Music News

Hear Ariana Grande Sing New Snippets of ‘Popular’ in ‘Wicked’ Teaser

On the night of the 2024 Tony Awards, one of Broadway’s most beloved musicals unveiled a brand-new movie teaser featuring Ariana Grande singing snippets of her Wicked character’s signature song “Popular.”

The cinematic 30-second spot for part 1 of the Wicked movie musical shows the film’s title being spelled out letter by letter, in between shots of the pop star’s Glinda floating in her magical pink bubble and Cynthia Erivo’s Elphaba putting on her iconic black witch’s hat and grabbing ahold of her broom. In addition to the Harriet star’s knockout “Defying Gravity” riff, listeners are also treated to new snippets of Grande’s vocals.

“Follow my lead,” she sings from “Popular” in the teaser. “La la, la la…”

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Fans previously got to hear a taste of Grande singing the famous tune in the full-length Wicked trailer, which dropped last month. It followed a shorter trailer that aired for the first time during the 2024 Super Bowl.

The new teaser comes days after Grande spoke about the film in a Tonight Show interview with Jimmy Fallon, on which she also performed her latest Eternal Sunshine single “The Boy Is Mine.” “This is something Cynthia and I lived every single day,” she told the late-night host. “To share it with people and to feel the love that we’ve received has been really overwhelming. These were really practical sets that we were blessed to be apart of. What you’re seeing is where we got to be for two years.”

Watch the latest Wicked teaser featuring Grande’s vocals on “Popular” below, ahead of the film’s Nov. 27 release.

Chief Keef Performs in Chicago for the First Time in 12 Years: Watch

Chief Keef made a triumphant return to his hometown of Chicago this weekend.

Hailing from the city’s South Side, the drill pioneer headlined the last day of Lyrical Lemonade’s Summer Smash Festival on Sunday (June 16). His setlist included classic bangers like “Faneto,” “Love Sosa,” and, of course, “Don’t Like. And as you might’ve guessed, the energy in the crowd was electric — luckily, the ground didn’t break like that viral video of a house party.

Cole Bennett, the Chicago area music director and executive behind Lyrical Lemonade told NBC 5 Chicago that Keef’s homecoming “feels like a true celebration” for the city. “He’s so integrated in Chicago and the hip-hop and music scene here. To bring him back home, in a way that feels like a true celebration,” Bennett said in an interview prior to Keef’s performance. “I truly think it will be one of the more memorable, iconic, talked about moments. Not just hip hop, live event history, but music history in general.”

The last time Keef performed live in the Chicago area was in 2012 during Lollapalooza, but he did perform in 2015 via hologram in nearby Hammond, Indiana before police shut it down because of pressure from the Chicago’s mayor’s office. In a statement, then-Chicago mayor Rahm Emanuel called the rapper—who was 19 years old at the time—”an unacceptable role model” and this his music “promoted violence.” Keef retaliated by tweeting out the mayor’s phone number and said he was going to run for the mayor of Chicago.

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The concert in Hammond was a “stop the violence” benefit and Keef’s first words on stage were, “If you got goals, achieve ’em. If you got dreams, believe ’em. Stop the violence, stop the killing, stop the nonsense. Let the kids grow up.” Keef couldn’t perform in Chicago at the time because two outstanding child support warrants.

Check out clips from Chief Keef’s Summer Smash performance below:

RM Reflects on Military Service So Far, Says He Misses His ‘Meaningful & Precious’ Moments With BTS

It’s been six months since RM enlisted in his mandatory South Korean military service, and the BTS superstar took to social media network Weverse on Saturday (June 15) to reflect on the process thus far.

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“It was [BTS’] 11th anniversary not long ago, but I couldn’t leave even a short post because I was busy,” he wrote in the post, which was shared in Korean. “‘Comeback To Me’ came out a month ago, and RPWP came out three weeks ago. Last April, I postponed my plan to enlist with [J-Hope] and ended up joining hands with my younger siblings. I think I spent the last 23 years just drinking and working. I’m jealous of my friend’s sergeant’s badge… but I have no regrets. (lol).”

He continued, “This is my first work where I haven’t been able to share my thoughts in person. There’s a lot I want to say, but it’s all written in the album… This is just an album in which I struggled to be honest with myself. I hope you read it over and over again for a long time.”

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He also reflected on his fellow BTS member Jin, who completed his service last week and marked the occasion by reuniting with his bandmates, who were all given leave to celebrate. In the sweet moment, accepted a bouquet of flowers and laughed as RM greeted him with a performance of the their Hot 100 No. 1 hit “Dynamite” on saxophone at the military base in Yeoncheon, Gyeonggi province. “I brought a saxophone to play for fun, but in reality, I had mixed feelings,” he wrote. “I wonder if it would have been very lonely and difficult to go first.. what would it have been like? One year and six months is fair to everyone here.”

The global superstars are expected to officially reunite in June 2025 after all members are released from service. “Jin always used to talk about it. I miss the members so much,” RM wrote. “I bet you do too. Now that I am scattered and living somewhere in Gangwon-do, I understand deeply. When we actually talked face to face, I realized again the things that never change, the place I had to return to, and what kind of person I was… It was a meaningful and precious time for all of us.”

He concluded by noting that he’s “looking forward to next summer” writing, “I just realized that many people still haven’t forgotten us and are waiting for us and loving us. Overflowing love. As always, I will just think of the members and spend each day well.”

See his full post here.

Ice Cube Doesn’t Think Kendrick Lamar & Drake’s Beef Is Over, Advises K-Dot to ‘Stay Locked & Loaded’

Ice Cube doesn’t think the beef between Drake and Kendrick Lamar is over.

While making an appearance on The Big Podcast With Shaq to promote his basketball league The Big 3, the West Coast legend was asked his thoughts on the rap battle between the two current rap heavyweights. After saying that he “approves of rap battles” and that they’re “the essence of the game,” Cube added that he thinks Lamar is winning, but doesn’t think the battle is over.

“I think Kendrick is up. He’s landed the more hard and effective punches, but that don’t mean Drake can’t get off the canvas,” he said. “If I was Kendrick, I’d stay locked and loaded just to be ready for whatever’s coming.”

Ice Cube knows a little something about rap beefs. The former N.W.A. member famously went at his former group and label, Ruthless Records, on the 1991 diss track “No Vaseline,” which many consider one of the best diss songs of all time. The rapper also feels that way. During his set at the California Roots Festival in May, the rapper told the crowd why he thinks his record is still the best: “One MC — myself — I took out four motherf—ers and the manager. You can’t beat that.”

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Shaq also talked about the time Cube blocked him from releasing a Dr. Dre produced track called “That’s Gangsta” because he felt is was too “off brand” for the then-Los Angeles Laker. “He’s loved by millions, loved by kids. He already established that. And why go backward when you’re already forward? You’re already a household name,” he said.

This isn’t the only rap news Shaq has made recently. Last week, the NBA Hall of Famer made his song with the Notorious B.I.G. “You Can’t Stop the Reign” available on streaming services.

Megan Thee Stallion Jokes She’ll End Show Early Over Crowd’s Weed Smoke: ‘I Don’t Want to Be High’

Megan Thee Stallion is enjoying her time on the road reuniting with Hotties across the country, but there is a request she has for the crowd when it comes to respecting her space.

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The “Hiss” rapper played host to a pair of sold-out shows at Toyota Center in her hometown of Houston over the weekend, and one portion of Saturday night’s (June 15) concert that went viral was when Meg briefly paused to let her feelings be known about the weed being smoked around her.

“I said don’t blow that weed by me. I don’t want to be high. If I get high, the show is over,” she playfully said in footage captured by fans. “I’m going to the hospital. Call the police.”

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Some in the crowd didn’t know how to react, while others laughed as Meg briefly twerked while walking across the stage, waiting for the next song to start up. The rest of the show also appeared to go on without disruption.

Plenty of Megan’s Hotties flocked to her defense on social media following the lighthearted rant.

“Megan has expressed before (in her music actually) that weed doesn’t agree with her so she lightheartedly stated the show would have to be stopped if she got high because of the negative physiological effect it has on her,” one person wrote on X. “There was no threatening and it’s her right to suggest people at HER concert keep it away from her.”

Another added, “Listen i enjoy 1 weed just as much as the next person but if you have to sneak weed into an event you need to go see that lady. It was a girl in front of me smoking at the concert last night I was so mad. Nobody wanna smell like smoke hun.”

The Hot Girl Summer Tour continues in the marijuana-friendly state of Colorado with a show at Denver’s Ball Arena on Monday night (June 17). MTS has been heating up heading into the summer, as she’ll be dropping her highly anticipated album MEGAN on June 28.

Watch the clip of Megan Thee Stallion speaking to the audience about smoking weed around her below.

Camila Cabello Showers Normani With Love After ‘Dopamine’ Release

Normani is getting a ton of love from her former Fifth Harmony bandmates.

After years of teasing that her debut record was on its way, Normani’s Dopamine finally arrived on June 14 — complete with collaborations from Gunna, Cardi B, James Blake and more. The star shared a celebratory post on Instagram, writing in the caption, “Thank you jesus. thank you jesus. thank you jesus. Have really been over here all morning doing my best to find the words to articulate my gratitude for everyone that has endured with me throughout this process and who has continued to believe in me.”

She continued, “This album was legit one of the hardest things in life for me over the years. literally can’t even entirely verbalize my appreciation in this moment because of how overwhelmed my heart is in the most magical way possible. ahhhhh my thoughts are obviously all over the place lol imma try this again tomorrow hahaha.”

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Upon seeing the post, Camila Cabello shared a sweet comment, writing, “Putting out a project is vulnerable and hard and you are doing it beautifully ! Congratulations on your first album and many more to come !!!!!!!!”

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Normani then responded, “@camila_cabello thank you so much for this ? this seriously means a lot and so v proud of you. you’re next, let’s goooo.”

Last week, Lauren Jauregui also showed love for her 5H pal. “AHHHHH HAPPY DOPAMINE DAY BI—ESSS!!!” she tweeted, “LETS GO MANI.”

Since going solo, Normani has hit the Hot 100 chart four times with the songs “Love Lies” with Khalid and “Dancing With A Stranger” with Sam Smith each reaching the top 10. Released in 2021, her lead single “Wild Side” featuring Cardi B charted as well, peaking at No.14 and staying on the chart for 20 weeks.

Ivy Queen, Grupo Niche & Monsieur Periné to Make Their Carnegie Hall Debuts for Nuestros Sonidos

Carnegie Hall’s Nuestros Sonidos festival has added Ivy Queen, Grupo Niche, and Monsieur Periné to its lineup, joining Natalia Lafourcade, Cimafunk, Gustavo Dudamel, Quetzal and more.

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The concert series — which kicks off Oct. 8 with the festive Opening Night Gala featuring Gustavo Dudamel leading the Los Angeles Philharmonic and concludes with Cimafunk and La Tribu on May 22, 2025 — will see the three newly announced performers make their debut at the prestigious Manhattan venue.

Ivy Queen, who was honored with the Icon Award at the 2023 Billboard Women in Music event, earned her name as the Queen of Reggaetón for her formidable contributions to the Puerto Rican genre. With hits such as “Quiero Bailar,” “La Vida Es Así” and more recently, “Toma,” her contributions extend beyond the genre she helped pioneer, making a mark in salsa, hip-hop and bachata. She is scheduled to perform on Nov. 20 at Stern Auditorium’s Perelman Stage, Carnegie’s main hall, which seats more than 2,800 people.

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Meanwhile, Bogota-based group Monsieur Periné has been bringing boleros, swing and indie music to the Latin scene. Their most recent album, Bolero Apocalíptico (2023), earned them a Latin Grammy for best alternative album. They are set to perform at Zankel Hall, a smaller venue that seats about 600 people, on Feb. 22.

Grupo Niche will also make its Carnegie Hall debut on April 17 next year on the Stern Auditorium’s Perelman Stage. Hailing from Cali, Colombia, the legendary group founded by Jairo Varela and Alexis Lozano has kept salsa alive and thriving since the late ’70s, releasing iconic songs such as “Cali Pachanguero,” “Una Aventura” and “Gotas de Lluvia.” A Grammy Award-winning band, they are considered one of the most influential and respected bands in the salsa genre.

Carnegie Hall’s Nuestros Sonidos celebreates the “vibrant sounds, pioneering rhythms, diverse traditions, and enormous influence of Latin culture in the United States,” says the press release.

For more information, visit the Carnegie Hall website.

Sabrina Carpenter Says There’s ‘No Weirdness’ With Taylor Swift Despite SKIMS Campaign Backlash

Earlier this year, Sabrina Carpenter partnered with SKIMS for a sultry campaign that many fans — including the singer’s boyfriend, Barry Keoghan — went wild for. Others, however, weren’t so happy with her choice to partner with a brand founded by Kim Kardashian, given the reality star’s famous feud with Taylor Swift.

But in a new interview with Rolling Stone published Monday (June 17), Carpenter gave assurances that the superstar — with whom she became close while opening for Swift’s Eras Tour in the spring — was totally fine with the arrangement. “As much as people want to believe you’re tuned into every little thing, I’m not because I’m constantly working,” the “Espresso” singer said.

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“In that scenario, I’ve been very, very communicative with her about that situation, and I just love her so much and support her till the end,” she continued. “So it was no weirdness for me, but I know people will just say things because that’s all they have time to do.”

Carpenter also made sure to sing Swift’s praises in the interview. “I could never compare my life, my career, my trajectory to anything close to what she’s done,” Carpenter noted.

“She always puts out music at a time where I didn’t realize I needed those songs,” she added of The Tortured Poets Department. “We’re very, very verbal with each other about our mutual love and admiration. … She played me ‘But Daddy I Love Him’ before it came out, and that’s also one of my favorites.”

Though it seems Swift gave her blessing to Carpenter’s SKIMS campaign, the “Anti-Hero” singer has been very clear about where she personally stands with Kardashian. In her December TIME Person of the Year interview, she even called out the shapewear mogul by name, noting that 2016’s “Famous” debacle with Ye (formerly known as Kanye West) “took me down psychologically to a place I’ve never been before.”

“You have a fully manufactured frame job, in an illegally recorded phone call, which Kim Kardashian edited and then put out to say to everyone that I was a liar,” she added at the time.

In April, Swift also appeared to call out Kardashian again by capitalizing the letters K, I and M in the title of her The Tortured Poets Department track “thanK you aIMee.” On the song, the 14-time Grammy winner compares her subject to a high-school bully and sings, “I can’t forgive the way you made me feel … But I can’t forget the way you made me heal.”

Fictional Bands Who Reached Billboard’s Charts: The Wonders, August Moon, 4*TOWN, Spinal Tap & More

Miley Cyrus has a legendary history on Billboard‘s charts under her own name, but she’s also charted with two of her fictional characters.

Her classic Hannah Montana character charted 20 songs on the Hot 100 in 2006-10, including the No. 10-peaking “He Could Be the One” in 2009.

Hannah Montana also charted eight albums on the Billboard 200 (some were billed to Hannah Montana, while others are billed as a soundtrack or to Cyrus herself), including three No. 1s: Hannah Montana in 2006, Hannah Montana 2/Meet Miley Cyrus in 2007, and Hannah Montana: The Movie in 2009.

Hannah Montana aired four seasons on Disney Channel from 2006-2011. The character also starred in the films Hannah Montana and Miley Cyrus: Best of Both Worlds Concert (2008), Hannah Montana: The Movie (2009), and the TV film Wizards on Deck with Hannah Montana (2009). She also starred in multiple video games.

In the Hannah Montana universe, Hannah Montana is the musical alter ego of Miley Stewart, a middle schooler who has a secret identity as a pop star. Cyrus’ real dad, Billy Ray Cyrus, also played her TV father, as Robby Ray Stewart.

Over a decade later, in 2019, Cyrus charted with her Ashley O character from Black Mirror. Ashley O appears in the third and final episode from the show’s fifth season, “Rachel, Jack and Ashley Too.” The episode follows Ashley O, a pop singer, whose career is stifled by her controlling aunt and cousins. Ashley O performs her song “On A Roll,” an adaptation of Nine Inch Nails’ 1989 song “Head Like A Hole,” in the episode, which later reached Billboard‘s charts.

“On A Roll” peaked at No. 3 on Dance Club Songs and No. 39 on the Digital Song Sales chart.

After launching her solo career, Cyrus charted 40 additional songs under her own name (as of June 2024), including the No. 1s “Wrecking Ball” and “Flowers.”

St. Vincent Says She’s ‘Blown Away’ by Delayed Success of Taylor Swift’s ‘Cruel Summer’

St. Vincent still isn’t over how impressive the fan love is surrounding Taylor Swift‘s “Cruel Summer.”

Eight months after the song hit No. 1 on the Billboard Hot 100 — where it reigned for four weeks, a full four years after it was originally released on 2019’s Lover — the singer-songwriter born Annie Clark opened up about its delayed success in her Billboard digital cover story published Monday (June 17).

“I remain blown away by ‘Cruel Summer’ being the phenomenon that is it,” she said. “Not because it isn’t a great song. It’s indicative of the time we’re in, where a song from many albums ago, that wasn’t even a single at the time, the fans go, ‘No, this one — we pick this one.’ And then they march it up the charts.”

Clark added, “That’s completely a testament to her fan base being so powerful.”

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Shortly after “Cruel Summer” reached the summit, Swift and the track’s other co-writer, Jack Antonoff, celebrated the unexpected feat on social media. “The song that we said was the best song, but we thought, ‘Oh, you know what? This will be our secret best song.’ That’s what we thought,” the producer said in an Instagram video at the time, before the pop star chimed in. “We just wanted to say thank you so much for making ‘Cruel Summer’ a Hot 100 No. 1, and it’s not even summer anymore,” Swift said at the time. “It’s deep fall, I’m wearing a sweater.”

Now fresh off the release of her own seventh studio album All Born Screaming, St. Vincent also spoke to Billboard about her identity as a queer artist in the Pride Month issue. “Every record I’ve ever made has been so personal about what’s going on in my life at any given time,” she said. “I’m queer. I know how to code-switch. The idea of identity as performance has been very clear to me since I was a child.”

“I’m queer, I’m living in multitudes,” she added. “But this record in particular is not about persona or deconstruction.”

Read the full cover story here.