Music News

First Spin: The Week’s Best New Dance Tracks From Icona Pop & Galantis, LP Giobbi, Kx5 & More

This week in dance music: Diplo’s Mad Decent Publishing sold its catalog to Iconoclast, the masters Depeche Mode made an appearance on Hot Trending Songs, Skrillex, Fred again.. and Four Tet announced a set at Madison Square Garden happening tomorrow (Feb. 18) night, we unpacked the story of a Twitch channel recreating the sound of legendary New York club Danceteria each week, Alison Wonderland, Kaskade and GRiZ were announced as part of the lineup for Insomniac’s Moonrise fest this August, DJ Hanzel dropped by the Billboard News studio to talk major s–t about his nemesis Dillon Francis, Beyoncé’s dance output saw chart surges in the wake of her Grammy wins and Skrillex released his sophomore album, Quest For Fire.

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That’s a lot, but you know there’s more. Let’s dig in.

Icona Pop & Galantis, “I Want You”

Valentine’s Day may have come and gone for 2023, but it’s still not too late to shoot your shot. Don’t know how? Allow Icona Pop and Galantis to assist. The trio have teamed up on a catchy dance tune for Ultra Records: “I Want You,” which basically says for you all the things you wish you had the courage to say to your kinda, maybe, possibly-boo. “We don’t have to play these games,” sing Icona Pop. Their vocals smolder and swell alongside Galantis’ production, a series of windswept breakdowns, euphoric synth stabs and throbbing choruses to turn up the heat. “I Want You” is sweet and definitely not subtle. — KRYSTAL RODRIGUEZ

LP Giobbi feat. Little Jet, “Can’t Let You Go”

“Once in a while, you get shown the lights in the strangest of places if you look at it right.” That’s a lyric from the Grateful Dead’s “Scarlet Begonias,” a song that means an awful lot to LP Giobbi’s dad, and therefore LP herself. She actually just got the line tattooed on her arm, and it also served as the inspiration for the title of her recently announced debut album, Light Places

“I am grateful and proud to be raised by two magnificent Dead Heads who have danced their way through life seeking joy, sharing love and cherishing moments,” LP says. Today, we can all dance our way toward the album’s full release on May 12 with the help of its fourth single. “Can’t Let You Go,” with Little Jet, is a psychedelic slice of prog-rock cool that melts into a sturdy foundation of bass-walking groove. A vintage veneer shimmers across its disco-tized surface, fitting nicely into the style of preceding singles “All In A Dream,” “Forever And A Day” and “Body Breathe.” The full album is due out on Ninja Tune’s Counter Records. Let the countdown begin. – KAT BEIN

Kx5 & Sofi Tukker, “Sacrifice”

“Will you sacrifice for me if I don’t sacrifice for you?” Kx5 (Kaskade x deadmau5) ask the uncomfortable questions on their latest single “Sacrifice,” a collaboration with Sofi Tukker. Somehow, Sofi Tukker member Sophie Hawley-Weld’s soft vocals come off as vulnerable and uneasy against the brooding production, whose atmospheric melodies erupt into rip-roaring techno. It’s a fraught battle between light and dark, where the darkness ultimately comes out with the edge.

“This song stings with the truth. It’s ultimately about ambition and about choosing yourself and your job over someone you love,” writes Sofi Tukker. “It’s one of our favorite songs we’ve ever written, in part because it comes from such an honest and real place.” — K.R.

Vindata feat. Ozer, “No Service”

You ever hear your phone vibrate and feel like throwing it at the wall? Sounds like you might need to head to a spot with “No Service” and just let the vibe ride. Luckily, Vindata’s first single of the year is here to inspire inner peace via some garage-style synth layers and lightly broken beats. It’s a real “disconnect to connect” moment, and it feels like the absolute right path for a funkdafied future.

“I’m really excited to kick-off 2023 with ‘No Service,’” Vindata’s Branden Ratcliff says. “I think this song sets the tone for much of the direction I’m heading in creatively.” “‘No Service’ is my first track into the EDM/house sound, and what better way than to do a silky and fly track with the one and only Vindata,” vocalist Ozer adds. “Vibe out to the track and put your phone on airplane mode to avoid life’s distractions. Sorry for not replying. All 2023, I don’t have ‘No Service.’” – K. Bein

HUGEL x Ryan Arnold x El Chuape, “Pa Lante”

French producer HUGEL may be an unlikely source of Latin house music, but as the internet makes the world and dance scene ever more connected and compact, today we get the dually steamy/hyphy “Pa Lante.” A collaboration with U.K. producer Ryan Arnold and the Dominican Republic’s El Chuape, the song is a white-hot peaktime anthem for those parties where the dancefloor is just the beach. The collab also marks a big moment for HUGEL, following his recent collaboration with BLOND:ISH, a remix of Madonna’s “Sorry.” — KATIE BAIN

Tiësto & Cristobal Tapia De Veer, “Renaissance” (The White Lotus Theme) [Remix]

The White Lotus‘ season two theme song has already been subject to a series of excellent bootleg remixes, and now Tiësto has gone ahead and made it official with his very own, very HBO-sanctioned edit of the track. A staple of Tiësto sets for the last few months, the edit turns up the BPM and the intensity on the yodel-ey heater, giving it the same ominous-but-sexy vibe as say, a luxury hotel perched on the edge of a cliff in Sicily. “As a huge fan of The White Lotus I couldn’t be more excited to be releasing the official remix” said Tiësto. “I was instantly hooked on the theme song so I had to put my spin on it for my live sets… every time I play it, the crowd goes crazy! I’m thrilled HBO wanted to partner and make it official.” — K. Bain

Lizzo’s Cover of Sam Smith’s ‘Unholy’ Will Blow You Away

Lizzo celebrated Valentine’s Day in the most “Unholy” way. The “Special” singer/rapper hit the BBC Radio 1 Live Lounge earlier this week for a run through the Sam Smith/Kim Petras Bilboard Hot 100 No. 1 hit and, of course, she had to put her signature flute filagree on the song.

In a spare, bass-thumping arrangement that leaned into the track’s sensual groove Lizzo totally sold the bump-and-grind attitude of the original before busting out her woodwind and adding a jazzy interlude. She brought it home with some ad libbed soul shouting, assisted by three back-up singers repeating the chorus and a wailing electric guitar solo.

Smith and Kim Petras performed their Grammy-winning song at this year’s show earlier this month and then again at the 2023 Brit Awards on Feb. 12. According to U.K. broadcasting regulator Offcom, the latter received more than 100 complaints, even though it didn’t feature the same Satan-themed touches as the Grammy set.

For the Brit Awards, Sam and Kim took a more literal approach to their “Body Shop” metaphor from the song’s lyrics, with an industrial set, flying sparks and mechanic’s outfits on both performers and their dancers. While it is unclear which parts of the performance received complaints, Offcom received 106 complaints for the 2023 Brit Awards, the majority of which were aimed at Smith and Petras.

The complaint comes after the pair’s highly publicized Grammy’s performance, which also drew plenty of criticism for its use “satanic” imagery from viewers and even a few right-wing politicians, including Ted Cruz and Marjorie Taylor Greene. The Church of Satan itself ended up weighing in, saying the pair’s performance felt pretty tame.

Check out Lizzo’s Live Lounge performance of “Unholy” below.

Kelly Clarkson Is More Than ‘Strong Enough’ With Her Cher Cover: Watch

Kelly Clarkson is flexing her balladeer muscles. On the Friday (Feb. 17) installment of The Kelly Clarkson Show‘s Kellyoke series, the three-time Grammy winner wowed her audience with a triumphant cover of Cher‘s 1998 track “Strong Enough.”

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Clarkson brought out the self-love anthem’s emotional texture by performing the first few bars with nothing but piano accompanying her soulful voice. “Where did you sleep last night, and was she worth it?” she crooned, before a drumroll and electric guitar boomed into the mix.

“‘Cause I’m strong enough to live without you, strong enough/ And I quit crying long enough,” she continued, now leaning full-throttle into her robust, trademark belt. “Now I’m strong enough to know you gotta go/ Come hell or waters high you’ll never see me cry/ This is our last goodbye, it’s true.”

Released in 1998 as a single off of Cher’s album Believe, “Strong Enough” is certainly a fitting track for an artist whose biggest hit to date is called “Stronger” to cover. In fact, the two songs have strikingly similar messages as well, with Clarkson also singing on her 2011 Billboard Hot 100 No. 1 about being strong enough to live without an ex, or as she puts it, with “just me, myself and I.”

The latest Kellyoke isn’t the first time Clarkson has paid tribute to Cher, though. In a previous season of her daytime talkshow, the Voice coach covered the dance pop legend’s “If I Could Turn Back Time.”

Watch Kelly Clarkson perform Cher’s “Strong Enough” on The Kelly Clarkson Show below:

George Strait Makes a Surprise Appearance at Bruce Springsteen’s Austin Concert

Two music legends united in Austin on Thursday (Feb. 16), when Bruce Springsteen brought his tour to the city’s Moody Center.

Before Springsteen and the E Street Band launched into their 27-song set, Country Music Hall of Famer George Strait, clad in his signature jeans and cowboy hat, made an unexpected appearance as he strolled on stage to welcome Springsteen to Austin. The two superstars hugged, and The Boss stepped back as Strait made his introduction.

“Austin, Texas, it’s my honor tonight to introduce to you a band that really needs no introduction, right?” Strait said, eliciting applause from the crowd. “Bruce Springsteen and the E Street Band!”

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As the attendees cheered, Strait and Springsteen embraced again. The country star then waved to the crowd and exited the stage. He did not perform during his appearance, though he does have history with the Moody Center, having helped open the venue with his show on April 30, 2022, alongside Willie Nelson and the Randy Rogers Band.

Springsteen has been selling out venues across the country on his current tour, and recently added 18 new cities to the trek, including stops in Chicago, Baltimore, Pittsburgh, Toronto and San Francisco. The tour launched Feb. 1 with a show in Tampa, Fla., which marked Springsteen and the E Street Band’s first North American show in seven years.

Meanwhile, though Strait is known for being a torchbearer of traditional country music, with 44 No. 1 hits on Billboard‘s Hot Country Songs chart, in addition to 17 total CMA Awards wins to his credit (including three CMA entertainer of the year trophies), the lifelong Texan is also known for tipping his hat to rock classics. He’s previously covered Tom Petty’s “You Wreck Me” (included on Petty’s 1994 album Wildflowers) in concert.

Watch Strait’s introduction below:

Tina Fey Says Ms. Nordbury and Tim Meadows’ Principal Duvall Will Be in ‘Mean Girls’ Movie Musical

Ms. Nordbury and Principal Duvall are bringing their love to the big screen. During an appearance on Late Night with Seth Meyers on Thursday (Feb. 16), Tina Fey revealed that the North Shore High lovebirds — portrayed by Tim Meadows and herself in the beloved 2004 film — will slip back into those roles for the upcoming Mean Girls movie musical.

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Fey said the fellow Saturday Night Live will be on hand when filming begins on March 6 with a cast that also includes Angourie Rice (Cady Heron), Auli’i Cravalho (Janis Ian), Renée Rapp (who originated the role of Regina George on Broadway) and Jaquel Spivey (Damian). The musical based on the big screen teen comedy that starred Lindsay Lohan, Rachel McAdams, Lacey Chabert and Amanda Seyfried was turned into a hit coming-of-age Broadway musical in 2018 with a book by Fey after making its premiere at the National Theatre in Washington, D.C. in Oct. 2017.

“We have an amazing cast. I’m super excited about this cast,” Fey told Meyers, noting that she and Meadows will reprise their original roles nearly two decades later because, “teachers work forever. I want it to be like when Gilligan from Gilligan’s Island was at a trade show and you’d be like, ‘Oh, he looks so old in his little hat.’ That’s my goal,” she said.

The musical with music from Fey’s husband, composer Jeff Richmond, and lyrics by Nell Benjamin (Legally Blonde), features the songs “Where Do You Belong?,” “Meet the Plastics,” “Apex Predator,” “Stupid With Love,” “More Is Better” and “I’d Rather Be Me,” among others. Fey said the original compositions from the show will be adjusted for the film, with the actor/writer/producer promising that they will be more “pop.”

SNL boss Lorne Michaels will produce the film along with Fey, who wrote the book for the musical and is also writing the movie musical’s script; Samantha Jayne and Arturo Perez Jr. will direct.

Fey also noted that her upcoming Restless Leg Tour with pal Amy Pohler had already sold out within days of going on sale.

Watch Fey on Late Night below.

New Around the World: PinkPantheress & Ice Spice Lead Week’s Global Chart Debuts

Miley Cyrus’ “Flowers” and Bizarrap and Shakira’s “Bzrp Music Sessions, Vol. 53” unofficially kicked off the year in new music when they soared in at Nos. 1 and 2, respectively, on the Jan. 28-dated Billboard global charts. While they have yet to budge from the top two positions on Billboard Global Excl. U.S., and the former maintains its command on the Billboard Global 200, no new song has hit the top 10 of either ranking since. The Feb. 18-dated Global Excl. U.S. chart features just four new entries overall, matching a record low sum of weekly debuts since the survey began in September 2020.

One of the standout new arrivals is PinkPantheress and Ice Spice’s “Boy’s a Liar, Pt. 2,” starting at No. 54, as well as at No. 15 on the Global 200. The song premiered late in 2022 as a solo track for the former before being remixed and reissued as a duet with the later on Feb. 3. The remix sparks the song’s launch on the global charts (and the U.S.-based Billboard Hot 100, at No. 14), spiking by 328% to 36 million weekly streams worldwide in the week ending Feb. 9, according to Luminate (with all versions rolled up into one chart listing).

Both artists released their first singles in 2021 and, in less than two years, have built themselves up as two of the buzziest online acts. Including the original solo take of “Boy’s a Liar” (but before releasing the song’s instant-hit remix), the U.K.-born PinkPantheress amassed more than 1.2 billion global streams despite never cracking either global chart or the Hot 100. Originally released on Nov. 30, 2022, the solo version debuted to 2.2 million worldwide streams in its first week, before growing to a peak of 9.8 million in the week ending Jan. 26.

Despite Ice Spice’s less robust discography and lower international profile, the song’s explosion on the most recent charts owes much of its success to its new co-headliner, the fast-talking New York-based rapper. It’s reasonable to assume that she did not just help grow the track’s overall global stream count, but helped further increase the song’s presence in the U.S., as its domestic share of streams leaps from 39% to 56%, compared to the week’s overall average of 23%.

While “Boy’s a Liar, Pt. 2” scores the Hot Shot Debut on the Global 200, the highest new entry on Global Excl. U.S. is Léo Santana’s “Zona de Perigo.” The Brazilian artist scores his first title on either global chart, opening No. 48 on the Global 200. The bulk of the song’s start is owed to its official live-performance music video. Of its 29.5 million global streams, 29.3 million came from outside the U.S. and 61% stemmed from video platforms. That’s a higher share of video streams than all but eight songs on the 200-position Global Excl. U.S. chart, and all but three on the Global 200.

As Santana was busy scoring his first global chart hit, Karol G, from Colombia, follows with her 14th, as “X Si Volvemos,” with U.S.-born Romeo Santos (who adds his second), debuts at No. 30 on the Global 200 and No. 32 on Global Excl. U.S., powered by 29.6 million streams worldwide.

Lastly, Mexico’s Fuerza Regida and Natanael Cano enter Global Excl. U.S. and the Global 200 at Nos. 179 and 184, respectively, with “Ch y la Pizza” (13.9 million).

Both tracks show similar streaming splits, with 28% and 25%, respectively, from the U.S., striking a balance between PinkPantheress and Ice Spice’s domestic lean and Santana’s strong international favor.

Olivia Newton-John’s Daughter Recalls Star’s Last Words to Her: ‘She Was Making Jokes’

The world lost one of its biggest stars on Aug. 8, 2022, but Chloe Lattanzi lost her mom. About six months after Olivia Newton-John died at the age of 73, her daughter has revealed the sweet last words she ever heard the Grease sensation say to her before the star lost the ability to speak.

“The last words she could say to me was, ‘My sunshine,” Lattanzi told TODAY‘s Hoda Kotb Friday (Feb. 17) in her first TV interview since Newton-John’s death. “And right before she lost her ability to speak, she was making jokes.”

“I love my mom more than anything,” continued Lattanzi, whom Newton-John shared with ex-husband Matt Lattanzi. “She’s my mama, you know? She’s not Olivia Newton-John to me, but I’m so glad that she was Olivia Newton-John for so many people.”

The late four-time Grammy winner had been open about her breast cancer diagnosis and treatments during her lifetime. Following her death, Newton-John’s family asked that donations be made in her honor to her cancer research foundation, the Olivia Newton-John Foundation Fund.

Before her passing, the “Physical” singer recorded a duet of “Jolene” with the song’s original singer, Dolly Parton. It was released posthumously on the same day as Lattanzi’s TODAY interview. Listen to it here.

Appearing at Lattanzi’s side during the interview was Newton-John’s husband, John Easterling, who spoke tenderly about the 15 years he spent with his wife. “She had the willpower, even in her most difficult times, to really bring in the light and to bring in the love,” he said. “And she was who she was all the way through.”

“A guy I was flying with said, ‘You know, John, when you’re lucky enough to have found your true soulmate, and you share a heart, when one passes, the other has the obligation to live life for both,’” he added. “And that was very empowering and very powerful for me, and gave a way forward.”

Bailey Zimmerman Honors Johnny Cash With a Cover of ’God’s Gonna Cut You Down’

Bailey Zimmerman has stormed Billboard‘s country charts of late with his own songs, including “Rock and a Hard Place” and “Fall in Love,” but on Friday (Feb. 17), he paid tribute to the Man in Black, covering Johnny Cash’s “God’s Gonna Cut You Down.”

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The release is an Apple Music exclusive, in conjunction with the launch of MLS Season Pass and the new “Man in Black” Nashville Soccer Club kit honoring the life and music of the late Country Music Hall of Fame member.

“The real reason I chose Cash’s ‘God’s Gonna Cut You Down’ is because I’m such a believer, like I know he was,” Zimmerman told Apple Music. “Stoked for everyone to hear this version and maybe see Nashville SC use it next season!”

“God’s Gonna Cut You Down” was included on the 2006 posthumous Cash release American V: A Hundred Highways, the fifth entry in Cash’s American series. His version was inspired by a folk song, “God Almighty’s Gonna Cut You Down,” which was originally recorded by the Golden Gate Quartet in 1946 and released by group The Jubalaires a year later.

Given that Cash’s version of the song and video were released three years after the music legend’s death in 2003, Cash’s video is a black-and-white piece of visual art that includes a string of celebrities such as Sheryl Crow, Whoopi Goldberg, Travis Barker, Bono, Johnny Depp, Flea, Billy Gibbons, Justin Timberlake, Kanye West, Brian Wilson, Owen Wilson and more.

Listen to Zimmerman’s version on Apple Music, and Cash’s version below:

Foo Fighters Pay Tribute to Taylor Hawkins on Late Drummer’s Birthday

The Foo Fighters remembered late drummer Taylor Hawkins on what would have been his 51st birthday on Friday (Feb. 17). “Miss you so much,” read an Instagram post featuring a picture of Hawkins looking directly into the camera with a half-smile on his face and his drum kit in the background.

In late March 2022, the beloved Foos drummer was found dead in his Bogotá, Colombia, hotel room at age 50. Hawkins’ death was announced through a social media statement from the band’s accounts; to date no cause of death has been officially announced.

In a New Year’s Eve post the band posted a heartfelt message about the challenges of 2022 while providing a peek into their future. “As we say goodbye to the most difficult and tragic year that our band has ever known, we are reminded of how thankful we are for the people that we love and cherish most, and for the loved ones who are no longer with us,” the Foos began their statement on Twitter.

“Foo Fighters were formed 27 years ago to represent the healing power of music and a continuation of life. And for the past 27 years out fans have built a worldwide community, a devoted support system that has helped us all get through the darkest of times together. A place to share our joy and our pain, our hopes and fears, and to join in a chorus of life together through music. Without Taylor, we never would have become the band that we were – and without Taylor, we know that we’re going to be a different band going forward.”

In the months following Hawkins’ death, Foo Fighters staged a pair of all-star tribute concerts in memory of the late drummer. The shows, which took place in London and Los Angeles, featured appearances by Travis Barker, Paul McCartney, Miley Cyrus, Liam Gallagher, Lars Ulrich, and dozens more.

The band recently announced its first string of dates following a year-long silence in the wake of Hawkins’ death, including spots at a number of festivals including Boston Calling (May 26), Sonic Temple (May 28), Rock Am Ring (June 2), Rock Im Park (June 4), Bonnaroo (June 18), Harley-Davidson Homecoming (July 15), Fuji Rock (July 28-30), The Town (Sept. 9) and Sea.Hear.Now (Sept. 17). At press time the group had not yet announced who will play drums on those dates.

Check out the Foos post below.

Rihanna’s Super Bowl ASL Interpreter Opens Up About Her Viral Halftime Show Performance

Justina Miles just opened up about her Super Bowl 2023 playbook for the first time since her American Sign Language interpretation of Rihanna‘s halftime show on Feb. 5 went mega viral. In a candid interview with Gayle King on CBS Mornings on Friday (Feb. 17), the performer shared details about how she prepped for game day and revealed what Ri said in a DM to her afterward.

Given how perfectly Miles nailed each and every lyric of the pop star’s halftime show medley of hits — as demonstrated in dozens of TikToks with millions of views and likes — you might be surprised to learn that she only received Ri’s setlist five days before the show. “I was nervous before getting [the setlist], like, ‘Oh my gosh, what’s she gonna do?’” Miles confessed.

“I got it and I’m like, I know all the songs,” she continued. “I was confident. I looked over the lyrics, made sure I got all the meanings right … I memorized the lyrics and the beat, so that way I can sign the lyrics and move to the beat so [viewers] can see the beat rather than hear the beat.”

A nursing student from Maryland, Miles explained that there are different levels of deafness. While she herself can hear to an extent, she is still considered deaf, which makes her the first deaf woman to serve as an interpreter for the Super Bowl. After their performance, she said Ri messaged her directly to congratulate her on the feat.

“I did not get a chance to meet her, but she did DM me,” Miles said. “She was like, ‘Black queen, you’re amazing. We’re BFFs in my head, you were amazing!’ It was beautiful.”

“We practiced in the same vicinity — she did not look pregnant!” she added, referencing the “Lift Me Up” singer’s surprising pregnancy reveal during the show. “I found out after.”

Watch Justina Miles recap her viral Super Bowl performance below: