Music News

Sting’s Power Rock Trio To Replace Neil Young at 2024 Bourbon & Beyond Festival

Sting will make his debut on the stage of the Bourbon & Beyond festival in Louisville, KY in September when the Rock and Roll Hall of Famer and 17-time Grammy-winner slips into the headlining slot just vacated by Neil Young. The fest announced on Monday (July 15) that the former Police frontman and solo star will perform with his new power rock trio, STING 3.0, on Thursday night of the four-day fest slated to take place on the Highland Festival Grounds at Kentucky Exposition Center in Louisville from September 19-22.

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The trio — which features guitarist Dominic Miller and drummer Chris Maas — will top night one of this year’s gathering, where they’ll be joined by Beck, Matchbox Twenty, Fleet Foxes, Maren Morris, Koe Wetzel, Lyle Lovett, the Wallflowers, Arlo Parks and many more.

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Young and longtime backing band Crazy Horse dropped off the roster for the sixth edition of B&B last month when the veteran group paused their Love Earth tour following an undisclosed illness within their touring party. In a statement, Young said the group’s first outing in a decade had been a great experience, but when a “couple of us got sick after Detroit’s Pine Knob, we had to stop,” it read. “We are still not fully recovered, so sadly our great tour will have a big unplanned break.” At press time no additional information was available on when, or if, the group will return to the road.

“While we will miss Neil Young at Bourbon this year, we’re excited to welcome a music legend, Sting, to the Bourbon & Beyond lineup. We’ve been trying to bring Sting to Bourbon for you since 2018 and it’s an incredible honor to have him join us for what will undoubtedly be our biggest and most unforgettable year ever,” said Danny Wimmer Presents founder Danny Wimmer in a statement about Sting replacing Young.

The second night of this year’s B&B will feature headliners Dave Matthews Band — along with Tedeschi Trucks Band, Black Pumas, the Head and the Heart, Melissa Etheridge and JJ Grey & Mofro — while Zach Bryan will do the honors on night three alongside Whiskey Myers, Cody Jinks, Young the Giant, Teddy Swims, Kaleo and more. Night four will be toplined by Tyler Childers, with My Morning Jacket, The National, The War on Drugs, Beach Boys, Mt. Joy and Sunny Day Real Estate performing as well.

Check out Sting announcing his addition to the B&B roster below.

Which Song From Eminem’s New Album ‘The Death of Slim Shady’ Is Your Favorite? Vote!

Eminem‘s long-awaited 12th studio album, The Death of Slim Shady, has been out for more than an entire weekend, meaning fans have had plenty of time to decide on their favorite songs from the album — and Billboard wants to know yours.

Four years after 2020’s Billboard 200-topping Music to Be Murdered By, the Detroit rapper’s latest LP dropped Friday (July 12) and earned almost immediate positive feedback from listeners. Many fans flocked to the more classic-Slim tracks such as lead single “Houdini” — which reached No. 2 on the Billboard Hot 100 in June — or second single “Tobey,” featuring Big Sean and BabyTron. Others were more partial to the emotional, family-oriented ballads “Temporary” and “Somebody Save Me,” with the former serving as a pre-death love letter from Em to his daughter Hailie Jade, and the latter acting as an apology to all three of the hip-hop star’s kids for his faults as a father that heavily samples Jelly Roll’s hit “Save Me.”

Regardless, the 19-track effort has left fans floored. “im speechless,” one person tweeted a few hours after the album dropped. “25 years later & its a full circle moment. eminem delivers one of his best albums & showing us what slim shady does one last time.”

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“he just dropped the best album within the last decade … Your favorite rapper can’t f–king compete,” another person added on X.

Now that the world has had well over 48 hours to absorb The Death of Slim Shady, the time has come to choose favorites. See how Billboard evaluated Eminem’s newest set of songs by checking out our rankings, and vote for your own top pick below.

Glen Powell & Daisy Edgar-Jones Try Out Viral ‘Apple’ Dance: See How Charli XCX Reacted

Brat summer is here to stay — and not even the strongest of national disasters could wipe it out. Twisters castmates Glen Powell, Daisy Edgar-Jones and Anthony Ramos have become some of the latest stars to try out TikTok’s viral dance to Charli XCX‘s “Apple,” posting a video of the choreography that earned a seal of approval from the alt-pop star herself. 

In a clip shared by the Normal People actress on Instagram Sunday (July 14), she stands in between her two costars as they each do the same purposefully rigid, staccato movements to Charli’s Brat fan-favorite song. The dance has blown up on TikTok in the weeks since the English singer-songwriter released her sixth studio album — which debuted at No. 3 on the Billboard 200 in June — and Charli has also previously joined in on the trend. 

“I think the apple’s rotten right to the core/ From all the things passed down from all the apples coming before,” her voice can be heard singing in Edgar-Jones’ video. “I split the apple down symmetrical lines/ And what I find is kinda scary, makes me just wanna drive.” 

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“Caught the lads up on Brat summer ?,” the Where the Crawdads Sing star captioned her post, under which Powell commented, “Hard to remember my life before this dance. Thank you, Daisy.” 

Charli also made an appearance in the replies, leaving an ecstatic, “ABSOLUTELY !!” 

The video comes just a few days ahead of Twisters‘ July 17 theatrical release. The film — which also stars Kiernan Shipka, David Corenswet, Katy M. O’Brian and more — serves as a standalone sequel to 1996’s tornado-chasing epic Twister. 

Watch Powell, Edgar-Jones and Ramos dance to Charli’s “Apple” below. 

Cardi B Says Democrats Are Being ‘Selfish’ Letting Joe Biden Run for Presidential Again

Cardi B isn’t one to mince her thoughts when it comes to politics. Last week, she called the Democratic party “selfish” for continuing to let President Joe Biden seek re-election later this year.

A clip re-surfaced and Cardi doubled-down on her stance Thursday (July 11) when captioning the post with “Yeup Yeup Yeup” on X. She also voiced her belief that it was time for Vice President Kamala Harris to step in for Biden in the upcoming election.

“I feel like it was very selfish of Biden and the whole Democrat party that they allow Biden to continue to run for president,” she said. “I feel like they should have passed the torch to Kamala [Harris]. This was the perfect moment for her. Right now, I don’t feel like we have strong candidates.”

Cardi continued: “I feel like this would have been her perfect time to shine. We already know she’s sharp with the f–king mouth. Whatever value that Biden wants, she’s practically the same value. So I feel like it was a little bit selfish to not make that choice to give her this moment to run for presidency.”

In the replies, the Bronx native also tweaked her Bardi Gang fanbase’s name to the “Smarty gang.”

Cardi B has been critical of President Biden in the past, but calmed fans’ worries earlier in July when she assured them she’s never going to be a Republican. “I will never turn republican lol,” she replied to a fan on X.

Cardi has criticized the United States’ involvement in the Israel-Hamas war, and she was also critical of Biden’s inaction on the economy as part of her Rolling Stone cover story in May. “I feel like people got betrayed,” she said at the time. “It’s just like, ‘Damn, y’all not caring about nobody.’ Then, it really gets me upset that there is solutions to it. There is a solution. I know there’s a solution because you’re spending billions of dollars on any f–king thing.”

After interviewing and endorsing Biden in the 2020 election, Cardi isn’t supporting either party’s candidates right now. “I don’t f–k with both of y’all n—-s,” she said about Biden and Trump.

While reports emerged earlier in July about Democrats fielding interest in Harris going to the top of the ticket, Biden has said he has no plans to step aside. He addressed the public from the Oval Office on Sunday (July 14) in the wake of the apparent assassination attempt on former president Donald Trump over the weekend in Pennsylvania.

“We can’t allow this violence to be normalized,” Biden said. “The political rhetoric in this country has gotten very heated. It’s time to cool it down. We all have a responsibility to do that … Politics must never be a literal battlefield, God forbid, a killing field.”

Glass Animals Are Proud Of ‘Heat Waves,’ But Would Have ‘Loved It’ If Rihanna Had Given It a Shot

Glass Animals would never look a gift hit in the mouth. After all, the group landed one of the biggest chart singles by a British group since the Spice Girls in 2021 when their slinky track “Heat Waves” went viral thanks to TikTok.

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Surely you remember it? The one with the hypnotizing chorus, “Sometimes, all I think about is you/ Late nights in the middle of June/ Heat waves been fakin’ me out/ Can’t make you happier now.” Though the single from the Oxford-bred band was released in June 2020 in the heat of the first wave of the COVID-19 pandemic, it took an epic 59 weeks to make its way to No. 1 on the Billboard Hot 100 in March 2022, where it stayed for five weeks; the song also set a record by hanging around on the Hot 100 for a total of 91 weeks, making it the longest-charting hit in the Hot 100’s then-64-year history.

Now, four years later, the group is prepping their return with their fourth studio album, I Love You So F***ing Much (July 19), and in an interview with The Independent singer Dave Bayley revealed that the band’s signature smash almost went to another artist with much more chart-topping experience.

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“I had hoped it would be someone else’s song,” Bayley told the paper about an attempt to get Rihanna to record it. “It got so far that I was sitting in the Roc Nation offices, playing the song for her manager,” he explained. “I ended up sending them parts of the song, but I’m grateful it didn’t go further.”

Don’t get him wrong, either way would have been just fine with him. “But at the same time, obviously, I’m a huge fan – I would’ve loved it,” Bayley said of the possibility of RihRih taking a swing at “Heat Waves.”

After “Heat Waves” passed the 90-week Hot 100 run of The Weeknd’s “Blinding Lights,” Bayley told Billboard he was blown away. “Wow, all I can say is wow,” he said at the time. “Many of you know when I wrote this song I was writing about missing someone I loved very dearly. Never in my wildest dreams did I think that it would lead to so much love and connection across the globe.”

Though she obviously didn’t take them up on the offer, the possibility that the song could have ended up in Rihanna’s hands would surely have thrilled her Navy. The mother of two toddlers and founder of the billion-dollar Fenty Beauty brand has not released a new album since 2016’s multi-platinum Anti and with the exception of a handful of features — as well as her 2022 Black Panther: Wakanda Forever Oscar-nominated hit “Lift Me Up” — has kept a low musical profile for much of the past seven-plus years.

Watch the “Heat Waves” video below.



Anyma Announced As the First Electronic Act to Headline Sphere In Las Vegas

Electronic music is landing at Sphere. After much speculation about which electronic act might be the first to bring the genre to the boundary-pushing venue in Las Vegas, Sphere announced on Monday (July 15) that the role will be filled by Anyma.

The Italian producer, born Matteo Milleri, is also one half of the duo Tale of Us and debuted the Anyma project in 2021. The New Year’s Eve performance will find Anyma bringing his Genesys show to Sphere, marking the final time this show will be performed.

Named for Anyma’s 2023 debut album, Genesys and its 2024 followup Genesys II, the Genesys show has been performed for tens of thousands of people at venues in Asia, Europe, South America and beyond. The albums, like the corresponding visual performance, explore themes of technology, nature, humanity and coexistence.

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Anyma is thus well-suited for the venue, with the producer’s production heavily leaning into technology-driven visuals that will likely pop even harder when projected on Sphere’s dome-shaped structure. The performance will mark the first ever Anyma show in Las Vegas, with the performance officially titled Afterlife Presents Anyma, The End of Genesys.

The show is presented by Live Nation. Tickets go on sale on Tuesday, July 23, with a presale happening on July 22.

While Las Vegas is a noted U.S. electronic music hub, since opening in September of 2023, Sphere has not, until now, featured the genre, instead focusing on rock with venue openers U2, along with jam bands via residencies from Phish and Dead & Company. Classic rock will also move into the venue this fall with a residency from the Eagles.

Lil Wayne & Ludacris to Headline Kevin Hart’s Hartbeat Weekend in Las Vegas

Kevin Hart’s Hartbeat Weekend is returning to Las Vegas, where he’ll mesh the world of music and comedy for a Sin City takeover

Slated for Labor Day weekend (Aug. 29 – Sept. 1), Billboard can reveal that Lil Wayne and Ludacris will be headlining performers at the Zouk Nightclub afterparties on the music side, while Kevin Hart will bring his Acting My Age Tour to the Resorts World Theatre to close out the festivities.

“Hartbeat Weekend is all about celebrating the very best in comedy, culture, and music, and this year we’re taking it to a whole new level,” Hart relayed to Billboard in a statement. “I can’t wait for everyone to join us for a weekend packed with laughter, entertainment and unforgettable moments.”

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From exclusive events to poker tournaments and live performances, the weekend will have it all in Las Vegas. Tickets for Hartbeat Weekend are slated to go on sale starting on Friday (July 19) at 10 a.m. PT.

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Vibee is offering fans various VIP package deals with the premiere Zero F–ks Given package, including tickets in the first six rows to Hart’s headlining show, pre-show party access, entry into the celebrity poker invitational, three nights at the Crockfords at Resorts World Las Vegas and more.

“We are thrilled to partner with Resorts World and AEG Presents again to bring audiences an exciting lineup of events during Hartbeat Weekend,” said Jeff Clanagan, Hartbeat president. “We are dedicated to creating impactful live experiences that unite audiences through laughter and joy, and this year’s action-packed, multi-day event promises to be unforgettable.”

The second-annual Hartbeat Celebrity Poker Invitational takes place over two days on Aug. 30 and Aug. 31, with fans having the chance to compete against 50 handpicked celebrities in the high-stakes game going down at the new Allē Lounge on 66.

There will also be a slate of half-hour comedy specials from various acts throughout the weekend as part of the LOL Live stand-up series.

“We’re looking forward to welcoming Hartbeat Weekend back this year,” added president of Resorts World Las Vegas Peter LaVoie. “We’ve enjoyed partnering with Kevin and his team on this iconic weekend and his shows in the theatre throughout the year. Hartbeat Weekend 2024 will be another incredible experience for our guests.”

Hartbeat Weekend

Hartbeat Weekend

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Harry Styles & Stevie Nicks Perform ‘Landslide’ in Honor of Christine McVie’s Birthday

Harry Styles, Stevie Nicks and thousands of people at London’s BST Hyde Park gave the most touching birthday salute to the late Christine McVie Friday (July 12). 

In honor of her friend — who would’ve turned 81 that day — the Fleetwood Mac frontwoman invited the “As It Was” pop star to join her on stage for an emotional duet of her 1975 masterpiece “Landslide.” “I asked Harry to do this,” she told the crowd at the festival. “It’s always heavy to ask someone to come and sing the song with you when you’re singing about your best friend that died so suddenly and so sadly.” 

“What I want you to know is that Christine was Harry’s girl, she was my girl, she was your girl,” Nicks continued as Styles, wearing a songbird pin on his lapel, nodded solemnly. “She was from here. And she loved all of us. And today was her birthday.” 

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The pair performed the ballad while making sustained eye contact, the “Edge of Seventeen” musician taking the lead as the One Direction alum sang harmony. “And if you see my reflection in the snow-covered hills,” their intertwining voices belted. “Well, the landslide will bring it down.” 

The tribute comes over a year and a half after McVie died at the age of 71 in November 2022, having suffered a stroke with her secondary cause of death being listed as cancer. “She was truly one-of-a-kind, special and talented beyond measure,” wrote Fleetwood Mac in a joint statement at the time. “She was the best musician anyone could have in their band and the best friend anyone could have in their life. We were so lucky to have a life with her.” 

Nicks has been open about her grief since losing her bandmate, telling Vulture last fall that she doesn’t anticipate full-band activities continuing in McVie’s absence. “She was like my soul mate, my musical soul mate, and my best friend that I spent more time with than any of my other best friends outside of Fleetwood Mac,” she told the publication. “Christine was my best friend… Who am I going to look over to on the right and have them not be there behind that Hammond organ? When she died, I figured we really can’t go any further with this. There’s no reason to.” 

Styles also previously honored McVie on his own by singing “Songbird” at his December 2022 concert in Chile. He and Nicks have performed together several times in the past, including at his 2019 One Night Only show at Los Angeles’ The Forum.  

Watch Styles and Nicks perform “Landslide” in McVie’s honor below. 

5 Must-Hear New Country Songs: Charley Crockett, Drew Parker, Dasha & More

In this most recent crop of new country releases, Charley Crockett issues a somber look at “the American Dream,” while Drew Parker draws on his traditional country roots. “Austin” hitmaker Dasha makes a bid for her latest hit with “Didn’t I,” while Russell Dickerson and Wynn Williams also offer up new music.

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Check them out in our roundup below.

Charley Crockett, “America”



For years, musical troubadour and Americana Music Awards winner Crockett has crisscrossed the country, rising from busking on the streets of small towns to selling out headlining shows. Along the way, he’s gleaned keen perceptions from across America’s heartland, and he distills the stories and views into this swaggering, pleading track from his recently-released $10 Cowboy album. Soulful horns, bluesy guitar and Crockett’s distinct, commanding voice are front and center, adding a sonic lift to the song’s somber petition of a man who spends his days laboring in the fields and hopes to be seen and heard, and that the dreams that he’s toiled for will come to fruition. Another well-crafted, thoughtful outing from this musical luminary.

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Drew Parker, “Tomorrow”



Georgia native Drew Parker is known for co-writing hits for Luke Combs (“Doin’ This”) and Jake Owen (“Homemade”), but for the past four years, he’s etched his own artist path as a singer-songwriter steeply influenced by traditional-minded country artists such as Alan Jackson and Ronnie Dunn. “Tomorrow” gleams with a radio-friendly, softly enhancing production, and lyrics packed with sentiments of gratitude for life and love, all led by Parker’s muscular twang, placing him squarely in the path of today’s new crop of country neo-traditionalists. “Tomorrow” is featured on Parker’s newly-released Warner Music Nashville project Camouflage Cowboy, which released July 12.

Dasha, “Didn’t I”



Dasha saw a surge in her pursuit of stardom this year with her boot-stomping, ex-lover-skewering sensation “Austin.” With her latest, “Didn’t I,” she’s out to prove she has plenty more ammo in her musical arsenal. This plucky mix of acoustic guitar and crisp production elevates the underlying tension in Dasha’s vocal, as she sings of a couple who toss aside their previous pledges to end the relationship, as neither can deny the mutual draw to one another during a boozy night of passion — or, as Dasha sings, “We’re backsliders/ Bad liars.” The production here is leaner and sparse when compared to “Austin,” but retains the dancefloor-ready (and TikTok-ready) grooves that pair deftly with the singer’s throaty, sultry voice. Dasha wrote the song with Ben Johnson and Emily Weisband, with production from Johnson.

Russell Dickerson, “Bones”



Tennessee native Dickerson is known for a string of No. 1 Country Airplay hits including “Love You Like I Used To” and his top 5 hit “God Gave Me a Girl.” He returns with this gracefully sung romantic vow of enduring devotion. On this personal track, he recounts key moments in his relationship with his wife Kailey, before asserting that his is a love that will last a lifetime. Dickerson wrote “Bones” with Chase McGill, Chris LaCorte and Parker Welling and seems aimed at further building his reputation as a top-notch vocalist and earnest songwriter.

Wynn Williams, “Country Therapy”



Texas native and former steer wrestler Williams has already released four projects to date and on his latest, brings a mesh of acoustic guitars and fiddle to this slice of ’90s country nostalgia, which he wrote with Ryan Tyndell and Jeff Hyde. He takes a respite from the workweek via what he calls “old-school country therapy”: enjoying fishing and the outdoors, or downing shots of liquor while absorbing classic country music at a local bar. Williams sings this lively honky tonk track with believability, while the swirling production makes this a summertime jam.

SEVENTEEN’S Woozi Denies Claims Group Used AI to Write Songs: ‘Written and Composed By Human Creators’

SEVENTEEN singer/producer WOOZI has responded to a British news feature claiming that the K-pop group is using artificial intelligence when recording its music. WOOZI, who also co-writes the group’s songs, reportedly had thoughts after a BBC News story posted last week claimed that SEVENTEEN’s most recent single, “Maestro,” was an example of the group’s dive into using artificial intelligence in the creative process.

The piece entitled “Will K-pop‘s AI Experiment Pay Off?” noted that the song’s video has AI-generated scenes, with the outlet quoting WOOZI reportedly saying that he was “experimenting” with AI when making new music and that the group “practiced making songs with AI, as we want to develop along with technology rather than complain about it.”

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According to NME, WOOZI posted a response on his Instagram Story on Sunday in which he said, “All of SEVENTEEN’s music is written and composed by human creators.” Korean outlet Newsis claimed that WOOZI’s original comments were taken out of context and what he said was: “I’ve tried writing and composing lyrics with AI, of course. Rather than complaining, I’ll practice in step with it. I’m looking for shortcomings and thinking about what strengths there are. Technology is advancing rapidly. I’m thinking about how to maintain our unique identity in that context. I thought that we had good chemistry because we were able to form a good sense of empathy while filming the music video with the directors.”

Newsis also quoted SEVENTEEN’s Pledis Entertainment label supporting WOOZI, saying, “It is not true that AI was used in Seventeen’s song lyrics, and we have conveyed our position to the foreign media outlets that reported on this to correct the content.”

In April, Soompi reported that while promoting the band’s new greatest hits album, 17 Is Right Here, WOOZI talked about practicing songwriting using AI to understand its pros and cons, but stressed that he was not using it at this time.

At press time a spokesperson for SEVENTEEN had not responded to Billboard‘s request for comment.

The BBC later added an editor’s note to its story that refuted the claim about SEVENTEEN which reads: “This article was amended to confirm that while AI is being experimented with in K-pop, it was not used to write songs for the latest Seventeen album.