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Diddy was arrested September 16th on unknown charges, but now his criminal indictment has been unsealed. Keep watching to see what he’s been charged with. Tetris Kelly: Diddy’s alleged “freak offs” have been detailed in an unsealed criminal indictment that led to his arrest this week as he was charged with sex trafficking and racketeering. […]
Miley Cyrus is being sued for alleged copyright infringement over her song “Flowers,” which a lawsuit claims is based on Bruno Mars’ “When I Was Your Man.” Keep watching for the details. Tetris Kelly:Miley Cyrus is being sued for allegedly copying Bruno Mars. Miley’s Hot 100 No. 1 and Grammy winning “Flowers” is the centerpiece […]
It’s been a year filled with fun dances, viral hits and more on the TikTok Billboard Top 50. To celebrate, we’re taking you through the top trending songs in the past year. Keep watching to see if your favorite is on the list! Narrator:The Tiktok Billboard Top 50 has hit the one-year mark, and we’re […]
It’s been seven years since Nelly Furtado released a new album, and she’s marking her comeback with ‘7.’ The renowned singer, known for delivering hit after hit, opens up about her experiences recording ‘7,’ including having her daughter watch the process. She also discusses the resurgence of her classic hits on TikTok, Kamala Harris using “Maneater,” seeing Taylor Swift at The Eras Tour, her upcoming tour, and more!
Lyndsey Havens:
Hey, what’s up? I’m Lindsey Havens for Billboard News, and we are here with the icon, the legend, Nelly Furtado. Thank you so much for coming in.
Nelly Furtado:
Hi! Thanks for having me.
We are such big fans of yours, and congratulations. You have an incredible new album, ‘7.’ It has been a minute since your last album. I believe it was 2017, so tell me about how you knew that this was the time to come back and why you wanted to release an album now.
It just felt like the right time. I had taken some time to just live and go through a lot of personal things, and so I had a lot to write about A. And then B, I felt really called back to the industry. I started hearing a lot of my music on, you know, social media, especially TikTok, a lot of different DJs started remixing a lot of my old materials. I did really feel authentically that it was time to make some new music and some new vocals for everyone to remix. The music on this album is really informed by like me going out playing shows, reconnecting with audiences, brand new audiences as well, kind of really reflecting that in the sound of the album. Just kind of, I feel like I gained, like, a solid understanding of why people like my music and particular music that they love, and why, and I kind of really did keep that top of mind when I was recording this new album.
Makes sense that you said you’re kind of going out and having fun and living life because I get that in the production and the beats of this music, but then the songwriting goes so deep into everything else that you were experiencing.
Keep watching for more!
Donald Trump and JD Vance have spoken out about Taylor Swift endorsing Kamala Harris in the presidential race. Keep watching to see what the two have to say about her. JD Vance:We admire Taylor Swift’s music, but I don’t think most Americans, whether they like her music or fans of hers or not, are going […]
KISS spent the majority of its five-decade career disguising their faces in makeup. Now, as the band plans the next phase for its music and iconic characters, KISS is still leaving its fans with mystery and intrigue.
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After the culmination of The End of the Road Tour in December, KISS began the year with the sale of its name and likeness and plans to live eternally in the digital world. Details are scarce, but the band has said the virtual performance should launch in Las Vegas in 2027. In a conversation with Billboard’s Behind the Setlist podcast, frontman Paul Stanley won’t say exactly how the group will carry its legacy into the future. But in typical KISS fashion, Stanley has ambitious goals.
“It’s a must-see, go-to experience,” Stanley boasts. “It’s beyond anything that anyone else has contemplated.”
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Virtual artists are nothing new: a Tupac Shakur hologram appeared at Coachella in 2012, and avatars have resurrected deceased musicians such as Ronnie James Duo and Whitney Houston for live performances. Those earlier examples of digital likenesses pale in comparison to Abba Voyage, a high-budget, mixed virtual reality-live music concert in London that has won rave reviews.
In April, KISS sold its name and likeness rights to Pophouse, the Swedish company that helped build Abba Voyage around virtual versions of Abba’s four members made to look decades younger. Although those early generations of avatars wowed audiences, KISS isn’t content to replicate the previous models, says Stanley.
“We’re creating something that’s not a concert,” he explains. “The idea of a hologram — and it’s not a hologram, but that term seems to get thrown around a lot — but the idea a simulated concert is not what we want to do. Frankly, I would find that boring.”
Like Abba Voyage, which takes place in the purpose-built, 3,000-capacity ABBA Arena in Queen Elizabeth Olympic Park in London, the KISS experience will require a dedicated venue built around the technology, says Stanley. Las Vegas is filled with venues, from Sphere to T-Mobile Arena to numerous theaters that host long-term residencies (Bruno Mars at Park MGM, for example). Stanley is mum on the venue but tells Billboard the final product will be more advanced than Abba Voyage.
“Now, mind you, the Abba show is an older technology, because technology moves ahead at an exponential rate,” says Stanley. “So, by the time that show started to be presented, there was new technology.” To that end, he adds, KISS will work with Industrial Light & Magic, the visual effects company founded by filmmaker George Lucas that produced special effects for the Star Wars, Terminator and Jurassic Park franchises.
KISS fans got a preview of its plans in December when then band revealed digital depictions showed at the final End of the Road concert and released a two-minute sizzle reel, KISS: A New Era Begins, that shows the band donning motion-capture technology to create their digital likenesses. Stanley insists that the final product will be far more advanced.
“That was just an early — I don’t want to say rendering — but an early version of what is to come and is still being worked on,” says Stanley. “But it bears little resemblance to what was there. What we were showing was just the inception of the idea that we can continue on outside of flesh and blood.”
As for Stanley, he expects to stay busy outside of prepping the Las Vegas show. Stanley leads a retro-soul band, Paul Stanley’s Soul Station, that plays original and classic soul songs and released an album, Now and Then, in 2021. He has forged a successful career as a painter. Asked if he’ll release another solo album—following his 1978 eponymous album and Live to Win from 2006 — Stanley keeps his fans guessing.
“We’ll see,” he says. “I’m not done with music, that’s for sure. I’ve become more judicious in what I do, picking and choosing, because as you get older, you see more and more that anything you do takes you away from something else. And at some point, it really comes down to picking and choosing what you do as it relates to what you don’t get to do. So yeah, I mean, I’ll certainly do more music. Music is a big part of who I am.”
Listen to the entire interview with Paul Stanley at the embedded Spotify player below, or go to Spotify, Apple Music, Amazon Music, iHeart or Everand.
Peso Pluma takes Billboard backstage of his Éxodo Tour stop in Anaheim. He shares what gets him going, his future plans in music and more! Peso Pluma:Hi there. I’m Peso Pluma, and you’re backstage at my Éxodo Tour. Tetris Kelly:Peso Pluma took over Anaheim, and from kicking it backstage with his boo, to meeting all […]
Can one of Sabrina Carpenter’s hits take the No. 1 spot from Shaboozey? Tetris Kelly:This is the Billboard Hot 100 Top 10 for the week dated Sept. 21. Locked at 10 is “Not Like Us,” as is Teddy Swims at nine, “Please Please Please” falls to No. 8, as Chappell Roan moves up to seven. […]
Lil Tecca is entering his Plan A era on Sept. 20, and to help launch it, he dropped “Taste” and “Bad Time.” The rapper talks to Billboard‘s Mike Saponara about how he gathered inspiration for his album, how he handled reaching success at a young age, linking with Don Toliver and Juice WRLD, and listening to his fans when they speak about his music. Keep watching to see all the gems Lil Tecca drops and to see him play a game!
What’s going on, guys? This is Beat by Beat. I’m Mike Saponara here with Billboard. We have the great Lil Tecca. Tecc, talk to the people — how are we feeling?
Feeling good. I’m about to drop Plan A with my guy, Mike.
Hey, yeah, we’re looking forward to that. Take us back. When did that world start to take form for you?
I honestly got the name Plan A when I was about to finish Tec, my last album.
OK.
I didn’t really know what I wanted to call the next one. So when it was kind of time to decide the name for this album, I had a couple mines, couple names in my head, but I just remembered, like I was thinking about Plan A.
Plan A. There’s no Plan B.
Going Plan A.
Word. Where do you do most of your recording, I guess. How was the creative process for that?
For this album, we recorded most of it in Miami. I was just in the studio everyday with, like, money and ties and all of them. There was a couple songs that I did in New York and also in my crib, too.
Did you produce a lot of this album?
I didn’t produce a lot of it, but definitely my beat selection is what drives a lot of the production,
Right, right.
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With the announcement of Charli XCX’s Brat remix album, Troye Sivan leads the way with his remix with her on “Talk Talk.” Watch what he had to say about making the remixed single, out now!
Stay tuned for the full Troye Sivan interview, coming soon!
Troye Sivan: We’ve come out with something that I really, really love, like, it slaps I think.
Why was “Talk Talk” the song that you guys felt like was right for your remix?
She did the whole remix album, so there’s, like, a remix for every song, and she chose me for “Talk talk.” When she was first working on Brat, she sent me “Talk Talk” and I loved it, obviously. And it was really cool, though, because what she’s done with this remix album is, like, it can be … Some of the remixes are kind of a more maybe traditional feature, where the person has come on and just, you know, is on the second verse, kind of like doing the same melody, but maybe changing some lyrics, but, you know, kind of like that vibe.
What she said as well, though, was that she wanted some of the songs to … She’s just like, “I don’t care if you use one word from the original, it can be a completely new song. But use, use ‘Talk Talk’ as, like, you know, a seed for a song.” Essentially, we sampled “Talk Talk” and created an entirely new pop song out of it. Because I said to her, “If it’s a remix, is this like a, like a six-minute long, like, club song? Or is this like a pop song?” And she was like, “No, it’s a pop song.” I’m like, “OK, cool.”
I had so much fun, kind of, like, taking the scissors to the song that I really, really love, and getting to, kind of, like, chop it and change it and whatever. And we brought in kind of, like, the rush team, and worked on it, and then sent it back to Charli, and Charli did her thing, sent it back to me. It was just kind of like this really fun collaborative process, and we’ve come out with something that I really, really love, it, like, slaps I think, yeah.