Music News

Who Should Win Song of the Year at the 2024 Grammy Awards? Vote!

The 2024 Grammy Awards are just days away, and opinions about who should win each of the categories are all over the map. That especially goes for the so-called “Big Four” categories: album of the year, record of the year, best new artist and, of course, song of the year.

That final category in particular boasts stiff competition this year, with eight of the biggest names in music — seven of whom are female artists — being considered. Will it go to Taylor Swift, whose “Anti-Hero” ruled the Billboard Hot 100 for eight weeks and made her the Grammys record-holder for most song of the year nominations in history? How about Miley Cyrus, whose “Flowers” also scored eight weeks atop the Hot 100? Or perhaps SZA, whose “Kill Bill” earned her a career first solo No. 1 on the U.S. chart?

There are also two songs from the Barbie soundtrack in the running: Dua Lipa’s “Dance the Night” and Billie Eilish’s “What Was I Made For?” will compete in the songwriting race; Billboard predicts that the latter will take the prize.

Notably, Jack Antonoff is nominated twice in the category, thanks to his work on both “Anti-Hero” and Lana Del Rey’s “A&W,” a standout from Did You Know That There’s a Tunnel Under Ocean Blvd. Voters also have their choice of two songs named after creatures with wings — Jon Batiste’s “Butterfly” and Olivia Rodrigo’s “Vampire” — so do with that information what you will.

But while the Recording Academy voters may have jurisdiction over who wins what at this year’s Grammys, you get to decide in this Billboard poll. Tell us who should win song of the year in 2024 below.

Shinedown’s Brent Smith on Mental Health at Hollywood & Mind Panel: ‘I Want People to Live to Fight Another Day’

On “A Symptom of Being Human,” Shinedown’s sweeping No. 1 Mainstream Rock Airplay current hit, lead singer Brent Smith sings about the all-too-relatable condition of feeling isolated even when surrounded by others: “Sometimes I’m in a room where I don’t belong/ And the house is on fire and there’s no alarm.”

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That vulnerability has been a mainstay of the rock band’s career, which has yielded a record-setting 19 No. 1s on the Mainstream Rock Airplay chart spanning more than 18 years. On Tuesday night at Hollywood & Mind’s “Minds Matter: Spotlight on Shaping a Healthier Music Industry” conference at West Hollywood’s London Hotel, Smith talked in depth about musicians and mental health and how communication is the key to sustaining a healthy balance in a creative, often unstable profession.

Smith’s panel was moderated by Ryan Dusick, a founding member of Maroon 5, who is now a therapist. Dusick got the discussion off to a candid start, detailing how in 2006, as Maroon 5’s stardom was rising, he suffered a breakdown that effectively ended his musical career. “I had to walk away from it,” he said. “I grieved that loss for another decade, struggling with alcoholism and other debilitating effects.” Once he was in recovery, Dusick realized he had experienced “a mind, body and spirit breakdown. … I’m one of the fortunate ones who survived.” 

Through songs like “Get Up” and “Sound of Madness,” Shinedown has addressed mental health issues. “I’m in a band that’s been talking about mental health for the better part of two decades,” Smith said. And while taking care of one’s mental health is at the forefront of many conversations these days, it wasn’t always the case. “Before it was in the mainstream and brought to the forefront, it was something that was looked at as a bit of a weakness. Sometimes people would just say that you had a case of the Mondays and things of that nature,” Smith said. “It’s not taboo to talk about your feelings on the road anymore. It doesn’t make you weak; it makes you strong.” 



Crucial to maintaining a stable mental condition is communication. “We’re on the road 280 days a year,” Smith said. “You’ve got to talk to each other. In some cases, the bravest thing you can do is get someone off the road. In some cases, it’s potentially going to save their life. I want people to live to fight another day.”

As Smith says in the clip above, the key to success in the music industry is to always have “another mountain” to climb and to understand that life is a series of peaks and valleys. “When it comes to mental health, the most powerful thing is to speak up,” he said.

Speaking up was a theme throughout the day’s five intimate conversations, which also included developing artist Em Beihold, who talked about how to maintain habits that foster strong mental health, especially amid music industry pressures; as well as radio and TV host Matt Pinfield, who suggested an action as simple as promoting artists you like through your social media can help alleviate the pressure those artists feel to always be pushing their own work. Other speakers included Lucas Keller, founder/president of Milk & Honey Music + Sports; Alison Malmon, founder/executive director of Active Minds; Mary Rahmani, founder of Moon Projects, a joint venture label with Republic Records; Jaclyn Ranere, CMO of Sofar Sounds; Kakul Srivastava, CEO of Splice; Yuli, a Grammy-nominated artist, multi-instrumentalist and producer; and Marshai Iverson, managing director of mental health and addiction recovery services at MusiCares. Sponsors included Splice, Active Minds and Sofar Sounds.

Hollywood & Mind was founded in 2023 by veteran journalist (and Billboard contributor) Cathy Applefeld Olson to address the intersection of the entertainment industry and brain health sector, working with executives and talent across multiple sectors, including music and film, to elevate mental health and wellness.

The Jan. 30 event was Hollywood & Mind’s third since launching with the Hollywood & Mind Summit held last May that featured, among others, Demi Lovato discussing mental health. In September, the company hosted an event in partnership with Bumble focused on our crisis of loneliness that featured Tiffany Haddish, singer/songwriter Rachel Platten, and California first partner Jennifer Siebel Newsom among speakers. The second annual Hollywood & Minds Summit will take place May 9 at UTA in Los Angeles.

Azealia Banks Weighs In on Nicki Minaj & Megan Thee Stallion Feud: ‘This Is About Jay-Z’

Fans had been calling for Azealia Banks to give her opinion on the vicious Nicki Minaj and Megan Thee Stallion feud sweeping the rap game.

After initially believing she was going to sit this one out, the “212” rapper delivered, to the tune of 30 posts on her Instagram Story early Thursday (Feb. 1), weighing in on the beef and even dragging Jay-Z into the mix.

“Originally I was just going to stay out of this because it’s another day, another rap beef — who really cares? But I think there’s some interesting parts to this that everyone’s missing. This isn’t about Meg [collaborating] with Cardi,” Banks began. “This is about Jay-Z. … Jay-Z has this way of presenting himself in the culture as a Daddy Warbucks type of figure.”

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The Harlem native hypothesized that a majority of female rappers lack a father figure and look to Jay for that kind of validation and guidance.

“When you really dig down deep into it, Nicki be sweating Jay in a different type of way,” she continued. “Low-key, she be on his di–. I’m really good at reading body language and I could see in the ‘Feeling Myself’ video, Beyoncé’s kinda like laughing at her.”

Banks, who has clashed with Minaj in the past, believes that Nicki ultimately wanted a co-sign from Jay and felt dissed when Hov threw his support behind Meg and brought her to Roc Nation.

“Jay-Z has kinda positioned himself in this way where almost every type of female urban artist feels she needs his approval of sorts,” Banks said. “I could just low-key feel she’s felt slighted by Jay. Just by his association with Meek Mill. But at the same time, Nicki wants to wiggle her way in bad. That’s what this beef is about. She wants to be a Roc Nation girl so f—ing bad.”

She continued: “It’s been years since Jay-Z publicly co-signed any female rapper, and the fact that it’s Megan — it could be anyone — the fact some female rapper that’s not Nicki got Jay-Z’s public co-sign makes Nicki jealous. … And I’m really not trying to diss Meg. She’s not a typical Roc Nation girl. She’s still ham hocks and hushpuppies.”

Further into the extended rant, Banks poked at Nicki for her financial situation and alleged issues with her butt implants.

“It’s pretty clear that Nicki’s f—ed. That she’s f—ed financially,” AB claimed. “I realized it when she was frying the can of cream corn in the Teflon pan. I was just like, ‘What in the welfare is happening right now?’ … You can tell by whatever keeps happening with Nicki’s butt that she’s f—ed right now. Because there’s something very f—ing wrong with the butt right now. I do know that the surgery to get that out of there is a pretty penny.”

Megan Thee Stallion lit the fuse when she jabbed Nicki and her husband Kenneth Petty — who is a convicted sexual predator — on her fiery “Hiss” track last Friday (Jan. 26).

Minaj didn’t waste any time attacking Meg on social media for a variety of things, ranging from her late mother to her rapping ability as well as the Tory Lanez 2020 shooting.

The Young Money rapper packaged those social media threats up and turned them into her “Big Foot” single, which served as a response to the Houston Hottie on Monday (Jan. 29).

Watch some of Azealia Banks’ Instagram Stories giving her take on the feud below.

Chris Young Thanks Fans After Assault Charges Are Dropped: ‘It’s Not Something I Wish Anybody Has to Go Through Ever’

Chris Young shared an official message to fans on Thursday (Feb. 1) after Nashville District Attorney Glenn Funk previously dismissed all charges against the singer following Young’s alleged altercation at Nashville bar Dawg House with Tennessee Alcoholic Beverage Commission agents. The incident led to a subsequent arrest with three misdemeanor charges.

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All charges against the singer were dismissed on Monday after security footage of the incident showed that Young had reached out to one of the agents, who then shoved Young to the floor of the bar (Young later released photos on Instagram that showed bruises the singer allegedly got from being shoved to the ground).

In a video message Young shared via Instagram, he spoke directly to fans and supporters, saying, “Hey guys, so I just wanted to say something. You know, I’m still processing a lot through the false accusations and everything that went on in the past week. But I wanted to say first and foremost, thank you to everybody that had my back. It meant the world to me and I had so many friends and fans reach out and say ‘We got you, we don’t believe you did any of this.’ So it’s really nice to see the charges get dismissed. It’s not something I wish anybody has to go through ever. But, like I said, the bright spot was seeing just all the love and support.”

As a thank you to his fans, Young revealed that he plans to release a new song at midnight: “Double Down,” from his upcoming album Young Love & Saturday Nights. Written by Monty Criswell, Derek George and Tyler Reeve, “Double Down” is one of 18 songs on the album, which is due March 22 via Sony Music Nashville.

“We’re going to put out ‘Double Down’ at midnight and I really hope you guys enjoy this one. Crank it up, enjoy it – I appreciate you, I love you, and thank you,” Young said.

Young previously addressed online trolls with a social media post that contained a clip of some security video footage of the incident. “For all the trolls saying ‘Don’t touch a cop,’ I didn’t touch him,” read text on the clip. He also captioned the video by addressing the online trolls directly, writing, “Stop coming at me.”

Young’s current single, the album’s title track, currently resides at No. 34 on Billboard‘s Country Airplay chart.  

Flo Milli Finds First Top 10 on Hot R&B/Hip-Hop Songs With ‘Never Lose Me’

Flo Milli finds her first top 10 on Billboard’s Hot R&B/Hip-Hop Songs chart as “Never Lose Me” races 16-7 on the list dated Feb. 3. The single, released on RCA Records, has ridden a wave of TikTok virality that has triggered major gains across multiple streaming services as the tune also begins its radio campaign.

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To enter the top 10 on the multi-metric Hot R&B/Hip-Hop Songs chart, “Never Lose Me” tallied 15.5 million official U.S. streams in the tracking week of Jan. 19 – 25, according to Luminate, a 28% increase compared with the prior week. The improvement sends the song 10-3 on the R&B/Hip-Hop Streaming Songs chart with the Greatest Gainer award, given weekly to each song with the largest increase in stream count. Sales for the track, meanwhile, remain at a negligible amount and are essentially even with the previous week’s total; the track has yet to appear on the R&B/Hip-Hop Digital Song Sales ranking.

In the radio world, “Never Lose Me” registers its first appearances on airplay rankings with three simultaneous debuts: No. 25 on Rap Airplay, No. 35 on Rhythmic Airplay and No. 46 on R&B/Hip-Hop Airplay. As is the case too, on Hot R&B/Hip-Hop Songs, “Never Lose Me” gives the rapper her first visit to all the charts as a lead artist and second overall entry, following a featured role on Lah Pat’s “Rodeo” (which also had a separate version featuring Big Jade) in 2023.

Elsewhere, “Never Lose Me” rockets 15-5 on the Hot Rap Songs chart and 37-19 on the all-genre Billboard Hot 100. Notably, the single’s sample of Babyface Ray and 42 Dugg’s 2023 track, “Ron Artest,” helps both artists gain chart credits through songwriting contributions.



“Never Lose Me” found huge reception on TikTok through a variety of trends that use the song as a soundtrack. Some clips that involve users displaying medals and trophies with captions that feature tongue-in-cheek reasons for the achievements (such as “worst ex”), while other videos center on flexing while using the song’s ““never had a b—h like me” lyric. Thanks to the song’s popularity on the social media platform, “Never Lose Me” leads the TikTok Billboard Top 50 chart for a third consecutive week.

The new hit is likely to appear on Flo Milli’s forthcoming album, Fine Ho, Stay, for which the rapper shared the album art last October. The new set is the third and final installment in an album trilogy, following 2020’s Ho, Why Is You Here? and 2022’s You Still Here, Ho?

Camila Cabello Debuts Blond Hair Makeover: See Her New Look

Camila Cabello is a brunette seńorita no more. The 26-year-old pop star debuted her shocking hair transformation via Instagram on Thursday (Feb. 1), showing off bright blonde locks ahead of her upcoming new era in a self-filmed video.

Taken on a handheld camcorder, the video shows Cabello rocking a white baby tee and ’90s glam as she gives fans a look at her new dye job from all angles. “It’s time,” she captioned the clip, adding a devious emoticon: “>:).”

With her new makeover, the “Havana” singer’s hair is now almost the complete opposite color of her prior natural near-black waves. In addition to sharing the video, Cabello also changed her profile picture on Instagram to a blurry photo of her as a blonde.

The night-to-day hair change comes about a month after the former Fifth Harmony member hinted at plans to release new music in 2024. A couple of days before New Year’s, she wrote on Instagram Stories that 2023 had been “mostly the year of this” over a picture of her seemingly recording vocals in front of a microphone setup.

“see you next year b-tches,” she added at the time, along with a mouth-zipped-shut emoji.

Plus, on Wednesday, Cabello shared a carousel of photos from a recording studio, featuring her posing in front of a soundboard. “is it butterflies or acid reflux ?” she mused in the caption.

Cabello hasn’t dropped an album since April 2022’s Familia, which hti No. 10 on the Billboard 200 and featured the singles “Don’t Go Yet” and “Bam Bam” with Ed Sheeran. The two songs peaked at No. 42 and No. 21 on the Billboard Hot 100, respectively.

See Cabello’s new hair color below.

Maren Morris & Ryan Hurd Finalize Divorce

Maren Morris and Ryan Hurd finalized their divorce on Thursday (Feb. 1), with a judge signing off on the agreement four months after the initial filing, according to court documents obtained by People.

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According to a settlement reached last month,  Morris, 33, and Hurd, 37, are dividing up their assets based on a property settlement agreement and a prenup they signed in Feb. 2018, which was amended in Oct. 2022. The couple also reportedly reached agreement on plans to evenly split time with their three-and-a-half-year-old son, Hayes Andrew, with Morris set to pay Hurd $2,100 a month in child support. The filing also reportedly noted that both Morris and Hurd had successfully completed a parenting seminar as required by Davidson County for all divorce cases involving a child.

Morris filed for divorce from Hurd in an Oct. 2 complaint in Tennessee state court, noting that the couple were “unable to live together successfully as husband and wife” and were “experiencing irreconcilable differences in their marriage.”

While they initially met in 2013, Morris and Hurd got married on March 24, 2018, in Nashville after three years of dating and welcomed their son on March 23, 2020.

Most recently, Hurd supported Morris in September when she revealed her intentions to leave the country music industry behind and issued the two-song project, The BridgeHe said on social media at the time: “She deserves to be celebrated, not just tolerated.”

Billy Joel Says New Single Helped Him Find the ‘Fun’ in Music Again

The Piano Man is back, and to celebrate his first new single in nearly two decades, “Turn the Lights Back On,” Billy Joel and his co-writer Freddy Wexler discussed the writing process with Audacy Check In this week.

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Joel opened up about losing his zest for music for a while. “It was fun. Music is fun. Rock n’ roll was fun,” he said. “It was all about having fun — and I kind of lost that and I turned the lights off because it wasn’t fun anymore.”

He added that his unexpected connected with Wexler was what convinced him to get back into the studio again. “Other people have tried to talk me into going back in and doing new material, and making the recordings, and I’ve always resisted it. I studiously avoided it because songwriting had become painful,” he recalled. “I have this high bar. I said to myself, ‘If I don’t reach that bar, I beat myself up and I punched myself and I hate myself.’ So, I stopped doing it because I got tired of feeling like that.”

When Joel heard what Wexler was working on, it resonated with him. “The melody, the chords, the chord progression, even the time signature was something that struck me immediately, and that’s how I relate to music,” he explained. “This particular lyric in this song, I’ve had these thoughts, I could have written these lyrics verbatim. I’ve chewed on these words and I’ve thought of these words, and I’ve said these words before. It was all kind of falling into place — and who am I to fight that?”

Joel will perform “Turn the Lights Back On” live for the first time at Sunday’s (Feb. 4) 2024 Grammy Awards, which will air on CBS at 8 p.m. ET.

Schoolboy Q Announces ‘Blue Lips’ Album Release Date: Watch the Trailer

The wait is over for Schoolboy Q fans, as he’s officially announced his first project in five years.

The Top Dawg Entertainment rapper revealed plans for his next LP with a cinematic trailer that arrived on Thursday (Feb. 1). Q’s sixth studio album — titled Blue Lips — is slated to arrive on March 1.

The clip gives fans a chance to see the tracklist as well, which boasts 17 songs in total — but possible features were kept hidden — including titles “Smile,” “Love Birds” and “Movie.”

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Soundtracked by an atmospheric beat, the trailer comes to a close with a dictionary definition of “blue lips.” “Adj. 1. speechless, especially as the temporary result of shock or some strong emotion. 2. (of a person or mood) shocked, speechless, or embarrassed; the crowd gave me blue lips,” the screen reads. “n. 1. a particular attitude toward or way of regarding something. 2. coon; they were coonin. v. 1. become fully aware of (something) as a fact; understand clearly.”

Blue Lips will serve as Schoolboy Q’s follow-up to 2019’s Crash Talk. He received plenty of love from his music peers in his Instagram comment section following the announcement, as A$AP Rocky, Tinashe, Joey Bada$$, Isaiah Rashad and Doe Boy were among those to chime in with their excitement.

The avid golfer previously teased having “something special” up his sleeve in December when asked about his future plans by TMZ at a toy drive.

“Oh man, something special,” he said. “I’ma be back. I’ll be back. I will be back.”

Watch the Blue Lips trailer below.



Lucian Grainge Presents Boygenius With Billboard Power 100 Award, Says He’s ‘Thrilled’ Coming 2nd to Taylor Swift

Boygenius received the Universal Music Group x REVERB Amplifier Award at the Billboard Power 100 event in Los Angeles on Wednesday night (Jan. 31).

The group, signed to Interscope, was presented with the honor by Universal Music Group chairman/CEO Lucian Grainge, who began his speech by praising Republic Records megastar Taylor Swift, who dethroned him at the top of the Power 100 list this year.

“Let me say that I’ve never, ever, in my entire career been so thrilled to be No. 2 on a list,” he said at the event, which was held at NeueHouse Hollywood. “I suppose I’m honored as well as a bit relieved to be named No. 2. Many, many, many congratulations, Taylor, on your No. 1 award. You thoroughly deserve it. You are completely unique, and to see the heights that you have gone to worldwide with your voice has given all of us who know you and work with you enormous pleasure and enormous pride.”

During his brief time on stage, Grainge made no direct mention of the elephant in the room: The music giant’s industry-shaking decision to pull its music from TikTok after licensing renewal talks between the two companies collapsed. But he did appear to make a subtle nod to the dispute, which involves, in large part, disagreements over both artist compensation and artificial intelligence.

“I also wanted to be here tonight … to highlight the importance of using this room for collective good,” Grainge said. “There’s an enormous amount of power in this room, that’s why it’s called the Power awards. And I feel extremely strongly and grateful that we’re in an industry that has provided us with such pleasure, such joy and a living. But we have the platform to be able to use it for our artists, to fight for them to be fairly compensated, as well as protected, particularly against unethical A.I.”

While introducing Boygenius — the trio composed of Julien Baker, Phoebe Bridgers and Lucy Dacus, who are up for a whopping five Grammys this year, including album of the year — Grainge said its members “exemplify what it means to use power for good” before ceding the mic.

The first of the trio to speak was Dacus, who opened by shouting out Pass the Mic Foundation, the non-profit organization that organized land acknowledgements at each of the band’s recent tour stops. She proceeded to make a land acknowledgement from the stage, noting that Los Angeles County “occupies land originally and still inhabited and cared for by the Tongva, Tataviam, Serrano, Kizh and Chumash peoples.”

Dacus continued by recognizing Landback — a movement “to get Indigenous Lands back into Indigenous hands,” according to landback.org — as well as three other organizations the band worked with on its 2023 tour: Reverb, the Ally Coalition and Calling All Crows. All of them, she said, helped organize tabling at the group’s tour stops to educate fans “about local and national organizations that work to defend LGBTQ rights, abortion access and environmental concerns.”

When Baker stepped up to the podium, she said of receiving the award, “We realize it’s useful to publicly acknowledge and recommit ourselves to these values … in order to draw attention to causes we care about. But ultimately, this is a community effort. It should be important to everyone, because it’s important for everyone’s individual well-being. This is not a task for those with more power to participate in, that those with less may not participate in. The perceived scale of a person’s impact doesn’t increase or diminish your individual responsibility to act each day in a way that protects and proves or makes more equitable the world we inhabit together.”

Lastly, Bridgers acknowledged all three band members’ history of being “made to feel uncomfortable or unsafe in concerts when we were kids or in work environments later when we started making music ourselves.” She also shouted out Calling All Crows, which she said did “a demonstration for us and our tour about how to spot and stop sexual harassment or sexual violence, whether you see it in a crowd or on your own crew.”

Bridgers also mentioned, as she has previously, that she had an abortion while she was on tour in 2021 before noting that the band worked “with local organizations who make sure that other people get easy, safe access to abortion” on its 2023 tour. She concluded: “We like to create a show environment that we would have benefited from as kids. But hopefully someday, everybody’s doing it, and nobody’s getting awards.”