Music News

Taylor Swift, The 1975 & More Among Record Store Day 2023 Special Releases

Record Store Day unveiled the list of special releases for its 2023 event on Thursday (Feb. 16), which features vinyl exclusives from Taylor Swift, The 1975, Madonna and more.

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Swift is returning to RSD this year with a 2xLP vinyl edition of Folklore: The Long Pond Studio Sessions, while The 1975 will drop Live With the BBC Philharmonic Orchestra.

Among the other releases in store for Record Store Day’s exclusive releases are Björk’s The Fossara Remixes in a 12-inch vinyl single, Brian Eno’s Forever Voiceless LP, a 5xLP version of Grateful Dead’s Boston Garden, Boston, MA 5/7/77 (Live), Billy Joel’s Live At The Great American Music Hall – 1975 in 2xLP, Madonna’s American Life Mixshow Mix (In Memory of Peter Rauhofer) LP, Dolly Parton’s The Monument Singles Collection 1964-1968 and many, many more. These exclusive titles are physically released only at indie record stores.

The full list of RSD releases will be available at participating record stores on Record Store Day (April 22). There is no website to purchase any item on the list, and fans must find a participating store to find out how they are celebrating RSD.

Be sure to check out the complete and extensive list of upcoming releases on the official Record Store Day website here.

‘Little Mermaid’ Teaser Gives First Look at Melissa McCarthy as Ursula

We’re just three months away from the long-awaited release of The Little Mermaid live-action remake, and on Wednesday (Feb. 15), Disney unveiled a new teaser.

In the 30-second clip, Halle Bailey is seen singing “Part of Your World” as Ariel, before a few scenes quickly flash on the screen and we get a glimpse of the mermaid’s pal Flounder (voiced by Jacob Tremblay) and Jonah Hauer-King as Prince Eric. At the end of the teaser, a villainous cackle is heard before Melissa McCarthy appears as the devious Ursula, with tentacles covering the bottom half of her face.

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In November, the Chloe x Halle star revealed that the most “touching” part of playing the iconic Ariel was getting to see the reaction little girls had to her performance of “Part of Your World” when it initially was released in September.

“It just makes me cry,” she shared. “The fact that all these little Black and Brown babies are going to be able to feel like they’re being represented is really special to me. I know that if I had that when I was younger, it would have changed a whole lot for me and my perspective on who I am as an individual.”

The Little Mermaid live action remake, which will feature four original songs in addition to the classic hits, will be released on May 26, 2023. Watch the new teaser below.

TWICE Unveils Tracklist for 12th Mini Album ‘Ready to Be’

It’s a great day to be a ONCE! On Thursday (Feb. 16), TWICE revealed the names of the tracks set to appear on its forthcoming mini album, Ready to Be.

The K-pop girl group shared the list via social media with a poster that featured the song credits and track names. Ready to Be consists of seven tunes total. The group’s previously released second English single “Moonlight Sunrise” is included in the set, in addition to new songs “Got the Thrills,” “Blame It on Me,” “Wallflower,” “Crazy Stupid Love” and “Set Me Free.” “Set Me Free” is the only track on the record that will receive a version in both English and Korean.

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Earlier this month, TWICE announced that Ready to Be will be released on March 10. Fans looking for special editions of the album are in luck, as the project will arrive in three different colorways — black, pink and white, or tan and brown. Every version of the album will include a folded poster, a postcard, message card and photocard. A second poster and a photocard set will also be included, but correlates with the album colorway ordered. 

Ready to Be marks TWICE’S 12th mini album. The K-pop group’s last mini-album, Between 1&2, was on the Billboard 200 for eight weeks and peaked at No. 3.

Before TWICE releases Ready to Be, the K-pop stars will be honored at Billboard‘s Women in Music event on March 1 with the Breakthrough Award.

See the tracklist for Ready to Be below.

Harry Styles, Beyonce & More: 2023 Grammy Awards’ Big Gainers in Streams & Sales

Following the 65th Grammy Awards Feb. 5, multiple songs, albums and artists show sizable surges in U.S. streams and sales, equating to gains on Billboard charts dated Feb. 18.

Among the most impactful: Sam Smith and Kim Petras’ “Unholy,” which lifts 5-4 on the multi-metric Billboard Hot 100 after being performed during the ceremony (broadcast on CBS) and winning for best pop duo/group performance.

In the Feb. 3-9 tracking, the former No. 1 earned 17.9 million official U.S. streams, up 16%, according to Luminate.

A pair of songs that were also part of the festivities — Beyoncé’s “Cuff It” and Harry Styles’ “As It Was” — sport gains as well, the former returning to the Billboard Hot 100’s top 10 while the latter extends its run in the region. “Cuff It,” which vaults 15-6 for a new high, earned a 37% boost in streams to 9.4 million, along with 78,000 in sales, up 4,026%, due in part to newly released remixes and its Grammy win for best R&B song.

Former 15-week Hot 100 No. 1 “Was” dips 9-10 but jumped 21% in streams to 12.4 million and 289% to 7,000 sold. Styles performed the song during the broadcast, while parent album Harry’s House took home album of the year honors.

Outside the Hot 100’s top 10, Lil Uzi Vert’s “Just Wanna Rock,” the closing song of the Grammy’s 50th anniversary pf hip-hop medley, backtracks to No. 12 from its No. 10 high but is up in overall metrics, garnering a 5% gain to 15.7 million streams, alongside 2,000 sold, up 18%. Elsewhere within the top 30, Luke Combs’ “Going, Going, Gone” pushes 24-23 after his performance of the song during the telecast, with 10.7 million streams, up 6%, and 3,000 sold, up 71%.

Lizzo‘s former two-week Hot 100 No. 1 “About Damn Time” climbs 50-41 after she performed the song and it won for record of the year nod, garnering 6.2 million streams, up 20%, and 5,000 sold, up 295%.

In all, 10 songs performed during the Grammy broadcast are among the 2,000 most-streamed titles of the week Feb. 3-9 in the U.S. and garnered at least a 5% gain:

Performed

  • Sam Smith & Kim Petras, “Unholy” (17.9 million streams, up 16%)
  • Lil Uzi Vert, “Just Wanna Rock” (15.7 million streams, up 5%)*
  • Harry Styles, “As It Was” (12.4 million streams, up 21%)
  • Steve Lacy, “Bad Habit” (11.6 million streams, up 6%)
  • Luke Combs, “Going, Going, Gone” (10.7 million streams, up 6%)
  • Lil Baby, “Freestyle” (8.1 million streams, up 6%)*
  • Lizzo, “About Damn Time” (6.2 million streams, up 20%)
  • Bad Bunny, “Después de la Playa” (3.1 million streams, up 34%)
  • Nelly, “Hot in Herre” (1.8 million streams, up 5%)*
  • DJ Khaled feat. Rick Ross, Lil Wayne, Jay-Z, John Legend & Fridayy, “God Did” (1.7 million streams, up 57%)

(*performed during the Grammy’s hip-hop medley)

Additionally, nine songs that won Grammy awards, either during the main ceremony or during the pre-telecast, were both up at least 5% and within the top 2,000 songs in U.S. streams Feb. 3-9.

Won

  • Sam Smith & Kim Petras, “Unholy” (17.9 million streams, up 16%) (best pop duo/group performance)
  • Future feat. Drake & Tems, “Wait for U” (10.9 million streams, up 5%) (best melodic rap performance)
  • Beyoncé, “Cuff It” (9.4 million streams, up 37%) (best R&B song)
  • Lizzo, “About Damn Time” (6.2 million streams, up 20%) (record of the year, best remixed recording, non-classical)
  • Adele, “Easy on Me” (5.8 million streams, up 16%) (best pop solo performance)
  • Cody Johnson, “’Til You Can’t” (4.8 million streams, up 7%) (best country song)
  • Beyoncé, “Break My Soul” (3.5 million streams, up 41%) (best dance/electronic recording)
  • Muni Long, “Hrs and Hrs” (3.5 million streams, up 8%) (best R&B performance)
  • Taylor Swift, “All Too Well (Taylor’s Version)” (3.3 million streams, up 9%) (best music video)

Concurrently, the Billboard 200 dated Feb. 18 reflects multiple bumps for albums either prominently featured during the Grammys or by artists who appeared at the ceremony. Leading the way, Bad Bunny’s Un Verano Sin Ti rises 8-7 with 45,000 equivalent album units, up 16%. Aforementioned album of the year winner Harry’s House follows, jumping 13-9 with 38,000 units, a 51% boost.

Samara Joy’s Linger Awhile also appears on the Billboard 200 for the first time, debuting at No. 158 (8,000 units, up 319%) following her best new artist victory.

Depeche Mode Adds Second North American Leg to Memento Mori World Tour

Depeche Mode expanded its upcoming world tour on Thursday (Feb. 16) by adding a new run of fall dates across North America.

“29 new shows just announced. On sale next week,” the duo announced on Instagram, directing fans to their official website for more information.

The new leg of shows will kick off Sept. 21 in Mexico City after Dave Gahan and Martin Gore wrap up their summer run in Europe. From there, the bandmates will head stateside and hit major cities including Dallas, Miami, Boston, New York City, Denver, Las Vegas, San Francisco as well as Canadian markets such as Montreal, Toronto, Edmonton and Vancouver. The tour closes then closes out Dec. 10 and 15 with dual shows in Los Angeles at the Kia Forum and Crypto.com Arena.

Tickets can be purchased by the general public starting next Friday, Feb. 24, at 10 a.m. local time. A special fan presale will take place a few days prior on Tuesday, Feb. 21.

Depeche Mode’s announcement extends their global trek to 75 dates in support of the group’s upcoming 15th album, Memento Mori, which is set to be released March 24 via Columbia Records. Preceded by lead single “Ghosts Again,” the studio set is the English electronic act’s first full-length since 2017’s Spirit. In the interim, founding member and original keyboardist Andy Fletcher passed away last May, leaving Gahan and Gore as a duo for the first time.

Check out all the dates on Depeche Mode’s newly announced second North American leg below.

A ‘Masked Singer’ Judge Is Reduced to Tears After an Icon Is Revealed as The Gnome

The Masked Singer‘s ninth season kicked off on Wednesday night (Feb. 15) without a hitch, and had a legendary entertainer in their midst — or in costume, if you will.

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After performing a passionate rendition of Frank Sinatra’s “When You’re Smiling,” The Gnome was one of the two masked singers to be placed on the show’s chopping block. Judges Ken Jeong, Jenny McCarthy, Nicole Scherzinger and Robin Thicke had no clue who the man underneath the costume could be, guessing everyone from Robert De Niro to Dustin Hoffman and Tony Bennett. But the surprise the judges got was much larger than they anticipated.

The Gnome was unmasked to be none other than Emmy, Golden Globe, Tony and Grammy winning entertainer and comedian Dick Van Dyke. “It was real dark in there,” the 97-year-old said after host Nick Cannon asked him what it was like being The Gnome. “You can’t see anything. I just love that they thought I was Robert De Niro. I didn’t know Robert De Niro could sing, to tell you the truth.”

Jeong, McCarthy and Thicke stood up on the judge’s table to give Van Dyke a standing ovation, while Scherzinger was overcome by emotion and started crying during the applause. “I love you so much. The whole world loves you so much. It’s an honor to have you on our show,” she told him through tears. Jeong added, “You are one of the reasons why I got into comedy. You are comedy. You are our childhood. Greatest reveal ever.”

After the show, Van Dyke spoke with People and revealed that going into the program, he was certain none of the judges would have been able to guess his identity. “I had never even seen the show when they asked me. So I checked it out and it looked like a lot of fun,” he shared. “I was positive they wouldn’t be able to guess who I was. And I was right!”

Also unmasked on the season premiere of The Masked Singer was the Mustang. Mustang took the stage for a rendition of Whitesnake’s 1987 classic “Here I Go Again” and Rihanna’s “Diamonds” for the battle round. The dark horse was unmasked to be none other than “A Little Bit Stronger” singer Sara Evans.

Speaking with Billboard before her elimination, Evans said she did not inform her family that she would be competing on the singing competition. “I wanted my kids to be surprised and I didn’t trust my mom not to tell people,” she explained. “I’m going to tell my mom and siblings and everyone tonight, like around five or six o’clock and ask them to watch.”

As for Evans’ choice to sing Whitesnake, the song choice was a result of production decisions and last-minute changes behind the scenes.

“I was going to be on a different episode, doing ABBA Night. But then someone had to drop out and the producers asked me if I would fill in for that person and take their songs to be on the first episode of The Masked Singer instead,” she explained. “So I already knew the Whitesnake song. Of course, everyone knows it, but I got it at like 11:30 the night before we had to film it, at the last minute. Everyone was really appreciative, though, and I ended up having so much fun singing the Whitesnake song, especially.”

Watch Dick Van Dyke’s Masked Singer reveal above, and Sara Evans’ unmasking below.

Beyonce’s Grammy-Winning ‘Renaissance’ & ‘Break My Soul’ Surge on Dance/Electronic Charts

Beyoncé, fresh off her historic wins at the Grammy Awards on Feb. 5, takes more honors on Billboard‘s Feb. 18-dated dance/electronic charts.

On the Top Dance/Electronic Albums chart, the superstar enjoys a 13th week at No. 1 with Renaissance, which won the best dance/electronic album Grammy (among her four wins this year, upping her career total to a record-breaking 32). The set earned 37,000 equivalent album units, up 109%, in the Feb. 3-9 tracking week, according to Luminate.

On the multi-metric Hot Dance/Electronic Songs survey, the set’s lead single “Break My Soul” bounds 9-6, earning the top Streaming Gainer award with 3.5 million official U.S. streams, up 41%. The track, which dominated the chart for 11 weeks last July-September and won the Grammy for best dance/electronic recording, also sold 1,600 downloads, up 30%, and drew 4.3 million radio airplay audience impressions, up 18%.

Concurrently, “Break” bolts 5-4 on the Dance/Electronic Digital Song Sales chart and 18-7 on Dance/Electronic Streaming Songs. It spent 10 weeks at No. 1 on each tally, as well as five frames atop Dance/Mix Show Airplay.

David Guetta and Bebe Rexha roll back to No. 1 for a 20th week atop Dance/Electronic Digital Song Sales with “I’m Good (Blue),” The track – nominated for the best dance/electronic recording at the Grammy Awards – sold 9,000 downloads, up 118%. The track ties DJ Snake and Lil Jon’s “Turn Down for What” (2014-15) for the seventh-most weeks at the summit in the chart’s 13-year history; Elton John and Dua Lipa’s “Cold Heart (Pnau Remix)” ruled for a record 44 frames in August 2021-June 2022.

“Good” claims top Sales Gainer honors on Hot Dance/Electronic Songs, racking up a 21st week at No. 1, the ninth-most dating to the chart’s January 2013 premiere. In addition to its sales, “Good” collected 76.9 million airplay impressions and 11 million streams Feb. 3-9.

“Good” also adds a 14th week at No. 1 on Dance/Mix Show Airplay, tying “Cold Heart” and Rihanna’s “We Found Love,” featuring Calvin Harris (2011-12), for the sixth-most weeks on top since the chart’s August 2003 inception; the Chainsmokers’ “Closer,” featuring Halsey, leads with 20 weeks at No. 1 in 2016.

Shifting to Dance/Electronic Streaming Songs, P!nk powers into the top 10 with “Trustfall,” up 12-6 in its second week. Her first top 10 on the chart totaled 4 million streams, up 35%.

Also noteworthy on Dance/Electronic Digital Song Sales is Depeche Mode‘s second-ever showing with “Ghosts Again,” new at No. 12. The Feb. 9-released track, from the band’s album Memento Mori (due March 24), sold 900 downloads in its first day of release. It’s the electronic-rock legends’ second appearance, following their 1990 Billboard Hot 100 No. 8 classic “Enjoy the Silence” (which reached its No. 5 high on Dance/Electronic Digital Song Sales in May 2022).

The Weeknd Drops Official Live ‘Die For You’ Video in HBO Special Preview

The Weeknd dropped the official live video his single “Die For You” on Thursday morning (Feb. 16) as a preview of the singer’s upcoming (Feb. 25) HBO live special. The clip, filmed at Los Angeles’ SoFi Stadium in November opens with the packed house screaming as Abel takes the stage backed by a projection of a giant moon.

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“I f—in’ love you Los Angeles, thank you so much,” he tells them, strutting across the stage in an all-black ensemble accented by black leather gloves. “This is the last show and I think it’s the best f—in’ show all tour, baby, let’s go!” He then cued up the song’s sensual groove as the arena filled with flashing blue and red lights and he crooned the track’s promise of forever love as a group of dancers cloaked in full-body coverings solemnly walked out to join him on the glowing stage.

The Weeknd: Live at SoFi Stadium was taped in L.A. during the first U.S. leg of the singer’s After Hours Til Dawn Tour. A release announcing the video also noted that another one of his huge chart hits, “Earned It (Fifty Shades of Grey),” has just achieved Diamond Certification from the RIAA, marking his fifth Diamond single; his other Diamond tracks are “The Hills,” “Starboy,” “Blinding Lights” and “Can’t Feel My Face.” The Weeknd is only the fourth artist to score five or more Diamond certifications joining Bruno Mars (six) and Post Malone and Drake (five).

Watch the “Die For You” live video below.

Mariah Carey Gets an Assist From One of Dem Babies on Latest ‘It’s a Wrap’ Challenge

Mariah Carey shared a new take on the “It’s a Wrap” TikTok challenge on Wednesday (Feb. 15) with some help from her son Moroccan.

In the video, the superstar lip syncs to the sped-up version of the 2009 deep cut off Memoirs of an Imperfect Angel. “When it’s gone, it’s gone, it’s gone, it’s gone/ You’re dead wrong, so wrong, so wrong, so wrong” she pretends to argue on a call before the 11-year-old — whom she shares with ex-husband Nick Cannon — grabs the phone and declares, “It’s a wrap for you baby,” ends the call and tosses the smartphone on the floor.

The Lambily-inspired campaign has already sparked a major viral revival for the track, which has exploded on streaming platforms with more than one million weekly streams in the wake of the challenge.

Carey also capitalized on the moment by dropping a four-song EP centered on “It’s a Wrap,” which features the original song, the TikTok-friendly sped-up version, the 2014 remix with Mary J. Blige and an edited three-minute edition. (Fans also chose the EP as their favorite new release last week in Billboard‘s New Music Friday poll, with the release garnering 70 percent of the vote over Paramore’s This Is Why, Taylor Swift’s Felix Jaehn remix of “Lavender Haze” and more.)

Meanwhile, Roc and his twin sister Monroe have become new half-siblings several times over in the last six months, thanks to their dad welcoming five new kids since last July — bringing his total brood to 12 children with six women including Carey.

Watch Mariah and Moroccan nail the “It’s a Wrap” challenge together below.

A Cappella Group Says Concert at Florida Christian College Canceled Over Member’s ‘Lifestyle’

In the half-century history of a cappella vocal group the King’s Singers the acclaimed British vocalists have only cancelled shows due to bad weather, the pandemic or war. But on Saturday (Feb. 11), the choral singers say that they were informed that the final show on their four-city U.S. tour, at Pensacola Christian College in Florida, was scotched with just two hours’ notice due to what the school said was its concerns about the “lifestyle” of the group’s members.

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“It has become clear to us, from a flood of correspondence from students and members of the public, that these concerns related to the sexuality of member of our group,” the six-member group said in a statement. The letter on the Singers’ site noted that they have performed at PCC before and that they signed a contract to play there again “in the knowledge that this is a fundamentalist Christian institution,” adding that their belief is that “music can build a common language that allows people with different views and perspectives to come together.”

In an email statement to Billboard, the college — described as a “religious liberal arts institution founded upon and guided by the Bible, as reflected in our Articles of Faith” — said that it cannot “knowingly give an implied or direct endorsement of anything that violates the Holy Scripture, the foundation for our sincerely held beliefs. At the same time, the college also recognizes everyone is created in the image of God and should be afforded the dignity of kindness.”

The statement added that PCC cancelled the show “upon learning that one of the artists openly maintained a lifestyle that contradicts Scripture,” though it did not specify that the decision affecting the all-male group who perform pop, classical and sacred music was based on at least one unspecified member’s sexuality. “The highly talented musicians were treated with dignity and respect when informed of the cancellation,” it continued. “The artists stated their understanding and acceptance of the change and were given full remuneration.”

The school’s articles of faith contain a section specifying that they believe that “God has commanded that sexual activity be exclusively reserved to a man and a woman who are legally married to each other,” adding that scripture forbids, “sexual immorality including adultery, fornication, homosexuality, bestiality, incest, and use of pornography.”

According to the New York Times, the singers had led a workshop on campus before the scheduled show and had begun rehearsing for the event expected to draw 5,000 students when they were “pulled aside by college officials and informed of the cancellation.” The paper also noted that member Jonathan Howard confirmed that two of the group’s singers are gay, though the statement only alluded to one.

In addition to noting that only catastrophe and war have caused cancellations since the group’s founding in Cambridge, England in 1968, the Singers said that they were disappointed that they could not share their music and “our mission of finding harmony with over 4,000 students of the college and the wider Pensacola community. We hope that any conversations that follow might encourage a greater sense of love, acceptance and inclusion.”

The Singers are continuing their North American tour and said they look forward to making their way back to northern Florida soon, “in a context where we’re celebrated for who we are, as well as for the music we make.”

The two-time Grammy-winning group has received an outpouring of support on their socials, including Facebook comments on their statement in which fans wrote, “Appalling! I’m so sorry to read this, I really hoped that people could be more accepting in this day and age. I’m sorry for all those loyal fans who didn’t get to enjoy your wonderful music making,” as well as, “We love you exactly as you are. I’m sorry this happened to you all and I’m sorry for the people who for no acceptable reason missed the opportunity to hear you sing” and “May your music continue to be the uniting bond of people through generations, regardless of race, religion, or identity. Love is the only answer.”

Billboard reached out to both the Singers and PCC for additional comment, with both responding with links to their official statements.

WEAR News reported that the cancellation has provoked a fierce debate on campus, with a student who preferred to remain anonymous telling the outlet, “It’s a pretty toxic situation right here currently. It’s just getting very stressful with this situation going on.” The student added that there have been arguments and “mini protests” since Saturday and that “it’s just been a very hostile environment” since.

Supporters of LGBTQ rights have grown increasingly concerned over what appears to be Gov. Ron DeSantis’ hostile stance against the community. The state’s Republican leader — widely expected to take on one-term former president Donald Trump for the GOP nomination in the 2024 presidential race — signed a bill in 2022 commonly referred to by opponents as “Don’t Say Gay” that prohibited any classroom discussion or instruction about sexual orientation or gender identity in kindergarten-third grade.

GLAAD also noted in January that DeSantis sent a survey to his state’s 12 universities and 28 state and community colleges asking which of them provide services to transgender students asking which are “spending on any transgender services, information including student ages, hormone descriptions, and medical procedures including surgeries.”