Music News

LL Cool J Addresses Rumor of Battling Jay-Z at the Club

During a sitdown interview with Charlamagne Tha God, LL Cool J was asked about his rumored battles with Jay-Z.

One such rumor that has floated around for years was that they ran into each other in a random parking lot in Manhattan and started battling. Supposedly, LL was laughed at for using a verse from his 1993 song “Funkadelic Relic” off his album 14 Shots to the Dome.

When asked about that very rumor, the Queens legend had this to say:

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“Okay let’s talk about what it really is. First of all, I didn’t rap a verse from ‘Funkadelic Relic.’ Okay? That’s the first f—ing thing. It’s bullsh—t. It’s not true. What did happen, though, is I see the guy, he’s in the club trying to flash money to get my attention and I’m looking like, okay. And then his man Sauce [Money] came up to me and was rappin’. So, I had a couple of rhymes… remember, I’m albums in now.

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“You know, these are guys that ain’t had that deal. So, when I ain’t had a deal, I had a suitcase of rhymes. Now I’m albums in. Sauce said some rhymes. I said a couple of rhymes. Then I said a little bit of a song, ‘Ain’t No Stopping This.’ A little bit. Then Jay came up rapping. I was out of rhymes, b. In no scenario was I fully loaded and ready to rhyme. If I was, I’m not exactly the first rapper that you wanna get into that shit with.

“So yes, did I run out of rhymes? Was I finished rapping? Abso-f—ing-lutely. Was it their peanut gallery? Absolutely. But do you really wanna get into some of that shit with LL? You really want that? You dudes want those problems or it’s just a nice story to have?”

The two legends have been cordial at times publicly, but have also dissed each other on various records over the years. Jay got at LL on this Tim Westwood freestyle back in the late ’90s and LL took a shot at Jay’s Def Jam presidency on the track “Queens.”

On the other hand, Jay shouted the rap legend out during his Rock & Roll Hall of Fame speech saying LL helped rappers like him feel more comfortable about being vulnerable and “gave us emotional intelligence.”

LL is on a promo run for his 14th solo album entitled The FORCE which is scheduled for a Sept. 6 release date.

You can watch the full conversation with him and Charlamagne here.

Veeze & Rylo Rodriguez Stunt Matching Cybertrucks in New Video ‘F.A.F’

Veeze and Rylo had fans clamoring for this track when they posted a snippet on social media earlier this year in February and now its finally here.

Directed by Kevin Mares, the video for “F.A.F” — short for “F—ed a Fan” — shows Detroit’s Veeze going bar for bar with Alabama’s Rylo Rodriguez in front of matching Tesla Cybertrucks.

The modern ambiance fits perfectly with BrentRambo and Kyuro’s futuristic production as the duo drops lines like “Joe Biden need to make hatin’ illegal/Rockin’ a mask, gotta pay just to see me” and “Bought her a butt, she ain’t even my type/I touched it up just to see what the hype.”

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Both rappers have been busy this year.

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Veeze is gearing up to drop the follow-up to last year’s critically acclaimed Granger album, releasing the first single “Pop Yo Shit” back in May. Rylo, on the other hand, has been busy doing features.

First, he appeared twice on LUCKI’s latest album Gemini! on the songs “Gerskiway” and “3 SMRS STR8.” He then linked up with YTB Fatt on “In the Air” and he guest starred on 42 Dugg’s “Case Closed” alongside his Glass Window label boss Lil Baby, who makes a cameo in the “F.A.F” video with the red Cybertruck he went viral with when he took the electric vehicle to a gas station.

He did explain why he was there, though, telling a fan he still needs to pick up roll-up and soda. There’s also the fact, gas stations are a popular hangout in certain parts of the country, especially the South.

Druski has a skit about this very phenomenon.

Maren Morris Says New Song ‘I Hope I Never Fall in Love’ Is About Having a ‘Situationship’ Post-Divorce

Maren Morris is in the process of healing, and that means she’s closing the door on love — for now. Ahead of the Friday (July 12) release of her new song “I Hope I Never Fall in Love,” the singer-songwriter opened up about what inspired its lyrics: indulging in a simple “situationship” post-divorce.

“It’s pretty self-explanatory from the title, having just gone through a giant breakup,” Morris said of the track in an Instagram Reels video posted the day prior to its arrival. “Just not wanting to go down that path again, and wanting to keep things casual, and really just lean into the ‘situationship’ of it all.”

“You get to scream the chorus, and I can’t wait to sing it live with everyone,” she added.

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The Evan Blair-produced song comes about 10 months after Morris filed for divorce from fellow songwriter Ryan Hurd, with whom she shares 4-year-old son Hayes. In her Oct. 2 filing, Morris’ lawyers stated that the ex-couple was “unable to live together successfully as husband and wife,” and were “experiencing irreconcilable differences in their marriage.”

After “I Hope I Never Fall in Love” dropped, the vocalist once again explained the song’s meaning in a follow-up Instagram post, noting that it’s about “the afterglow of a s–tshow.” “it’s a bittersweet heartbreaker because I’m in self-protection mode but still want to feel things,” she continued. “throwing parties, going home with a stranger, popping champagne… whatever we need to do to process our pain, it’s not always a pretty road to healing.”

“i, of course, DO want to fall in love again, but I can’t put my heart through it just yet,” she added. “so here’s a number about this strange but constructive (and destructive) window of my life. out everywhere now. ❤️‍?”

The track will appear on Morris’ upcoming EP Intermission, which is slated for Aug. 2. In June, she dropped another song from the five-track project: “Cut!” featuring Julia Michaels.

Watch Morris open up about “I Hope I Never Fall in Love” below.

Eminem’s New LP ‘The Death of Slim Shady’ Leaves Fans ‘Speechless’: ‘His Best Album’

Eminem fans have been waiting quite some time to get a new album from the rapper — four years to be exact. So when he finally dropped the 19-track The Death of Slim Shady Friday (July 12), longtime admirers were quick to rejoice on social media.

“im speechless,” one person tweeted a few hours after the album dropped. “25 years later & its a full circle moment. eminem delivers one of his best albums & showing us what slim shady does one last time.”

Another fan added, “he just dropped the best album within the last decade … Your favorite rapper can’t f–king compete,” while someone else raved, “Lyrics, word play, message, beats, production, all TOP TIER.”

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And though the album — which follows 2020’s Billboard-200 topping Music to Be Murdered By — has only been out for a few hours, listeners have already come together to elect a few songs as fan-favorites. There’s the project’s closer “Somebody Save Me,” featuring Jelly Roll, as well as previously released singles “Tobey” featuring Big Sean and BabyTron and “Houdini,” but the most beloved track appears to be the emotional “Temporary.”

Featuring old recordings of Em’s daughter Hailie Jade, who’s now 28, the song finds the hip-hop titan giving his kin something to remember him by once he’s died. “I wrote you this song/ To help you cope with life now that I’m gone … How should I start? Just wanna say look after Alaina, Stevie, and Uncle Nate/ And sweetie, be strong,” he raps, referencing his two adopted children, 31-year-old Alaina and 22-year-old Stevie, as well as his half-brother Nathan.

Suffice to say, fans are pretty much a bucket of tears. “Me hearing ‘Temporary’ and ‘Somebody Save Me’ after laughing and vibing for 45 minutes,” one listener wrote on X, sharing a gif of Matthew McConaughey sobbing in Interstellar.

Keep reading to see some of the best reactions to Eminem’s brand new The Death of Slim Shady below.

Jelly Roll Reacts to Collaborating With ‘Childhood Hero’ Eminem: ‘Forever Grateful’

Jelly Roll checked a historic item off his bucket list when notching a collaboration with Eminem on “Somebody Save Me,” which served as The Death of Slim Shady (Coup De Grâce)‘s poignant closer.

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Hours after the track made waves on streaming services, Jelly Roll reflected on Friday (July 12) in an emotional post to social media about having the chance to contribute to one of his “childhood hero’s” projects.

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“I always say my childhood hero’s lived somewhere between Willie Nelson and Eminem,” he began. “As a teenager (and still today) I could recite every song on the Slim Shady album, the Marshal Mathers album and the Eminem show. When I bonded out of jail at 17 years old and was sneaking into cyphers and battles in Nashville they would also play the ‘lose yourself’ beat when I came out on stage at the freestyle battles. I related to every word Eminem wrote. I understand him and felt like he understood me, which was rare cause I spent most of my life feeling misunderstood.”

Jelly Roll continued: “So you can imagine how I felt when I got that the call that Eminem would be sampling my song “Save Me” on his new album. And for him to use the song to discuss the other side of what could’ve happened if he would’ve allowed his demons to win brought me to tears. If you haven’t heard it yet, check out “Somebody Save Me” on Eminem’s new album ‘the death of slim shady’ special shout out to Paul Rosenberg , you’ve been nothing but kind to me and treated me like family and gave me opportunities I didn’t deserve, forever grateful.”

Rapper Chris Webby hopped into his comments to put the seminal moment in perspective. “Legendary my brother,” he wrote. “I had such a moment listening to that album last night and then when I heard your voice it stirred up crazy emotions in my soul. Hard to even explain it honestly, but I’m so damn proud of you dude.”

“Somebody Save Me” heavily samples Jelly Roll’s “Save Me,” which reached No. 19 on the Billboard Hot 100 in November following a Lainey Wilson remix.

Jelly Roll’s angelic chorus surrounds Eminem vulnerably opening up in a candid letter to his children where he admits his faults as a parent and expresses regret about the past. “They say my lifestyle is bad for my health,” the country star sings. “It’s the only thing that seems to help.”

The Nashville-bred star met Eminem for the first time before hitting the stage together outside the Michigan Central Station venue. The heartfelt embrace was captured by Jelly’s wife, Bunnie XO. “When the goat meets THE GOAT,” she captioned the clip soundtracked by Eminem’s “My Name Is.”

Jelly Roll joined Em on stage at the June show where they performed Slim Shady’s Aerosmith-sampling “Sing For the Moment.”

Check out Jelly Roll’s post below.

Watch John Krasinski Have a Shameless Dance Party By Himself to Taylor Swift’s ‘Shake It Off’

He’s dancing on his own, making the moves up as he goes. In a hilarious new commercial, John Krasinski lets his freak flag fly while indulging in a solo dance party to Taylor Swift‘s “Shake It Off,” something Swifties all over the world can definitely relate to.

In the 30-second spot, which Canadian entertainment and communications company Rogers shared Friday (July 12), the A Quiet Place star stands alone on a small boat in the middle of Lake Simcoe in Ontario. After looking around to make certain no one is watching him, he presses play on the pop star’s 1989 (Taylor’s Version) smash and lets loose, making up his own choreography and lip-syncing to the lyrics.

When he realizes that a fisherman across the way has been watching him the entire time, though, Krasinski falters — until the canoer starts dancing with him. “We do our thing, so you can do yours,” a piece of narration ends the video. We got you.” 

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Rogers’ use of Swift’s music is fitting — the company is the presenting sponsor of the 14-time Grammy winner’s Eras Tour shows in Canada. After finishing her European leg in August, she’ll do a brief second lap in the United States before closing out the year-and-a-half run with performances in Toronto and Vancouver in November and December.

Krasinski’s ad is just the latest commercial to feature a Swift song, a practice that has grown more frequent ever since she began reclaiming her masters by re-recording her first six albums in 2021 (at this time, she only has her 2006 self-titled debut and 2017’s Reputation left to remake). In October, her Midnights closer “Mastermind” was used in a Survivor promotion, while “Welcome to New York” soundtracked an NFL spot in September.

Watch Krasinski shake it off below.

What’s Your Favorite New Music Release of the Week? Vote!

Music lovers of every genre were treated to a slew of new releases this week, from pop to hip-hop, K-pop and everything in between.

For hip-hop fans, Eminem unveiled his 12th studio album, The Death of Slim Shady (Coup De Grâce). The LP boasts 19 tracks and includes previously released singles “Houdini” and “Tobey” featuring Big Sean and BabyTron, along with a sequel to 1999’s “Guilty Conscience” with Dr. Dre. Em also revealed that TDOSS is actually a “conceptual album,” and he implored listeners to press play and follow the sequencing of the project as listed from one through 19.

Meanwhile, Ice Spice teamed up with Central Cee for “Did It First,” will be featured on Ice’s highly anticipated debut album Y2K!, which will be released on July 26 via 10K Projects and Capitol Records. “Did It First” is the fourth single after her Billboard Hot 100 top 40 hit “Think U The Shit (Fart),” the Sean Paul-sampling “Gimme a Light” and her latest offering “Phat Butt.”

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In the pop world, Katy Perry made her comeback with the empowering “Woman’s World,” marking her first proper release since 2020’s Smile, which reached No. 5 on the Billboard 200. “Woman’s World” serves as the lead track to Perry’s upcoming, long-awaited dance-pop album, 143, which is code for “I love you.” The usage dates back to the early 1900s, per Dictionary.com. The project arrives on September 20.

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ENHYPEN also delivered their higly anticipated sophomore album, ROMANCE : UNTOLD. The project “marks the beginning of a new chapter for ENHYPEN. The pioneering storytellers have previously captivated audiences with their series of narratives BORDERDIMENSIONMANIFESTO, and BLOOD where they ventured across boundaries, confronted themselves in a complex world, took the first step forward to connect with their peers, and made sacrifices for the blood-bound ‘you,’” per a press release that announced details of the project last month.

With all the great music releases this week, we want to know which is your favorite. Check out our Friday Music Guide here, and let us know by voting below.


Nathaniel Rateliff & the Night Sweats Crown Adult Alternative Airplay With ‘Heartless’

Nathaniel Rateliff & the Night Sweats’ “Heartless” ascends to No. 1 on Billboard’s Adult Alternative Airplay chart dated July 20.

The song reigns as the Rateliff-fronted act’s first leader since “Survivor” ruled for six weeks in 2021. In between “Survivor” and “Heartless,” Rateliff & the Night Sweats reached Adult Alternative Airplay with two tracks, paced by the No. 3-peaking “Face Down in the Moment” in 2022.

Prior to those leaders, the band scored No. 1s on the chart with “S.O.B.” in 2015, “You Worry Me” in 2018 and “Hey Mama” in 2019.

Rateliff boasts six total Adult Alternative Airplay No. 1s, as his solo-billed “And It’s Still Alright” also led for eight weeks in 2020.

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Concurrently, “Heartless” jumps 22-19 on the all-rock-format, audience-based Rock & Alternative Airplay chart with 1.6 million audience impressions accrued in the week ending July 11, up 5%, according to Luminate. It’s the band’s first top 20 entry on the list since “Survivor,” which peaked at No. 7 in 2021.

In addition to its Adult Alternative Airplay success, “Heartless” is bubbling under the Alternative Airplay chart. The band has tallied three top 10s on the tally, on which it last appeared with “I’m On Your Side” (No. 40, 2022).

“Heartless” is the lead single from South of Here, Rateliff & the Night Sweats’ fourth studio set. It debuted at Nos. 16, 19 and 37 on the July 13-dated Americana/Folk Albums, Top Alternative Albums and Top Rock & Alternative Albums charts, respectively, with 10,000 equivalent album units earned.

All Billboard charts dated July 20 will update on Billboard.com on Tuesday, July 16.



Here’s Every Artist Featured on Eminem’s ‘The Death of Slim Shady’ Album

Eminem is back. The Detroit legend reasserted his status as a titan in the rap game with his The Death of Slim Shady (Coup De Grâce) album on Friday (July 12).

The Grammy-winning rhymer loaded up his 12th studio album — and first since 2020’s Music to Be Murdered By — with 19 songs and a pair of bonus tracks.

Prior to the LP’s arrival, Em urged fans to listen to the tracks in the order he sequenced since it’s a “conceptual album.”

“Public service announcement: the ‘death of slim shady’ is a conceptual album, therefore, if you listen to songs out of order they might not make sense,” he wrote. “Enjoy.”

Em kept some tricks up his sleeve when he left the special guests off the tracklist, but there was plenty of help from the likes of Jelly Roll, J.I.D, Skylar Grey, Big Sean, BabyTron and more.

From poignant letters to his children to dissing Diddy across multiple tracks, Em goes from diabolical madman to reflective father in a matter of seconds.

Eminem could be looking at his 11th consecutive solo LP atop the Billboard 200 when the tallies come in next week. He kicked off The Death of Slim Shady rollout in May with “Houdini,” which landed at No. 2 on the Billboard Hot 100 for his highest charting entry of the decade. He followed-up with “Tobey” featuring Big Sean and BabyTron earlier in July, which debuted at No. 95 on the Billboard Hot 100.

Here are all of the musicians featured on The Death of Slim Shady:

Falling in Reverse & Jelly Roll’s ‘All My Life’ Tops Mainstream Rock Airplay Chart

Falling in Reverse and Jelly Roll’s “All My Life” rises to No. 1 from No. 4 on Billboard’s Mainstream Rock Airplay chart dated July 20, becoming each act’s third leader on the list and completing a brisk five-week trip to the summit.

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Both acts wrap their quickest coronation on any Billboard airplay survey. Falling in Reverse’s two previous radio rulers, “Popular Monster” and “Zombified” (both on Mainstream Rock Airplay), took 16 weeks to No. 1 in 2020 and 2022, respectively.

Jelly Roll soars past his prior fastest run to No. 1 on a radio chart, as “Need a Favor” needed 18 weeks to lead Mainstream Rock Airplay in 2023; he boasts three No. 1s on Mainstream Rock Airplay and four on Country Airplay.

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“All My Life” wraps the second-quickest flight to No. 1 on Mainstream Rock Airplay this year; Pearl Jam’s “Dark Matter” led in its fourth frame in March.



Each of Jelly Roll’s entries has led Mainstream Rock Airplay, with “All My Life” and “Need a Favor” preceded by “Dead Man Walking,” a one-week No. 1 in 2022. He becomes the first act to send three initial entries to No. 1 since The Pretty Reckless, which racked up a streak of four out of the gate in 2014-16 via “Heaven Knows,” “Messed Up World,” “Follow Me Down” and “Take Me Down.”

Concurrently, “All My Life” jumps 8-5 on the all-rock-format, audience-based Rock & Alternative Airplay chart with 2.9 million impressions in the week ending July 11, up 8%, according to Luminate. It’s Falling in Reverse’s best-charting song on the survey, having surpassed the No. 11-peaking “Last Resort (Reimagined),” a cover of Papa Roach‘s original, last year. Jelly Roll’s best remains “Need a Favor,” which reached No. 3. Assisting the success of “All My Life” is support on alternative radio, as it’s currently bubbling under the Alternative Airplay survey.

On the most recently published multimetric Hot Hard Rock Songs chart (dated July 13, reflecting data in the week ending July 4), “All My Life” ranked at No. 2 after three weeks at No. 1. In addition to its radio airplay, it drew 3.2 million official U.S. streams and sold 1,000 downloads.

“All My Life” previews Popular Monster, Falling in Reverse’s fifth studio album, due Aug. 16.

All Billboard charts dated July 20 will be updated on Billboard.com on Tuesday, July 16.