Music News

Jada Pinkett Smith Speaks Out After Tupac Shakur Murder Arrest: ‘Now I Hope We Can Get Some Answers’

Jada Pinkett Smith is reacting the arrest of a suspect in connection with the murder of Tupac Shakur.

The Emmy-winning actress and talk show host took to her social media on Friday (Sept. 29) to speak out following news that Las Vegas police arrested Duane “Keffe D” Davis in connection with the drive-by shooting of the iconic rapper, who died on Sept. 13, 1996.

“Now I hope we can get some answers and have some closure. “R.I.P. Pac,” Pinkett Smith wrote on her Instagram Stories, adding a dove emoji.

The Girls Trip star’s post arrived hours after after Davis, 60, was arrested and charged with the high-profile murder on the Las Vegas strip, which has been the subject of numerous documentary films, investigative TV series, books, and theories about who gunned down the then-25-year-old MC.

Pinkett Smith had a close relationship with the rapper for many years. Since Tupac’s passing, she has often relived her memories with him in front of the public. In 2017, Pinkett Smith revealed that she was a drug dealer when she first met the rapper, and in 2021, she shared an unpublished poem from the “Dear Mama” rapper.

While Pac was alive, Pinkett Smith appeared in his “Keep Ya Head Up” and “Temptations” music videos, and covered $100,000 for his bail after he was convicted for sexual abuse. While the two stars never officially dated, their incredibly close friendship has become a point of public debate, especially in light of her and Smith’s “entanglement” controversies.

Earlier this month, Pinkett Smith shared an adorable throwback video of her and Shakur lip-syncing to  DJ Jazzy Jeff & The Fresh Prince’s 1988 hit single “Parents Just Don’t Understand.”

“Not in a million years would I have dreamed that the Fresh Prince and I would become, um, very acquainted. Not in a million years did I imagine three lives, their fates, would be so intertwined,” she wrote on Instagram. “And… I never would have imagined that this video would become a tangible memory, of the last time Pac and I, were simply kids together. Pac and I lip syncing Parents Just Don’t Understand by Jazzy Jeff and the Fresh Prince during our Junior year in high school. Who would have thought?”

The caption is believed to be an excerpt from Pinkett Smith’s forthcoming memoir, Worthy, which is slated for release on Oct. 17.

Britney Spears Says She’s Taking Her Divorce From Sam Asghari ‘One Day at a Time’

Britney Spears is trying to stay positive following her divorce.

On Friday night (Sept. 29), the 41-year-old pop superstar took to Instagram to share a lengthy message of gratitude in which she reflects on her split from Sam Asghari.

“I’m in such a beautiful location !!! l’m so lucky to have amazing friends !!! Positive affirmations are important to me at the moment !!!” Spears wrote alongside snapshots of herself cozying up with longtime friend and manager Cade Hudson, whom she was recently spotted vacationing with in Mexico.

The “Piece of Me” singer also touched on the difficulties of looking back on her past while writing her forthcoming memoir, The Woman In Me.

“I say this because I’m going through a divorce and having to reflect my past in a book was … let’s just say not easy !!!” she wrote. “I’m just saying !!! But I take one day at a time learning to breathe !!! Self love is so unbelievably important !!! I woke up and just cried because I felt grateful to be in such a beautiful place !!!”

Asghari, 29, filed for divorce from the pop star in mid-August. The former couple met in 2016 and tied the knot in a star-studded wedding ceremony in June 2022.

In her post, Spears also opened up about her presence on social media and using photo editing apps like Facetune.

“Then I thought about my relation between my life and Instagram at the moment !!! Let’s get this straight !!! It’s addicting … but in my personal opinion the moment you start to take yourself too seriously is when people quit !!!” she wrote. “Hey I’m not promoting FaceTune for the rest of my life but seriously when I have days of depression I look and see the new apps and it makes me feel silly !!! I’m like wow this is cool !!! I see things in a brighter way and so what if it’s enhanced !!!”

The singer added, “I’m just trying to understand people that say they don’t participate in it !!! Yet they’re on complete defense for some reason making accusations and downplaying it by saying all pictures are fake and are all retouched !!! Nothing is real … honestly who f—ing cares !!! If you’re so entitled and perfect why should you even care if someone is experimenting with apps on their phone ??? Why even mention it ??? If you’re so much better than that ??? But are you ??? Come on !!! I love my best friend !!!”

Earlier in the week, Spears worried fans when she posted a video of herself dancing with what appeared to be two large kitchen knives. The concern prompted authorities to perform a wellness check on the singer, according to the Los Angeles Times. Spears later took to Instagram to address the situation.

“I know I spooked everyone with the last post, but these are fake knives that my team rented from Hand Prop shop in LA. These are not real knives. No one needs to worry or call the police,” she wrote on Friday (Sept. 29). “I’m trying to imitate one of my favorite performers Shakira … a performance I was inspired by !!! Cheers to us bad girls who aren’t afraid to push boundaries and take risks!”

See Spears’ post on Instagram below.

7 Best Moments as U2 Welcomes Striking Sphere Venue to Las Vegas

Billboard was in the orb for the very first night, and we’ve rounded up the best moments from the concert (and venue) debut.

Was it the hard-to-fathom floor-to-ceiling graphics? Or the way the immersive audio made it feel like you were in a recording studio with U2? Or maybe the way Bono carried on a seemingly intimate conversation with 18,000-plus fans?

It’s hard to pick the most impressive part of Friday’s (Sept. 29) U2:UV Achtung Baby Live at Sphere opening night — also the debut of the concert venue itself — but one thing is certain: U2 was exactly the right band to welcome the mind-blowing space.

You might think that all the technological bells and whistles could overshadow the performance, but U2’s music and message always remained the focal point throughout the two-hour set — even when a pop-culture kaleidoscope of images scrolled up the 366-foot screen in rapid succession, making it unclear if the floor or the stage might be moving or if your mind was just playing tricks on you. (That was during the Achtung Baby single “Even Better Than the Real Thing,” only three songs into the concert, and it was truly the most unreal moment of the night.)

But the real magic was often when the production chose not to inundate the full screen, pulling back with just a monochromatic blue backdrop or a starry night sky for quieter songs, or just projecting large images of the bandmembers during a turntable segment that will feature different non-Achtung Baby songs each night over the 25-show run.

In the end, Sphere never overshadows U2; Sphere magnifies U2, pairing a band that has attempted to innovate with each new tour over their 40-plus-year career with a venue that seemingly has no limits of innovation.

Billboard was in the orb for the very first night, and we’ve rounded up the best moments from the concert (and venue) debut below.

The Who’s ‘Who’s Next’ Makes Deluxe Return to Top Album Sales Chart

The Who’s classic album Who’s Next returns to Billboard’s Top Album Sales chart (dated Sept. 30) following its expanded deluxe reissue on Sept. 15 across an array of formats, many containing a hefty number of bonus tracks. The set re-enters the tally at No. 8. The album was first released in 1971 and reached No. 4 on the Billboard 200 and spun off two Billboard Hot 100-charting singles in “Won’t Get Fooled Again” (No. 15 peak) and “Behind Blue Eyes” (No. 34). The set also houses the rock radio staple “Baba O’Riley.”

Explore

Explore

See latest videos, charts and news

See latest videos, charts and news

Also in the top 10 of the new Top Album Sales chart, new releases from Mitski, Demi Lovato, Dan + Shay, Thirty Seconds to Mars and Baroness debut.

Billboard’s Top Album Sales chart ranks the top-selling albums of the week based only on traditional album sales. The chart’s history dates back to May 25, 1991, the first week Billboard began tabulating charts with electronically monitored piece count information from SoundScan, now Luminate. Pure album sales were the sole measurement utilized by the Billboard 200 albums chart through the list dated Dec. 6, 2014, after which that chart switched to a methodology that blends album sales with track equivalent album units and streaming equivalent album units. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.

The sales of the Who’s Next reissue was bolstered by its availability in multiple configurations. On the low end is the base original nine-track album remastered on CD, vinyl and digital download, up through a lavish $300 Super Deluxe Edition boxed set with 10 CDs, a Blu-Ray Audio disc, a 100-page hard back book, posters and other merchandise.

All versions of the album, old and new, are combined for tracking and charting purposes. In the week ending Sept. 21 in the U.S., Who’s Next sold 9,500 copies – up from a negligible sum the previous week. Of its 9,500 sold, physical sales comprise 9,000 (6,000 on vinyl, 3,000 on CD) and digital downloads comprise 500.

At No. 1 on Top Album Sales, Olivia Rodrigo’s Guts notches a second week in the lead (44,000; down 71%) after debut atop the tally a week ago. V’s Layover is steady at No. 2 (21,000; down 76% in its second week).

Mitski’s The Land Is Inhospitable and So Are We arrives at No. 3 with 20,000 copies sold. It’s the second top 10 for the artist, following the chart-toping debut of Laurel Hell in 2022. Demi Lovato’s Revamped – a collection of rock reinterpretations of her previously released songs – bows at No. 4 with 11,000 sold, giving the singer her ninth top 10 (the entirety of her charting efforts). Dan + Shay’s new studio album Bigger Houses moves in at No. 6 with nearly 11,000 sold, marking the fifth consecutive and total top 10 for the duo.

Thirty Seconds to Mars’ first studio album in over five years, It’s the End of the World But It’s a Beautiful Day, debuts at No. 6 with nearly 10,000 sold. It’s the third top 10 set for the rock act, who was last on the chart with the 2018 studio set America (No. 2 debut and peak).

Rounding out the debuts in the top 10 is Baroness’ latest album Stone, which starts at No. 7 with nearly 10,000 sold. It’s the second top 10-charting title for the act, following 2019’s Gold & Grey (No. 5 debut and peak).

Taylor Swift’s former No. 1 Speak Now (Taylor’s Version) falls 5-9 on Top Album Sales (9,000; down 4%) and NewJeans’ chart-topping 2nd EP ‘Get Up’ descends 6-10 (8,500; down 3%).

In the week ending Sept. 21, there were 1.670 million albums sold in the U.S. (down 5.4% compared to the previous week). Of that sum, physical albums (CDs, vinyl LPs, cassettes, etc.) comprised 1.336 million (down 7%) and digital albums comprised 334,000 (up 1.6%).

There were 574,000 CD albums sold in the week ending Sept. 21 (down 11.4% week-over-week) and 752,000 vinyl albums sold (down 3.4%). Year-to-date CD album sales stand at 25.049 million (up 0.9% compared to the same time frame a year ago) and year-to-date vinyl album sales total 33.412 million (up 19.9%).

Overall year-to-date album sales total 72.266 million (up 6.4% compared to the same year-to-date time frame a year ago). Year-to-date physical album sales stand at 58.848 million (up 10.9%) and digital album sales total 13.418 million (down 9.8%).

Paramore Celebrates 14th Anniversary of ‘Brand New Eyes’ — by Cutting Out Ex-Members From Group Photo

Birthday messages are in order for the members of Paramore! The trio — which consists of lead singer Hayley Williams, drummer Zac Farro and guitarist Taylor York — celebrated the 14th anniversary of its third studio album, Brand New Eyes on Friday (Sept. 29) with a dash of shade directed to two of the band’s former members.

“HBD, BNE,” the group wrote via X, formerly known as Twitter, captioning a visibly cropped photo of Williams, Farro and York. Ex-bandmates Josh Farro and Jeremy Davis, who originally appeared to the left of the lead singer and right of the drummer, were cropped out of the photo.

The Farro brothers left Paramore in 2010, with Josh citing in a blog post that the rest of the band was treated differently than Williams and were “riding on the coattails of ‘Hayley’s dream.’” Davis left the band in 2015, and filed a lawsuit in 2016 against the band claiming he was a partner in Varoom Whoa, the legal entity owned by Williams that operates the band’s business. In 2017, Zac rejoined the band, and later that year, Paramore’s suit with Davis was settled.

Released on Sept. 29, 2009 via Fueled by Ramen, Brand New Eyes marked Paramore’s third studio album. The set became the Paramore’s first album to hit the top 5 of the Billboard 200 chart following the release of the band’s commercial breakthrough with RIOT! — which spawned the band’s signature single “Misery Business” — two years prior. Brand New Eyes peaked at No. 2 on the Billboard 200 and spent a total of 59 weeks on the all genre tally.

Of the five total singles that came from Brand New Eyes, “Ignorance” and “Careful” charted on the Billboard Hot 100 at Nos. 67 and 78 respectively.

See Paramore’s birthday post for Brand New Eyes here.

Doja Cat Earns 10th Rhythmic Airplay No. 1 With ‘Paint the Town Red’

Doja Cat’s “Paint Town the Red” becomes her 10th No. 1 on Billboard’s Rhythmic Airplay chart, rising 2-1 on the survey dated Oct. 7.

The song is Doja Cat’s first No. 1 on Rhythmic Airplay since “Vegas,” which reigned for a week in November 2022.

Between “Vegas” and “Paint the Town Red,” she reached the tally with “Attention,” which peaked at No. 25 in July.

Doja Cat first ruled Rhythmic Airplay with “Say So” in 2020, meaning each of her 10 No. 1s has occurred in the 2020s (only Drake, with 12 in the ’20s, has more). She becomes one of just 11 acts to nab at least 10 No. 1s on Rhythmic Airplay in its 31-year history. Drake leads all acts with 38 toppers, while Rihanna rules all women with 17 leaders.

Concurrently, “Paint the Town Red” rises 9-7 on Pop Airplay and debuts at No. 38 on Adult Pop Airplay. It also appears at No. 3 on Rap Airplay, No. 15 on Mainstream R&B/Hip-Hop Airplay, No. 16 on R&B/Hip-Hop Airplay.

Explore

Explore

See latest videos, charts and news

See latest videos, charts and news

On the most recent all-format Radio Songs chart (Sept. 30, reflecting the tracking week ending Sept. 21), “Paint the Town Red” vaulted 13-9 with 44.9 million radio audience impressions, up 19%, according to Luminate.

The song spent its first week at No. 1 on the multi-metric Billboard Hot 100 Sept. 16 and appears at No. 2 on the Sept. 30 tally as the chart’s greatest gainer in airplay. In addition to its radio airplay, the track earned 26.7 million official U.S. streams and 8,000 downloads Sept. 15-21.

“Paint the Town Red” is from Scarlet, Doja Cat’s fourth studio album. It was released Sept. 22 and is poised for a debut on the Billboard 200 dated Oct. 7, the top 10 of which will be announced on Sunday, Oct. 1 and updated online Tuesday, Oct. 3, alongside the rest of Billboard’s charts.

Watch Blue Ivy’s Dance Skills Evolve During Renaissance World Tour in TikTok

Practice makes perfect! Fans who have had the chance to see Beyoncé during the Renaissance World Tour know that Blue Ivy Carter joined her super star mother in dance for “My Power” night after night. And now, the BeyHive is honoring how much she has grown in both confidence and skill onstage.

On Tuesday, TikTok user @queenbeyswife shared a comparison video from Blue’s first performance on the Renaissance World Tour. While the first clip does show the pop star’s eldest hitting the song’s choreography, the second clip shows her confidently dancing to the track, even incorporating some of her mother’s signature hair choreography into the moves.

“Wow she’s gotten so good! That’s a lot of confidence for someone so young, go Blue Ivy!” one fan wrote in the comments section of the TikTok. Another user added, “Watching her confidence grow throughout the tour has made me so proud! She’s improved so much,” and another impressed fan even said “watching her blossom into a powerhouse performer has unironically been one of my favorite things about this year.”

The members of the BeyHive aren’t the only people who are proud — Blue’s grandmother, Tina Knowles-Lawson, told People back in July, “She’s having the time of her life, and I couldn’t be more proud of her because she really worked hard.” She added, “She is 11 years old, and she had one week to prepare, and she’s just getting better and better. So I’m the proud grandma, always.”

And when Blue first started joining her mother onstage, Bey also shared how proud she was of her eldest girl. “My beautiful first born ?? I’m so proud and thankful to be your mama. You bring us so much joy, my sweet angel,” she wrote in a May 29 post.

See Blue’s dancing progresses in the TikTok below.

Asking Alexandria Scores Second Mainstream Rock Airplay No. 1

Asking Alexandria notches its second No. 1 on Billboard’s Mainstream Rock Airplay chart, as “Psycho” lifts to the top of the Oct. 7-dated survey.

The song follows the one-week reign of “Alone Again” in November 2021.

Explore

Explore

See latest videos, charts and news

See latest videos, charts and news

In between “Alone Again” and “Psycho,” the band charted with three titles, all in 2022, with “Never Gonna Learn” (No. 6, May); “Faded Out,” featuring Within Temptation (No. 14, September); and as featured, with Motley Crue, Ice Nine Kills and From Ashes to New, on The Retaliators’ “The Retaliators Theme (21 Bullets)” (No. 15, November).

Asking Alexandria first reached the Mainstream Rock Airplay chart with “The Death of Me,” which peaked at No. 23 in November 2013. Prior to “Alone Again,” the band reached a No. 23 best with “Antisocialist” in July 2020, one of the act’s eight top 10s.

Concurrently, “Psycho” leaps 13-8 on the all-rock-format, audience-based Rock & Alternative Airplay chart with 2.5 million audience impressions, up 19%, Sept. 22-28, according to Luminate. It’s the band’s highest-ranking entry on the tally, surpassing the No. 10 peak of “Alone Again.”

“Psycho” placed at No. 20 on the most recently published, Sept. 30-dated, multi-metric Hot Hard Rock Songs ranking. In addition to its radio audience, the song earned 327,000 official U.S. streams Sept. 15-21.

The song is the lead single from Where Do We Go From Here?, Asking Alexandria’s eighth LP, which has earned 15,000 equivalent album units since its Aug. 25 release.

All Billboard charts dated Oct. 7 will update on Billboard.com Tuesday, Oct. 3.

Usher, Summer Walker & 21 Savage’s ‘Good Good’ Rules Mainstream R&B/Hip-Hop Airplay

In its eighth week on Billboard’s Mainstream R&B/Hip-Hop Airplay chart, Usher, Summer Walker and 21 Savage’s “Good Good” rises to No. 1, jumping 3-1 on the Oct. 7-dated list.

Explore

See latest videos, charts and news

See latest videos, charts and news

“Good Good” is the second song to take eight weeks or fewer to rule Mainstream R&B/Hip-Hop Airplay in 2023, following Lil Durk’s “All My Life,” featuring J. Cole, which also made it in eight weeks in July. “Good Good” is Usher’s first No. 1 on this tally since Oct. 2016, when “No Limit,” featuring Young Thug, spent two weeks on top.

It’s Usher’s quickest rise to the top since “Climax,” which reached No. 1 in seven weeks in April 2012. 21 Savage previously took eight weeks as a featured act on Post Malone’s “Rockstar” in December 2017, and “Good Good” marks Walker’s quickest rise to No. 1.

“Good Good” is also Walker’s first No. 1 in all on Mainstream R&B/Hip-Hop Airplay, surpassing the No. 2 peak of “Karma” in June. It’s 21 Savage’s sixth, following the two-week reign of his co-billed-with-Drake “Spin Bout U” in May.

As for Usher, “Good Good” makes 17 No. 1s, a count that puts him fourth all time; Drake leads all acts with 45 rulers since the tally’s inception in 1993.

Most No. 1s, Mainstream R&B/Hip-Hop Airplay
45, Drake
20, Lil Wayne
18, Chris Brown
17, Usher
12, Beyonce
11, Cardi B
11, R. Kelly
10, Jay-Z
10, Rihanna

Usher first reigned on Mainstream R&B/Hip-Hop Airplay with “You Make Me Wanna…,” a nine-week topper beginning in September 1997.

Between “No Limit” and “Good Good,” Usher reached Mainstream R&B/Hip-Hop Airplay eight times, paced by the No. 2 peak of Chris Brown’s “Party,” on which he was featured alongside Gucci Mane, in April 2017.

“Good Good” concurrently jumps 3-2 on R&B/Hip-Hop Airplay, 6-3 on Rhythmic Airplay, 13-11 on Adult R&B Airplay and 35-29 on Pop Airplay.

On the most recent, Sept. 30-dated, all-format Radio Songs list (which reflected the week ending Sept. 21), the track appeared at No. 17 with 30.9 million audience impressions, up 18%, according to Luminate.

The Sept. 30-dated, multi-metric Billboard Hot 100 found “Good Good” lifting 58-57. In addition to its radio airplay, the song earned 4.8 million official U.S. streams and 1,000 downloads.

“Good Good” is scheduled to be featured on Coming Home, Usher’s ninth studio album. It’s set for a Feb. 11 release alongside a performance at the Super Bowl halftime show.

All Billboard charts dated Oct. 7 will update on Billboard.com on Tuesday. Oct. 3.

Friday Dance Music Guide: New Tracks From Eliza Rose, VTSS & Boys Noize, Logic1000 & More

This week in dance music: Kenya Grace made her Hot 100 debut with the drum ‘n’ bass infused “Strangers,” Michael Bibi announced he was leaving the hospital amid his ongoing cancer treatment, then immediately jumped on a flight to Ibiza to make a surprise appearance at DC-10, The BPM Festival released its phase one 2024 lineup, Daft Punk announced that a “drumless” version of Random Access Memories is coming in November, CloZee answered 20 questions upon the launch of her fall tour and we spoke with the founder of San Francisco’s Portola festival, happening this weekend, about the event’s lineup and adult vibe.

Explore

Explore

See latest videos, charts and news

See latest videos, charts and news

And of course, there’s more. These are the best new dance tracks of the week.

Eliza Rose, “Take You There”



The Label: Warner Records

The Spiel: “Yeah, I can take you there,” Eliza Rose offers on her latest, before simply proceeding to do so with the slick, swirling, simmering club track. Simultaneously playful and tough, “Take You There” marks another winner in the U.K. artist’s catalog, which already included “Better Love” and “Pleasure Peak” from this year, along with her 2022 smash “B.O.T.A. (Baddest Of Them All).” The new track comes with a trippy, fairly mesmerizing music video that features Rose playing dress-up with friends in a drop top, along with a claymation version of the artist.

The Artist Says: “‘Take You There’ and ‘Better Love’ always come together as a pair, a bit like two-sides of a coin showing how in underground dance music you can have both these slick, summery cute moments, as well as these more mad, chaotic ones. It’s important to me as an artist to touch both sides.”

The Vibe: We’ll literally go anywhere Rose wants to bring us.

VTSS & Boys Noize, “Steady Pace”



The Label: Big Beat Records

The Spiel: “Feel that groove between our bodies, keep a steady pace,” VTSS whisper-sings on her euphemistic new collaboration with Boys Noize, “Steady Pace.” A punchy beat indeed keeps the track moving at a quick clip, creating the same sort of hypnotic, lightly industrial vibe that have long been core elements of both the Polish and German producers’ respective wheelhouses. Stick around for the gear shift in the last 20 seconds, which hits like a strobe light right in your eyes.

The Artist Says: “The track was made during mine & Alex’s session in LA in our friend’s Sonny’s studio,” says VTSS. “It really came about quite quickly – within probably first our we had a sketch and I’ve written the first verse. I haven’t done much in studio collaborations so I was extremely nervous and frankly I didn’t know Alex that well, but we instantly clicked and have been great friends since.”

The Vibe: High-octane sexual tension.

Logic1000, “Grown On Me”



The Label: Therapy/Because Music

The Spiel: Berlin-based producer Logic1000 returns with her first release of 2023, “Grown On Me.” Built around a single lyric stating the title over and over, the track maintains the producer’s signature style of fusing an ethereal vibe with weighty production, with the message here taking on greater meaning given that the artist, born Samantha Poulter, recently became a mother.

The Artist Says: It’s been way too long since releasing something new so this is a special moment for me. Ever since Tom (big ever)  and I wrote ‘Grown On Me’ the vocal has been stuck in my head, and the lyric has a very special, private meaning to me, that in fact came after choosing the sample. This song was written (and now released) during a transformative period of my life. I hope it uplifts you the way writing it uplifted me.”

The Vibe: Lush, feminine, maternal.

LP Giobbi, “Time Expands”



The Label: Yes Yes Yes

The Spiel: LP Giobbi launches her Yes Yes Yes imprint, part of the Defected Records family of labels, with “Time Expands.” The track functions as its title suggests, making three minutes and 24 seconds stretch into a good trip of a good time with a darkly pulsing bass line, flecks of rhythm guitar, a long windup with a percussive breakdown, and a voice spitting hippie philosophy while repeatedly declaring that “time shrinks or expands in exact opposition to what you want to do.”

The Artist Says: “I grew up going to this hippie festival in Oregon called the Oregon Country Fair,” LP says on the label name’s origin. “My parents started going in their 20s, and I have never missed it since the womb. It’s my favorite place on earth because it leans into weirdness, joy, and mind-opening experiences. The first thing you see when you walk on site is a sign that just says, ‘Yes Yes Yes’ and it makes me smile ear to ear every single year. This label is not beholden to one genre or one particular sound. It’s simply about good dance music, made for the dancefloor that expands your mind and makes you feel good.”

The Vibe: Shrinking, expanding, spinning, grooving, vibing — yes indeed.

Sam Gellaitry, UNDER THE ILLUSION



The Label: Major Recordings

The Spiel: The Scottish producer follows his 2022 album VF Vol II with the UNDER THE ILLUSION EP. Sophisticated and pristinely produced, the four-track project is dancefloor fare equally well-suited for the dancefloor or the afterhours. Gellaitry will surely unfurl them all during his set this weekend at San Francisco’s Portola festival.

The Artist Says: “For this project, I decided to make an EP focused solely on dance music which actually feels like returning home after a long time away for me,” Gellaitry says. “I started making music due to my fascination with Daft Punk and French House when I was ten, so it’s almost bizarre that I haven’t officially dropped a project dedicated to the genre that got me started off in the first place! These tracks are intended for night time usage.”

The Vibe: That rare midnight-to-3 a.m. timespan, and all the possibilities contained therein.