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Britney Spears Posts Throwback Dancing Clip With Ex Sam Asghari, Reflects on Her Romantic Side: ‘I Love Too Much’

Britney Spears was in a reflective mood on Thursday (April 4) when she posted a throwback video featuring her ex-husband Sam Asghari. In the clip, the former couple work through some sexy choreography, with Spears — wearing tiny white shorts and a bra top — getting spun in circles and hopping onto the waist of a shirtless, ripped Asghari.

According to TMZ, the since-deleted post also featured a lengthy commentary on Spears’ current state of mind and her feelings about the video, her sensitive nature and the ups and downs of love. “The time he picked me up… it’s weird cause there are always strange turns for relationships with friends family or your loved ones in the [rollercoaster emoji] of any journey you’re on with someone !!!,” the caption began.

“Looking back is hard sometimes but it’s honestly crucial… I’m honestly too sensitive in most situations [zipped mouth emoji],” she continued. “I speak about my past sometimes because I want to protect myself from the same mistakes as before !!! What I usually do if I’m going through too much is shut down but I sometimes lose the ability to figure out what’s going on or how I feel at all !!! Sometimes I’m scared to feel anything cause I know I’m too sensitive.”

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Spears, 42, and Asghari, 30, dated for seven years, then split up in August 2023 after 14 months of of marriage when the personal trainer/actor filed for divorce.

“It felt so much easier when I was younger cause I feel like I trusted people more and I hadn’t experienced the cruelness of the world yet,” Spears added. “I miss being vulnerable and open with people. If you know me, you know how I love … I love too much it’s embarrassing and I will love you for life !!! That’s a trait I want to try and keep but it’s not all peaches and cream as they say. I used to be told all the time by someone I truly loved that there is no looking at that face of yours. My hopes in sharing is that by remembering that I can try and understand why I never feel good enough and to know it’s ok to get inside my brain try to figure it out.”

Spears, who has earlier this year said she will “never return to the music industry,” has kept a relatively low profile since the October release of her memoir, The Woman in Me.

The Benson Boone Party Gets Going With ‘Fireworks & Rollerblades’: Stream It Now

A beautiful year continues for Benson Boone, as he fires off his debut full-length album, Fireworks & Rollerblades (via Night Street Records/Warner Records).

The Washington-raised singer and songwriter and TikTok standout dropped Fireworks & Rollerblades at the stroke of midnight, a collection that houses his hit single “Beautiful Things,” which has logged five week at No. 1 on the Billboard Global 200 chart and Australia’s ARIA Chart, two cycles at No. 1 on the Official U.K. Singles Chart, and has a peak of No. 2 on the Billboard Hot 100.

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The latest cut from the LP, “Slow It Down,” is on predicted to crack the U.K. top 40, for Boone’s third top tier effort there (2022’s “In The Stars” reached No. 21).

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Speaking with Billboard earlier in the year, Boone gave a heads-up on his new material.

“A lot of my stuff in the past has been very piano-based. Obviously, I still have a lot of piano in my songs, but there definitely have been more heavier guitar songs, which I’m very happy about,” he explained. “I love the guitar. But overall, since the last time I released music, my voice has been maturing a lot. My style has been changing just slightly. And I think the songs that I will be releasing in the next couple months are closer to what my future looks like for releasing music. I’m very excited.”

Boone is taking his music to the masses, with a world tour that kicked off this week in Chicago. Next week, he’s booked to appear on NBC’s Today and The Tonight Show Starring Jimmy Fallon.

“Man,” he told Billboard, “all I’ve been thinking about is the tour, and I’ll be going some places that I’ve never been before. But after the tour, and after all the shows, I’m really looking forward to just being with my friends. I think we’re gonna go on a trip to Greece and have two weeks and just live my life.”

When he’s not collecting chart crowns, he’s been winning plaudits from broadcasters and DSPs. Earlier in 2024, iHeartRadio tapped him an “On The Verge Artist,” and last year, he was names an Amazon Music Breakthrough Artist and MTV’s Global PUSH Artist for October.

Stream Fireworks & Rollerblades below.

J. Cole Appears to Take Aim at Kendrick Lamar on ‘7 Minute Drill’: Listen

J. Cole shook up the rap world with the surprise release of his Might Delete Later project on Friday (April 5).

The mixtape arrived on streaming services without warning and fans quickly took note of the potent project closer “7 Minute Drill,” which appears to find Cole responding to Kendrick Lamar’s disses on Future and Metro Boomin’s “Like That.”

“I got a phone call, they say that somebody dissing/ You want some attention, it comes with extensions,” Cole initially teased.

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He then gets to taking shots at K. Dot’s discography by disparaging specific albums like calling 2022’s Mr. Morale & The Big Steppers “tragic” and claiming that the Grammy-winning To Pimp A Butterfly had listeners snoozing.

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“He still doin’ shows, but fell off like the Simpsons/ Your first s–t was classic, your last shit was tragic/ Your second shit put n—-s to sleep, but they gassed it/ Your third shit was massive and that was your prime/ I was trailing right behind and I just now hit mine/ Now I’m front of the line with a comfortable lead/ How ironic, soon as I got it, now he want somethin’ with me,” the Dreamville CEO spews.

J. Cole informs Kendrick that this is just a “warning shot” and the gloves could come off entirely for more if the West Coast legend wants to go there.

“He averagin’ one hard verse like every thirty months or somethin’/ If he wasn’t dissin’, then we wouldn’t be discussin’ ’em/ Lord, don’t make me have to smoke this n—a ’cause I f–k with him/ But push come to shove, on this mic, I will humble him,” Cole promises.

The North Carolina native continues to tap Lamar about his lack of output. “Four albums in 12 years, n—a, I can divide,” he quips in a lyric that appears to imitate Jay-Z’s bars on his Nas diss “Takeover.”

The second part of “7 Minute Drill” features a beat switch with Conductor Williams taking the reins from T-Minus behind the boards and fans are speculating that the ominous production samples Drake’s If You’re Reading This It’s Too Late standout “Energy.”

For those wondering about the inspiration for “7 Minute Drill” as a song title, J. Cole’s manager Ibrahim Hamad explained last year during an appearance on the Say Less podcast that Cole will rap for seven minutes straight over a few different beats as an exercise to break writer’s block.

“He does these seven-minute drills that he got Cozz be doing… He’ll just be like, ‘You got seven minutes.’ It’s basically his way of breaking out of overthinking,” the Dreamville co-founder said. “Like don’t even think about it. Start a verse — what we gon’ talk about? He’ll be like, ‘Cozz, write a verse about pizza.’ They got seven minutes and they put the timer on.”

Might Delete Later kicks off a busy weekend for J. Cole, who will be headlining his fourth annual Dreamville Fest in Raleigh, N.C. on Sunday (April 7).

Take a listen to “7 Minute Drill” below.


https://youtube.com/watch?v=5KRMLBh3-N4&version=3&rel=1&showsearch=0&showinfo=1&iv_load_policy=1&fs=1&hl=en-US&autohide=2&wmode=transparent

Empire of the Sun Rises Again With ‘Changes’: Stream It Now

It’s a new dawn for Empire of the Sun.

The alternative electronic duo of Emperor Steele (Luke Steele) and Lord Littlemore (Nick Littlemore) returns with “Changes,” their first new release in eight years.

Though it points to a new era, “Changes” is classic Empire of the Sun, underpinned by a slapping, dancey- beat and fueled by a joyful synth riff.

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On it, Steele sings: “This time we’re going through changes/ This time like not before/ This time we’re going places/ Letting go.”

“Changes” represents “the shifting sands of time, empires rise and fall but the sun shall shine on,” says Littlemore, also a founding member of the Australian electronic trio Pnau. “Come once more into the world we’ve created, delve deeper within and be rewarded with its ever expanding story, each and every one is invited to explore the new era.”

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The new cut is supported with an official music video, directed by acclaimed filmmaker Michael Maxxis, in which our otherworldly heroes arrive via spacecraft on an earth-like planet, fully kitted-up and ready for dancing.

A young lad glimpses the landing and is first on scene, where he is greeted by some spooky ETs and the magic begins. Ominously, the music video wraps with the assurance “to be continued…”



The Empire of the Sun project first rose back in 2008 with the single “Walking on a Dream.” The recording cracked the top 10 on the ARIA Singles Chart (peaking at No. 10), and won single of the year at the 2009 ARIA Music Awards, one of their four victories on the night.

In the U.S., the song had a second life when it was synced to a Honda Civic commercial in 2016, driving it to No. 65 on the Billboard Hot 100 and powering it to No. 1 on Billboard’s Dance Club Songs, their second leader on the tally after 2013’s “Alive”.

Career streams top 7.6 billion, including more than 1 billion streams for “Walking on a Dream.”

Empire of the Sun has released three albums, the 2008 breakthrough debut Walking on a Dream, 2013’s Ice on the Dune and 2016’s Two Vines, all of which cracked the Top 10 in Australia.

A fourth might not be too far away. “There’s a lot of great music in the bag. I’m hoping that will see the light of day,” Littlemore told Billboard in 2021. “I have great faith. I don’t feel we have exhausted that well by any stretch. The name still has a lot of goodwill. I really hope we can come together and finish it.”

J. Cole Surprise Drops ‘Might Delete Later’ Project: Stream It Now

J. Cole has returned. The Dreamville boss surprised fans with the release of his Might Delete Later project, which arrived on Friday (April 5) without any sort of warning.

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The effort is filled with 12 tracks and features assists from a diverse range of artists including Gucci Mane, Cam’ron, Bas, Central Cee, Ari Lennox, Young Dro and more.

Might Delete Later finds a handful of songs Cole teased snippets of during his Vlogs of the same name recapping his travels as part of Drake’s Big As the What? Tour earlier this year. One of which finds J.C. and Killa Cam rapping over Dipset’s “I’m Ready.”

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It appears that Might Delete Later serves as an appetizer for fans rather than an LP, as Cole reminds everyone that The Fall-Off is still on the way this year to close out the project.

The project comes two weeks after Kendrick Lamar’s atomic bomb on the rap game when he torched “Big 3” running mates Drake and J. Cole with his guest verse on Future and Metro Boomin’s We Don’t Trust You album standout and No. 1 hit “Like That.”

J. Cole’s last album arrived in 2021 with The Off-Season, which topped the Billboard 200 to give the North Carolina rapper his sixth No. 1 album with 282,000 equivalent album units sold in the first week.

It’s going to be a busy weekend for the 39-year-old, who is hosting his annual Dreamville Fest this weekend (April 6 and April 7).

Cole is headlining the anticipated fourth edition of the festival alongside SZA, Nicki Minaj and Chris Brown. Other performers include Lil Yachty, JID, Sexyy Red, ScHoolboy Q, Teezo Touchdown, Jeezy, Monica, Rae Sremmurd, Key Glock, Jeremih, Lul Tyler, Muni Long and more.

Stream Might Delete Later below.

Doja Cat Expands on ‘Scarlet’ With Deluxe Edition: Stream It Now

Doja Cat‘s Scarlet era continues.

The 28-year-old superstar unveiled the deluxe edition of her fourth studio album on Friday (April 5), dubbing the expanded version Scarlet II: Claude Frollo, named after the villainous character from The Hunchback of Notre Dame.

The new album features seven new tracks, including “Masc,” “Acknowledge Me,” “Head High,” “Gang,” “Rider,” “Urrrge” and “Hungry.”

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“I feel like it connects to the story of ‘Scarlet’ in some way,” Doja explained in a recent episode of The Therapy Gecko Podcast, “and if you look up his personality traits and who he is and his story, you’ll understand the whole connection. There’s a control aspect. He just abuses his power and his control and is dogmatic and a total c—.”

Doja launched the original edition Scarlet in June with the release of “Attention,” which debuted and peaked at No. 31 on the Billboard Hot 100. The accompanying music video — which previewed the era’s overarching horror aesthetic — picked up six nominations at the 2023 MTV Video Music Awards, ultimately winning best art direction. “Paint the Town Red,” the record’s first radio single, soon followed with a catchy hook and a bouncy Dionne Warwick-sampling beat. The song became Doja’s second Hot 100 No. 1 — her first unaccompanied — becoming the first hip-hop song to reach the top of the ranking in 2023. 

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Listen to Scarlet II: Claude Frollo in full below.

Dynamicduo Discuss ‘2 Kids on the Block’ Album Finale & Collaborating With BTS’ J-Hope & RM

Two decades in any industry is worth celebrating, but Dynamicduo has not only persisted through the early, nascent days of Korea’s hip-hop scene but has also hit new creative and mainstream peaks ahead of reaching the 20-year milestone.

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Since childhood friends Choiza and Gaeko officially paired up in 2004 with debut album Taxi Driver, the pair have trailblazed their legacy after setting records for hip-hop sales in Korea, taking top honors at mainstream awards shows in music and videos, establishing their Amoeba Culture label, and collaborating with a range of stars through the decades like DJ PremierJ.Y. ParkTiger JKBoARainWonder Girls and members of K-pop groups like BTSEXO and Monsta X.

Dyanmicduo’s three-part album, 2 Kids on the Block, officially wrapped its 10-month rollout with the release of Part.3 on March 28, with the new tracks documenting two decades of inner dialogues and growth to ultimately decide to set their sights even higher by the LP’s conclusion. Parallel to the record’s past-meets-present concept, Dynamicduo experienced balancing an old and new track, both taking over on social media for a minute in 2023. Their 2014 single “AEAO” featuring DJ Premier” went unexpectedly viral on TikTok (landing itself as one of TikTok’s Top 10 Song of Summer from South Korea), while their collaboration cut “Smoke” with rising rapper Lee Young Ji for a popular TV dance competition also took off via dance challenges, earning the guys their first-ever entry on the Billboard Global 200 chart. Helping fuel DD’s 2023 hits were infectious dance and lip-sync covers from K-pop heavyweights like V and Jung Kook of BTS, Minho, EXO, SEVENTEEN, TOMORROW X TOGETHER, ITZY, ATEEZ and IVE, as well as stars across the J-pop and Korean hip-hop scenes.

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A day after the release of 2 Kids on the Block — Dynamicduo’s milestone 10th album together — was the unveiling of J-Hope from BTS’ latest solo project, Hope on the Street Vol. 1, featuring Gaeko on the lead single “NEURON.” Alongside this J-Hope collaboration, the slew of rising and established names in Korean pop, R&B, rap and even acting on 2 Kids all point to Dynamicduo’s continued influence and expert ability to navigate different musical realms for decades.

Speaking exclusively with Billboard, Dynamicduo reflect on their journey thus far, share their ambitious vision for the next decade, discuss differences between their BTS collaborations and more.



Congratulations on the release of 2 Kids on the Block – Part.3. How does it feel now that the series is complete? With five full tracks, Part.3 is the longest chapter in the 2 Kids on the Block series. Was there a reason for breaking out the parts like you did?

Gaeko: We feel so happy to be able to release the album on our 20th anniversary. The timing was perfect.

Choiza: Our CEO, who had been with us since the establishment of our company, suddenly passed away as her condition worsened, and while she was here, she really liked the songs that we were working on from the tenth album. So we wanted to gift the release to her while she was still here with us. And the current state of the music market makes it impossible for people to listen to all the songs in an album. Even if we released all the songs at once, only one to two songs would have stood out, so we thought dividing it into parts would have people listen through all the songs. Lastly, this album expresses stories and the history of Dynamicduo, so we released it in several parts to sequentially tell different stages of our lives from past to present.

You also released a remix package for “AEAO” with DJ Premier and “Smoke” for Street Woman Fighter 2, both viral hits, in between parts. Was there a balance you had to find with these singles and returning to the album?

Gaeko: Apart from the hits of the two singles, we tried to refocus on maintaining the album’s concept and improving its level of completion. We took a short break, about two weeks, at the beginning of the year to refresh our minds and then got back to the grind.

Choiza: Actually, 2 Kids On The Block – Part.3 was originally going to be released as three songs last year, but “Smoke” became such a huge hit, so we couldn’t complete the album at that time. But, thanks to that, we were able to prepare five songs instead of three with the extra time we were given, and we are satisfied with how it turned out. The additional two songs that we added fit right in with the concept of the album.

Your new single, “PITAPA” featuring pH-1 and Junny, is really impressive. What inspired the theme of “pizza, tacos and pasta” and what do you hope listeners will take away?

Choiza: “PITAPA” is a song that resembles the aspiration of wanting our music to be appealing to people all over the world and to be known in such a way as pizza, taco, and pasta are as global foods familiar to everyone around the world. pH-1 and JUNNY are well-received in both Korea and overseas, so having them on the track added extra flavor and we think overseas listeners who like Korean hip-hop will have fun listening to it.

Gaeko: We felt that the words “pizza, taco, pasta” connected well and the line just stuck to our mouth. We felt the groove and loved the sound of it, so we were able to make the hook right away. “PITAPA” was the last song we worked on on the album, and it was completed quickly with the inspiration we got from our U.S. performance that we had just gotten back from.

Personally, I hear some DJ Premier influence on the production of “PITAPA.” Did his work inspire you or parts of this album after the resurgence of “AEAO”?

Choiza: “AEAO” is a song that gave us the courage to pursue overseas activities. We worked with an amazing artist, DJ Premier, and when the song resurged on TikTok, it helped bring in a wider audience, giving them exposure to who we are and our songs. The resurgence encouraged us to think that we have the potential to do something overseas and that the idea of rapping and singing in Korean would still appeal to the foreign market. “AEAO” gave us tremendous inspiration.



BewhY gives props to Dynamicduo as inspiration for his career on the album track “Love Myself.” This LP has many rising rap and R&B stars. Do you have humbling moments like this where you realize your influence?

Choiza: We are very grateful that young artists are inspired by us and how long we’ve been doing this. We think one of the reasons we’ve been able to make music for so long is that we get a lot of help and learn a lot from working with new artists. We want to continue working hard and creating good music together.

Actor Jung Man Sik does the intro on “Dramatic,” which was very clever. How did he end up on the album?

Gaeko: When we got Man Sik’s part added to the song, it felt like we found the missing piece to the puzzle. We contacted him last minute, like two days before our scheduled mix session. We had nobody else in mind other than Man Sik and, luckily, it was his day off that day, and he understood exactly what we wanted and acted so quickly on it. He completed our puzzle and we want to thank him again.



Gaeko, you collaborated with J-Hope of BTS on “NEURON” from Hope on the Street Vol. 1 album. Since J-Hope is enlisted and cannot share much about the song, can you tell us about how the track came together?

Gaeko: J-Hope came to my studio last year and we not only talked about music, but also talked about many different things in life — it was such a fun time and I felt his deep passion for music and dance. I think his energy transferred over to me because I was able to write the lyrics quickly. We recorded our verses separately, and I went over to HYBE and we recorded the hook together. It was a fun project.

All three verses on “NEURON” express a strong sense of positivity and gratitude. Can you share how you approached your verse? Did you hear J-Hope and Yoon Mirae’s verses, or was it all a surprise when the album came out?

Gaeko: It wasn’t until after 20 years of making music that I began to understand that good things come out only when you relax and empty yourself. I wanted to capture those emotions in the verse, and I also tried to make the overall structure of the verse simple and plain. J-Hope’s verse was already completed before I did my part, and I listened to Tasha (yoonmirae)’s verse after it was mixed. Their parts were so good so I had second thoughts on recording my part again, but I decided not to. If I did it again, I wouldn’t have been able to capture the same emotions from the initial recording, so I left it as is.

RM featured on Gaeko’s single, “Gajah” from 2017. How do the collaboration experiences and recording processes differ between RM and J-Hope?

Gaeko: I felt that the musical direction they were both pursuing was similar yet different. I felt that RM had a deep affection, understanding, and love not only for hip-hop but also for music itself. And J-Hope had a massive passion for hip-hop and dance and wanted to pour all his energy into them before enlisting into the army. I also received a lot of energy from those two.



As Dynamicduo celebrates its 20th anniversary in 2024, how do you look back on the 20 yeras? Do you have anything special planned to celebrate this year?

Gaeko: Looking back now, we think that we were meant to do music. There were times when we experienced challenges, joy, and frustration, but the fact that the two of us were together in all those moments is probably the biggest accomplishment of our career.

Choiza: [The] 20th anniversary isn’t any special to us because we want to work just as hard as we’ve been and treat it like all our previous years. However, we will be holding a concert at the end of the year for our 20th anniversary and we want to make it big — we will be working hard and preparing a show for all to enjoy.

Collaboration has been a significant aspect of your career and we see it in 2 Kids. Whether it’s with fellow artists or producers, how do you approach collaborations to make them successful? Is there anyone still on your bucket list?

Choiza: We enjoy working together, but there are also a lot of new things that we discover when working with other artists. It’s fun to work with famous artists, but we also want to collaborate with rising, up-and-coming artists because we have a lot to learn from each other as well.

We think it would also be fun to mix various languages into one song. We are currently working with Thai rapper F.HERO, and we hope to work with artists from the U.S., Japan, Southeast Asia, and other parts of the world.

While K-pop impacts globally, Korean hip-hop and R&B are also rising. Do you have any thoughts—or hopes—of what it will take for these genres and artists to be more noticed internationally looking forward?

Gaeko: It’s important to make an effort to create the best work in whichever area we work in and to respect each other. We try not to set any high expectations for the results and just do our best in our field.

Choiza: Our goal is to be good at making music and to do it for a long time, so we’ll do our best to keep this going. We ask for your continued interest, and I believe that our overseas listeners will find songs that suit their tastes when they listen to all our songs that have been released so far. Please check out our 10th album as well as all our previous ones. We feel so grateful and honored to take part in this interview. Thank you for having us!

Raye Learns What ‘OG’ Really Means in New ‘SNL’ Promo

Raye is making her Saturday Night Live debut this weekend (April 5) — but first, she received a valuable slang lesson from Kristen Wiig and Bowen Yang.

“It’s always such an honor to work with an OG,” Yang tells Wiig, who is a former SNL cast member and is set to host the show for the milestone fifth time. Wiig then clarifies to Raye that “OG” stands for “Opulent Girl,” which leads the “Escapism” singer to look confused given that the acronym actually stands for “Original Gangster.”

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Yang then interjects, “Yeah, OG, a girl who is ostentatiously rich or luxurious or lavish. I can’t believe you’ve never heard of that Raye!”

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Wiig’s new series Palm Royale — which she both stars in and executive produced — premieres March 20 on AppleTV+. The former Saturday Night Live cast member will be hosting the episode, while Raye will be making her SNL debut as musical guest. The British singer-songwriter recently made history by taking home six BRIT Awards, the most ever awarded to one artist in a single year.

Watch the promo below, and catch Saturday Night Live on Saturday (April 6) at 11:30 p.m. ET on NBC, before the episode begins streaming on Peacock.



Future & Metro Boomin Release Menacing Trailer for ‘We Still Don’t Trust You’ Album: ‘Job’s Not Finished’

One time wasn’t enough for Future and Metro Boomin as the Atlanta rapper-producer duo are ready to spin the block again later this month.

Metro Boomin shared a menacing trailer for the second serving of their double album titled We Still Don’t Trust You on Thursday (April 4).

The cinematic clip features Young Metro and Pluto draped in white suits while walking around a dark room. Matching luxury cars flank the pair before stunt doubles continue to fill the alley. Everything comes to a close by revealing the project’s April 12 release date.

“Job’s not finished 4/12/24 @1future,” Metro captioned the clip on social media.

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Young Metro also made sure to clarify on X that this project isn’t some sort of deluxe edition and should be looked at as a completely new idea separate from the first.

“This is not a deluxe this is completely separate body of work #WeSTILLDontTrustYou 4/12/24,” he added.

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Metro Boomin and Future took the hip-hop world by storm with their We Don’t Trust You album, which topped the Billboard 200 with 251,000 total album-equivalent units in the week ending March 28, per Luminate. It’s the biggest sales week for any album thus far in 2024.

“ALL PURELY OFF STREAMS NO PHYSICALS NO BUNDLES JUST GREAT MUSIC AND EMBRACE FROM YOU ALL!! THANK YOU!!!! #WETRUSTYOU #WEDONTTRUSTTHEM,” Metro wrote on X after the project reached No. 1.

Album standout “Like That” featuring Kendrick Lamar also soared to top the Billboard Hot 100 thanks in part to K. Dot’s incendiary bars scorching his “Big 3” running mates Drake and Future.

“Like That” ended up drawing 59.6 million streams and 5.6 million radio airplay audience impressions and sold 9,000 in the week ending March 28, according to Luminate. The 59.6 million streams are the most for a track in one week since Miley Cyrus’ “Flowers” tallied 59.7 million in its second week (Feb. 4, 2023).

Gear up for We Still Don’t Trust You by watching the trailer below. Look for the album to arrive on April 12.

Black Artists Featured on Beyoncé’s ‘Cowboy Carter’ Celebrated With Los Angeles Billboard

Beyoncé is no stranger to lifting up her fellow Black artists, and she did just that with her recently released album, Cowboy Carter.

The project features Tanner Addell, Brittney Spencer, Tiera Kennedy and Reyna Roberts on Bey’s “Blackbiird,” a rendition of The Beatles’ 1968 classic. Linda Martell and Shaboozey are feaured on “Spaghettii,” while Willie Jones sings on “Just for Fun.” Shaboozey also makes an appearance on “Sweet Honey Buckiin’.”

To celebrate the talented Black artists that contributed to Cowboy Carter, Spotify launched a billboard in Los Angeles this week, noting that each of the featured artists received an impressive bump in streams and visibility on the streaming platform since the album’s release.

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Spotify x COWBOY CARTER Billboard

Spotify x COWBOY CARTER Billboard

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According to Spotify, Beyoncé’s catalogue got a 395% in streaming since Cowboy Carter‘s release, Spencer’s music saw an increase of 37,220%, Reynolds saw an increase of 16,000%, Adell saw an increase of 3,200%, Kennedy saw an increase of 40,000%, Jones saw an increase of 5,650%, Shaboozey saw an increase of 1,350% and Martell saw a nearly 127,430% increase in catalog streams on Spotify.

Each artist also got a boost in first-time listeners. Beyonce’s first-time listeners increased by 85%, Spencer’s increased by 170%, Reynolds’ increased by 125%, Adell saw an uptick of 125% in first-time listeners, Kennedy’s increased by 110%, Jones’ increased by 75%, Shaboozey’s increased by 70% and Martell saw a nearly 1,145% uptick in first-time listeners on Spotify.

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On the day of its release on March 29, Cowboy Carter officially became Spotify’s most-streamed album in a single day in 2024.

See Spotify’s Cowboy Carter billboard in its entirety below.

Spotify x COWBOY CARTER Billboard

Spotify x COWBOY CARTER Billboard

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