Music News

Terry Hall, Lead Singer of British Ska Revivalists The Specials, Dies at 63

Terry Hall, the charismatic lead vocalist of British ska revivalists The Specials has died at 63. The band announced Hall’s passing on Monday (Dec. 19), revealing that the singer passed after an undisclosed “brief illness.”

“It is with great sadness that we announce the passing, following a brief illness, of Terry, our beautiful friend, brother and one of the most brilliant singers, songwriters and lyricists this country has ever produced,” the band said in a statement.

“Terry was a wonderful husband and father and one of the kindest, funniest, and most genuine of souls. His music and his performances encapsulated the very essence of life… the joy, the pain, the humour, the fight for justice, but mostly the love. He will be deeply missed by all who knew and loved him and leaves behind the gift of his remarkable music and profound humanity.”

One of the leading lights of the late ’70s British ska revival, the Specials (originally billed as Special AKA) formed in Coventry, England in 1977, with Hall replacing original singer Tim Strickland in the group notable for its multi-racial makeup. Coinciding with the burgeoning Rock Against Racism movement in the UK at the time, the band made a statement in their rude boy two-tone suits and porkpie hats and blasted out of the gate on their Elvis Costello-produced self-titled debut on their 2 Tone label, which featured their signature cover of Dandy Livingstone’s 1967 single “A Message To You Rudy.”

Terence Edward Hall was born on March 19, 1959 in Coventry and began his singing career in local punk bands as a teenager before joining the Specials and splitting vocal duties with the excitable Neville Staple.

On such pointedly political songs as “Concrete Jungle,” “Ghost Town and “Rat Race,” the band mixed Caribbean sway, ska horns, loungey grooves and Jamaican rhythms to form a uniquely uplifting, danceable sound while delivering sharp social critiques about the late 1970s political, racial and economic struggles in the UK. Go-Gos guitarist Jane Wiedlin — who sang backing vocals on the Specials’ 1980 album More Specials — paid tribute to her friend in a touching tweet.

“Gutted to hear of the passing of #terryhall. He was a lovely, sensitive, talented and unique person,” he wrote. “Our extremely brief romance resulted in the song ‘Our Lips Are Sealed,’ which will forever tie us together in music history. Terrible news to hear this.”

The group scored a string of UK top 10 singles in their short initial run (1979-1981), before Hall and co-vocalist Staple and guitarist Lynval Golding split to form the more pop-oriented group Fun Boy Three. Hall then formed the group the Coclourfield in 1984, releasing two albums with that project before pivoting to release an album with his trio featuring actress Blair Booth and jeweler Anouchka Grose: Terry, Blair & Anouchka. He also recorded an album of electro pop songs with Eurythmics co-founder Dave Stewart as Vegas in 1992 before releasing a pair of solo albums, Home (1994) and Laugh (1997).

Hall returned for a reunion in 2008 and performed on-and-off with the band until his death, appearing on their eight studio album, 2019’s Encore.

In the early 2000s Hall sang on the 2001 Gorillaz song “911” and sat in on the Toots and the Maytals 2004 Grammy-winning album True Love. Though the Specials formed and reformed a number of times over the years with a wide variety of lineups, Hall will be remembered for the indelible mark he left on their first two albums and the long tail of influence in the band’s music, message and style, which was carried on in spirit by everyone from Fishbone to the Mighty Mighty Bosstones, No Doubt, Blur, Sublime, and Operation Ivy/Rancid.

In a moving nod to the Specials’ message of unity, the band noted in its tribute that Hall often left the stage at the end of shows by uttering a signature affirming three-word mantra: “Love Love Love.”

Watch “A Message to You Rudy” and see some tributes to Hall below.

Dave Grohl and P!nk Light Up Night Two of 2022 ‘Hanukkah Sessions’ With Rocking ‘Get the Party Started’

If night two is this rockin’, how are we even going to make it six more crazy nights? For the second installment of this holiday season’s “Hanukkah Sessions,” Foo Fighters boss Dave Grohl and producer Greg Kurstin roped in P!nk for a raucous run through the singer’s 2001 smash “Get the Party Started.”

“One of the music world’s biggest and brightest stars of David, P!nk shows a couple of schmendricks how it’s done by joining us for her very own Bat Mitzvah staple ‘Get The Party Started!,’” read the description of the clip.

P!nk, dressed down in ripped green pants and a blue denim shirt worked the tiny stage at L.A. club Largo backed by Grohl on drums and Kurstin on keys, hilariously flubbing a few lines from the single on her second album, Missundaztood, while getting a bit of forceful backup vocal assistance from one of the night’s other special guests, Jack Black.

This is Grohl and Kurstin’s third year posting eight nights of covers of songs made famous by Jewish musicians. In a twist, this year’s efforts were all recorded live at Los Angeles’ intimate Largo on Dec. 5 with a cast of all-star guests taking the stage at the 250-capacity club that also included the Yeah Yeah Yeahs’ Karen O and Grohl’s 16-year-old daughter, Violet. Night one featured beloved director Judd Apatow rocking through a cover of Blood, Sweat & Tears’ 1969 Grammy-nominated Billboard Hot 100 No. 2 hit “Spinning Wheel.”

Grohl and Kurstin released the first “Sessions” in Dec. 2020 in the midst of the first winter of the COVID-19 pandemic, dropping one new cover for each night of the holiday. In the midst of a concerning rise in antisemitic incidents and hate speech in the U.S., proceeds from the Largo night went to the Anti-Defamation League.

The inaugural 2020 “Sessions” featured covers of songs by he Beastie Boys, Drake, Mountain, Peaches, Bob Dylan, Elastica, The Knack and the Velvet Underground, while last year’s edition brought eight crazy nights of covers, including a black metal take on Lisa Loeb’s “Stay (I Missed You),” as well as the Ramones’ “Blitzkrieg Bop,” Barry Manilow’s “Copacabana (At the Copa),” the Clash’s “Train in Vain,” Kiss’ “Rock and Roll All Nite,” Van Halen’s “Jump,” Amy Winehouse’s “Take the Box” and Billy Joel’s “Big Shot.”

Watch P!nk get the party started below.

BTS Movie Chronicling Busan Concert, ‘BTS Yet to Come in Cinemas,’ Due Out in Early 2023

If you missed out on BTS‘ Oct. 15 show at Busan’s World Expo 2030 bid on Oct. 15 then you’ll have another chance to re-live the magic in early 2023. The on-hiatus K-pop superstars will release BTS: Yet to Come in Cinemas in movie theaters worldwide on Feb. 1.

According to a release announcing the movie the footage from the concert has been fashioned into a “special cinematic cut, re-edited and remixed for the big screen,” complete with new close-ups and a “whole new view” of the entire show. The concert in front of a huge crowd in Busan, South Korea featured the band’s members — Jin, RM, Jimin, V, J-Hope, Suga and Jung Kook — playing some of their most beloved hits, including “Dynamite,” “Butter” and “Idol,” as well as the first concert performance of “Run BTS” from June’s Proof album.

The movie presented by HYBE, Trafalgar Releasing and CJ 4DPlex will hit screens for a limited run in more than 110 countries and territories, with a special Feb. 4 event dedicated to “light stick screenings,” during which ARMY members can light up the theaters with the group’s signature glow devices. In addition to standard formatting, Yet to Come will also be released in a number of special versions, including immersive 270-degree field of view ScreenX, 4DX, which mimics the effects of the concert’s live atmosphere and 4DX Screen, which combines both formats.

“We look forward to collaborating once again with the teams at CJ 4DPlex, and HYBE to bring BTS’ awe-inspiring Busan concert to the big screen in this special cinematic cut,” said Trafalgar Releasing CEO Marc Allenby in a statement. “The group’s engagement with audiences has always been perfectly suited to the cinema, and we are excited to welcome fans from all corners of the globe to this must-see celebration.”

Tickets for the screenings will go on sale here beginning Jan. 10 at 7 p.m. ET.

“We are thrilled to announce our second ScreenX collaboration and first 4DX, 4DXScreeen collaboration with BTS,” added Jong Ryeol Kim, CEO of CJ 4DPLEX. “This film is made for both special formats, which fans can experience our movie completely through enlarged screens with 3 different angles and moving motion seats aligning to BTS’s music.”

Yet to Come is Trafalgar’s fifth release with BTS, following on the heels of this year’s BTS Permission to Dance on Stage — Seoul: Live Viewing, as well as 2020’s Break the Silence: The Movie, 2019’s Bring the Soul: The Movie and 2018’s Burn the Stage: The Movie. The one-off concert in Busan was BTS’ final performance together for the immediate future as the elder members of the group are facing enlistment for South Korea’s mandatory military service: oldest member Jin enlisted for active duty earlier this month.

Justin Bieber Claims H&M Released Merch Collection Without His Permission

Justin Bieber is calling out retail clothing company H&M for selling products featuring his image and song lyrics, claiming that the items were released without his approval.

“I DIDNT APPROVE ANY OF THE MERCH COLLECTION THAT THEY PUT UP AT H&M,” Bieber wrote in an Instagram Story on Monday afternoon (Dec. 19), adding that it was done “all without my permission and approval SMH I WOULDNT BUY IT IF I WERE YOU.”

“The H&M MERCH THEY MADE OF ME IS TRASH AND I DIDNT APPROVE IT DONT BUY IT,” he emphasized in a second Instagram Story.

Bieber was referring to items that appeared online on H&M’s website including a tote bag, a sweatshirt, a sweatshirt dress and more. On a fan Instagram account that shared images of some of the products, Bieber left the comment “When everyone finds out I didn’t approve any of this merch smh.”

Billboard reached out to H&M for comment on Bieber’s allegation.

“As with all other licensed products and partnerships, H&M followed proper approval procedures,” a representative for H&M said in a statement via email Monday night.

‘Almost Famous’ to Close on Broadway in January

The musical stage adaptation of Almost Famous will play its final Broadway performance on Jan. 8, the production announced Monday (Dec. 19).

The musical, an adaptation of Cameron Crowe’s 2000 film, began previews at the Bernard B. Jacobs Theatre on Oct. 3 and opened on Nov. 3.

This is the latest Broadway show to announce its closure, following KPOP, which closed on Dec. 11, two weeks after opening, and Ain’t No Mo, which received a closing notice, but is now extended through Dec. 23 after the production and celebrities backers rallied around the show.

The closing notices come as tourism remains down in New York and as Broadway shows grapple with higher running costs and changing audience behavior. Almost Famous also received mixed to poor reviews, with The Hollywood Reporter‘s David Rooney highlighting its “infectious energy” while asking, “Did it need to become a stage musical? Debatable.” Grosses have been fairly average, with the musical bringing in $765,060 in the week ended Dec. 11, but while playing to theaters at 74 percent capacity.

Almost Famous, like the music it celebrates, will endure. We look forward to the release of the cast recording on March 17, and to the many productions in communities across the country and world, for years to come,” said producers Lia Vollack and Michael Cassel.

The musical features a book by Crowe, a score by Tom Kitt, direction by Jeremy Herrin and choreography by Sarah O’Gleby.

The Broadway production stars Chris Wood as Russell Hammond, Anika Larsen as Elaine Miller, Solea Pfeiffer as Penny Lane, Drew Gehling as Jeff Bebe and Casey Likes as William Miller.

This article originally appeared on The Hollywood Reporter.

Shirley Watts, Widow of Rolling Stones Drummer Charlie Watts, Dies at 84

Shirley Ann Watts, a former art student and prominent breeder of Arabian horses who met drummer Charlie Watts well before he joined the Rolling Stones and with him formed one of rock’s most enduring marriages, has died. She was 84.

“Shirley died peacefully on Friday 16th December in Devon after a short illness surrounded by her family,” her family announced Monday (Dec. 19). The Rolling Stones’ Ronnie Wood was among those mourning her.

“We will miss you so much, but take comfort that you are reunited with your beloved Charlie,” Wood wrote on Facebook.

While Wood, Mick Jagger and Keith Richards all have had multiple wives and girlfriends, Charlie and Shirley Watts remained together for more than 50 years, until Charlie died in 2021. Their only known crisis happened in the mid-1980s, when Charlie Watts struggled with heroin addiction, a time he would later say nearly cost him his marriage. He was otherwise regarded as so devoted to his wife, and daughter Seraphina, that journalists essentially left him alone.

“I’ve always wanted to be a drummer [and] as long as it’s comfortable with my wife, I’ll continue to do it,” he told Rolling Stone magazine in 1996.

When Charlie wasn’t touring or recording, he and his family lived on a 600-acre, 16th century estate in Devon, where they were better known for their Polish Arabian horses and for rescuing animals than for the drummer’s singular place in rock history. Stories about the Watts were as likely to appear in Arabian Horse World as they were in a music publication.

According to Charlie, his wife had warm relations with Jagger and Richards and, unlike him, would play the Stones’ music around the house. But Shirley herself expressed ambivalent feelings, telling Vanity Fair in 1989 that the band’s drug use affected her life “very, very deeply” and that she otherwise had little use for the rock star world.

“It was quite appalling being pitched into the life of the Rolling Stones,” she said. “I really got lost for about 25 years and I’ve never been able to cope with it. There’s been lots of anger, much of it very, very deep. I like the people in the group — up to a point. But I’ve always hated the way rock music and its world treat women and particularly the Rolling Stones’ attitude. There is no respect.”

Shirley Ann Shepherd was born in London in 1938 and was studying sculpture at the Royal College of Art in the early ’60s when she first saw her future husband, who at the time was part of the emerging blues and jazz scene in England that also included Jagger and Richards. They were already dating when Watts joined the Stones early in 1963, and married the following year, just as the band had established itself as second only to the Beatles in local popularity.

“She was so funny and clever, and she had the most infectious laugh you’d ever heard,” Charlie Watts said of her when interviewed by The Guardian in 2000. “And I loved the world she was in, the world of art and sculpting. I just admired Shirley very, very much.”

The biggest scandal about their marriage was their decision to get married. Rock star weddings were considered bad business at the time, a turnoff to young female fans — the Beatles’ John Lennon was among those who hedged when reporters asked him about his domestic life.

Without informing the other Stones, the Watts married in Bradford and had a quiet lunch at a nearby pub. According to Paul Sexton’s Charlie’s Good Tonight, a 2022 biography of the late drummer written with his family’s cooperation, Charlie Watts initially denied reports that he was married, telling the Daily Express that “it would do a great deal of harm to my career if the story got around.” But Shirley happily confirmed the news, saying they could not “bear to live separately any longer.”

Neither Charlie nor Shirley liked drawing attention to themselves, but at times they did so anyway. Shirley Watts was arrested at the Nice airport in 1971 for attacking customs officials after they had reportedly singled out her husband for attention. In 2016, she threatened to sue Polish government officials over the alleged mistreatment of two Arabian mares at a state-run farm.

Shirley Watts also endured a battle with alcoholism, one she helped overcome by hours of sculpting horses and dogs. The Watts’ shared interest in horses grew from collecting figurines to raising hundreds of Arab horses, a passion that began after Charlie purchased a part-bred stallion for his wife.

“I much prefer my life here with the horses. I love the hunt. The sense of power one gets on a horse,” she told Vanity Fair. “It’s a very primeval instinct. When you hear the hounds — they call it the music — when you hear the hounds’ music, it’s bloodcurdling it’s so thrilling. And it affects both you and the horse. There’s nothing like it. It’s dangerous. It’s exciting.”

She added, with a laugh, “It sounds rather like a rock ‘n’ roll concert.”

Kelly Clarkson Serves Up Holiday Sisterhood in Hilarious ‘White Christmas’ ‘Kellyoke’

Lord, help the mister who comes between me and my sister! Kelly Clarkson paid tribute to the holiday classic White Christmas on Monday (Dec. 19) with a “Kellyoke” cover of “Sisters.”

Enlisting help from her backup singer Jessi Collins, the talk show host recreated the scene made famous by Rosemary Clooney and Vera-Ellen in the beloved 1954 movie musical — all the way down to the elegant blue dresses and giant feathered fans. “Sisters, sisters, there were never such devoted sisters/ Never had to have a chaperone, no sir/ I’m here to keep my eye on her/ Caring, sharing, every little thing that we are wearing/ When a certain gentleman arrived from Rome/ She wore the dress, and I stayed home,” the two sang in perfect harmony.

Halfway through the number, two male members of Clarkson’s band Y’All stole the singers’ fans to dance around and lip sync — a la Bing Crosby and Danny Kaye’s characters in the film — before all four finished with some soft-shoe choreography.

As Christmas draws closer, Clarkson has gone all in on the yuletide tunes, performing everything from her own original songs like “Merry Christmas (To the One I Used to Know)” and “Christmas Isn’t Canceled (Just You)” to “Santa Can’t You Hear Me” sans duet partner Ariana Grande and a cover of “I’ll Be Home for Christmas.”

After the new year, Clarkson is set to return to The Voice for her ninth season as a coach after sitting out the recently wrapped Season 22.

Watch Clarkson and Collins’ pitch-perfect recreation of “Sisters” below.

Gwen Stefani Says a No Doubt Reunion Is Possible: ‘Anything Can Happen’

Gwen Stefani opened up on Monday (Dec. 19) about the possibility of No Doubt getting back together, her favorite holiday traditions and more.

“What are the odds of anything?” the star said in a profile for the Wall Street Journal when it came to a reunion with her old bandmates. “I was just on The Drew Barrymore Show. She was one of my favorite celebrities when I was a little girl, and now I was just on the show with her. Anything can happen. I have no idea what’s going to happen with No Doubt. We haven’t really talked about doing anything, but it feels like everyone is, right? All the ’90s people — Blink-182 did an eight-month tour that sold out in like five minutes.”

The So Cal-based foursome last came together a full decade ago for 2012’s Push and Shove, which itself was released 11 years after their previous album, 2001’s Rock Steady. Of course, since then, Stefani has served as a six-time coach on The Voice, met and married her husband Blake Shelton, launched a Las Vegas residency and released two more solo albums —2016’s This Is What the Truth Feels Like and 2017’s You Make It Feel Like Christmas.

“Blake likes to make new traditions every year,” Stefani added of celebrating the holidays with her country star hubby and three sons. “We do this thing called a timpano dome, which is an Italian dome, it’s kind of like a lasagna within a pizza. We’ve been doing that ever since I met him. It was in a famous movie [1996’s Big Night]. You can put anything in it.”

The couple also took a trip to Disneyland over the weekend, which the “Let Me Reintroduce Myself” singer happily shared on Instagram. “Had the most magical time at @disneyland!! all the pretty lights + decor felt like i was walking thru a winter wonderland !!” she captioned a video of the family’s Christmastime adventures in the Happiest Place on Earth.

Check out Gwen’s sweet trip to Disneyland below.

JoJo Siwa Reveals She Broke Up With Avery Cyrus After 3 Months of Dating

JoJo Siwa and Avery Cyrus have called it quits just three months after formally announcing they were together on social media. But from the looks of it, the pair remain friendly.

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On Saturday, Cyrus took to TikTok to share scenes from her recent cruise with Royal Caribbean, which contained a major update about her relationship with the Dance Moms alum. A short clip in the video sees Siwa holding up a hot-pink egg from a game room, telling Cyrus (who is behind the camera), “This is my ‘I’m sorry for breaking up with you’ present.” No reason for the split was explained in the video, though Cyrus inserted clips of her swimming in the ocean with Siwa.

Fans in the comments were pleased to see how well the pair was handling the split, with one user writing, “Ok but I love how you guys still hung out like friends and all that while you were there! Super cool!” Another user wrote, “Me, the 1% population who is happy for you guys, together or apart! Put yourselves first, and just be happy. We’re all still young.”

The 19-year-old Siwa initially confirmed her romance with Cyrus in September by sharing a sweet video of them together. In the clip, Siwa and Cyrus were seen posing together in a photo booth, smiling before leaning in for a kiss. “Happiest girl,” the dancer captioned the post.

See Cyrus’ TikTok, in which Siwa reveals they broke up, below.

Dionne Warwick Wants to Meet Twitter CEO Elon Musk: ‘What Is Your True Intent?’

While a number of musicians have stepped away from Twitter since Musk’s takeover, Dionne Warwick wants to have a conversation with the CEO to get an understanding of his intentions for the social media platform.

“I have to meet him,” Warwick, a beloved figure on Twitter who just celebrated her 82nd birthday, told People. “I know a lot of people have walked away from Twitter. That’s prior to knowing exactly what he’s going to do. He’s new to the game.”

She continued, “His attitude is freedom of speech, which is mine as well. However, there’s a way to do it.”

“That’s one of the conversations I’m going to have with him,” said Warwick, whose documentary Dionne Warwick: Don’t Make Me Over is heading to television on New Year’s Day, on CNN (and will be available on HBO Max after that). “What is your true intent? I understand your freedom of speech attitude but how are you going to contain it, so it does not get out of hand?”

On Sunday (Dec. 18), Musk tweeted a poll, asking users to decide if he should step down as head of Twitter. “I will abide by the results of this poll,” he wrote. The results: More than half (57.5%) of the 17.5 million people to respond voted that he should step down.

In a back-and-forth with followers on Sunday, Musk commented that any prospective new CEO “must like pain a lot” to run Twitter, which “has been in the fast lane to bankruptcy.”

“No one wants the job who can actually keep Twitter alive. There is no successor,” he tweeted.

Snoop Dogg also polled Twitter on Sunday night, musing whether he should be the one to take over the job of CEO. Although the poll is still live at press time, the majority of the more than 3 million votes cast were in favor of the rapper taking the position.