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Jon Bon Jovi Honored at 2024 MusiCares Gala By Bruce Springsteen, Shania Twain & More

Just as Bon Jovi has done for 40 years, musicians came to rock at the Los Angeles Convention Center Friday night (Feb. 2) as the band’s namesake, Jon Bon Jovi, was honored at MusiCares 33rd Person of the Year annual gala.  

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The honoree himself set the tone for the night, opening the evening with “Legendary,” the propulsive first single from the band’s forthcoming album that sounds like a classic Bon Jovi track. “As I look out here at all you tuxedoed executives, I remind you this is a Bon Jovi concert,” Jon Bon Jovi said. “We don’t sit down.”

And there was certainly no sitting as Bon Jovi then introduced Bruce Springsteen, calling him “my mentor, my hero, my brother, my friend,” as the audience of more than 2,000 began chanting the requisite “BRUUUUUUCE.” Springsteen’s participation had been in doubt after his 98-year old mother, Adele, died on Wednesday (Jan. 31).

 As Bon Jovi later explained, when Springsteen — MusiCares Person of the Year in 2013 — first got the news about his mother, he was already on a plane to Los Angeles. “I certainly would have understood if he’d said that he couldn’t make it,” Bon Jovi said, “but he wanted to be here tonight for MusiCares. And he wanted to be here tonight for me. And I’m forever grateful to you.

The two most famous musicians from New Jersey (perhaps other than Frank Sinatra) ripped into spirited renditions of Bon Jovi’s 2006 hit “Who Says You Can’t Go Home,” which boasts Springsteenean “Alrights” in the chorus, and Springsteen’s “Promised Land,” with Bon Jovi playing Springsteen’s trademark harmonica parts before the Boss joined in for a little harmonica duet at the end. 

Among those singing along in the audience were Ted Danson and Mary Steenburgen, MSNBC host Ari Melber, frequent Bon Jovi collaborator Desmond Child, Rita Wilson, Carly Pearce, Gayle King, Nile Rodgers and former Speaker of the House Nancy Pelosi and her husband, Paul. The latter pair made the rounds earlier in the evening, schmoozing with Bon Jovi, 2012 MusiCares honoree Paul McCartney and Springsteen. 

Bon Jovi then sat down, flanked for much of the evening by Springsteen and McCartney, as a constellation of artists took the stage to deliver some of the most beloved anthems in the arena rock canon from the past 40 years. With more than 150 million albums sold, including 12 times platinum rock juggernaut Slippery When Wet, and nearly 20 top 40 hits, there was no shortage of familiar material to draw from. 

Melissa Etheridge, joined by Larkin Poe had the tough task of following Bon Jovi and Springsteen, but proved more than up to the challenge with a sizzling version of Jon Bon Jovi’s No. 1 solo hit, “Blaze of Glory,” from the 1990 film Young Guns llTrain’s Pat Monahan delivered a stylish take on 2000’s driving hit, “It’s My Life”; Shania Twain turned in a dramatic reading of ballad “Bed of Roses”; Sammy Hagar was joined by guitar slinger Orianthi for Bon Jovi’s first No. 1, 1986’s “You Give Love A Bad Name”; and Jason Isbell pulled out a double neck guitar, similar to the one sported by former band member Richie Sambora, on the iconic “Wanted Dead or Alive.” While many acts pulled from the multi-platinum group’s ’80s and ’90s era, the Goo Goo Dolls dipped into more recent fare, taking on the title track from 2016’s This House is Not for Sale.

Comedian Jim Gaffigan served as a nimble and often hilarious host, good naturedly roasting Jon Bon Jovi for his ’80s fashion and even more so for his ’80s big hair, and even taking to the stage in a replica of a trademark beefcake poster of Jon Bon Jovi from the ’80s in a cut-off Jack Daniels T-shirt, obscenely short denim shorts and a wig with a shocking amount of teased, flowing blond locks. As he sarcastically noted of the ridiculously photogenic Bon Jovi, “You have to wonder where he would have gotten if he was good looking.” 

Later, he suggested that Bon Jovi, McCartney and Springsteen, as well as table mate, New England Patriots owner Robert Kraft, could form a new iteration of The Traveling Wilburys, with Kraft on lead vocals. 

Additionally, a new generation of artists equipped themselves well taking on songs that they had likely grown up with or heard their parents play.  Best new artist nominee Jelly Roll delivered a growly, rollicking “Bad Medicine,” while taking advantage of the playing before a room full of powerful music industry executives to spread a message about an issue close to his heart, drug addiction. The country artist, who spoke at a congressional hearing in support of an anti-fentanyl bill in January, sported a jacket with facts about drug addiction, including one across his back that read “190 people a day overdose and die in the United States of America.”

A pigtailed Lainey Wilson followed with a spirited “We Weren’t Born to Follow,” while Måneskin’s charismatic frontman Damiano David performed a propulsive “Keep the Faith.” Wolfgang Van Halen’s Mammoth WVH delivered a pounding “Have A Nice Day,” and guitar wiz Marcus King showed off his blazing fret work on “Born to Be My Baby.” 

Playing on the round, revolving B-stage in the middle of the audience, best new artist nominees The War and Treaty gave one of the evening’s most inspired performances at times singing directly to each other with an elevated, emotional take of “I’ll Be There For You,” Bon Jovi’s 1989 tale of devotion that husband and wife team Michael and Tonya Trotter should definitely consider cutting for their next album. Also utilizing the smaller space to great effect was 17-time Grammy nominee Brandy Clark with a beautiful rendition of  2007’s “(You Want to) Make a Memory.”

The evening also included video tributes from Matthew McConaughey, John Mayer, P!nk, Ed Sheeran and New Jersey Senator Cory Booker, who praised Bon Jovi for “his everyday commitment to [help] other people.” Bon Jovi’s myriad philanthropic efforts include the JBJ Soul Foundation, which has built  close to 1,000 units of affordable housing, and JBJ Soul Kitchens, which operate on a pay-it-forward model where those in need volunteer for their meals at the kitchen while paying customers are asked to make a donation that will cover their meal as well as the meal of someone in need.

Kraft, who first met Bon Jovi on the sidelines at the 1997 Super Bowl (“In a game we lost,” he noted), presented Bon Jovi with his award, praising the honoree for his business acumen and social consciousness. 

“Unlike the majority of artists and performers, who understandably, are insular, Jon’s always had an empathy for the world at large,” Kraft said. “And he’s shown that impact as a philanthropist. He has used his platform as a global rock star and paired it with his own money and operating skill and created the Soul Foundation… building a model program for solving the vicious cycle of hunger, poverty and homelessness that has now been copied by many others.” He also praised the son of two Marines for his long-lasting marriage to his high school sweetheart, Dorothea. 

After thanking Springsteen and McCartney (saying to the Beatle, “I think it’s fair to say that the reason most, if not all, of us are in the room tonight, is because of you.”), Bon Jovi quickly noted that this award wouldn’t have been possible without those around him. “Everything that I’ve accomplished with or without the band or in my philanthropic life has had the support of my family, my friends, bandmates, collaborators and an army of the willing, who’ve been ready to take my dreams and make them a reality,” he said. 

He also praised the ability of music as the “common thread” that “moves us when we’re happy and it comforts us when we’re sad and brings us together.” He then spoke of recently buying back his first electric guitar that he sold in 1979 for $100. With his newly reclaimed guitar back in his hands, “the first thing I did was held it, cradled it, really, and then wrote a song… another thing I’ve come to know is that every time that I strum my guitar, I’m reminded that I have a best friend for life. That instrument will never let you down.” 

Bon Jovi then thanked MusiCares for providing assistance to those musicians not as fortunate as himself, who have needed a helping hand. Since 1991, MusiCares has handed out more than $110 million to provide essential support for programs and services assisting the music community, including physical and mental health, addiction recovery, preventive clinics, unforeseen personal emergencies, and disaster relief. 

Jon Bon Jovi, Sammy Hagar, Shania Twain at 2024 MusiCares Person of the Year gala

(L-R) Michael Trotter Jr., Hugh McDonald, Jon Bon Jovi, Sammy Hagar and Jelly Roll attend the 2024 MusiCares Person of the Year Honoring Jon Bon Jovi during the 66th Grammy Awards on Feb. 02, 2024 in Los Angeles

Kevin Mazur/Getty Images for The Recording Academy

Ending by saying, “the 18-year-old in me wants to sing with everybody else,” Bon Jovi called his band back to the stage, including keyboardist David Bryan and drummer Tico Torres, as well all the evening’s participating artists (minus Springsteen) to perform the group’s beloved anthem and 1986 Billboard Hot 100 chart-topper “Living on a Prayer.” Jon Bon Jovi roamed the stage, hugging and trading lyrics with many of the performers to close the evening. 

See the MusiCares Salute to Jon Bon Jovi set list below:

“Legendary,” Bon Jovi
“Who Says You Can’t Go Home,” Bon Jovi and Bruce Springsteen
“The Promised Land,” Bon Jovi and Bruce Springsteen
“Blaze of Glory,” Melissa Etheridge and Larkin Poe
“Bad Medicine,” Jelly Roll
“We Weren’t Born to Follow,” Lainey Wilson
“It’s My Life,” Pat Monahan
“Bed of Roses,” Shania Twain
“Wanted Dead or Alive,” Jason Isbell
“Keep the Faith,” Damiano David
“This House is Not for Sale,” Goo Goo Dolls
“I’ll Be There for You,” The War and Treaty
“Have a Nice Day,” Mammoth WVH
“(You Want To) Make a Memory,” Brandy Clark
“Living on a Prayer,” Bon Jovi and guests

Dom Dolla Talks First Grammy Nomination, Hopes to Bring His Mom to the Ceremony: ‘I Enjoy Sharing These Moments With Family’

After a breakthrough year, Dom Dolla received his first-ever Grammy nomination for best remix recording of his remix of “New Gold” by the Gorillaz and Tame Impala, and to celebrate, he sat down with Billboard‘s Katie Bain to discuss how he found out about the nod.

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“I was in bed, I woke up, checked my phone and started swearing,” he recalls with a laugh. “It was a weird morning. Honestly, back home in Australia, it’s the only award that all of my Australian friends and family understand is the highest national honor of music. It’s been the coolest part. I was back home in Australia and all my friend and family were bugging out.”

He continued, “I was thinking of inviting my mom over and bringing her to the Grammys. I enjoy sharing those moments with family.”

As for where he gets inspiration to create music, Dom says that it’s very personal. “A lot of the time, it’s turning my phone off, having a coffee, going through — I have a folder of inspiration of things that I love, whether that’s moods or vocals that I like or certain tones or sounds that I really enjoy,” he explains. “It’s just every song that I ever listened to that I was a fan of growing up put into a blender that in my brain and spat out the other side.”

The 66th annual Grammy Awards will air live on Sunday (Feb. 4) on CBS at 8 p.m. ET. Watch Billboard‘s full interview with Dom Dolla above.

Embassy of Japan Says Taylor Swift Can Make it to Super Bowl After Tokyo Concert

The Embassy of Japan is assuring fans that Taylor Swift will have time to attend the Super Bowl after her Eras Tour concert in Tokyo.

As part of her massive global Eras Tour, the pop superstar will perform sold-out concerts at Japan’s Tokyo Dome from Feb. 7-10 before taking the blockbuster trek to Australia later in the month.

On Friday (Feb. 2), the Japanese Embassy in Washington, D.C., issued a statement on X (formerly Twitter) that Swift will indeed be able to make Super Bowl LVIII to support her boyfriend Travis Kelce as his Kansas City Chiefs take on the San Francisco 49ers at Las Vegas’ Allegiant Stadium on Feb. 11.

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“The Embassy of Japan in the United States is aware of recent media reports concerning the steps Taylor Swift will need to take to travel from Tokyo after her concert on February 10th to Las Vegas in time to watch the Kansas City Chiefs play in Super Bowl LVIII,” the statement begins.

“Despite the 12-hour flight and 17-hour time difference, the Embassy can confidently Speak Now to say that if she departs Tokyo in the evening after her concert, she should comfortably arrive in Las Vegas before the Super Bowl begins,” the message continues, referencing Swift’s album title. “We know that many people in Japan are excited to experience Taylor Swift’s Eras Tour, so we wanted to confirm that anyone concerned can be Fearless in knowing that this talented performer can wow Japanese audiences and still make it to Las Vegas to support the Chiefs when they take the field for the Super Bowl wearing Red.”

In a sweet viral moment after the Chiefs won the AFC Championship on Jan. 28, Swift and Kelce kissed on the field in celebration of the team’s triumph — and in a clip shared by the NFL, the tight end says “I love you” to the pop star. Swift has been there for much of the Chiefs’ outstanding season, becoming a mainstay at Kansas City’s Arrowhead Stadium ever since going public with her and Kelce’s relationship in September.

See the full statement from Japan’s Embassy about Swift’s travels on X below.

Who Should Win Record of the Year at the 2024 Grammy Awards? Vote!

Record of the year is one of the most superstar-packed categories at Sunday’s (Feb. 4) 2024 Grammy Awards — but who do you think should win?

We have five previous Grammy winners in the mix: 12-time winner Taylor Swift with “Anti-Hero”; seven-time winner Billie Eilish with her Barbie soundtrack contribution “What Was I Made For?”; five-time champ Jon Batiste with “Worship”; three-time winner Olivia Rodrigo with “Vampire”; and one-time winner SZA with “Kill Bill” (SZA took home best pop duo/group performance with Doja Cat in 2022 for “Kiss Me More” and leads all nominees this year with nine nods).

Then we have three potential first-time winners: boygenius (the trio of Julien Baker, Phoebe Bridgers and Lucy Dacus) with “Not Strong Enough”; Miley Cyrus with “Flowers”; and Victoria Monét with “On My Mama.”

As defined by the Recording Academy, the record of the year Grammy goes to the “artist(s), producer(s), and engineer(s) involved in crafting the specific recording of a song,” so the artists named would be honored alongside the behind-the-scenes players involved in the making of the song, should they win.

Last year’s winner in the category was Lizzo’s “About Damn Time,” which competed in a field of 10 nominees and topped some stiff competition, including Harry Styles’ “As It Was,” Beyoncé’s “Break My Soul” and Adele’s “Easy On Me.”

But who will take the prize this year? Below, vote in Billboard‘s poll to pick your personal record of the year. And tune in to Sunday’s 2024 Grammy Awards at 8 p.m. ET/5 p.m. PT on CBS to see who emerges the winner.

Nine Best Moments From Drake & J. Cole’s It’s All a Blur – Big as the What? Tour Opening Night in Tampa

Drake was contemplative Friday night (Feb. 2) before kicking off his It’s All A Blur – Big as the What? Tour with J. Cole. 

At 7 p.m., he fired off an Instagram post alerting concertgoers in Tampa, Fla., that the doors for the Amalie Arena had finally opened. Quoting Kurupt as inspiration, Drake’s caption discussed the rigorous, competitive battles in rap and what’s lost amid that tireless pursuit of greatness. “As long as there’s competition, there will never be peace. Everyone wants to be the one,” read the quote.

For the opening night of Big as the What? Tour, Drake, and Cole inched closer to rap immortality after producing a monstrous 50-plus song setlist that left the 17,000 fans in attendance stunned.

The rap tandem threw everything but the kitchen sink as they seamlessly connected on their signature hits. With Drake leading the way with his arsenal of chart-toppers, nothing was left to chance, especially when he and Cole joined forces at the tail end of the concert. Though the lovefest between the two MCs was admirable, it didn’t change their trigger-happy moods, as they targeted their hapless peers with vigor and veracity. “I don’t like to win by five, I like to win by 45,” spewed Drake.

Embodying the spirit of first-ballot Hall of Famers, Drake and Cole’s shoot-first, ask-later mentality on their Billboard Hot 100 chart-topper “First Person Shooter” proved not to be trash talk but a guarantee of what happens when two blockbuster talents with Super Bowl hype share the same stage together.

Below are Billboard’s nine best moments from the opening night of Drake and J. Cole’s It’s All A Blur – Big as the What? Tour. 

Drake’s It’s All a Blur – Big As The What? Tour With J. Cole Setlist: All the Songs They Performed Opening Night

The Super Bowl is here — not the crew of Travis Kelce, Taylor Swift, and Patrick Mahomes, but the rap Super Bowl consisting of the genre’s biggest heavyweights, Drake and J. Cole, as they kicked off their hotly anticipated It’s All A Blur – Big As The What? Tour Friday night (Feb. 2) at Tampa’s Amalia Arena.

Even though Drake and Cole don’t aspire to have gridiron dreams, they certainly electrified like NFL superstars with their signature hits ranging from their Hot 100 chart-topper “First Person Shooter” to their early collaboration “In the Morning.” The set design was a turf-style football field with a colossal statue of fallen fashion designer Virgil Abloh parked at the end zone. 

The redux version of Drake’s It’s All A Blur Tour had extra bells and whistles versus the previous effort, including newer songs, most notably from Drake’s For All The Dogs albums and classic B-side records that he didn’t perform the last time. Drake also enlisted sports personality and ESPN First Take host Stephen A. Smith on commentary to kick off the show. Smith provided a colorful analysis of Drizzy and Cole as if they were perennial all-stars on the brink of falling off. 

Fortunately, Drake and Cole proved why they’re immune to any possible slippage, as demonstrated by their Herculean performance, which consisted of over 40 songs. 

Check out the setlist for Drake and Cole’s It’s All A Blur — Big As The What Tour, based on the opening night show at Tampa’s Amalie Arena.

Wait, Is Jennifer Lopez or J.Lo Performing on ‘SNL’ This Weekend? These New Promos Aren’t Sure

Jennifer Lopez is performing on Saturday Night Live this weekend — or will it be J.Lo?

In promos for Saturday’s new episode, this week’s host — first-timer Ayo Edebiri — introduces Lopez as the musical guest, much to SNL castmember Heidi Gardner’s disappointment.

“Nuts, I thought it was going to be J.Lo!” Gardner laments.

“I am J.Lo,” Lopez informs her, to which Gardner replies, “Lady, she just said your name was Jennifer Lopez.”

After explaining that J.Lo is short for Jennifer Lopez, Edebiri says that her name Ayo is actually short for “I owned the first combination Dunkin’ Donuts/Baskin-Robbins.” “Really?” a stunned Gardner asks. “No,” Edebiri admits.

Elsewhere in the promos, Lopez tells Edebiri she’s really excited to share the episode because “I love your show” — referencing the actress’ Emmy-winning dramedy series The Bear. “I love your everything,” Edebiri shoots back. What does Gardner love? “A brisk fall morning where the light is just beginning to paint the landscape.”

Later, Gardner suggests the trio do “something really funny together this week,” to which Edebiri suggests locking SNL castmember Bowen Yang in a green room. “I already did that this morning,” Lopez says. “Oh, I meant like a sketch — is he OK?” Gardner worries.

While this marks Edebiri’s first time hosting, it will be Lopez’s fourth time on the show — once as the musical guest, once as the host, and twice pulling double-duty in 2001 and 2010.

Lopez is promoting her upcoming ninth studio album, This Is Me… Now, which serves as a sequel to 2002’s This Is Me… Then. Last month, she released the project’s first single, “Can’t Get Enough,” followed by a remix with Latto. In January, Edebiri took home the Emmy for outstanding supporting actress in a comedy series for her role as Sydney in The Bear as well as the Golden Globe for best actress – television series musical or comedy.

Watch the new promos below.



Wayne Kramer, Co-Founder of Revolutionary Detroit Rock Band the MC5, Dies at 75

Wayne Kramer, the co-founder of the protopunk Detroit band the MC5 that thrashed out such hardcore anthems as “Kick Out the Jams” and influenced everyone from The Clash to Rage Against the Machine, has died at age 75.

Kramer died Friday (Feb. 2) at Cedars-Sinai hospital in Los Angeles, according to Jason Heath, a close friend and executive director of Kramer’s nonprofit Jail Guitar Doors. Heath said the cause of death was pancreatic cancer.

From the late 1960s to early 1970s, no band was closer to the revolutionary spirit of the time than the MC5, which featured Kramer and Fred “Sonic” Smith on guitars, Rob Tyner on vocals, Michael Davis on bass and Dennis “Machine Gun” Thompson on drums. Managed for a time by White Panther co-founder John Sinclair, they were known for their raw, uncompromising music, which they envisioned as the soundtrack for the uprising to come.

“Brother Wayne Kramer was the best man I’ve ever known,” Rage Against the Machine guitarist Tom Morello wrote via Instagram on Friday. “He possessed a one of a kind mixture of deep wisdom & profound compassion, beautiful empathy and tenacious conviction. His band the MC5 basically invented punk rock music.”

The band had little commercial success and its core lineup did not last beyond the early 1970s, but its legacy endured, both for its sound and for its fusing of music to political action. Kramer, who had a long history of legal battles and substance abuse, would tell his story in the 2018 memoir The Hard Stuff: Dope, Crime, the MC5, and My Life of Impossibilities.

Thompson is now the band’s only surviving member.

Kramer and Smith had known each other since their teens and played with various other musicians around Detroit before the core lineup was in place, in the mid-1960s. At Tyner’s suggestions, they called themselves the MC5, short for Motor City Five, and emulated The Rolling Stones, the Who, and other hard rock bands of the era.

By 1968, they had built a substantial local following and were influenced by Marxism, the White Panthers, the Beats and other social-political movements. The MC5 was more radical politically than most of its peers, and otherwise louder and more daring. They were virtually the only band to perform during the infamous 1968 Democratic National Convention, in Chicago, where police were beating up anti-war protesters.

“Kick Out the Jams” was their most famous song, peaking at No. 82 on the Billboard Hot 100 and marking their only appearance on the chart, and opened with an unprintable call to arms: “Kick out the jams mother—-er!” A live album of the same name peaked at No. 30 on the Billboard 200 in 1969, their highest-charting release. They also released the studio albums Back in the USA and High Time before breaking up at the end of 1972.

Kramer would lead various incarnations of the MC5 over the following decades, and perform with Was (Not Was) among other groups. But for a time he sank into the life of what he called “a small-time Detroit criminal.” He was arrested on drug charges in 1975 and sentenced to four years in prison. Jail Guitar Doors is named for a Clash song that refers to his struggles: “Let me tell you ’bout Wayne and his deals of cocaine.”

Survivors include his wife, Margaret Saadi, and son, Francis.

Heart Announces Royal Flush Tour With Cheap Trick

Heart, the rock group started by sisters Ann and Nancy Wilson in 1974, will return to the road for the first time in five years this spring on the Royal Flush tour.

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The trek, which will kick off April 20 in Greenville, South Carolina, will feature Cheap Trick as support on most of the North American leg, while Squeeze will open a handful of Heart’s summer European dates. Heart will also join Def Leppard and Journey for three previously announced summer stadium shows in Cleveland, Toronto and Boston and will make an appearance at the New Orleans Jazz And Heritage Festival on April 28.

“The exceptional talent of the band brings a whole new level of energy to Hearts’s live performance,” Ann Wilson and Nancy Wilson said in a joint statement. “I am incredibly proud of the show that our band has crafted and am looking forward to reconnecting with our fans.”

The North American leg will launch on April 20 in Greenville, South Carolina, and conclude on Sept. 22 in Morrison, Colorado. Heart will also head to Europe in late June through mid-July, with Squeeze opening select dates.

Tickets go on sale to the general public on today through Heart’s website. You can see the full list of tour dates below.

Heart 2024 Royal Flush Tour
April 20 – Greenville, SC @ Bon Secours Wellness Arena
April 22 – Savannah, GA @ Enmarket Arena
April 25 – Hollywood, FL @ Hard Rock Live (in Seminole Hard Rock Hollywood)*
April 26 – Tampa, FL @ Amalie Arena
April 28 – New Orleans Jazz & Heritage Festival (multi-act event)**
May 1 – San Antonio, TX @ Frost Bank Center (special guest TBD)
May 3 – Thackerville, OK @ Lucas Oil Live at WinStar World Casino and Resort*
May 4 – Tulsa, OK @ BOK Center
May 7 – Indianapolis, IN @ Gainbridge Fieldhouse
May 10 – Atlanta, GA @ State Farm Arena
May 11 – Charlotte, NC @ Spectrum Center
May 13 – Baltimore, MD @ CFG Bank Arena
May 15 – Columbus, OH @ Schottenstein Center
May 17 – Rosemont, IL @ Allstate Arena
May 18 – Louisville, KY @ KFC Yum! Center
May 21 – Detroit, MI @ Little Caesars Arena
May 23 – Pittsburgh, PA @ PPG Paints Arena
May 24 – Atlantic City, NJ @ Hard Rock Live*
Jul 30 – Cleveland, OH @ Progressive Field** (with Def Leppard & Journey)
Aug 1 – Ottawa, ON @ Canadian Tire Centre
Aug 2 – Toronto, ON @ Rogers Centre** (with Def Leppard & Journey)
Aug 5 – Boston, MA @ Fenway Park** (with Def Leppard & Journey)
Aug 7 – Quebec City, QC @ Videotron Centre
Aug 8 – Montreal, QC @ Bell Centre
Aug 10 – Albany, NY @ MVP Arena
Aug 11 – Buffalo, NY @ KeyBank Center
Aug 13 – Cincinnati, OH @ Heritage Bank Center
Aug 15 – Milwaukee, WI @ Fiserv Forum
Aug 16 – Hinckley, MN @ Grand Casino Hinckley Amphitheater*
Aug 18 – Lincoln, NE @ Pinnacle Bank Arena
Aug 21 – Grand Rapids, MI @ Van Andel Arena
Aug 23 – Charleston, WV @ Charleston Coliseum
Aug 24 – Knoxville, TN @ Thompson Boling Arena at Food City Center
Aug 27 – Norfolk, VA @ Scope Arena
Aug 28 –  Allentown, PA @ The Great Allentown Fair*
Sept 17 – Portland, OR @ Moda Center
Sept 20 – West Valley City, UT @ Maverik Center
Sept 22 – Morrison, CO @ Red Rocks Amphitheatre (special guest TBD)

Grammy Poll: Who Should Win Album of the Year at the 2024 Grammys? Vote!

As the 2024 Grammy Awards ceremony comes over the horizon, one category in particular looms large: album of the year. The big Kahuna.

Every year, best album is one of the most contentious races by far. And 2024 is no exception, given the excellence of each nominee: Taylor Swift’s Midnights, SZA’s SOS, Olivia Rodrigo’s GUTS, Miley Cyrus’ Endless Summer Vacation, Lana Del Rey’s Did You Know That There’s a Tunnel Under Ocean Blvd, Boygenius’ The Record, Jon Batiste’s World Music Radio and Janelle Monáe’s The Age of Pleasure.

The AOTY category is extra interesting this year, for a couple of reasons. First, an overwhelming nine out of ten nominees are female musicians. Second, it will give Swift the opportunity to make history — if Midnights wins, she’ll set the record for most album of the year wins for any artist, which she is currently tied for at three with Frank Sinatra, Stevie Wonder and Paul Simon. The pop star previously earned Grammophones for 2008’s Fearless, 2014’s 1989 and 2020’s Folklore.

Last year, the prize went to Harry StylesHarry’s House over Beyoncé’s Renaissance, Adele’s 30, Bad Bunny’s Un Verano Sin Ti and more. During his speech, the “As It Was” singer offered some words of wisdom to remember going into this year’s show.

“I feel like on nights like tonight, there is no such thing as ‘best in music,’” he told the crowd at Crypto.com Arena. “I don’t think any of us sit in the studio making decisions based on what’s gonna get us one of these.”

Who should win album of the year at the 2024 Grammys? Cast your vote below.