Music News

Justin Timberlake Told Police After Being Pulled Over He Had ‘One Martini’

Justin Timberlake told police that he had “one martini” after being pulled over in Sag Harbor, N.Y., on Monday (June 17), NBC News reports. He was arrested, and on Tuesday, was arraigned on one count of driving while intoxicated.

According to a statement released by the Sag Harbor Police Department, a traffic stop was initiated after Timberlake “was observed operating a 2025 BMW southbound on Madison Street, failing to stop at a duly posted stop sign and failing to maintain his lane of travel.”

Law enforcement “ascertained that the defendant was operating said vehicle in an intoxicated condition in that his eyes were bloodshot and glassy, a strong odor of an alcoholic beverage was emanating from his breath, he was unable to divide attention, he had slowed speech, he was unsteady afoot, and he performed poorly on all standardized field sobriety tests,” NBC News reported, quoting the police report filed by officer Michael Arkinson.

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“I had one martini and I followed my friends home,” Arkinson also quoted the 10-time Grammy winner as saying in his report.

Timberlake reportedly declined to take an impairment test.

“Mr. Timberlake was placed under arrest, processed and held overnight for morning arraignment,” the policed department noted in its statement. “Mr. Timberlake was arraigned at the Sag Harbor Valley Justice Center on June 18, 2024, at 9:30 a.m., where he was released on his own recognizance.”

The singer’s lawyer declined to comment to Billboard.

Timberlake’s next court hearing is scheduled for July 26, the same day he is scheduled to perform at Tauron Arena Krakow in Poland. He is currently on his Forget Tomorrow world tour.

Ariana Grande Addresses Criticism About Her Speaking Voice Changing: ‘I’ve Always Done This’

Ariana Grande is putting criticism about her speaking voice to rest. After a clip from her recent interview on Penn Badgley’s Podcrushed podcast started circulating online — thanks to fans pointing out how drastically she changes her pitch and cadence at one point — the pop star explained Tuesday (June 18) why the shift in her tone is perfectly natural.

In one TikTok post featuring the interview clip, Grande starts off speaking about recording new music in a lower tone before suddenly shifting to a higher register. “The Voice Change??” the uploader captioned the video.

In the replies, however, the “Thank U, Next” singer herself jumped in to put an end to other commenters accusing her of faking her manner of speech, noting that her higher tone comes through out of “habit” and “speaking like this for two years” while playing Glinda on the set of Wicked.

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“and also vocal health,” she continued. “i intentionally change my vocal placement (high / low) often depending on how much singing i’m doing.”

The musician also pointed out, “i’ve always done this BYE.”

The interview clip isn’t the first time fans have noticed a change in Grande’s speaking voice, though it might be the last now that she’s provided clarification. In March, similar critiques emerged about her higher-pitched tone when she presented at the 2024 Oscars alongside her Wicked costar Cynthia Erivo, even though the two-time Grammy winner has been open about transforming herself in preparation for the role of Glinda.

“Prepping for the auditions was like six months — voice lessons every day, acting lessons every day,” she said on The Zach Sang Show in February. “I trained every day … to transform my voice, even — like, my singing voice — everything about me, I had to deconstruct to prove to them I could handle taking on this other person.”

But while some people were focused on her speaking patterns, many fans were more excited about Grande revealing on Podcrushed that she has more new music on the way — possibly in the form of a deluxe edition of her Billboard 200-topping album Eternal Sunshine. “I’ve been living in the studio,” she said on the show. “I went to the studio the day after the Met [Gala] and stayed there for 10 days. I’ve been writing a lot, and maybe there’s more. I want to do a deluxe at some point.”

Watch the interview below.



Fat Joe Believes Chris Brown Would Be on Michael Jackson’s Level If He Hadn’t Assaulted Rihanna

With Chris Brown performing on another arena tour across New York and New Jersey, Fat Joe thinks it’s time to “move past” Brown’s legal history and give the singer his flowers.

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The Terror Squad boss hopped on Instagram Live over the weekend, where he claimed that the culture would be looking at Chris Breezy on the same level as Michael Jackson if it weren’t for his 2009 assault of Rihanna, Brown’s then-girlfriend.

“If Chris Brown never got into the controversy with Rihanna, we would be calling him Michael Jackson right now,” Joe declared. “Not like Michael Jackson, Michael Jackson. He’s the most talented singer, artist, performer, hitmaker of our time. There’s nobody even close to Chris Brown. And it’s time we move past it, it’s been 20-something years. That I know of, there’s no more incidents. Man, we gonna let this lifetime go by without saying the truth?”

Since Brown’s 2009 assault on Rihanna, he has faced various legal issues, including punching a man in the face in 2013, for which he pled guilty to simple assault; being accused of punching a photographer in 2017, with the charge later dropped due to “insufficient evidence”; ex-girlfriend Karrueche Tran being granted a restraining order against the singer after she accused him of abuse; and more.

Continued Fat Joe: “When the truth is an unpopular decision, everybody gets scared to say it, they get canceled. Especially famous people. The streets, they know what it is. The streets always know to tell you the truth. The streets still bumping R. Kelly. He’s in jail, he did terrible things. They still bumping R. Kelly.”

Fat Joe went on to come to Brown’s defense while declaring him the “King of R&B,” and said he was “a little kid” at the time of his assault on Rihanna.

“So what I’m trying to say is, it’s a shame we’re lying and we’re giving up to the king of R&B. The king of music,” the Bronx native added. “We thinking he could battle Michael Jackson, that’s all I’m trying to say. If you really look at his body of work, you look at all his hits, you see what he does … You remove from your mind that we don’t like it. We don’t like that he had a controversy … He was a little kid 20-something years ago.”

The “Lean Back” rapper is seemingly referring to the February 2009 felony assault of Rihanna, which took place when Chris Brown was 19. The singer was arrested for physically abusing Ri in a car before a Clive Davis Grammy Awards party; he pleaded guilty to felony assault in June that year.

Billboard has reached out to Rihanna’s reps for comment.

Brown reflected on the night in his 2017 Welcome to My Life documentary. “I look back at that picture and I’m like, ‘That’s not me, bro, that’s not me.’ I hate it to this day. That’s going to haunt me forever,” he admitted.

CB’s still on the road for his 11:11 Tour, which will head north of the border for dates in Montreal and Toronto before returning stateside next week with shows in Boston, Philadelphia and Baltimore.

Watch Fat Joe’s share his thoughts below.

Adele Had the Cutest Moment With Her Mini-Me Fan During Vegas Residency Show: ‘I Love Your Dress’

Adele had made a habit of strolling out amongst her fans and saying hello during her Weekends With Adele residency at the Colosseum at Caesars Palace. But over the weekend it wasn’t her OB-GYN in the crowd who caught her eye, or a couple looking for help with a gender reveal or a tribute to late Friends star Matthew Perry that made headlines, but instead a little girl who came dressed in her best Adele.

A mom named Alexandra posted an adorable video on her Instagram on Sunday in which she chronicled the once-in-a-lifetime moment when the singer took a pause during “When We Were Young” to give a little girl named Valentina some special attention. As it turns out, Valentina was wearing a dress that looked a lot like a classic Adele ensemble and it did not go unnoticed.

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“Adele stopped to meet ‘mini Adele,’” Arguello wrote. “Needless to say Valentina and I had our dream come true! Unforgettable night with my little love.” In the heart meltingly cute video accompanying the post, Adele makes her way through the crowd in the venue while singing “When We Were Young” as Valentina — wearing a black dress with a giant white bow across the shoulders — waits patiently for the singer to make her way to her row.

When Adele spots her tiny double she makes a super surprised face and gives Valentina a special smile as she bends down to sing, “You look like a movie/ You sound like a song,” breaking character for a few moments to have a chat. “Hi… I love your dress,” Adele says as she continues singing in between the small talk. She then does the ultimate fan service by asking Valentina to spin around so someone can snap a proper selfie of them.

In another video, Arguello thanked her grandmother for sewing a shrunk-down version of the custom black-and-white Schiaparelli gown that Adele wore to Lakers star Anthony Davis wedding in 2021 in less than 48 hours before the Vegas show.

Saturday night’s show was the last one on Adele’s Vegas calendar for a while. The singer is not slated to return to the Colosseum stage until October 25. In between, she is booked to play a string of shows in Munich, Germany in a specially built 80,000-capacity venue on August 2, 3, 9, 10, 14, 16, 23, 24, 30 and 31.

Check out the adorable video and the get-ready clips below.

Don Omar Says He’s ‘Cancer-Free’ a Day After Revealing His Diagnosis

After revealing that he was battling cancer via an Instagram post on Monday (June 17), Don Omar announced a day later that he is now “cancer-free.”

“Today I woke up cancer-free and grateful,” he captioned a selfie of himself on Instagram on Tuesday (June 18). “Thank you for your good wishes, prayers and thousands of messages. My operation was a success and now I have to recover.”

The positive news comes just hours after the Puerto Rican artist alarmed his nearly 12 million followers on Instagram with the announcement that he was battling the disease. “Today yes, but tomorrow I won’t have cancer,” he wrote alongside a photo of his hospital wristband from an Orlando-based medical center, though he did not share what type of cancer he had. “Good intentions are well received. See you soon. #f–kcancer.”

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Billboard has reached out to his team for further comment.

Prior to sharing his diagnosis on social media, the artist born William Omar Landrón Rivera posted a video of a group of dancers auditioning for the second leg of his Back to Reggatón Tour, set to kick off Aug. 7 in Oakland, Calif., and make pit stops in cities including San Diego; Portland, Ore.; Tampa, Fla.; and Ontario, Calif., before wrapping at the UBS Arena in Elmont, N.Y., on Sept. 15.

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Don’s CMN-produced tour — which initially had 20 dates that ran from March 7 to April 21, wrapping at the Kaseya Center in Miami — marks his first major headlining trek in a decade and his first since the Kingdom Tour with Daddy Yankee in 2015.

See his post about his cancer update below.

Bossman Dlow Talks Building on ‘Get In With Me’ Success: ‘We on the Same Road, But Just Switched the Lane Up’

Baseball has always felt lightyears behind basketball and football when it comes to the sport’s connection and crossover ability with hip-hop.

Bossman Dlow’s “Get in With Me” checked off another box in its ascension last month (May 5) when Philadelphia Phillies outfielder Brandon Marsh quoted lyrics to the braggadocious breakout hit from the Florida native during an ESPN Sunday Night Baseball broadcast against the San Francisco Giants.

“Bae these Off-White, these ain’t no Huarache,” Marsh rapped while mic’d up for an interview mid-game after being tee’d up with a question from teammate Alec Bohm. “He did not just ask me that, Bossman Dlow!”

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The reference went over the announcers’ heads, so Marsh schooled the broadcasters (and millions watching at home), who didn’t understand Dlow’s flexing about the gold-certified song he’s listened to “religiously.”

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“Get In With Me” arrived in January and hit the Hot 100 for his first entry a month later where it debuted at No. 68 and currently occupies the No. 88 slot in its 19th week on the chart. It’s not just “Get In With Me” making waves on the charts, either as Dlow’s boss-talk formula led to the boastful “Talk My S–t” (No. 34) and “Mr. Pot Scraper” (No. 38) landing on the Hot R&B/Hip-Hop Songs chart with the former also invading the TikTok Billboard Top 50 chart and even spending one week on the Hot 100.

Bossman Dlow looks to add to his winning streak in 2024 — which has been reminiscent of DaBaby’s scorching 2019 run, where everything the Charlotte native touched seemingly turned to gold — with his “Sportscenter” single, named after the flagship ESPN highlights show

With all the momentum he’s garnered, the Port Salerno rapper doesn’t have plans of stopping either. Dlow’s promising another project before the year expires, and has collaborations on the way with Lil Baby, Veeze and Wiz Khalifa.

Check out of our interview below with Billboard‘s R&B/Hip-Hop Rookie of the Month, which finds Bossman Dlow explaining about keeping songs under two minutes, linking with the aforementioned Marsh and much more.

You’re our Rookie of the Month for June — congrats on that. What’s your thoughts on receiving that and how it fits as far as a snapshot into your career right now?

We gotta keep it going. It means a lot. I’m seeing a lot of success for real. I feel great about it. I appreciate it too. 

“Get in With Me” is still popping and holding strong on the Hot 100, is it crazy for you to see how far it’s gone in these last few months? I even saw a video of Cardi B dancing to it in the club.

I ain’t see that. Was that on her page? I gotta go check that out. That’s cool. 

We gotta get her on a remix or something.

For sure, we gotta get her on something. 

Have you had those type of moments where an artist you admire is showing you love or bumping your music?

It’s been a lot of artists. Plies. I seen Ciara post it to her TikTok. That was crazy. 

How was linking up with Brandon Marsh on the Philadelphia Phillies? I loved seeing him quoting “Get in With Me” during a game when he was being interviewed. I’m sure the reference went over the broadcasters’ heads.

You know my bars when I rap I refer to sports and stuff like that. It’s cool to see players [quote them], so I appreciate that for sure. I had went before the game. I couldn’t stay because I had to catch a flight. I got to talk to him thought and that was cool. He gave me a bat too. That was hard. 

“SportsCenter” is your newest song. What can you tell us about it?

Yeah, that’s one we’re gonna make it the sports anthem. You could damn near play that before your games. We’re gonna try to make it a broad song. 

Was ESPN’s SportsCenter a big part of your life growing up?

Yeah, for sure. That will get a lot of attention from people like that — they love sports. We gonna have it playing on every commercial. We ain’t got time to play.



In the “Talk My S–t” video, I saw you linked up with Deion and Shadeur Sanders. What were your conversations like?

Yeah, we was in Colorado. We saw all of them. It’s dumb love over there, and they on my music hard. Especially Deion — he’s got encouraging words for you. It was cool to meet them. He’ll take you to the bad days and all that. I’m damn sure gonna try to get out there [to a game this season].



I saw one of your new chains they’re saying it was worth $100,000. Is that true and what does it mean to you?

Yeah, it’s a motherf–king shark with a suit on, with a briefcase standing on that business. I’m just getting what I like. I feel like I’m a shark in that water and I stand on business. Suit and tie… that’s just how I’m going. I just felt like dropping that chain, and that for damn sure was $100,000. 



What do you got planned for tour coming up? How have you improved on your live performance? We’ve seen younger rappers tend to struggle with it when they get in the game. 

Nah, we not doing no damn struggling. We gon keep this s–t going. We got plenty of gas and this tour coming up. We got creative with the shows. We gon’ entertain and improve and keep it going. We damn sure gonna be giving away money the whole God damn tour. It’s gonna be little money games and little basketball shots. S–t like that. It’s gonna be dancers there. We gon’ be smoking everywhere — Big Za. That’s just how it’s going. We gonna be entertaining. 

I always see rappers like Busta Rhymes and Wiz Khalifa in your comments section on Instagram. Have you connected with any of them, and do you have any mentors like that in your career that you’ve gotten advice from?

Yeah, for sure. Definitely talked to Wiz. We supposed to do a song. Busta Rhymes definitely be talking to me. We got each other’s phone number and we stay in contact. It’s just good to link to these kinda people. They really know what’s going on. They been here for years. 

There’s a singer, PinkPantheress, that went viral with her saying that songs don’t need to be longer than 2.5 minutes and I was listening to your music and I’m seeing some of the time stamps with you keeping your songs two minutes and some just have one verse. Is that something that’s done purposefully and do you agree with her?

I agree with that 100 percent. Most definitely. I purposely do one verse — and it’s just because nowadays, people just want so much music from you. They want more songs, and less time on the songs, basically. They don’t have the attention span to listen to the same beat for five minutes. It’s just how it goes. You’d rather just give them five two-minute songs than two five-minute songs. 

What collabs do you have coming up that you can tell us about? I saw something with Babyface Ray and Veeze.

Me and Veeze definitely got some s–t coming. Me and Babyface got two [coming]. I got some s–t with Lil Baby on the way. 

If there was a pop star or someone outside of the rap world that you could work with, who would it be?

All of them, to be real, because I kinda wanna switch lanes on them people. Definitely Taylor Swift, Katy Perry, all that different kinda s–t. 

TikTok has been a pretty big tool for you helping some of your records blowing up. Can you speak to working records and connecting to a different part of your fan base on there?

That’s that out. That s–t will take you further than damn YouTube. People just network and catch on. There’s a dance to a song and they catch on fast. 

Do you look at that differently compared to your fanbase at shows?

There damn near is, because some of the kids on TikTok ain’t going out to no clubs. 

Do you think any rappers of your generation could have a battle to the magnitude of Drake and Kendrick?

It be getting a little too personal. I don’t really do the beefing s–t. All that making songs and beefing, I don’t really do that, but to each his own. I don’t feel no type of way toward the beef. 

So no Dlow diss records coming in the future?

Nah, we don’t do that. 

What are your plans for the rest of the year?

We gonna stay busy. Stay in the studio and keep this hits going, keep active with videos and singles. Drip, living life, and everything. We popping s–t. 

Do you plan to come back with another project before 2024 ends?

Yeah, for sure. We definitely gon’ have another project before the year [ends]. We ain’t formed a name and all of that yet, and we don’t got a date yet. But as far as the music, they’re getting made, so we’re definitely gonna put it together.

Are there any other artists you’d want to see pop on there with you?

I definitely gotta get Future on there. I might get one with Wiz Khalifa on there. Try to put some different s–t on there. Fridayy, some s–t like that.

Do you want to show more versatility with your next project?

Yeah, we gon’ try to do things differently. You know, get some vibe songs. I might talk to the ladies a little bit. We gonna try to sauce it up. 

Is it tough creatively to want to stick to what’s working and what the fans love, but also want to take the fans to this place and try something new for myself?

Yeah, that’s definitely hard when you already know what they liking and you gotta try to transition into something else hoping they like that too. You ain’t gonna hurt to try so you gotta try something. You don’t veer too far off. You keep it a little different, but keep it to where you know it’s still on their type of vibe.

I got you, maybe switching lanes but staying on the same highway. 

Yeah, we on the same road, but we just switched the lane up. 

When we talked a couple of months ago, you had some pretty big business plans when it came to real estate, trucking businesses, carwashes, restaurants. Have any of those started to come to fruition?

Nah, right now we gon’ deal with these houses, and property and we gon’ eventually start to sell and rent cars. We gonna have hands in all pots really. 

[Management: He just signed for a house — he’s being modest. He got his people a house.] 

I just do what I do. I don’t even really like speaking on s–t like that, ya feel me? But yeah. That’s my momma and them, though. I’m supposed to do that. I’m not speaking on that. I’m telling you. Anybody that gets some cheese, you supposed to know, you supposed to get your people a house. 

The Kid LAROI, Kane Brown, Bebe Rexha & More to Perform on CNN’s ‘The Fourth in America’ Special: See Full Music Lineup

This year, the Fourth of July won’t just feature fireworks — the sky will also be lit up with dozens of music’s biggest stars.

As revealed exclusively to Billboard on Tuesday (June 18), The Kid LAROI, Bebe Rexha, The Killers and more will perform on CNN’s The Fourth in America special, airing at 7 p.m. ET across the network’s channels on July 4. Celebrating the 248th anniversary of the country’s independence, its lineup will also include Goo Goo Dolls, Kane Brown, T-Pain, Bleachers, Keith Urban, Ashanti, Chris Young, Yellowcard, Ben Platt, Boys Like Girls, REO Speedwagon and En Vogue, as well as an ensemble performance by The United States Air Force Band.

Plus, coast-to-coast firework displays will air live from cities across the U.S. throughout the special, including shows held in Boston, Chicago, Fort Lauderdale, Houston, Las Vegas, Nashville, Niagara Falls, New Orleans, New York City, Philadelphia, St. Louis, San Diego, Seward, Alaska and Washington, D.C. CNN anchors Dana Bash and Boris Sanchez are onboard to serve as the night’s hosts from D.C., alongside correspondents Victor Blackwell and Sara Sidner from San Diego.

The show will follow last year’s special, which was led by Shania Twain, Alanis Morissette, Post Malone and Demi Lovato. Brad Paisley, Coi Leray, Ludacris, The All-American Rejects, Darius Rucker, Duran Duran, Flo Rida, Leon Bridges, Sheryl Crow, Smash Mouth and The Plain White T’s also rang in the 2023 festivities, which similarly featured live firework shows from around the U.S. and a demonstration from the Air Force Band.

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Stephen Sanchez Talks ‘Until I Found You’ Success, Deluxe Album & More

Stephen Sanchez is fresh off the release of the deluxe version of his debut album, Angel Face, and the 21-year-old star sat down with Billboard‘s Rania Aniftos to discuss his growing career.

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“These songs existed in the creation of the record, but they weren’t raising their hands just yet. I think, when the story was complete […] we were able to add songs that didn’t make the record the first time around,” he shared of adding five more songs on the Club Deluxe edition of his project.

The OG version of the album features viral love song, “Until I Found You,” which hit No. 1 on Billboard’s Hot Rock & Alternative Songs. “I think more than anything, the lyricism and the orchestral production of the songs makes you feel nostalgic,” he shared. “Now, even more so, there’s this feeling of nostalgia.”

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He continued, “It’s definitely an out of body experience hearing your song everywhere. It’s just a sign of the times, you open your phone and you’re connected to the world immediately. It can be a good and a bad things, for sure, but I think it’s good when it comes to songs like that, which feel universal and there’s a connectivity across just everybody — just everybody’s individual lives and stories and they can come to agreement on one thing. I feel like, the way the world is right now, things are just divided and fall apart, so I feel like people are looking for a hero in a lot of ways, whether that be through music, lyricism and how they connect people to each other or just art in itself.”

Sanchez added that “Until I Found You” is a “really special” song for him, “because it kind of came at a really perfect and interesting time because music just isn’t like that anymore. Lyrics just aren’t like that anymore. It feels like a good hand raise of that time that the music like that is still cool.”

Watch Billboard‘s full interview with Stephen Sanchez above.

Austin Butler Recalls Paul McCartney’s ‘Insane’ House Party DJ’d By Taylor Swift: Watch

Anything can happen at a Paul McCartney house party, even a DJ set from Taylor Swift. In an interview on Jimmy Kimmel Live! Monday night (June 17), the late-night host and Austin Butler raved about a recent gathering at the Beatles’ abode that featured a star-studded guest list as well as tunes approved by the “Anti-Hero” singer. 

“Last time I saw you was at maybe the craziest party I’ve ever been to in my whole life,” Kimmel began, with Butler adding, “That was insane.” 

“Taylor Swift showed up,” the comedian continued. 

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“Yeah, she was DJing at one point,” added the Bikeriders star. “She’s [working] at parties now.” 

The interview comes just a few days after Butler revealed in a BBC Radio 1 interview that his favorite of Swift’s eras is Reputation — or, as he put it, “the one with the snakes.” The actor and his girlfriend, model Kaia Gerber, attended the Eras Tour in Los Angeles in August. 

Though he didn’t disclose which songs Swift picked out for the party, Butler did reveal some of the other big names in attendance at McCartney’s party: Ringo Starr, Mick Jagger, Bruce Springsteen and Meryl Streep. Feeling too starstruck to introduce himself to the Devil Wears Prada actress, the Dune cast member hid out in the kitchen and ate pizza — that is, until someone pulled him away to introduce him to Streep. 

“I couldn’t believe I was meeting Meryl Streep with Paul McCartney’s vegan pizza in my mouth,” Butler gushed. 

He also recalled Springsteen telling him a story about writing a song for Elvis Presley — who Butler famously played in Baz Luhrmann’s Elvis — and sneaking onto the King’s property to try and convince him to record it. “I had heard this sort of mythical story, and then to hear it from him, of him being a huge Elvis fan and then hopping the gates at Graceland,” Butler told Kimmel. “He wanted to give Elvis a song. He somehow evaded the dogs — he’s a fast runner. I’m so bummed I didn’t get to hear that song.” 

Watch Butler’s Jimmy Kimmel Live! interview above. 

R&B/Hip-Hop Fresh Picks of the Week: Normani, Chow Lee, Marsha Ambrosius & More

With just two days to go before Kendrick Lamar‘s highly anticipated The Pop Out: Ken & Friends concert (June 19), all eyes are on the West Coast for what’s expected to be a victory lap for the Pulitzer Prize-winning rapper, following his heated beef with Drake this spring.

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As usual, the South also has something to say, with Megan Thee Stallion‘s Hot Girl Summer Tour still going strong. In the past week, the “Hiss” rapper has brought out scores of fellow Southern rap stars — including Paul Wall, Z-Ro, Bun B, Slim Thug, Lil Keke and Monaleo. Never a region to be left out, New York took a sweet trip down memory lane at Sunday night’s Tony Awards (June 16), with Alicia Keys and Jay-Z performing “Empire State of Mind” in celebration of both Keys’ new Tony-winning Hell’s Kitchen musical and the song crossing the one billion streams threshold.

With Fresh PicksBillboard aims to highlight some of the best and most interesting new sounds across R&B and hip-hop — from Normani’s ’00s Southern fantasia to Chow Lee’s latest addition to the “sexy drill” lexicon. Be sure to check out this week’s Fresh Picks in our Spotify playlist below.

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Freshest Find: Marsha Ambrosius, “Greedy”



Nine-time Grammy nominee Marsha Ambrosius offers the latest taste of her forthcoming Casablanco album with “Greedy.” A gorgeous amalgamation of neo-soul and hip-hop, “Greedy” combines samples of Leon Russell’s “This Masquerade” and OutKast’s “SpottieOttieDopaliscious” with lush orchestration (the cellos are particularly gorgeous here) for a rumination on a partner who takes more than then give. “How much do I owe you? It’s like I don’t know you/ Go ‘head, I don’t own you, now you on your own now/ I’m remembering that you’re so hard to trust/ Just tell me, baby/ When is enough, enough?/ ‘Cause it’s never enough,” she croons in the second verse. Produced by Dr. Dre, “Greedy” previews what is sure to be a record full of smart arrangements and evocative vocal performances.

Donte Thomas, “Sayonara”



Drake has compared the last verse on his albums to performing surgery. Fortunately for Donte Thomas, the Portland-bred rapper keeps the doctor away thanks to An Apple a Day. Thomas puts a bow on his introspective album, which arrived on Friday via Skyzoo’s First Generation Rich imprint, with the starry project closer “Sayonara,” featuring Shelby Swims. Thomas candidly comes to terms with his journey and knows it’s going to be a laborious brick-by-brick grind to get to the top, but at least the ship’s back in motion. “This is my life ain’t no part of no image/ Out of control it’s only beginning/ Out on the road you know that we winning,” he raps.

Chow Lee feat. Cash Cobain & Bay Swag, “Act Bad Twin!”



As the Slizzy Summer of 2024 begins to hit its stride, New York rapper Chow Lee recruits fellow “sexy drill” flagbearers Cash Cobain and Bay Swag for his new single, “Act Bad Twin!” “She think she know me/ Well she kind of do ’cause I f–ked her/ She still the homie, we keep it P/ When I see her that’s the sis, I’m the brodie,” he spits, seamlessly adding new punchlines and one-liners to the sleazy casual sex that grounds the “sexy drill” subgenre. Cash and Bay Swag deliver characteristically strong verses that play up the different pockets on the spacious hi-hat-accented mix. If the year’s earlier “sexy drill” hits presented a stark male perspective, then Chow Lee’s new joint gives the ladies some time in the driver’s seat of these semi-grimy pursuits.

Forest Claudette, “Moonlight”



Moonlight won best picture at the 2017 Academy Awards – with a botched presentation nobody will ever forget – and inspired millions of viewers across the globe. One of those acolytes was Forest Claudette, who picked up their guitar after the life-changing experience and grappled with their gender identity, which turned into a poignant alt-R&B track inspired by Barry Jenkins’ film. “I been thinking ‘bout moonlight, I been thinking ‘bout the boys in my life again/ It’s not like me to be keeping quiet, no silence,” the Warner Records artist croons with angelic vocals floating over soothing strings. Next up, the Australian-American singer heads home to the Land Down Under where they’ll open up for Omar Apollo on the Australian leg of his tour.

Normani, “Still”



Last week (June 14), Normani finally dropped her long-awaited debut solo studio album, Dopamine. Alongside collaborations with James Blake, Starrah and Gunna lies “Still,” perhaps the album’s best stab at combining the ’00s Southern hip-hop of ‘Mani’s childhood with the Brandy and Michael Jackson-influenced vocal layering that’s become a cornerstone of her sound. “Still goin’ up in the section/ Standin’ on the couch, gettin’ reckless/ I be saucin’ nigga like dressin’/ In Christian Dior, I’m a blessin’” she croons across the Tommy Brown- and Leather Jackettt-produced banger. Featuring an interpolation of Mike Jones’ classic “Still Tippin,” Normani’s new track achieves the increasingly rare feat of mining the past and truly innovating on what is found.

Rexx Life Raj, “Blame the Bad B—h”



Rexx Life Raj puts his own twist on Layton Greene’s “Leave Em Alone” with his gentle croon on the woozy chorus. The California native wrestles with settling down with a “good girl” or running through a plethora of “bad b—hes.” He keeps it real when admitting people are only as faithful as their options, and Raj boasts that he’s got plenty of applications at his desk these days. “I tried that good girl s–t, but the bad b—h turning me on,” the former college football player sings. “Got a solid one, but this sea of h–s making me question it.” The contemplative single is the final tune-up for Rexx Life Raj before the 34-year-old gets into album rollout mode later this year.