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Ernie Isley Receives Lifetime Achievement Award From Guitar Center Music Foundation

Ernie Isley, master guitarist and member of legendary group The Isley Brothers, received much-deserved roses from The Guitar Center Music Foundation this week.

The occasion on Thursday (April 4) was the foundation’s second annual benefit concert and fundraiser at the Hollywood Roosevelt Hotel during which Isley accepted the organization’s lifetime achievement award.

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“It’s such an honor to be a part of this because Ernie’s influence has been truly unrecognized for a long time,” said award presenter and fellow guitarist-songwriter Vernon Reid, founder of the rock band Living Colour.

He added in part, “It’s so long overdue that it’s ridiculous. So this is a measure of justice as well. As a kid, I used to get guitar magazines and I’d see Duane Allman on a cover. I’d see Dicky Betts on a cover. Or I’d see Rory Gallagher, who I love, on a cover. But the one person I didn’t see on those magazines was the person who had the most influence on me. And that’s Mr. Ernie Isley.”

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Ernie Isley

Tracy Isley

Prior to the award presentation, Isley was saluted musically by an array of artists backed by a band led by the evening’s music director, keyboardist and arranger Greg Phillinganes. Reid himself ripped through a rousing performance of the Isley Brothers’ 1975 hard-funking “Fight the Power, Part 1” with Phillinganes on vocals.

Also drawing hearty applause and ovations were guitarist Ray Parker Jr., aka Mr. Ghostbuster, who joined the band on 1978’s soulful “Groove With You”; Toto co-founder Steve Lukather chiming in with his roof-raising strut work on the Isleys’ 1974 cover of the Seals and Crofts classic “Summer Breeze”; and Melanie Faye, showcasing her next-gen guitar skills on the Isleys’ slow jam “Footsteps in the Dark” — a 1977 song that Ernie wrote and on which he also played guitar and drums.

Calling dad Ernie “my favorite writer ever” after taking the stage, Alex Isley — a Grammy-nominated singer-songwriter in her own right — delivered a poignant take on another of her father’s compositions, 1976’s “(At Your Best) You Are Love.” The band and its accompanying singers opened the evening with another 1976 Isley release: the still timely “Harvest for the World.”

Rounding out the evening were video tributes from a host of artists and musicians. Among them: Nile Rodgers, Chaka Khan, Narada Michael Walden, Sheryl Crow, Carlos Santana and H.E.R. (“I’ve been a huge fan since I was a little girl; thank you for paving the way four artists like me”). Sharing his congrats as well was percussionist Pete Escovedo, who received The Guitar Center Music Foundation’s inaugural lifetime achievement award last year. The evening also included a silent and live auction featuring such items as a Bruno Mars-signed guitar and a day-long studio session with Grammy-winning engineer Val Garay.

Referencing his Isley Brothers siblings — O’Kelly Jr., Rudolph, Ronald, Vernon and Marvin — Ernie remarked in part, “We’ve been blessed with longevity and the music. This is a highly distinguished honor and privilege. I really don’t have the words to describe it. Just thanks.”

His comments were followed by a video clip from brother Ronald who noted, “Didn’t I tell you that you’d be the greatest; the one to represent the family. That’ you’d be one of the greatest guitar players there is and one of the greatest songwriters? You know I love you. Congratulations, son. You finally made it!” Ernie then picked up his guitar, joined by Reid, Grammy-nominated singer Eric Benét and the band, and rocketed into a powerful performance of one of the Isleys’ top signature songs, “That Lady.”

Proceeds from The Guitar Center Music Foundation’s annual fundraiser go toward music education and music therapy. The board is chaired by David Helfant. Hammond Entertainment, headed by founder/president William Hammond, served as the event’s producer.

Kelly Clarkson Channels Judy Garland During Captivating ‘Over the Rainbow’ Cover: Watch

Kelly Clarkson paid homage to a classic during The Kelly Clarkson Show.

For the episode’s Kellyoke segment on Friday (April 5), the 41-year-old pop star and TV personality performed an awe-inspiring rendition of Judy Garland‘s “Over the Rainbow.”

Donning a long-sleeved black dress, Clarkson captivated her audience with a passionate delivery of The Wizard of the Oz ballad, originally performed by Garland in the 1939 film.

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“Away above the chimney tops/ That’s where you’ll find me,” the Grammy winner belted out while backed on guitar by Jaco Caraco.

The beautiful performance ended with a flash of rainbow-colored lights in the background as the crowd cheered approvingly.

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“Please put this on the next Kellyoke album so I can dance to it at my wedding,” one fan wrote in the comments section on YouTube.

Another added, “HOLY MOTHER OF GOD!!!! Ok, Judy Garland is the Standard and no one will ever beat her, but (for me) this is the BEST VERSION of the many, many, many, many, many covers we all have heard!!! OF COURSE IT HAD TO BE KC!!!!”

“I think Judy would be proud of this. Knowing her legacy still lives on in this rendition made me smile,” a third user wrote.

“Over the Rainbow” holds special meaning for Clarkson. During an appearance on Today in 2017, she revealed that she often sings the 20th-century standard to her children, River Rose, 9, and Remington “Remy” Alexander, 7. The singer shares the kids with her ex-husband, Brandon Blackstock.

“She’ll always cut me off and go, ‘Birds, mommy, birds.’ She always wants me to get to the bird part,” Clarkson said during the interview.

Watch Clarkson cover “Over the Rainbow” below.


https://youtube.com/watch?v=XUp5K1_-1do&version=3&rel=1&showsearch=0&showinfo=1&iv_load_policy=1&fs=1&hl=en-US&autohide=2&wmode=transparent

Parker McCollum Blazes to His Third Country Airplay No. 1 With ‘Burn It Down’

Parker McCollum notches his third leader on Billboard’s Country Airplay chart as “Burn It Down” rages 6-1 in its 44th week on the survey (dated April 13). The song advanced by 17% to 27.5 million audience impressions March 29-April 4, according to Luminate.

McCollum co-authored “Burn It Down” with Hillary Lindsey, Lori McKenna and Liz Rose, and Jon Randall produced it.

The song is the sophomore single from McCollum’s LP, Never Enough, which arrived at its No. 12 best on Top Country Albums last May. Lead single “Handle on You” hit No. 2 on Country Airplay the same month, awarding the Conroe, Texas, native his third of four straight career-opening top 10s. His first entry, “Pretty Heart,” led for a week in December 2020, followed by “To Be Loved by You,” which reigned for a week in March 2022.

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Currently on tour, McCollum makes his next stop in Edinburg, Texas, on April 5 with special guests Corey Kent and Catie Offerman.

Meanwhile, McCollum’s 6-1 vault marks the second such surge in a row on Country Airplay. On the April 6 chart, Chayce Beckham’s solely self-written “23” made the same move, becoming the 2021 American Idol champ’s first leader.

Since the chart began in January 1990, the biggest jump to the summit belongs to Ricky Van Shelton’s “Keep It Between the Lines,” which blasted 9-1 on the Oct. 12, 1991, survey.

Beyoncé & ‘Jolene’

Beyoncé debuts her second Country Airplay entry, as her reworking of Dolly Parton’s “Jolene” begins at No. 56 (982,000 in audience). It’s the second song from her new album, Cowboy Carter, released March 29, to make the list — lead single “Texas Hold ‘Em” ranks at No. 37 (3.2 million, down 6%) in its eighth week, after reaching No. 33.

Olivia Rodrigo Makes MSG Debut: 8 Best Moments From Her First NYC Guts Tour Show

The morning of the Guts World Tour’s first night at Madison Square Garden, a perplexing, 4.8-level earthquake tore through New York City. Minutes later, the famed arena tweeted from its official account, “that was just the earth prepping for Olivia Rodrigo tonight.”

That was exactly right, as far as the 21-year-old pop star’s fans were concerned. More than 14,000 of them showed up in purple-hued, sequined droves to watch Rodrigo make her debut at one of the country’s biggest career milestone-marking venues Friday night (April 5), something that’s been a long time coming for the star since she found near-instant global success with Sour in 2021. (Not wanting to “skip steps,” as she told Billboard at the time, the singer stuck to smaller theaters for her first tour in ’22. Now, with a second chart-topping album under her belt thanks to last year’s Guts, Rodrigo is more than ready for not just one, but four sold-out shows at the Garden, the remaining three of which are slated for April 6, 8 and 9.)

Having previously briefly joined Billy Joel at one of his 2022 MSG shows to duet her own hit, “Deja Vu,” as well as “Uptown Girl,” Rodrigo was already a little bit acquainted with the grounds — plus, after being on the road for a month following her kickoff show in Palm Springs Feb. 23, her hour-and-a-half undertaking was already a well-oiled machine by the time she got to New York. Even so, the reigning princess of pop took the stage looking with genuine amazement as her crowd jumped, danced and screamed along to her opening number — “Bad Idea Right?” — making the entire arena pulse, this time without any help from shifting tectonic plates.

From a special guest performance (hello, Noah Kahan!) to a surprise mini High School Musical reunion, see the 8 best moments from the show that followed below.

Ice Spice Takes Blame for Causing Earthquake: ‘This A– Be Clappin’

A New Jersey earthquake rattled much of New York City and the surrounding Metropolitan area on Friday morning (April 5). While Big Apple residents searched for answers as to why the rare natural disaster struck the Northeast, Ice Spice stepped in to jokingly take the blame for shifting the tectonic plates.

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The Bronx native put her thick physique at fault. “My bad for the earthquake yall u kno this a– be clappin,” she wrote, tongue-in-cheek.

Fans had fun at Ice Spice’s viral booty-quake revelation and filled her replies on X (As of press time, her tweet has over 120,000 likes). “Might be the realest s— i ever heard,” one wrote.

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Others continued to respond to Ice Spice with a clip of her twerking in a pool. The “Princess Diana” rapper replied to one of the videos alleging that Triller leaked it from her drafts.

Per ABC7, a 4.8 registered earthquake hit near Whitehouse Station, New Jersey around 10:23 a.m. ET on Friday, which is about 45 miles west of New York City. Shockwaves shook the East Coast from Washington, D.C. to Maine. Fortunately, there were no reports of death or major damage.

“Our preliminary reports do not indicate major life safety or infrastructure issues from the earthquake. We are performing thorough inspections of critical areas,” New York City Mayor Eric Adams said.

Early estimates figure that 42 million people felt the earthquake in some capacity, but perhaps nobody capitalized on the moment more than Ice Spice thanks to her witty humor and self-awareness.

On the music side, Ice Spice is heading toward the release of her Y2K debut album later this year. The project remains without a release date, but the 24-year-old revealed she finished recording it in March.

“I think this is some of my best work,” she told Billboard of the LP while also hinting that “it’s not going to be too long — it’s going to be sweet and to the point.”

Here’s How Many Followers Billie Eilish Gained After Adding Everyone to Her Close Friends Story

Billie Eilish may have just pioneered an incredibly effective social media growth tactic with one simple move on Instagram.

According to CrowdTangle, the 22-year-old pop star gained 7 million new followers in just a two-day span. The spike comes after Eilish added all 100-million-plus followers to her “Close Friends” Story, where she’s been posting cryptic teasers for her upcoming third studio album this week.

The data tracking company found that, between Wednesday (April 3) and Thursday (April 4), 3.17 million people pressed “Follow” on the “What Was I Made For?” singer’s account in order to join her exclusive Story-viewing pool. Between Thursday and Friday (April 5), 3.9 million more users tagged along.

In total, Eilish saw a growth of 6.4% on the platform.

The posts the singer has been sharing on her Close Friends outlet have included fuzzy fragments of artwork, most of them awash in blue hues. The aesthetic of the pictures matches certain billboards that have popped up in New York and Los Angeles this week, displaying what many fans feel certain are lyrics from Eilish’s next LP.

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One of them, for instance, blasted in bright blue lettering, “She’s the headlights I’m the deer.” Others read, “I try to live in black and white,” and “Did I cross the line?”

The nine-time Grammy winner hasn’t dropped an album since 2021’s Happier Than Ever, which followed her 2019 debut When We All Fall Asleep, Where Do We Go? Both records spent three weeks at No. 1 on the Billboard 200.

Ahead of her new era, Eilish spoke about her sustainability efforts in an interview with Billboard. After one of her quotes from the article about the wastefulness of releasing too many vinyl variants was misinterpreted by countless fans online, she took to Instagram Stories to clarify, “I wasn’t singling anyone out.”

“These are industry-wide systemic issues,” she added at the time. “when it comes to variants, so many artists release them – including ME! which i clearly state in the article.”

Jelly Roll & Bunnie XO’s Plane Makes Emergency Landing on the Way to 2024 CMT Awards

Jelly Roll and Bunnie XO aren’t having the smoothest trip to Austin, Texas, ahead of this year’s Country Music Television Awards.

In a TikTok posted Thursday (April 4) by the Dumb Blonde Podcast host — who wed the “Son of a Sinner” singer in 2016 — the couple and their posse experienced a major setback during their flight down south. “When the private jet you’re in just stopped mid air, turned around & said we had to emergency land because of a malfunction,” Bunnie wrote in a text block layered over a clip of her and some friends reacting to turbulence with shocked faces.

In the video, Bunnie visibly mouths, “What the f–k?”

“CMT i swear we’re coming ?,” she captioned the clip.

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In the comments, the influencer confirmed, “We landed but might have to get back on the same plane ?.”

Assuming the pair eventually makes it to the Moody Center in time for the Sunday (April 7) ceremony, Jelly Roll will both present and perform at the 2024 CMTs. He’s also one of this year’s most-nominated artists, with nods in the video of the year, male video of the year and CMT performance of the year categories, all for his song “Need a Favor,” which peaked at No. 13 on the Billboard Hot 100 in November.

The event will follow one week after the 2024 iHeartRadio Music Awards, where Jelly won best new artist in both the country and pop categories. “My mama always told me I had a face for radio, baby!” he joked during his acceptance speech. “I never would have dreamed I would be one of the voices coming through your radio…. I love you, Jesus, and I love you, Bunnie, my wife.”

See Bunnie’s TikTok below.

Reggae/Dancehall Fresh Picks of the Month: Sevana, Skillibeng, KES, Romain Virgo, Popcaan & More

As Jamaica prepares for Carnival (April 7), Road March-ers have heaps of new music to celebrate and dance to, including some enjoyable selections from the month of March across reggae, dancehall, soca, calypso and more.

While clashes and the Bob Marley: One Love biopic dominated January and February, respectively, March was all Vybz Kartel‘s. On March 14, the Judicial Committee of the Privy Council (JCPC) overturned the dancehall king’s murder conviction. Having already served 12 years in prison — alongside three other alleged co-conspirators — after being found guilty in 2014 for the 2011 murder of Clive “Lizard” Williams, the dancehall king’s future is now in the hands of Jamaica’s Court of Appeal, as the body decides whether to release him or order a retiral. Fans around the world have taken the JCPC’s decision as a good omen for Kartel’s freedom, including Drake, who shared a picture of a “Free Kartel” t-shirt to his official Instagram story on Tuesday (April 2).

Outside of Kartel, Bob Marley: One Love continues to bless people around the world. On Tuesday (April 2), One Love co-producer Cedella Marley announced a call for U.S. applications for 10 Bob Marley: One Love social impact scholarships. In her announcement — which she made via her official Instagram page — she detailed the scholarships as a partnership between the box office-topping film and the Congressional Black Caucus Foundation.

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The 10 scholarships will be granted to undergraduate students “pursuing social justice-related degrees” at HBCUs, including Bowie State University, Clark Atlanta University, Dillard University, Florida A&M University, Hampton University, Morehouse College, Morgan State University, Spelman College, Texas Southern University and the Xavier University of Louisiana.

Naturally, Billboard’s monthly Reggae/Dancehall Fresh Picks column will not cover every last track, but our Spotify playlist — which is linked below — will expand on the 10 highlighted songs. So, without any further ado:

Freshest Find: KES feat. Queen Omega, “Rise Up”



In a recent interview with Billboard, soca superstar Kes detailed his five favorite tracks from Man With No Door — the band’s first album in a decade. One of those tracks, the Queen Omega-assisted “Rise Up,” is also one of the album’s most impressive offerings. Drawing inspiration from social justice-minded roots reggae tracks from acts like Capleton and Richie Spice, “Rise Up” is a brassy, militant ode to that era. Both Kes and Queen Omega deliver impassioned vocal performances that anchor their pleas for “humanity [to] rise up.”

As Kes pointed out in his Billboard interview, this track had to be shared with somebody, particularly Queen Omega who spits a blazing verse that drips with grit and hope. “I have deep love for humanity and sometimes deep concern too of where things are going,” Kes said. “I really wanted to write a song to capture that part of me.”

Skillibeng, “Missbnasty”



Skillibeng has been a leader of dancehall’s new class for some years now, and he shows no signs of slowing down with his new single, “Missbnasty.” Inspired by a famed adult content creator, Skillibeng gets predictably nasty on this slinky bass-heavy Afrobeats-inflected beat courtesy of P2J. “Lovе when yuh bounce pon my d–k/ Cau yuh sweet like a pornstar b—h/ She’ll steal your interest/ Make a whole profit,” he croons in a voice that’s caught somewhere between a breathless whisper and raspy chant.

Sevana, “Keep Going (Chosen)”



Fresh off her feature film debut in Bob Marley: One Love, Jamaican singer-songwriter Sevana is back with a brand new single. Titled “Keep Going,” a sultry slice of meditative reggae, the new track finds her crooning, “God know mi special, mi naw fi listen/ Know that I’m a king/ In this wicked jungle and that’s why I sing/ Blessed to be so gifted, so mi caan waste it.” A reminder of your purpose, greatness and claim to a life well-lived is always a welcome reminder, and Sevana delivers one by way of a vocal performance that exudes the warmth and sternness of a beloved mentor.

Romain Virgo, “Red Dress”



For the midpoint of his The Gentle Man album — which arrived on March 1 — Romain Virgo delivers the thesis of his latest record. On “Red Dress,” Virgo effortlessly morphs into a bachelor, albeit a tasteful one that prioritizes mature, if not wistful, seduction over straightforward sleaze. He employs a strikingly reflective tone as he sings, “Please wear that red dress again/ Take me back to the beginning/ Love to watch you in it/ And I′ll cherish every minute.” The entire album is an exploration of what it means to reflect on different stages of your life, and “Red Dress” presents a Virgo who is ready to be an example of the premiere “gentle man” for the next generation.

Stalk Ashley & Skillibeng, “Really Like You”



Cash Cobain and Bay Swag’s “Fisherrr” may be signaling a shift in the dominant sound of New York’s music scene, but that doesn’t mean drill is completely out the door. On “Really Like You,” a low-key sexed-up duet between Jamaican singer and internet personality Stalk Ashley and Skillibeng, the skittering snares of New York drill provide an urgent energy to the bare-bones dancehall beat. “One life weh me know bout/ So mi a do whatever I want/ F–k whoever I want, yeah/ And mi really like you baby,” she croons. The song is pretty much as far away from dancehall as you can get, but it is a winning showcase of the versatility of both drill motifs and the artists involved.

Shaneil Muir, “Protected”



Jamaican singer Shaneil Muir places her focus on the Most High with her new “Protected” single. Soundtracked by raw acoustic guitar, plaintive piano keys and tender finger-snaps, she croons, “Yow damage, mi pray for miself/ Stop worry bout people and mi better miself.” Shaneil’s vocal performance on the song’s verses is the best part of the song, she expertly manipulates her tone to exude the alluring, comforting energy of a storybook reciter. A solemn reprieve from the high-octane tunes of Carnival season, “Protected” finds Shaneil surrendering herself to Jah and trusting that he will stand alongside and behind her as she fights the various battles life sends her way.

D-Major, “Alpha and Omega”



On his new Morning Prayer EP, Jamaican singer D-Major is in his praise and worship bag. Consisting of six tracks, the project is quite succinct, but standout track “Alpha and Omega” dramatically boosts the EP’s replay value. “With God as your firm foundation, foundation of our lives now/ If you’re in a bad situation, he’ll provide a way for you to get out,” he proclaims over the highly percussive, calypso-inflected production. With a soaring vocal performance that finds assistance with rousing choir-esque background harmonies, “Alpha and Omega” is a delightful slice of gospel-reggae.

Khaliah, “Taboo”



Effortlessly exuding the sensuality of smooth reggae bass, Khaliah’s seductive, siren-esque tone lifts “Taboo” to towering heights. “Selective with my time, my dear/ But I give to you/ The sweetest love from January/ Straight back to June,” she croons. Almost Tyla-esque in the way that she forgoes expletives and still finds a way to express the sultry come-hither bent of her lyrics, Khaliah makes quite the impression on “Taboo.” Especially when she lifts her voice into a few belts over the song’s final chorus. Unfussy both lyrically and production-wise, Khaliah’s “Taboo” understands that, sometimes, simplicity truly is key.

Upsetta, Loud City & Popcaan, “Devil Works (Never Work)”



For his take on Upsetta and Loud City’s new “Devil Works” riddim, Popcaan rides the buoyant beat with a proclamation that he’s “nuh ‘fraid of nuh devil works.” His cadence here is a bit brighter than the ones he cycled through on last year’s Best Mood mixtape, but it’s the perfect complement to a song that doesn’t exactly try to hide its sanctified roots. Upsetta and Loud City’s riddim infuses electronic elements into their dancehall bass, but those pounding drums and sparkling synths ensure a sense of levity to go with Popcaan’s heady declarations.

Kabaka Pyramid, Sean Paul & Jemere Morgan, “Energy (Remix)”



Kabaka Pyrmaid’s Grammy-winning The Kalling LP may have dropped in 2022, but the renowned reggae star is still working the record. Produced by Damian “Jr Gong” Marley, this new Sean Paul-assisted “Energy” remix is set to appear on the forthcoming deluxe edition of The Kalling. Already a funky track bursting with dynamism — from the rollicking guitar riffs to Kabaka’s playful vocal delivery — Sean Paul injects some fiery dancehall flavor with his new verse. “Busy with my own focus mi deh on the grind/ Gotta get my own, gotta set my home in tact/ Can’t waste time cause you will never get that back/ Haffi reach fa di bag, so I get that stack,” he spits. The word “energy” can feel particularly banal nowadays, but this track couldn’t have been titled anything else — it’s literally vibrating with an unbreakable approach to all life has to offer.

Foo Fighters’ ‘The Glass’ Shatters the Ceiling on Mainstream Rock Airplay Chart

Foo Fighters score their 14th career No. 1 – and third in a row, a first for the band – on Billboard’s Mainstream Rock Airplay chart with “The Glass,” which jumps to the top of the April 13-dated tally.

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“The Glass” follows reigns for “Rescued” beginning last May and “Under You” last September.

Foo Fighters link three straight rulers after the Dave Grohl-led act previously packaged two in a row four times, with “Rope” and “Walk” (2011); “Something From Nothing” and “Congregation” (2014-15); “Run” and “The Sky Is a Neighborhood” (2017); and “Waiting on a War” and “Making a Fire” (2021).

In all, Foo Fighters now boast 14 No. 1s, tying the group with Five Finger Death Punch for the third-most in the chart’s history, which dates to 1981.

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Most No. 1s, Mainstream Rock Airplay:
19, Shinedown
17, Three Days Grace
14, Five Finger Death Punch
14, Foo Fighters
13, Metallica
13, Van Halen
12, Disturbed
12, Godsmack

Foo Fighters first reached Mainstream Rock Airplay in 1995 with “This Is a Call,” which peaked at No. 6. They first led with “Best of You” in 2005.

Concurrently, “The Glass” shatters the top 10 barrier on Alternative Airplay, rising 11-9. It’s the band’s chart-leading 31st top 10, dating to the list’s 1988 premiere.

Most Top 10s, Alternative Airplay:
31, Foo Fighters
28, Red Hot Chili Peppers
26, Green Day
23, U2
21, Weezer
20, Pearl Jam
19, Linkin Park
18, The Offspring
17, Muse
17, The Smashing Pumpkins

The track ranks at No. 24 on Adult Alternative Airplay (after reaching No. 11 in early March). On the all-rock-format, audience-based Rock & Alternative Airplay chart, it remains at No. 6 (after hitting No. 5) with 5.7 million audience impressions March 29-April 4, up 1%, according to Luminate.

On the most recent multimetric Hot Hard Rock Songs list (dated April 6, reflecting data March 22-28), “The Glass” placed at No. 5. In addition to its radio airplay, the song earned 166,000 official U.S. streams in that span.

“The Glass” is the third single, following “Rescued” and “Under You,” from But Here We Are, Foo Fighters’ 11th studio album. The set debuted at No. 1 on the Top Alternative Albums chart in June 2023 and has earned 168,000 equivalent album units to date.

All Billboard charts dated April 13 will update on Billboard.com Tuesday, April 9.

Frances Bean Cobain Honors Father Kurt Cobain on 30th Anniversary of His Death: ‘He Feels Transcendent’ 

It’s been 30 years since Kurt Cobain died, and his only child — daughter Frances Bean Cobain — took to Instagram on Friday (April 5) to honor her dad and her journey with grief over the course of her life.

“His mom Wendy would often press my hands to her cheeks & say, with a lulling sadness, ‘you have his hands,’” Frances wrote alongside a series of photos of herself as a child with the Nirvana frontman, as well as baby photos of Kurt. “She would breathe them in as if it were her only chance to hold him just a little bit closer, frozen in time. I hope she’s holding his hands wherever they are. In the last 30 years my ideas around loss have been in a continuous state of metamorphosing. The biggest lesson learned through grieving for almost as long as I’ve been conscious, is that it serves a purpose. The duality of life & death, pain & joy, yin & yang, need to exist along side each other or none of this would have any meaning. It is the impermanent nature of human existence which throws us into the depths of our most authentic lives. As It turns out, there is no greater motivation for leaning into loving awareness than knowing everything ends.”

Frances was nearly two years old when her father died, so she never had the chance to develop a relationship with him, a notion she highlighted in her social media message. “I wish I could’ve known my Dad. I wish I knew the cadence of his voice, how he liked his coffee or the way it felt to be tucked in after a bedtime story,” she wrote. “I always wondered if he would’ve caught tadpoles with me during the muggy Washington summers, or if he smelled of Camel Lights & strawberry nesquik (his favorites, I’ve been told).”

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She concluded her post by recalling a letter that Kurt wrote to her before she was born that read, “Wherever you go or Wherever I go, I will always be with you,” which she says still rings true. “Whether it’s by hearing a song or through the hands we share, in those moments I get to spend a little time with my dad & he feels transcendent,” Frances wrote.

See her full message here.

The grunge icon was discovered in a room above the garage of his Seattle home on Apr. 8, 1994, though investigators later determined that the 27 year-old rock star had died of a self-inflicted gunshot wound three days earlier.