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Grateful Dead, Bonnie Raitt, Arturo Sandoval Among 2024 Kennedy Center Honorees

The 2024 Kennedy Center Honors will feature a mix of the psychedelic and the soulful with a touch of jazz. The John F. Kennedy Center For the Performing Arts announced the selections for this year’s 47th annual Kennedy Center Honors for lifetime artistic achievements on Thursday (July 18), a list that includes director Francis Ford Coppola (Apocalypse Now, The Godfather), jam godfathers the Grateful Dead, blues singer/guitarist Bonnie Raitt, jazz trumpeter/pianist/composer Arturo Sandoval and, in a first, The Apollo theater in Harlem in a special honor as an iconic American Institution.

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“The Kennedy Center Honors recognizes artists who have made an extraordinary impact on the cultural life of our nation and continue to have an immeasurable influence on new generations,” said Kennedy Center chairman David M. Rubenstein in a statement about the event that will take place in Washington, D.C. on December 8 and air on CBS (and later stream on Paramount+).

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Rubenstein continued, ““A brilliant and masterful storyteller with an unrelenting innovative spirit, Francis Ford Coppola’s films have become embedded in the very idea of American culture; a social and cultural phenomenon since 1965, the Grateful Dead’s music has never stopped being a true American original, while inspiring a fan culture like no other; Bonnie Raitt has made us love her again and again with her inimitable voice, slide guitar, and endless musical range encompassing blues, R&B, country rock, and folk; ‘an ambassador of both music and humanity,’Arturo Sandoval transcended literal borders coming from Cuba 30-plus years ago and today continues to bridge cultures with his intoxicating blend of Afro Cuban rhythms and modern jazz; and on its 90th anniversary, The Apollo, one of the most consequential, influential institutions in history, has elevated the voices of Black entertainment in New York City, nationally, and around the world, and launched the careers of legions of artists.”

The Kennedy Center Honors celebrates individuals whose unique contributions to American arts and culture at an event where the the honorees are seated in the box tier of the Kennedy Center Opera House while their peers pay homage with performances and tributes.

In a statement, Raitt said, “I am deeply honored and thrilled to have been chosen to receive one of this year’s Kennedy Center Honors. I have long been an admirer of the awards and have been so blessed to be able to participate in several shows honoring others. There is no higher level of esteem nor as delightful a celebration and I want to extend my sincere thanks to all who have chosen me to receive this honor. I look forward to the upcoming ceremony and festivities, which I know will be one of my life’s peak experiences.”

The Dead’s living members — Mickey Hart, Bill Kreutzmann, Phil Lesh and Bobby Weir — were equally effusive in their excitement about receiving one of the nation’s highest artistic honors. “It goes without saying that the Kennedy Center Honors represents the highest of reaches for artistic achievement,” they wrote in a joint statement. “To be recognized alongside the artists who have in the past received this honor is beyond humbling. The Grateful Dead has always been about community, creativity, and exploration in music and presentation. We’ve always felt that the music we make embodies and imparts something beyond the notes and phrases being played — and that is something we are privileged to share with all who are drawn to what we do — so it also must be said that our music belongs as much to our fans, the Dead Heads, as it does to us. This honor, then, is as much theirs as ours.”

They continued, “From our earliest days in San Francisco and as far as our tours have taken us, it has been and still is an incredible ride. We’ve had the opportunity to play with many talented musicians, interact with many gifted people—and to be part of something much larger than ourselves. Our music has always been about exploration and breaking through or finding our way around barriers, not just musically but also in bringing people together. The energy, the love, the connection and sharing — once again, that’s what it’s all about. As we enter our 60th year of the Grateful Dead’s journey in 2025, we’re beyond grateful for this recognition and for the journey we are on together. This honor reminds us of all those moments and the people who helped us along the way. Thank you, Kennedy Center, and to all the folks who had a hand in bringing us here, for this incredible honor.”

Sandoval, too, said he was “profoundly humbled and deeply honored” to be selected as a recipient of the prestigious award. “This recognition is an extraordinary milestone in my career and a testament to the support and encouragement I have received from my family, friends, colleagues, and fans,” said Sandoval. “Throughout my journey, I have strived to create, perform, and inspire with passion and integrity. Being acknowledged by such an esteemed institution validates my efforts and motivates me to continue pushing the boundaries of my art. I am incredibly grateful to the Kennedy Center for this honor, and I look forward to contributing further to the vibrant cultural tapestry that the Center celebrates and nurtures. Thank you once again for this incredible honor.”

Michelle Ebanks, president/CEO of Harlem’s legendary Apollo — which over its long history has hosted everyone from Josephine Baker and Count Basie to James Brown, B.B. King, Bob Marley, Sam Cooke and Michael Jackson , among many others — also said her organization was elated by the first-time honor for an institution.

“We are thrilled to be the first organization honored in the history of the Kennedy Center Awards, emphasizing The Apollo’s impact on the past, present, and future of American culture and the performing arts,” Ebanks said. “From the longest-running talent show in America with Amateur Night at The Apollo, which launched the careers of icons like Ella Fitzgerald and Lauryn Hill, to performances from beloved legends like Smokey Robinson and Lil’ Kim and today’s biggest stars like Drake, The Apollo has always been a home for artists to create and a home for audiences to see incredible music and art from legendary artists.”

Last year’s honorees included Queen Latifah, Dionne Warwick, the Bee Gees’ Barry Gibb, comedian Billy Crystal and soprano Renée Fleming.

To learn more about this year’s honorees click here.

Foo Fighters Disappointed That Citi Field Show Cut Short Due to Dangerous Weather: ‘No Safe Way To Continue’

Foo Fighters had to cut their Wednesday night (July 17) show at Citi Field in New York short due to severe weather in the area. “We are so disappointed that we were unable to play our full set for tonight’s fantastic crowd at Citi Field,” the group wrote on X.

“But the safety of our fans, the crew and everyone working in the stadium comes first, so when it was determined that there was no safe way to continue the show in this dangerous weather, we had no choice but to call it a night.” According to fan clips on social media and setlist.fm, the band played 13 songs out of what is typically a 20+ song set, warning fans about the incoming weather before “Learn To Fly” and then bailing after the intro to “Everlong.”

During the talk-up intro to “Learn to Fly,” singer/guitarist Dave Grohl took a moment to address the crowd, telling them, “there’s some lightning and s–t like that,” before promising that the band will play “as much as we can until someone says it’s not safe for you.”

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In another video on X, Grohl can be heard asking the capacity crowd if the band should play “one more” song, before deciding, “all right, here’s what we’er gonna do. We’re gonna do one more. That’s it. We’re gonna do one more, we’re gonna wait this f–kin’ s–t out… if we can come back you f–kin’ know we will, right?” The band then launched into the instantly recognizable strummy intro to their 1997 The Colour and the Shape anthem “Everlong” as fans shouted with glee before Grohl was forced to call it a day.

Citi Field posted a message to X at 10:30 p.m. announcing, “unfortunately due to the continued presence of lightning in the area, tonight’s show has concluded. Please exit the venue and have a safe night.”

In their statement, the band added, “We’re grateful for every second we were able to play for you and looking forward to seeing you again — maybe as soon as Friday!” The foos are slated to play Citi Field again on Friday (July 19). Their Everything or Nothing At All tour will then continue to Boston’s Fenway Park on Sunday (July 21), Hersheypark Stadium in Hershey, PA on July 23 and Great American Ballpark in Cincinnati, OH on July 25.

See the Foo Fighters’ statement and watch the “Everlong” intro bit below.

Steve Albini’s Legacy to Be Honored With Viral #ThankYouSteveAlbini Campaign

Just months after his shocking death at 61, legendary producer/engineer/band leader Steve Albini will be honored with a global celebration of his noisy legacy. Touch and Go Records announced on Thursday (July 18) that it is turning what would have been Albini’s 62nd birthday on Monday (July 22) into a chance to share memories about the late rock rabblerouser known for creating righteously riotous music as well as for his vicious wit.

“Though we tragically lost Steve Albini on May 7, 2024, his indelible influence on music remains. Let’s turn his birthday, July 22nd, into a worldwide celebration to honor his life and legacy,” the label said in a statement announcing their request that fans and friends flood Instagram on Monday with “stories and photos that capture the essence of Steve’s impact. Share pictures of his albums that shaped you, concert memories, or even handwritten notes that resonated deeply. If you were lucky enough to meet him, let’s see those photos!”

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Posters are asked to tag their memories with #ThankYouSteveAlbini to create a digital archive of “our collective gratitude, ensuring Steve’s influence remains vibrantly visible.”

Indie rock icon Albini died on May 7 of a heart attack, leaving behind a legacy of lacerating noise punk as the leader of his bands Shellac, Rapeman and Big Black, as well as a long list of credits engineering (he preferred that title rather than “producer”) such landmark albums as PJ Harvey’s Rid of Me, Nirvana’s In Utero, the Pixies’ Surfer Rosa, as well as thousands of others.

Britney Spears Tells Ozzy Osbourne and Family to ‘Kindly F— Off’

In a genre-crossing beef we certainly didn’t have on our 2024 bingo card, Britney Spears has issued a scathing response to the Osbourne family after rocker Ozzy Osbourne criticized her dancing videos on social media.

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The “Toxic” singer took to Instagram on July 17 to express her disdain for the famous rock family, calling them “the most boring family known to mankind” and telling them to “kindly f*** off.”

The dispute began during a recent episode of “The Osbournes” podcast, where the Black Sabbath discussed TikTok dances before turning his attention to Spears.

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“I’m fed up of seeing poor old Britney Spears on YouTube,” he said. “Every f–king day. It’s sad, very, very sad.” His daughter Kelly echoed his sentiments, saying she felt “sorry” for Spears, while matriarch Sharon Osbourne added, “Poor little thing.”

Spears, who has been under intense public scrutiny since the end of her 13-year conservatorship in 2021, defended herself in a lengthy Instagram post.

She also came to the defense of actress Kate Beckinsale, who has faced similar criticism for her social media content.

“I adore Kate Beckinsale, especially because she’s from London!” Spears wrote. “I realized how incredibly cruel people were talking about her IG, saying she needs more age-appropriate content… it’s pretty badass how she responded.”

Addressing her own situation, Spears continued, “Not as bad as some of my comments saying it’s sad that I’m as old as I am and I’m dancing every single day on my IG! Number 1) I hardly ever dance… and number 2) I’m not poor at all! I have more ligature in my left toe than any grown man or woman on earth!”

The “…Baby One More Time” hitmaker has become known for frequently posting dance videos on her Instagram, often in revealing outfits. The posts have elicited mixed reactions from fans and critics alike, with some expressing concern and others celebrating her newfound freedom of expression.

Spears went on to note the importance of supporting one another in the post. “I know what it’s like to be judged, but I think it’s important to HELP EACH OTHER and invite each other to places that help our souls grow!”

Her post concluded with a sharp message to the Osbournes: “I’m gonna do a photoshoot with Kate and tell the Osbourne family who is the most boring family known to mankind to kindly f— off!”

Australia’s Former Prime Minister Says Tenacious D Needs to ‘Grow Up’ Following Trump Remarks

Former Australian Prime Minister and current U.S. Ambassador Kevin Rudd has delivered a scathing rebuke to comedy rock duo Tenacious D following Kyle Gass’s controversial joke about the recent assassination attempt on Donald Trump.

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Rudd didn’t mince words, telling news.com.au at The Republican National Convention (RNC) in Milwaukee, WI., “It makes me feel sick someone would joke about violence. Physically ill. People might think it’s a bit of ‘funny haha’ at a concert to run off at the mouth off about this stuff.”

“It’s not,” he said. “It’s about threats to physical life; it’s about the near assassination of a former and prospective President of the United States, depending on the votes of the American people. It’s about the murder of innocent civilians and two people being seriously wounded.”

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Rudd added, “These people need to grow up and find a decent job”.

The controversy began during Tenacious D’s Sydney show on July 14 when Gass, presented with a birthday cake for his 64th celebration, said “Don’t miss Trump next time” after bandmate Jack Black asked him to make a wish.

The remark came just one day after an actual assassination attempt on the former president at a Butler, Pa. rally, which resulted in one death and two serious injuries.

The fallout was swift and severe. Bandmate Jack Black, claiming to be “blindsided” by the comment, announced the cancellation of the remainder of their Australian tour and put all future creative plans on hold.

“I am grateful to the fans for their support and understanding,” Black said in a post on July 16.

“I was blindsided by what was said at the show on Sunday. I would never condone hate speech or encourage political violence in any form,” he continued. “After much reflection, I no longer feel it is appropriate to continue the Tenacious D tour, and all future creative plans are on hold.

Gass himself issued an apology, calling his improvised line “highly inappropriate, dangerous and a terrible mistake.”

However, the damage was already done. On Tuesday, United Australia Party Senator Ralph Babet called on the federal government to deport Tenacious D in the wake of Gass’s comment.

“I call on the Prime Minister, Anthony Albanese to join me in denouncing Tenacious D, Jack Black, and band member Kyle Gass, and I call on the Immigration Minister Andrew Giles to revoke their visas and deport them immediately,” Babet said in a statement.

Amid the drama, Gass’s agent, Michael Greene of Greene Talent, also confirmed that he no longer represents the musician/comedian.

Frontier Touring has canceled six shows in Australia and New Zealand, including stops in Newcastle, Brisbane, Melbourne, Adelaide, Wellington, and Auckland. The status of Tenacious D’s five scheduled U.S. shows in October remains uncertain.

Tenacious D, formed by Black and Gass in 1994, has enjoyed notable success on the Billboard charts over the years. In 2015, the duo also won the Grammy Award for Best Metal Performance for their cover of Dio’s “The Last in Line”.

Their self-titled debut album, released in 2001, peaked at No. 33 on the Billboard 200 and remained on the chart for 43 weeks. The band’s follow-up album, The Pick of Destiny (2006), reached No. 8 on the Billboard 200 and stayed for 13 weeks.

In 2012, Rize of the Fenix debuted at No. 4 on the Billboard 200, marking their highest chart position to date and remained on the chart for 10 weeks. Their 2018 album Post-Apocalypto peaked at No. 93 and stayed on the chart for one week.

Lionel Richie Is ‘Amazed’ by ‘The Greatest Night in Pop’ Emmy Nominations

The Greatest Night in Pop, deep dive into the 1985 recording session that produced “We Are the World,” is nominated for outstanding documentary or nonfiction special — and Lionel Richie is celebrating the accomplishment.

“I am still amazed by what we accomplished in 1985 and I’m even more amazed after receiving an Emmy nomination for ‘The Greatest Night In Pop,’” the icon wrote. “It has been an absolute joy to be able to bring this moment in history to life alongside @netflix. A big thank you and congratulations to all of the artists and participants for making ‘We Are The World’ happen, and thank you to the @televisionacad for recognizing our documentary.”

See the post here.

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The documentary follows the group of 45 all-star musicians — Richie included — who gathered together Jan. 25, 1985, as they “checked their egos at the door and recorded a song to benefit African famine relief that would alter global pop culture history,” the official synopsis for the film reads. The Greatest Night in Pop included never-before-seen footage of the song’s planning and writing process, as well as Henson Studios where the recording of the track took place.

The film is also up for directing for a documentary/nonfiction program and sound editing for a nonfiction or reality program.

Donald Glover Explains Why He’s Retiring Childish Gambino Moniker

The Childish Gambino chapter is coming to a close for Donald Glover. The final installment is set to arrive on Friday (July 19) with his Bando Stone & The New World album.

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Glover sat down with The New York Times on Wednesday (July 17) ahead of the LP hitting streaming services later this week. The multi-hyphenate felt it was time to move on from the Childish Gambino moniker as it wasn’t “fulfilling” to him anymore.

“It really was just like, ‘Oh, it’s done.’ It’s not fulfilling,” Glover admitted. “And I just felt like I didn’t need to build in this way anymore.”

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Gambino isn’t holding back with his final act, which will serve as the soundtrack companion to the blockbuster of the same name. He doesn’t seem to have any regrets about moving forward.

“I think grace is undervalued in the world,” he added. “When I put my son on my shoulders, I feel deep joy. That’s real. No one on their deathbed is going to look back and say, ‘Thank God I avoided being cringe.’”

The 40-year-old previewed his genre-blending album, which finds him embracing an array of influences, for an intimate audience with a listening experience curated on NYC’s Little Island earlier in July.

Bando Stone boasts a versatile lineup of guests including Jorja Smith, Yeat, Chloe Bailey, Steve Lacy, Flo Milli, Amaarae, Foushee and more. Glover’s son even makes an artistic cameo.

The album is Gambino’s fifth under the moniker and first since 2020’s 3.15.20, which received an update with the release of Atavista (3.15.20 reimagined versions) in May.

It’s a celebratory week for Donald Glover who picked up a pair of Primetime Emmy nominations on Wednesday for his role as John Smith in Mr. & Mrs. Smith.

He’s nominated in the outstanding lead actor in a drama series and outstanding writing for a drama series categories. Glover previously won the Emmy for outstanding lead actor in a comedy series for his work in his previous show, Atlanta.

Co-stars in the Amazon Prime Video series Donald Glover and Francesca Sloane released a statement reacting to the Emmy noms exclusively to Billboard.

“What is happening! Thank you to the Television Academy! We really weren’t expecting this, but damn did we put in some work — it’s not every day you get to make something with a bunch of your best friends and it’s definitely not every day that it then receives love this way,” they said.

The joint statement continues: “We want to do a quick shout out to the people who deserve some recognition  — Jen, Vernon, Kara, Carina, and the entire Amazon team for your unwavering support in making this our way, Michael Schaefer (the muscle), Yariv and New Regency, Anthony ‘I’ll never say no’ Katagas (you’re the man), Kaitlin (the glue), Fam (the secret sauce), Hiro (the visionary), Christian (the heart), Carmen Cuba (queen), Doug, Karena, Amy, Christina, Steve, Carla, Adamma, Adanne, Yvonne, Julia, Schuyler, Kyle, Isaac, Kate and especially Greg, Dave, Gerry, Ruth, Madeline, Blair, Cody, Stephen Murphy, Pope and his amazing team, Nathan, Rob, Eric, Glen, Emile, all of our ridiculously talented guest stars, the rest of the tirelessly committed cast and crew, including and especially to all of the PAs and assistants. And most importantly, thank you to Maya for your generosity and incomparable genius in being our Jane. We love you all!”

Catch the 76th Primetime Emmy Awards live on ABC on Sunday Sept. 15 (8:00-11:00 p.m. ET/5:00-8:00 p.m. PT) from the Peacock Theater at L.A. Live.

Music Sustainability Summit 2025 Date Announced

After debuting this past February, the Music Sustainability Summit has announced the date for its second conference in Los Angeles.

Focused on creating solutions to the climate crisis within the music industry, the Summit will happen on Monday, February 5. Like this year’s event, the Summit will happen the day after the Grammy awards.

A venue for the 2025 Summit has not yet been announced. The event was conceived of and is produced by the Music Sustainability Alliance.

“The Summit represents a meeting of the minds working on music industry sustainability, both
leaders and learners,” Music Sustainability Alliance CEO and co-founder Amy Morrison says in a statement. “The industry has nearly unlimited potential to model the future we all want to see by supporting and propagating leadership practices and technologies that can address the climate crisis, the biodiversity crisis, the waste crisis and other societal challenges. The summit represents an annual opportunity to collaboratively learn and to showcase and accelerate the industry’s progress.”

Last year’s Summit was attended by more than 300 workers from across the music industry, with a day’s worth of panels focuses on the impact of climate change on their business.

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Additionally, the MSA has also announced a new monthly webinar series called The Green Room. The free series launches September 3 with a session called “Turning Fans Into Activists,” which will focus on how artists are encouraging fans to become politically active and how they can do so without alienating fans.

Forthcoming Green Room topics include creating zero-waste event and music and the regulatory environment. The series is hosted by MSA strategy director Joel Makower, who is also the chairman and co-founder of GreenBiz Group.

Kesha Opens Up About ‘Hard-Fought’ Independence Following Dr. Luke Legal Battle

Kesha is a free woman in the process of releasing music — including new single “Joyride” — under her own label for the first time in her career. But that independence didn’t come easily.

In a new interview with Forbes published Tuesday (July 16), the 37-year-old singer-songwriter opened up about the sense of relief she’s experienced since settling her legal battle with Kemosabe Records founder Dr. Luke, whom she accused of sexual, physical, and emotional abuse in 2014. The producer has consistently denied Kesha’s allegations and sued her for defamation, but the two settled the case before it went to trial last year.

“I feel free for the first time since I was 18 years old and I so appreciate every single person that has streamed it,” the star told the publication of her new song. “I’ve spent almost 10 years in litigation and millions of dollars in legal fees. This joy has been hard-fought for me, so I love that people are ready to ‘Joyride’ with me.”

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“I’ve seen a lot of problems and I’ve had a lot of people come to me privately, really big artists, and talk to me about the issues with this business,” she continued. “I think it’s really evident that there’s a problem. I’m working currently, actually as we speak, to try to find the right collaborators within the tech space because I have a plan and I’m going to fix this.”

The interview comes a couple weeks after “Joyride” fittingly dropped on the Fourth of July, marking Kesha’s first independent release following her departure from Kemosabe. “Don’t even try to give me s–t/ I’ve earned the right to be like this,” she sings on the splashy dance track. “Joy ride, joy ride/ I’m just looking for a good time tonight.”

As she continues pumping out music under her own label — simply named Kesha Records — the “Praying” artist says she hopes to shake up the industry by leading the charge on more artist-friendly practices. “It’s wild that a human being can lose the rights to their recorded voice in perpetuity in the universe,” she told the publication. “First of all, changing litigation around that is something that’s on my radar.”

“Second of all, I have to say, currently I’m really excited to build a safe space for artists because creation and fear cannot co-exist,” she added. “When you’re in a state of fear, you cannot create, and I know this from personal experience.”

Anyma Adds Additional Dates to December Sphere Run

Two days after the announcement that Anyma will be the first electronic music act to play Sphere in Las Vegas, the artist and venue have added two additional shows to the run.

In addition to the previously announced December 31 show, Anyma will now also play Sphere on December 29-30. Ticket prices for the new events will be the same as the NYE show, with the general on sale starting July 23 and a presale happening on July 22.

The expansion of this Sphere run is being credited to “overwhelming demand” by the show’s promoter, Live Nation. Given that the concert’s production elements are custom made for the tech forward venue, more dates also likely increases ROI for involved parties.

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Anyma, whose sound is focused on melodic techno, is made up of Italian producer Matteo Milleri, who is also one half of the electronic duo Tale of Us. The Sphere performance will find Anyma bringing his Genesys show to Las Vegas, marking the final times this show will be performed. The performance is officially titled Afterlife Presents Anyma: The End of Genesys and will feature yet to be announced special guests.

Named for Anyma’s 2023 debut album, Genesys and its 2024 followup Genesys II, the Genesys show has been performed for tens of thousands of people at venues in Asia, Europe, South America and beyond. The albums, like the corresponding visual performance, explore themes of technology, nature, humanity and coexistence. Afterlife is the label founded by Tale Of Us in 2016. Both Tale Of Us and Anyma have gained global renown for their visuals-focused production, which explores topics like evolution and consciousness.

Featuring lineups lead by Tale Of US, both Afterlife showcases at the Los Angeles State Historic Park last October were sold out. Last summer, Afterlife partnered with Interscope Records for a deal under which Interscope will distribute all Afterlife releases, including all past and future recordings.

While Las Vegas is a longstanding U.S. electronic music hub, since opening in September of 2023, Sphere has not, until now, featured the genre, instead focusing on rock with venue openers U2, along with jam bands via residencies from Phish and Dead & Company. Classic rock will also move into the venue this fall with a residency from the Eagles.

In May, Sphere’s parent company, Sphere Entertainment Co, reported that the venue generated revenue of $170.4 million in its fiscal third quarter ending March 31. Opened to much fanfare last September, the venue cost $2.3 billion to build.