For Christmas.”

Forgoing the song’s intro, the talk show host launched right into its famous first verse, singing, “I’ll be home for Christmas/ You can count on me/ Please have snow and mistletoe/ And presents under the tree/ Christmas Eve will find me/ Where the love light gleams/ I’ll be home for Christmas/ If only in my dreams.”

Clarkson previously recorded the track, which was made famous in 1943 by Bing Crosby to honor soldiers overseas during the holidays, for her 2013 Christmas album Wrapped in Red. Since then, she’s also released a couple more holiday one-offs like 2017’s “Christmas Eve” and the 2020 duet “Under the Mistletoe” with Brett Eldredge before unveiling her second yuletide record, When Christmas Comes Around…, in Oct. 2021.

The superstar has filled the week of “Kellyoke” picks with her original Christmas songs as well, including “Merry Christmas (To the One I Used to Know),” “Christmas Isn’t Canceled (Just You)” and a solo version of “Santa Can’t You Hear Me” sans collaborator Ariana Grande. Jewel also stopped by at the top of the week to perform a jazzy “Have Yourself a Merry Little Christmas” when the host was filming from home due to COVID.

Next year, Clarkson will return for her ninth season on The Voice after taking this past season off, opposite Blake Shelton and incoming coaches Niall Horan and Chance the Rapper.

Watch Clarkson perform “I’ll Be Home For Christmas” below.