Music News

Kid Rock Still Serving Bud Light at Nashville Bar Despite Blasting Brewer After Dylan Mulvaney Controversy

Kid Rock got pretty worked up earlier this year after transgender TikTok influencer Dylan Mulvaney shared a video on April 1 of herself participating in Bud Light’s Easy Carry Contest for the end of the NCAA’s March Madness. So worked up, in fact, that the rapper-turned-MAGA-country-rocker uploaded a video in which he attempted to obliterate 12-packs of Bud Light with a semi-automatic rifle as he yelled “f–k Bud Light, and f–k Anheuser-Busch.”

And though Rock didn’t specifically mention Mulvaney (or the word trans) in the video, or call for a ban of products from Bud Light parent company AB Inbev — the world’s leading beer company — a CNN report this week noted that the bar at Rock’s Nashville restaurant is still well-stocked with a number of the company’s products.

CNN reporter Ryan Young said it was unclear during a recent visit to Rock’s Honky Tonk Rock & Roll Steakhouse if the ban had been lifted, or if one had ever been put in place. While country singer John Rich pledged at the time to pull Bud Light from his Nashville bar Redneck Riviera and Travis Tritt said he would remove the formerly best-selling brew in the nation from his tour rider in the midst of the transphobic backlash against the Mulvaney promotional stunt, Rock never specifically said he’d stop selling it at his spot on the city’s bustling Broadway bar and venue district.

Billboard was unable to reach anyone at Rock’s restaurant by phone or email for comment at press time, but a quick check of its online menu revealed that Budweiser, Bud Light and Bud Light Lime were listed under the domestic beer section; a tweet last month with an image of the menu appeared to corroborate that the brews are still available at the bar, calling into question whether the beverage had ever been taken off the roster.

In the original Mulvaney clip, she revealed that the company helped her celebrate her “365th day of womanhood” with “possibly the best gift ever” — a commemorative can of Bud Light with Mulvaney’s face on the side that was not commercially available, but instead meant as a personalized one-off souvenir.

At the time of the controversy — which was endlessly amplified on conservative outlets such as Fox News — a beer industry expert noted to Billboard that AB Inbev had long participated in outreach to the LGBTQ community, including sponsoring pride celebrations. And while that expert said these types of calls for boycotts against major corporations typically draw huge headlines and lots of bluster for a short time, they hardly ever have any “significant” impact on the bottom line.

On Monday, however, Newsweek reported that recent sales data shows that over a four-week period ending July 1 Bud Light suffered a 28% decrease in revenue sales and a 31.2% decrease in the brand’s volume — the number of units of beer sold — compared to the same period last year.

Jung Kook Recruits Latto for New Single ‘Seven’: Watch the Teaser

Less than a week after debuting a set of sultry photos in support of his forthcoming new single “Seven,” Jung Kook has revealed that Grammy-nominated rap star Latto will feature on the track. The BTS member announced the news by launching the first official teaser of the “Seven” music video, which Latto does not appear in. Nonetheless, her name appears in the video’s title.

The new single marks the first collaboration between Jung Kook and Latto. When the news of the collaboration first broke, Latto tweeted “S/O to the Army,” alongside three “7” emojis, a simultaneous reference to the song’s title and her own jackpot imagery. The announcement adds to the “Big Energy” rapper’s banner year. Her Cardi B-assisted “Put It On Da Floor Again” hit No. 13 on the Billboard Hot 100, and she recently won best female hip-hop artist at the 2023 BET Awards.

Starring Han So-hee as his on-screen girlfriend, the music video teaser finds Jung Kook engulfed in a heated exchange with her while out at a fancy dinner. A chandelier then falls from the ceiling, disrupting the other patrons while Jung Kook and Han So-hee remained locked in their argument. “Weight of the world on your shoulders/ I catch your waist and ease your mind,” Jung Kook croons over sultry guitar licks.

“Seven” is slated for a July 14 release to coincide with Jung Kook’s performance at Good Morning America’s Summer Concert Series on the same day. Jung Kook’s last solo release was “Dreamers,” a song for the 2022 FIFA World Cup soundtrack that peaked at No. 1 on Digital Song Sales.

Adam Lambert Feels ‘Flattered’ That Lil Nas X ‘Even Knows Who I Am’

Birds of a feather stick together, and pop superstar Adam Lambert is happy to see the similar plumage between himself and Lil Nas X.

On Tuesday night’s episode (July 11) of Watch What Happens Live With Andy Cohen, Lambert gave a shout-out to the “Industry Baby” star. When a fan asked on-air about Lambert’s reaction to Lil Nas thanking him for creating space for queer artists, the “Whaddaya Want From Me” singer praised the rapper’s bombastic style.

“That was very flattering that he even knows who I am,” Lambert said. “I think he’s such a rock star, and so bold and brave, and I love what he’s doing. So I was very flattered by that,” Lambert said.

Cohen quickly followed up by pointing out all of the “crap” that Lambert had to deal with early on in his career as an openly queer artist, especially as a performer at the 2009 American Music Awards. Lambert acknowledged his struggle, but again praised Lil Nas X for doing “racy, fabulous, edgy performances and finally getting to do that without being canceled or pulled off of a network.”

Back in 2021, Lambert told Billboard that seeing Lil Nas X kiss a backup dancer at the BET Awards felt like a watershed moment for queer artistry. “What I love right now with Lil Nas is we need him to be outspoken about it. He is in a position where that works for him, and he’s using it.”

In turn, Lil Nas X told Heavy that he ended up getting to meet Lambert and properly thank him for the path he laid out for other LGBTQ artists. “I did thank him in person, actually. I really appreciate all the love that he’s shown me and I definitely don’t take it for granted,” he said. “And I appreciate all the doors that him and people like him opened.”

Check out the clip from Watch What Happens Live below:



Watch Paramore’s Hayley Williams Cover a Beyoncé Deep Cut in Houston

There are a few things synonymous with Houston: NASA’s Johnson Space Center, the Rockets and, of course, Beyoncé. When Paramore touched down in the city on Tuesday (July 11) during its This Is Why Tour, the band couldn’t help but pay tribute to one of Houston’s most iconic figures, with Hayley Williams delivering a haunting cover of Beyoncé’s “I Miss You.”

Co-written with Frank Ocean, “I Miss You” is a fan-favorite deep cut that appears on Queen Bey’s 4, her aptly titled fourth solo studio album. “It hurts my pride to tell you how I feel, but I still need to/ Why is that,” Williams crooned in the shadows as she and her bandmates remained strikingly still on the red-lit stage. She belted out half of the second verse, the chorus and the song’s bridge completely a cappella before launching into a rendition of “Crystal Clear,” a track from Petals for Armor, her debut solo studio album.

Paramore is currently in the midst of its This Is Why Tour in support of the band’s sixth studio album of the same name. At the top of this year, This Is Why became the band’s fourth consecutive top 10 album on the Billboard 200, reaching No. 2. The record also debuted atop Top Alternative Albums and Top Rock Albums. Featuring supporting acts ranging from Bloc Party to The Linda Lindas, the band’s latest trek will wrap on Aug. 2 after visiting fans across North America, Europe and South America.

Those who missed the Grammy-winning band on this tour need not worry. Paramore is set to return the stage next year. Beginning May 9, 2024, the group will be the main supporting act for 14 stops on the European leg of Taylor Swift’s Eras Tour. Hayley Williams recently appeared as a featured artist on “Castles Crumbling,” a “From the Vault” track from Speak Now (Taylor’s Version), Swift’s latest re-recording.

Check out some fan clips of Hayley Williams covering “I Miss You” below:

Here’s Why Zayn Malik Says He ‘Completely Selfishly’ Left One Direction

March 25, 2015, lives on in infamy for One Direction fans as the beginning of the end — aka, when Zayn Malik decided to leave the band. But in a candid new interview on Alex Cooper’s Call Her Daddy podcast, the 30-year-old pop star hinted that if he hadn’t separated from the group to pursue his own solo career, one of the other five guys probably would have sooner rather than later.

“There was a lot of … look, I don’t want to go into too much detail, but there was a lot of politics going on,” Malik told Cooper on the Wednesday (July 12) episode, careful not to call out ex-bandmates Harry Styles, Liam Payne, Niall Horan and Louis Tomlinson by name. “Certain people were doing certain things, certain people didn’t want to sign contracts, so I knew something was happening. So I just got ahead of the curve.”

“If I’m being honest with you, I was like, ‘I’m just going to get out of here.’ I think this is done and I just seen it, and I completely selfishly wanted to be the first person to go and make my own record if I’m being completely honest with you,” he added. “I’m a passive dude, but when it comes to my music and my business, I’m serious about it and I’m competitive, so I wanted to be the first to go and do my own thing.”

Malik — who announced earlier this week that his new single “Love Like This” will drop July 21 — also admitted that by the end of his run with the boy band, everyone was little bit tired of one another. “We’ve been together every day for five years and we’ve got sick of each other, if I’m being completely honest,” he admitted.

“We were close. We done crazy things with each other that nobody else in the world will ever understand or have those experiences that we’ve shared with each other, and I look back on it now in a much fonder light than I would’ve as I just left,” he continued. “There were great experiences, I had great times with them, but yeah, we just run our course.”

Listen to the full episode below:

Kylie Minogue Could ‘Very Possibly’ Be Planning a Vegas Residency or Tour

The Las Vegas residency is the new staple in the careers of pop icons — superstars such as Adele, Katy Perry and Kelly Clarkson are currently lighting up the Strip with their shows. Now, Kylie Minogue is teasing that she might be joining their ranks soon.

On the Tuesday (July 11) episode of Watch What Happens Live With Andy Cohen, Minogue appeared with fellow guest Adam Lambert, and was grilled by Cohen about her plans for the future. At one point, Cohen specifically asked if she had any plans when it came to a “tour or Vegas residency.” Squinting her eyes mischievously, Minogue answered, “Very possibly.”

The tease comes on the heels of the viral success of Minogue’s latest single “Padam Padam,” which currently sits at No. 7 on Billboard‘s Hot Dance/Electronic Songs chart — a career first for the pop legend.

Elsewhere in the episode, Minogue opened up about the pressures of performing pop music live, especially when it comes to translating the breakout success of “Padam Padam” into a live performance. “It takes some consideration, but I think ‘Padam’ is kind of living its best life on stage, as well,” she said. “I can’t imagine how Cher did it with ‘Believe.’ But I think people understand, with the way a song is produced, there’s production. I don’t press a button and sound like that — I sing live on stage.”

Check out a clip from Watch What Happens Live, in which Minogue and Lambert break down their favorite live performances, below:



Britney Spears Slams Comment That She ‘Deserved to Be Smacked’ In Alleged Vegas Incident With Victor Wembanyama

Britney Spears has promised to be super-candid in her upcoming memoir, The Woman in Me. That radical honesty has also seemingly extended to her feelings about the recent incident in which she alleged that she was struck by highly touted NBA rookie Victor Wembanyama’s security detail in Las Vegas.

The Las Vegas Police Department concluded its probe last week into the incident and said in a statement that no charges would be filed “against the person involved.”

In an Instagram video posted on Tuesday night (July 11), the singer addressed what she said was a recent comment about the run-in in Vegas “that a lot of people are talking about.” Without naming names, Spears said she heard a news report about a radio station “talking smack… and talking s–t” saying that “I deserved to be smacked” because Wembanyama’s security detail were just doing their job and protecting their client.

“I’ve been with the most famous people in the world… *NSYNC at one time, girls would like literally throw themselves at them on my way into the place actually I was knocked down by three 12-year-olds trying to get my picture,” the singer said about her 1998 Second II None Tour, on which she opened for future boyfriend Justin Timberlake’s boy band.

“My security, not one time, touched them or even came near them,” she explained. The point or relaying that story, she said, was that, “I didn’t appreciate the people saying that I deserved to be hit. Because no woman ever deserves to be hit.” Spears explained that she tapped the 7′ 5″ tall San Antonio Spurs center on the back and then was “backhanded.. hit my face,” causing her to fall to the floor, where her best friend scooped her up and held her.

She said she got an apology at her table 30 minutes later, but noted that she has yet to receive a public apology. Before the LVPD investigation, Spears filed a police report alleging battery after she claimed that she was stuck in the face by a member of Wembanyama’s security team while trying to greet him in a Vegas hotel.

According to TMZ, which first reported the news, Spears was dining with husband Sam Asghari and two friends at Catch at the Aria Hotel when she saw the Spurs No. 1 pick and wanted to take a photo with him. When she tapped Wembanyama on the shoulder, Director of Team Security for the Spurs Damian Smith reportedly pushed her, hitting her in the face and causing the singer to fall to the ground.

As Britney noted, Smith then reportedly apologized to her, saying he didn’t recognize the pop star at the time of the incident, with Spears reportedly accepted the apology. TMZ reported that law enforcement checked the Aria Hotel’s security footage, which reportedly showed Smith pushing Spears’ hand away from Wembanyama, causing her own hand to strike her in the face before she fell.

In a statement shared by Associated Press, Wembanyama said that Spears “grabbed me from behind,” and that he didn’t know it was the “Womanizer” singer until several hours later. “I just know the security pushed her away. I don’t know with how much force but security pushed her away. I didn’t stop to look so I could walk in and enjoy a nice dinner,” he said.

In an Instagram post last week, Spears first recounted her Beatlemania-style experiences while touring with *NSYNC and praised herself for resisting the instinct to hit the security guard back, even as she said she was still a “huge fan” of the preternaturally gifted Wembanyama. “It’s not his fault his security hit me … s— happens !!!,” she said.

Billboard has reached out to Spears’ team and the Spurs for additional information and comment on the incident, with neither responding at press time.

Watch Spears discuss the Wembanyama run-in below.

Miley Cyrus’ ‘Party in the U.S.A.’ Returns to Hot 100 After July 4 Gains

Miley Cyrus’ “Party in the U.S.A.” is back on the Billboard Hot 100 chart (dated July 15) for the first time since its initial chart run in 2009-10, thanks to annual Fourth of July gains.

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The song (released on her former label Hollywood Records; she’s now signed to Columbia Records) re-enters the Hot 100 at No. 50 with 8 million U.S. streams (up 64%), 5.2 million radio airplay audience impressions (up 34%) and 6,000 downloads sold (up 560%) in the June 30-July 6 tracking week, according to Luminate. The sales sum helps it also re-enter the Digital Song Sales chart at No. 7.

“Party in the U.S.A.” was a smash hit during its original chart run. It debuted and peaked at No. 2 on the Hot 100 in August 2009, becoming Cyrus’ highest charting song at the time. She had previously reached the top 10 with “See You Again” (No. 10 peak in 2008), “7 Things” (No. 9; 2008), “The Climb” (No. 4; 2009) and “He Could Be The One” (No. 10; 2009).



The re-entry is an added bonus to an already huge year for Cyrus. In March, she dropped her eighth studio album, Endless Summer Vacation, which hit No. 3 on the Billboard 200 after its debut, becoming her 14th top 10. Ahead of the LP’s release, lead single “Flowers” debuted at No. 1 on the Hot 100 in January and spent eight weeks on top. It ranks at No. 5 this week in its 25th consecutive week on the chart — all of which has been spent in the top five. The song became her second No. 1, after the three-week reign of “Wrecking Ball” in 2013.

“Flowers” also hit No. 1 on four individual radio formats: Adult Pop Airplay (for 17 weeks), Adult Contemporary (14 and counting), Pop Airplay (10) and Dance/Mix Show Airplay (four). It ruled the all-format Radio Songs chart for 18 weeks, setting a new record for a title by a woman. In the chart’s history, only The Weeknd’s “Blinding Lights” has spent more time at No. 1, with 26 weeks.

In total, five songs from Endless Summer Vacation have charted on the Hot 100: “Flowers,” “River” (No. 32 peak), “Jaded” (No. 56), “Thousand Miles” featuring Brandi Carlile (No. 68) and “Rose Colored Lenses” (No. 91).

Older songs such as “Party in the U.S.A.” are eligible for the Hot 100 if they rank within the top 50 and have a meaningful reason for their resurgences. We occasionally see this phenomenon during the year if catalog songs go viral and/or are newly promoted, as with Taylor Swift’s “Cruel Summer” (from 2019 and now in the Hot 100’s top 10) or have notable TV/film synchs that generate newfound interest, as was the case with Kate Bush’s 1985 classic “Running Up That Hill (A Deal With God)” last year. And we see it during every holiday season, when festive songs storm the higher ranks of the Hot 100.

Morgan Wallen’s ‘One Thing at a Time’ & Miley Cyrus’ ‘Flowers’ Lead Luminate’s 2023 Midyear Charts

In the first six months of 2023, Morgan Wallen’s monster album One Thing at a Time was the most popular album, while Miley Cyrus’ smash single “Flowers” was the most-streamed song (by on-demand streams, audio and video combined), respectively, at the midyear point in the U.S., according to Luminate. “Flowers” was also the most-heard song on radio airwaves, with over 2.4 billion in radio audience impressions.

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Read more about midyear metrics in the 2023 Luminate Midyear Music Report.

‘One Thing’ is Tops: For the tracking period of Dec. 30, 2022, through June 29, 2023, Wallen’s One Thing at a Time was the most popular album in the U.S. The country star’s latest studio effort was released on March 3, 2023 via Big Loud/Mercury/Republic Records and earned 3.312 million equivalent album units in the first half of 2023. (See full top 10 chart, below.) One Thing at a Time spent 15 nonconsecutive weeks atop the weekly Billboard 200 chart in March-July – the most weeks at No. 1 for any album since Adele’s 21 racked up 24 nonconsecutive weeks in 2011-12.

Concurrently, the One Thing at a Time single “Last Night” was the most-streamed song by on-demand audio streams in the first half of 2023 in the U.S., with 588.7 million on-demand audio streams (inclusive of user-generated content streams). “Last Night” spent 13 nonconsecutive weeks at No. 1 on the weekly all-genre Billboard Hot 100 chart from March through July – the singer-songwriter’s first leader on the tally.

The most-streamed song by total on-demand streams (audio and video combined, inclusive of user-generated content streams) was Cyrus’ “Flowers,” with 750.7 million clicks in the first six months of the year. “Flowers” led the Hot 100 eight nonconsecutive weeks from January through early April. It marked Cyrus’ second chart-topper, following 2013’s “Wrecking Ball.”

Equivalent album units – for album titles and chart rankings cited below (but not industry volume numbers) – comprise traditional album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sales, or 10 individual tracks sold from an album, or 3,750 ad-supported on-demand official audio and video streams generated by songs from an album, or 1,250 paid/subscription on-demand official and audio streams generated by songs from an album.

Equivalent album units cited for album titles below, and in the “Midyear Top 10 Albums in U.S.” chart do not include user-generated content (UGC) streams. UGC streams are included in Luminate’s industry volume numbers and its midyear song streaming rankings. (UGC streams are not factored into any of Billboard’s weekly charts.)

For the sake of clarity, equivalent album units do not include listening to music on broadcast radio or digital radio broadcasts. All numbers cited in this story are rounded, and for the U.S. only. Programmed streams are not included in any of the data in this story.

Luminate (formerly MRC Data, Nielsen Music and SoundScan) began tracking music consumption in 1991. Luminate’s sales, streaming and airplay data is used to compile Billboard’s weekly charts.

Of One Thing at a Time’s 3.312 million equivalent album units earned at midyear, SEA units comprise 3.024 million (equaling 4.023 billion on-demand official streams of the set’s 36 songs), album sales comprise 242,000 and TEA units comprise 46,000.

The top five most popular albums at the midyear point in the U.S. are One Thing at a Time, SZA’s December 2022 release SOS (1.982 million equivalent album units), Taylor Swift’s October 2022 release Midnights (1.876 million), Wallen’s January 2021 release Dangerous: The Double Album (1.172 million) and Metro Boomin’s December 2022 release Heroes & Villains (1.038 million). In 2022, Midnights and Dangerous were the Nos. 2 and 3 most popular albums of the year in Luminate’s year-end report.

2023’s Midyear Top 10 Albums in U.S. (by Equivalent Album Units)
1. Morgan Wallen, One Thing at a Time (3.312 million)
2. SZA, SOS (1.982 million)
3. Taylor Swift, Midnights (1.876 million)
4. Morgan Wallen, Dangerous: The Double Album (1.173 million)
5. Metro Boomin’, Heroes & Villains (1.038 million)
6. Bad Bunny, Un Verano Sin Ti (967,000)
7. Drake & 21 Savage, Her Loss (898,000)
8. Zach Bryan, American Heartbreak (769,000)
9. Karol G, Mañana Séra Bonito (716,000)
10. Taylor Swift, Lover (711,000)
Source: Luminate, for the tracking period Dec. 30, 2022, through June 29, 2023. UGC (user-generated content) streams are not included in this chart, but are included in Luminate’s on-demand streaming charts (below). Luminate’s equivalent album unit totals include SEA and TEA for an album’s songs registered before an album’s release, but only during the tracking period.

Total Album Consumption Increases 13.4% at Midyear: Year-to-date, total equivalent album units stand at 538.9 million – up 13.4% compared to the first half of 2022 (475.4 million in the tracking period of Dec. 31, 2021, through June 30, 2022).

Album Sales Up! Total album sales across all formats (physical CDs, vinyl, cassettes, etc., along with digital album downloads) increased by 7.9% in the first half of 2023 as compared to the same point in 2022. At the 2023 midyear point, 50.6 million albums were sold – up from the 49.6 million sold in the first half of 2022. The top-selling album of 2023 so far is Swift’s Midnights, with 607,000 copies sold

In total, there were 41.6 million physical albums sold (up 13.3% compared to 36.7 million at midyear 2022) and 9.234 million digital albums sold (down 11.2 percent compared to 10.4 million at midyear 2022).

CD album sales grew by 3.8% in the first half of 2023 (17.5 million vs. 16.9 million at midyear 2022), while vinyl album sales jumped by 21.7% (23.6 million vs. 19.4 million at midyear 2022). Even cassette tape album sales perked up. The mostly dormant format sold 212,000 in the first half of 2023 – up 5.8% compared to the 200,500 sold in the first half of 2022.

The top-selling album across all physical formats (CD, vinyl, cassette, etc.) at the midyear point is Swift’s Midnights, with 430,000 sold. It’s also the top-selling digital album (177,000) and vinyl LP (251,000). The biggest-selling CD album in the first half of 2023 was TOMORROW X TOGETHER’s The Name Chapter: TEMPTATION with 395,000 copies sold.

Taylor Swift was the top-selling artist by total album sales in the first half of 2023, with 1.45 million albums sold across her entire catalog across all formats. Swift was also the top-selling in total physical album sales (1.19 million), vinyl album sales (808,000) and digital album sales (256,000). Stray Kids was the top-selling act in CD album sales (509,000).

2023’s Midyear Top 10 Selling Albums in U.S. (Physical & Digital Album Sales Combined)
1. Taylor Swift, Midnights (607,000)
2. TOMORROW X TOGETHER, The Name Chapter: TEMPTATION (399,000)
3. Stray Kids, 5-STAR (327,000)
4. TWICE, Ready to Be (286,000)
5. Morgan Wallen, One Thing at a Time (242,000)
6. SEVENTEEN, SEVENTEEN 10th Mini Album: FML (236,000)
7. Metallica, 72 Seasons (215,000)
8. Agust D, D-Day (200,000)
9. Jimin, FACE (152,000)
10. Melanie Martinez, Portals (194,000)
Source: Luminate, for the tracking period Dec. 30, 2022, through June 29, 2023.

  1. Taylor Swift, Midnights (251,000)
  2. Lana Del Rey, Did You Know That There’s a Tunnel Under Ocean Blvd. (132,000)
  3. Taylor Swift, Folklore (107,000)
  4. Tyler, The Creator, Igor (104,000)
  5. Fleetwood Mac, Rumours (103,000)
  6. Boygenius, The Record (100,000)
  7. Melanie Martinez, Portals (93,000)
  8. Michael Jackson, Thriller (85,000)
  9. Pink Floyd, The Dark Side of the Moon (85,000)
  10. Lana Del Rey, Born to Die (84,000)

On-Demand Streaming Up 15%, ‘Flowers’ Most-Streamed Song: “Flowers,” Cyrus’ Hot 100-topping single, was the most-streamed song in the first half of 2023 in the U.S., with 750.7 million on-demand streams (inclusive of UGC). SZA’s “Kill Bill” (701.2 million) and Wallen’s “Last Night” (642.8 million) round out the top three.

Total on-demand streams (audio and video combined) at midyear grew 15% in the U.S. as compared to the same point a year ago (713.5 billion vs. 620.2 billion). On-demand audio streams rose 13.5% (616.5 billion vs. 543.2 billion) while on-demand video streams grew 26% (97 billion vs. 77 billion).

UGC streams are included in Luminate’s industry streaming on-demand volume numbers (above) and its midyear streaming song charts (below). UGC streams are not factored into any of Billboard’s weekly charts.

In general, all songs in the below charts combine the assorted remixes of a song into one overall total. Thus, PinkPantheress’ “Boy’s a Liar” includes activity for its remix with Ice Spice, “Boy’s a Liar, Pt. 2,” The Weeknd’s “Die for You” includes activity for its remix with Ariana Grande,” and so forth.

2023’s Midyear Top 10 Most Streamed Songs in U.S. (On-Demand Audio & Video Combined)
1. Miley Cyrus, “Flowers” (750.7 million)
2. SZA, “Kill Bill” (701.2 million)
3. Morgan Wallen, “Last Night” (642.8 million)
4. PinkPantheress, “Boy’s a Liar” (580.7 million)
5. Lady Gaga, “Bloody Mary” (531.7 million)
6. Rema & Selena Gomez, “Calm Down” (486.3 million)
7. Twisted featuring Oliver Tree, “Worth Nothing” (462.7 million)
8. J. Cole featuring Amber Coffman & The Cults, “She Knows” (455.6 million)
9. Fifty Fifty, “Cupid” (427.7 million)
10. Lil Uzi Vert, “Just Wanna Rock” (416.1 million)
Source: Luminate, for the tracking period Dec. 30, 2022, through June 29, 2023. Includes UGC streams.

2023’s Midyear Top 10 Most Streamed Songs in U.S. (On-Demand Audio)
1. Morgan Wallen, “Last Night” (588.7 million)
2. SZA, “Kill Bill” (567.6 million)
3. Miley Cyrus, “Flowers” (464.6 million)
4. PinkPantheress, “Boy’s a Liar” (370.4 million)
5. The Weeknd, “Die for You” (349.8 million)
6. Zach Bryan, “Something in the Orange” (331.2 million)
7. Metro Boomin, The Weeknd & 21 Savage, “Creepin’” (308.3 million)
8. Eslabon Armado x Peso Pluma, “Ella Baila Sola” (307.4 million)
9. Morgan Wallen, “You Proof” (303.3 million)
10. Taylor Swift, “Anti-Hero” (302.8 million)
Source: Luminate, for the tracking period Dec. 30, 2022, through June 29, 2023. Includes UGC streams.

Digital Song Sales Drop 13%: Digital song sales fell 13% in the first six months of 2023, dipping to 69.57 million, as compared to 79.98 million sold in the first half of 2022. The top-selling digital song at the midyear point is Cyrus’ “Flowers” with 380,000 sold. Six songs sold more than 100,000 downloads in the first half of 2023. At midyear 2022, there were eight songs that sold in excess of 100,000.

2023’s Midyear Top 10 Selling Digital Songs in U.S.
1. Miley Cyrus, “Flowers” (380,000)
2. Jimin, “Like Crazy” (289,000)
3. Morgan Wallen, “Last Night” (217,000)
4. Luke Combs, “Fast Car” (126,000)
5. Beyoncé, “Cuff It” (119,000)
6. Rema & Selena Gomez, “Calm Down” (110,000)
7. Taylor Swift, “Anti-Hero” (97,000)
8. Lainey Wilson, “Heart Like a Truck” (89,000)
9. Ice Spice, “Princess Diana” (87,000)
10. Jelly Roll, “Need a Favor” (86,000)
Source: Luminate, for the tracking period Dec. 30, 2022, through June 29, 2023.

‘Heat Waves’ Hottest on Radio: The most-heard song on U.S. radio in the first half of 2023 was Cyrus’ “Flowers,” with a cumulative 2.409 billion audience impressions across all formats monitored by Luminate. The single was released in early January and became one of the biggest radio hits in the modern era. It spent 18 weeks at No. 1 on Billboard’s all-format Radio Songs chart, tying Goo Goo Dolls’ “Iris” for the second-most weeks at No. 1 since the chart began in 1990. The song with the most weeks at No. 1 on Radio Songs is The Weeknd’s enduring “Blinding Lights,” which ruled for 26 weeks in 2020.

2023’s Midyear Top 10 Radio Songs in U.S. (Based on Audience Impressions)
1. Miley Cyrus, “Flowers” (2.409 billion)
2. Metro Boomin, The Weeknd & 21 Savage, “Creepin’” (2.359 billion)
3. SZA, “Kill Bill” (1.909 billion)
4. The Weeknd, “Die for You” (1.877 billion)
5. Taylor Swift, “Anti-Hero” (1.730 billion)
6. David Guetta & Bebe Rexha, “I’m Good (Blue)” (1.691 billion)
7. Rema & Selena Gomez, “Calm Down” (1.580 billion)
8. Harry Styles, “As It Was” (1.362 billion)
9. Sam Smith & Kim Petras, “Unholy” (1.275 billion)
10. Chris Brown, “Under the Influence” (1.142 billion)
Source: Luminate, for the tracking period Dec. 30, 2022, through June 29, 2023.

LL Cool J Announces Rescheduled Dates For All-Star F.O.R.C.E. Tour

After announcing last month that he was rescheduling some dates on the first leg of his all-star F.O.R.C.E. North American tour to ensure that he gives fans a truly “unforgettable” experience, LL Cool J revealed the revamped routing for the trek on Tuesday (July 11).

LL’s first headlining tour in 30 years is now slated to kick off on August 11 in Baltimore and keep him on the road through a November 19 date in Boston. The tour, whose acronym means “Frequencies of Real Creative Energy,” will feature LL joined by The Roots, DJ Z-Trip and DJ Jazzy Jeff, along with a long roster of special guests in select cities, including: Queen Latifah, Salt-N-Pepa, Big Boi, Bone Thugs-N-Harmony, Common, De La Soul, Doug E. Fresh & Slick Rick, Goodie Mob, Ice-T, Jadakiss, Juvenile, MC Lyte, Method Man & Redman, Rakim, Rick Ross and more.

In the since-removed video from last month (via Hip Hop DX), LL explained the reason for the tour launch pushback, writing, “I have to give my fans an experience that is unforgettable. I want to make sure everything is done right, and in order to do that, I had to change some things up. The updated tour dates are now live.” The tour was originally slated to launch on June 25 at Boston’s TD Garden and wrap up in Los Angeles on Sept. 3.

At press time the venues for the tour had not yet been revealed.

Check out the routing for the F.O.R.C.E. tour below.

August 11 – Baltimore, MD

August 12 – Cleveland, OH

August 13 – Chicago, IL

August 18 – Detroit, MI

August 19 – Toronto, ON

August 21 – Atlanta, GA

August 22 – Memphis, TN

August 24 – Forth Worth, TX

August 25 – Houston, TX

August 27 – Albuquerque, NM

August 29 – Denver, CO

Sept. 1 – San Francisco, CA

Sept. 2 – Las Vegas, NV

Sept. 3 – Los Angeles, CA

Sept. 9 – Charlotte, NC

Sept. 10 – Raleigh, NC

Oct. 15 – Washington, D.C.

Nov. 19 – Boston, MA

Check out the tour poster below: