Music News

Megan Thee Stallion Signs Distribution Deal With Warner Music Group While Maintaining Independence

Megan Thee Stallion has found a new home as she’s entered an “innovative agreement” with Warner Music Group while maintaining her independence.

Billboard reported in December that Megan would be working with WMG and utilizing the company “for distribution and services.” The distribution deal has since been signed and was announced officially on Friday afternoon (Feb. 2).

Within the structure of the unique partnership, the Houston Hottie will have access to WMG’s global services ranging from music promotion to distribution and worldwide marketing.

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On the music side, Megan will keep releasing tunes independently through her Hot Girl Productions label and work collaboratively with Warner Music Group. The deal allows Thee Stallion to keep ownership and control of her masters as well as her publishing.

“This is the beginning of an exciting new chapter of my life and career,” Megan said in a statement. “I’m really focused on building an empire and growing as an entrepreneur, so I’m proud to take this next step in my journey and work with Max Lousada and the entire Warner Music Group team in this new capacity. I know we’re going to create history together.”

Roc Nation will still be involved in managing the Grammy-winning rapper separate from the new Warner agreement.

Warner’s 300 Ent. previously distributed Megan’s music from 2018 through last November while the rapper was entrenched in a dispute with former label 1501 Certified Entertainment.

The tumultuous relationship was muddied with claims of 1501 keeping royalties from Megan and not allowing her to release music as she pleased.

The turbulent agreement between Meg and the Carl Crawford-led 1501 finally came to an end in October following a yearslong battle in court.

“Meg is not just a superstar,” WMG Recorded Music CEO Max Lousada added. “She’s an artistic force and a mogul in the making — authentic and unapologetic in defining her own unique place in the cultural landscape. So many relate to her remarkable story and have witnessed her come into her power on her own terms.

“At Warner, we’re creating an environment where original talents can explore both their creativity and entrepreneurialism, while building long-term careers. Following on her success with 300, we’re excited to continue our journey with Meg through this dynamic new partnership, with our global teams, infrastructure, and expertise supporting her every step of the way.”

Megan Thee Stallion has released a pair of singles independently, the second of which arrived last week with “HISS.” The fiery track saw her send indirect shots at Drake, Nicki Minaj, and more while blasting to top the U.S. Spotify and Apple Music Global charts.

The 28-year-old is on pace to earn her 32nd Billboard Hot 100 entry and a lofty debut on the elusive charts. Megan has two No. 1 hits on the Hot 100 and six Billboard 200 placements to her name. Her song catalog has earned 10.3 billion on-demand streams (including user-generated content, or UGC, which does not count toward Billboard’s charts), according to Luminate.

Find Megan’s post to Instagram celebrating the deal with WMG below.

Grammy Poll: Who Should Win Best New Artist? Vote!

Seasoned veterans dominated in this year’s major Grammy categories, but come time for the best new artist reveal, it’ll be eight of music’s freshest faces that get a moment to shine.

The rising stars in the running for 2024’s best new artist span all ages, backgrounds and genres, but they all have one thing in common — each one shook up their respective corners of the music world in the past year alone. For starters, there’s Ice Spice, who collaborated with Nicki Minaj and Taylor Swift, scored four top 10 hits on the Billboard Hot 100 and landed a feature on Greta Gerwig’s Barbie soundtrack in 2023. (The 24-year-old may also be the first nominee to ever drop a song with the word “fart” in its title just days before the Grammy ceremony.)

Speaking of Swift — who is nominated six times this year — the pop superstar has two musicians to root for in the best new artist race. In addition to Ice, she’s also buddies with 24-year-old Gracie Abrams, who opened for a slew of Eras Tour dates last year after dropping her long awaited debut album Good Riddance. The “Anti-Hero” singer was one of the first people to congratulate Abrams when the nominations dropped in November, as the indie pop darling previously revealed to Billboard.

Who else did Abrams celebrate with? Fellow nominee Noah Kahan, whose Stick Season has been a mainstay on the charts since its 2023 re-release. “Noah FaceTimed me immediately, and he’s just the f–king best ever,” she gushed at the time. “We kind of were just screaming at each other on the phone like, ‘Let’s pregame and sit with our moms at the awards!’”

When it comes to the country space, however, possibly no one’s name was brought up more this year than Jelly Roll’s. The genre-bending Nashville native made history on the rock and country charts this year thanks to his single “Need A Favor.”

Longtime Ariana Grande collaborator Victoria Monét is also getting her flowers at this year’s awards. She’s the only best new artist nominee this year to also have a nod in one of the other “Big Four” categories, with her song “On My Mama” making the running for record of the year.

Rounding out the category are “ICU” singer Coco Jones, English DJ fred again.. and husband-and-wife duo The War and Treaty. Most of the candidates brushed shoulders and gave performances at Spotify’s best new artist party Thursday night (Feb. 1), one of many Grammy week events in the build-up to the big night.

And though it’s ultimately up to the Recording Academy to whom the award goes, you have the chance to decide below. Vote for who you think should take the best new artist crown at the 2024 Grammys here:

Travis Kelce Says He’ll ‘Cherish’ Taylor Swift PDA Moment After AFC Championship

Travis Kelce is loving having Taylor Swift by his side as he and the Kansas City Chiefs continue to dominate the NFL season.

During a press conference on Friday (Feb. 2), the tight end was asked about having Swift and family members like brother Jason Kelce on the field with him after the Chiefs won the AFC Championship the week prior. “It’s another memory in the journey that we get to cherish,” he replied. “I’m fortunate that I got all the support I need off the field.”

Kelce added that having his loved ones around gives him a “reason to play that much harder.”

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After the Ravens vs. Chiefs game, in a sweet viral moment, Swift and Kelce kissed on the field in celebration of the Chiefs’ triumph, and in a clip shared by the NFL, he says “I love you” to the pop star. In the Monday (Jan. 29) video, a tearful Kelce – wearing an AFC Champions shirt over his shoulder pads – makes his way through a loud crowd to get to Swift. “Tay, I’m going to enjoy with the guys,” he says before kissing the 12-time Grammy winner. “I love you. So much it’s not funny.” 

Kansas City’s latest win means that the reigning Super Bowl champions will once again head to the big game on Feb. 11 in Las Vegas. They will face off against 2024’s NFC Championship victors, the San Francisco 49ers.  

Swift has been there for much of the Chiefs’ outstanding season, becoming a mainstay at Arrowhead Stadium ever since going public with her and Kelce’s relationship in September.

Clive Davis on What to Expect at This Year’s Pre-Grammy Gala, If Taylor Swift Will Attend and His Dream Guests

Barack and Michelle Obama, if you don’t already have plans for Saturday night, Clive Davis would like a word. When asked whom he’d like most to attend his and the Recording Academy’s Pre-Grammy gala who never has, the legendary executive and chief creative officer of Sony Music says the 44th president and his wife. “They should come this year, they’d love it!” he adds with a laugh. No sitting or past president has ever attended the event, though former Vice President Al Gore attended in 2007 with his then wife Tipper. 

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Obamas in attendance or not, Davis will preside over the Feb. 3 event — as he has since the first gala in 1976 — at the Beverly Hilton Hotel, which promises to bring together the usual constellation of stars from the worlds of music, sports, film and politics. Rep. Nancy Pelosi (D-Calif.) is expected to attend for the 24th or 25th time (Davis can’t remember exactly), as are athletic greats Scottie Pippen, Serena Williams and Martina Navratilova. SZA, this year’s top Grammy nominee (whom Davis met Wednesday at Billboard’s Power 100 party), will be there, as will best new artist nominees Noah Kahan, Ice Spice and Jelly Roll, as well as icons like Gladys Knight, Diana Ross and Berry Gordy.

Not in attendance this year (though certainly invited) will be Taylor Swift, whose touring rehearsals didn’t permit for her to come, Davis says — before he launches into a touching story of how his respect for Swift grew even greater when she sang every word to “Chances Are” in 2015 as the renowned crooner Johnny Mathis performed a greatest hits set. 

Davis, clad in a resplendent purple blazer and purple pullover — with his Cavalier King Charles Spaniel, Charlie, by his side at the Beverly Hilton — talked with Billboard about this year’s gala on Thursday (Feb. 1), as well as some memories of past years. As always, the list of performers remains secret until the evening, though attendees can expect the usual mix of hot newcomers, superstars and at least one classic artist among the 10 or 11 performances. The most Davis will reveal is to tease a possible duet between two artists who have never met. 

See our conversation below.

When you started the party in 1976 to honor Barry Manilow and his Grammy nominations, did you imagine it would still be going 48 years later?

It never occurred to me. What I did know was Barry had come to me — he said, “Every label has a party, where’s our party?” And I said, “Barry, we just started, we’ll have two tables at Chasen’s. We can have the party the night before. We just started Arista; people will want to wish us well.” We ended up having it at the Bel Air Hotel. Stevie Wonder came, John Denver came, Elton John came. That is why that tradition has continued, and it is unceasingly touching that every company’s top players [attend]. 

Are you already thinking about the 50th? 

No. I take it one year at a time.

When do people start asking you for an invite?

I would say months in advance, because it’s not based on any one factor, [like] who’s performing. They know the tradition; they know the history. What they usually ask if they have come before is for a plus-one, which is usually out of the question.

And then the most painful thing, as we welcome the new players from Spotify, from the streaming world, from the new organizations and those who have become president of labels that have never been there, we have a finite number of people we can invite. For every new member, we really have to cancel either a plus-one or say, “I’m sorry.” It’s not just they want to be there, they feel if they’re professionally in the music business, somewhat diminished [if they don’t receive an invitation]. And that is painful. And I don’t want to talk about that lightly or matter of factly. It’s painful especially to me, who’s been in the business as long as I have. And we have no other choice because they’re not really still active. 

You could move it to a bigger location. 

We don’t want to do it any place bigger. I mean, you can taste the performances; you can see them interact, artists asking John Legend to help on this song, Melissa Etheridge to help on that song. That framework’s a part of the evening. 

What can you say about the documentary that’s in the works about the gala? 

The documentary is pure and simple the history of the party. The team is going over the history of the entire party and gasping at the incredible history of legendary performances. I mean, Whitney [Houston] played the party six times. The year [2000] that I started J Records and she knew that we were not going to work together, we never knew we’d be reunited as quickly as we were. But that year, the party had only two performers out of choice. That was Santana, because of the hugeness of their success, and Whitney. And the coverage of Whitney performing, and coming over to me and singing to me, “I Believe in You and Me” and “I Will Always Love You” — oh, I mean, it will tear your heart out. So, they’ve got all that, they’re thrilled with what’s there. 

Has every party been filmed? 

They’re going through it. We have a lot of parties that have been filmed. Certainly, they’ve been filmed the last few years, but we have coverage of [past parties.]

You mentioned the Obamas as people you’d like to attend. Who is someone you wish had performed, living or dead? 

Prince. He attended, but he never performed. He’s been in the audience.

We lost so many amazing artists this past year, including Jimmy Buffett and Tina Turner. Are you paying homage to them or any of the other people we lost this year? 

We have done, in the past, tributes. We’re not doing a tribute [this year]. In a way we’re celebrating one artist, but not because we’ve lost this artist. The evening will end with a tribute to one artist. 

That’s another tantalizing hint. This year, Sony Music Publishing’s chairman/CEO Jon Platt will receive the Industry Icons Award. Does he get to select any of the performers? 

The honoree will have two artists, historically, to perform in his honor that he has chosen. We’ve never really worked together, but I’m a big admirer of his talent. I admire the talent of someone who has established a deep personal connection with artists, where they feel they’ve got to show up and represent for him. That’s a big talent. And he’s one of those people that has a wonderful personal connection with artists. [Davis confirmed to Entertainment Tonight that Platt’s friends, Beyonce and Jay Z, would be in attendance].

How much attention do you pay to the seating chart — even though your son, Doug, and longtime event producer Stacy Carr, handle many of the details? 

I pay a lot of attention — because, with all due respect to them who make the initial [seating chart], having been in the industry all those years, you really want to seat people so that they understand that there is parity between them and others. It’s human nature amongst those artists. So I do look it over very carefully, and the [seating chart] board will be rolled out, probably beginning tonight. 

Where will you watch the Grammys on Sunday night? 

I have a select number of people watch with me in my suite at the hotel. I like the close-ups. It’s definitely more personal. I have a number of people come over, some business associates and friends, and we watch it together. And then I’ll go to the Sony party. 

Beyoncé Will Not Perform at 2024 Grammys

Sorry, BeyHive. Beyoncé is officially not performing at the 2024 Grammys, despite rumors to the contrary.

A representative for the 42-year-old superstar confirmed the news to The Hollywood Reporter on Friday (Feb. 2), just two days ahead of this year’s awards ceremony. The news squanders any hopes of Bey paying tribute to the late Tina Turner at the show, which Australian program The Today Show had previously reported was set to take place.

Another big name who was rumored to perform was Taylor Swift, although recent reports have also ruled that out. Artists who are actually confirmed to take the stage on Sunday at Crypto.com Arena in Los Angeles include SZA, Billie Eilish, Dua Lipa, Olivia Rodrigo, Joni Mitchell, U2, Billy Joel, Luke Combs, Burna Boy and Travis Scott.

Viewers can also expect to see everyone from Meryl Streep to Oprah Winfrey, Lionel Richie, Christina Aguilera, Lenny Kravitz, Maluma, Mark Ronson, Taylor Tomlinson and Samara Joy serving as presenters during the broadcast. Plus, Trevor Noah will return to host the show.

Beyoncé is not nominated for any awards this year, but last year’s show saw the Houston singer make history. In taking home four of the night’s prizes — best dance/electronic recording for “Break My Soul,” best traditional R&B performance for “Plastic Off the Sofa,” best R&B song for “Cuff It” and best dance/electronic album for Renaissance — she set a new record for the most wins in Grammy history, with 32 total.

“I’m trying not to be too emotional,” Bey said of the feat in a tearful acceptance speech at the 2023 ceremony. “I’d like to thank my parents, my father, my mother, for loving me and pushing me. My beautiful husband and beautiful three children. Thank you to the queer community for your love and for inventing this genre, thank you so much to the Grammys.”

Carl Weathers, Beloved ‘Rocky’ & ‘Happy Gilmore’ Actor, Dead at 76

Carl Weathers, the former NFL star known for his roles as Apollo Creed in the Rocky franchise and Derick “Chubbs” Peterson in Happy Gilmore, died on Thursday (Feb. 1). He was 76 years old.

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Weathers died in his sleep at his home in Los Angeles, according to a statement from his manager, Matt Luber, announcing the news. “Carl was an exceptional human being who lived an extraordinary life,” he said. “Through his contributions to film, television, the arts and sports, he has left an indelible mark and is recognized worldwide and across generations. He was a beloved brother, father, grandfather, partner and friend.”

During his time as a football player, Weathers played for the NFL’s Oakland Raiders from 1970 to 71 and for the BC Lions of the Canadian Football League from 1971 to 73. Soon after, he landed the role of Apollo Creed — inspired by Muhammad Ali  — in Rocky (1976), and continued to play him throughout the franchise.

He also had roles in Predator and The Mandalorian, in addition to portraying golfer Derick “Chubbs” Peterson in Happy Gilmore.

What’s Your Favorite New Music Release of the Week? Vote!

It’s Grammy Week, and artists are keeping fans fed with brand new music to enjoy while gearing up for the festivities.

Billy Joel made his grand return after nearly 20 years with the brand new single “Turn the Lights Back On,” and he’ll perform the song live for the first time at Sunday’s (Feb. 4) 2024 Grammy Awards, which will air on CBS at 8 p.m. ET. “Turn the Lights Back On” is Joel’s first pop effort with lyrics since the release of 2007’s Sinatra-like ballad “All My Life,” which he wrote with his then-wife, Katie Lee; the song reached No. 1 on the Billboard Hot Singles Sales chart and was accompanied by another new song, “Christmas in Fallujah.” Joel’s last album of all-new pop music was 1993’s River of Dreams.

TWICE also celebrated friendship with their fun new single, “I Got You,” which is the follow-up to the nine-member group’s previous English-language singles, “The Feels,” which landed their debut entry on the Billboard Hot 100 (No. 83) and “Moonlight Sunrise” (No. 84).

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Before his Super Bowl halftime show on Sunday (Feb. 11), Usher teamed up with Pheelz for “Ruin,” which will appear on his upcoming album new album Coming Home. Over on the country side, Keith Urban unveiled “Straight Line,” which was “born of wanting to break out of routine and feeling like somewhere along the line, life lost some color and excitement,” Keith Urban explains in a press release.

Which of this week’s new music releases is your favorite? Check out our Friday Music Guide here, and let us know by voting below.

Watch Usher Dance the Night Away in New ‘Ruin’ Video Featuring Pheelz

Usher is gearing up for a busy February, which already includes his headlining performance at Super Bowl LVIII and the release of his ninth studio album, Coming Home. Ahead of the LP, the hitmaker dropped another single on Friday (Feb. 2) with the Afrobeats-tinged “Ruin.”

The Pheelz-produced single arrived with a seductive visual, which was completely shot on an iPhone 15 Pro and was directed by Dave Meyers, who previously helmed Usher’s videos for “U Remind Me” and “Risk It All.”

Usher begins the clip exploring different avenues of love while getting intimate with a significant other. They head from the bedroom to the kitchen and begin prepping the futuristic home for a party. Guests arrive and the friends dance the night away, but Usher finds happiness and peace while hanging with his daughter.

“Babe, you gave me all these memories that I regret/ All I can do is congratulate/ You ruined me for everybody,” he croons.

Coming Home hits streamers on Feb. 9. The project serves as Usher’s ninth studio album, and it’s his first released independently. It’s a star-studded affair across the 20 tracks, as he’s recruited Latto, Burna Boy, 21 Savage, The-Dream, H.E.R., Summer Walker and BTS’ Jung Kook to join him on the journey.

“I put a lot of heart and time into making sure that this was curated right. Something that felt like this next chapter of my life. It’s the next frontier, the next chapter of my legacy,” the “Love In This Club” singer said of the album in a recent interview with Club Shay Shay.

48 hours later, Usher will take over Sin City and hit the stage for the Super Bowl LVIII Halftime Show in Las Vegas on Feb. 11 at Allegiant Stadium.

Watch the “Ruins” video below.



Gracie Abrams, Ice Spice, Jelly Roll & More: Inside Spotify’s Best New Artist Party

On Thursday (Feb. 1), Spotify’s annual Best New Artist Grammy week party took over Paramount’s Stage 14 in Hollywood — the site of productions for Top Gun, Star Trek, Glee and more.

The evening featured performances from seven of this year’s Best New Artist nominees: Gracie Abrams, Ice Spice, Jelly Roll, Coco Jones, Noah Kahan, Victoria Monét and The War and Treaty (Fred again.. is notably out of the country for his first Grammys week).

As guests pulled up to the lot, they were greeted by a larger-than-life size sign featuring all of the nominees. And upon entrance, they were engulfed in a Dunkin’ dream (the event’s only party sponsor) complete with custom cocktails and donut flavors, exclusive merch and more.

The performance space itself was packed with guests including Renee Rapp, Kesha, FINNEAS, Becky G, Conan Gray and more, all tuning in to see their peers perform 15-minute sets of their most-loved songs. For his impassioned set, Jelly Roll welcomed surprise guest Lainey Wilson to the stage to duet on “Save Me.” And after Abrams performed her own set, she later reappeared to perform “Everywhere, Everything” alongside fellow nominee Kahan. “I’d die for this Spotify Best New Artist party,” said Kahan, riffing on the lyrics to his hit “Dial Drunk.” He later quipped: “We’re Mumford & Sons,” clearly enjoying himself.

Ice Spice closed out the night with a two-song set that fittingly opened with her latest single, “Think U The S–t (Fart).” Despite it’s eyebrow-raising title, the packed room quickly filled up with phones in the air to record the track’s live debut — a humorous moment that will surely be worth recalling for attendees.

Mariah Carey & Lenny Kravitz Crowned Global Impact Honorees at Black Music Collective Soiree

Mariah Carey and Lenny Kravitz took center stage before a packed and cheering ballroom for The Recording Academy Honors presented by The Black Music Collective (BMC) Thursday evening (Feb. 1) in Los Angeles. The two music icons were saluted as this year’s Global Impact Award recipients — a CEO Merit Award “honoring the essence and evolution of Black excellence,” as Recording Academy CEO Harvey Mason Jr. noted in his opening remarks.

And with Mason’s declaration, “Let’s get this party started,” a stellar array of music performances and emotion-packed acceptance speeches rocked the rafters of the Fairmont Century Plaza. Leading the charge was Davido with a spirited performance of “Mona Lisa” that that got the audience on its feet, dancing and waving napkins around the room. 

That moment was just the first in a series of standing ovations setting the tone prior to the award presentations. Among the evening’s noteworthy performances, under the direction of the event’s music supervisor Adam Blackstone, was Andra Day’s powerful rendering of the Billie Holiday classic “Strange Fruit,” Gabby Simone’s insightful interpretation of Nina Simone’s “Four Women” and Erica Campbell’s soul-clenching take on the gospel standard “I Love the Lord.”

Just as stirring were the performances and speeches given on behalf of the honorees, beginning with H.E.R. paying tribute to singer-songwriter-multi-instrumentalist Lenny Kravitz. Referencing one of his hits, she said, “’American Woman’ made me say to my dad, ‘I want to play guitar. I want to be a rock star like Lenny Kravitz’ … Thank you for breaking so many barriers and paving the way for artists like me. Thank you, Lenny Kravitz, for teaching us all to let love rule” — (a nod to the title of Kravitz’s 1989 debut studio album).

Kravitz began by sharing early musical memories that helped shape his legendary career, such as being a 5-year-old sitting on the lap of Duke Ellington in the Rainbow Room while the latter played “Take the A Train.” And Kravitz’s dad taking him to see the Jackson 5 at Madison Square Garden and afterwards “wanting to be the sixth brother.” The four-time Grammy winner further invoked a host of additional influences such as Stevie Wonder, Earth, Wind & Fire, James Brown, Nina Simone, Grandmaster Flash, Parliament-Funkadelic and Bob Marley.

Lenny Kravitz accepts the Global Impact Award onstage during the Recording Academy Honors presented by The Black Music Collective during the 66th GRAMMY Awards on February 01, 2024 in Los Angeles, California.

Lenny Kravitz accepts the Global Impact Award onstage during the Recording Academy Honors presented by The Black Music Collective during the 66th GRAMMY Awards on February 01, 2024 in Los Angeles, California.

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“I could go on all night,” he continued. “I love this music because it feeds our hearts and strengthens our resolve to keep conveying hope and healing to a whole new world. To be a part of this lineage is a privilege I cherish. It is with deep gratitude that I thank you, knowing that music in every corner of the planet uplifts and expresses the goodness of God’s everlasting love.” Then fellow musicians Andrew Watt, Chad Smith, Verdine White, George Clinton and Quavo joined forces to perform “Fly Away” to roaring applause — and hearty hugs from Kravitz on stage.

More cheering ensued when Stevie Wonder took the stage to pay tribute to Mariah Carey in word and song. “Every time we meet and talk, it’s like having a brand new day,” he began. “I thank you for your friendship, your heart and the consistent spirit of love that you show … and I’m just going to say this …” That’s when Wonder segued into the choruses of two of his songs: “Knocks Me Off My Feet” (“I don’t want to bore you with it, but I love you, I love you”) and “All I Do” (“all I do is think about you”) and ad libbing at the end, “you are my hero.” 

After thanking Wonder (“I will never not get excited to be in the company of your greatness!”), Carey drew plenty of audience laughter as she held the award and remarked that she hadn’t won a Grammy in a long time. She went on to thank Harvey Mason jr. and the Academy, congratulate fellow honoree Kravitz and wish everyone a happy Black History Month, the five-time Grammy winner said in part:

“When I first started in the music business, I was often told to conform to certain expectations. I wasn’t encouraged to focus on my love for Black music. It took countless arguments, endless tantrums and mostly unwavering determination. But eventually, I was able to reveal my authentic self, as they say, and create music that came from my heart … I discovered a newfound sense of freedom and fulfillment. As I accept this award, I do so with gratitude for all of you here and every person who has supported me along this journey; the fans that have stood by me through thick and thin.

“But most importantly,” she continued, “I accept this award on behalf of every person who has ever felt silenced or marginalized, who has ever been told their voice doesn’t matter. Your truth matters. We will continue to pave the way together for a future where authenticity is celebrated, diversity is embraced and music has the power to change the world.”

Additional performers feting Carey in song included Babyface (“Everytime I Close My Eyes”) Busta Rhymes (“I Know What You Want”), Tori Kelly (“Vision of Love”) and Yolanda Adams (“Make It Happen”). And among the Recording Academy executives who shared remarks were BMC chair Rico Love and  Ryan Butler, the Academy’s vp of diversity, equity and inclusion.

Prior to the event — produced by MVD Inc. — guests were treated to striking black-and-white portraits of Jay-Z, Nipsey Hussle and other artists in the Icons Gallery curated by music executive and photographer Lenny S.