Lawsuit
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Scott Storch hasn’t been in the news of late save for making an appearance during the early days of VERZUZ and producing tracks here and there over the past few years. The hitmaking keyboardist was hit with a lawsuit after reportedly not paying a $65,000 bill to a California jeweler.
Scott Storch, 50, was slapped with a lawsuit from Peter Marco of Extraordinary Jewels in Beverly Hills, according to a report from TMZ. Marco says in the filing documents that the monies owed to him by Storch date back to January 2020. Storch bought a diamond-studded platinum ring valued at $61,000.
At one point, Storch was maintaining monthly installment payments but Marco shared in his documents that Storch last paid in 2021 with a bill of $65,5000. Marco’s legal team gave Storch’s side a pair of letters demanding payment with the looming threat of a lawsuit. When the letters did not garner a response from Storch, Marco’s team filed the lawsuit.
According to the outlet, Scott Storch has not responded publicly to the lawsuit.
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The judge set to oversee Diddy’s upcoming “gang rape” trial has introduced a new ruling involving the unidentified accuser that could slow up the case.
According to reports, the federal judge that will oversee the trial stemming from a lawsuit filed against Diddy accusing him of sexual trafficking and being involved in the gang rape of the victim cannot move forward unless the victim identifies herself. In the documents related to the new ruling, Judge Jessica G.L. Clarke did acknowledge that this could “have a significant impact” on the accuser but that they “failed to prove” that they could proceed on an anonymous basis.
“While the court does not take Plaintiff’s concerns lightly, the Court cannot rely on generalized, uncorroborated claims that disclosure would harm Plaintiff to justify her anonymity,” Judge Clarke wrote in the filing. She would go on to write that cases where the accuser’s identity is undisclosed were “the exception and not the rule.” Judge Clarke cited previous lawsuits filed against actor Kevin Spacey and former movie mogul Harvey Weinstein in which the respective John Doe and Jane Does had to disclose their identity.
Douglas Wigdor, who represented Diddy’s ex-girlfriend Cassie Ventura in her suit against him, said that Jane Doe came forward after realizing “she too had been sex trafficked and that Mr. Combs’ behavior in forcing women into nonconsensual sex was not an isolated incident or unique only to Ms. Ventura.”
The lawsuit alleges that Diddy, former Bad Boy President Harve Pierre and an unidentified third man had coerced Jane Doe, then 17, from Michigan to New Jersey, “plied her with drugs and alcohol” and ultimately raped her in a Manhattan recording studio in 2003. Diddy has since filed an 11-page response to the lawsuit in the Southern District of New York, claiming that he “never participated in, witnessed, or was or is presently aware of any misconduct, sexual or otherwise, relating to plaintiff in any circumstance whatsoever.”
The filing by his new team of lawyers (which includes the same attorney that represented Jeffrey Epstein’s associate, Ghislaine Maxwell) claims the lawsuit is “unconstitutional.” Harve Pierre has also filed his official response to the lawsuit, saying that he “never participated in the sexual assault of the plaintiff nor did he ever witness anyone else sexually assaulting the plaintiff.”
A federal judge ruled Thursday (Feb. 29) that an unnamed woman suing Sean “Diddy” Combs over allegations that he “sex trafficked” and “gang raped” her must reveal her identity as the case moves forward.
The judge acknowledged that disclosing the accuser’s identity “could have a significant impact on her” due to the “graphic and disturbing allegations in this case,” but said the woman had failed to prove that she could proceed anonymously.
“While the court does not take plaintiff’s concerns lightly, the Court cannot rely on generalized, uncorroborated claims that disclosure would harm plaintiff to justify her anonymity,” Judge Jessica G. L. Clarke wrote.
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The judge cited previous lawsuits against Kevin Spacey and Harvey Weinstein in which John Doe and Jane Doe accusers, respectively, had been denied anonymity and said that allowing cases to proceed under a pseudonym in the U.S. court system was “the exception and not the rule.”
The ruling will not take effect immediately; instead, the accuser will not be revealed until after the judge rules on Diddy’s pending motion to dismiss the lawsuit. It’s unclear when that ruling might come. If the case survives, the Jane Doe will be forced to reveal her name.
Thursday’s decision came in one of several abuse cases filed against the hip-hop mogul late last year. In the current case, the unnamed Jane Doe accuser claims that Combs and former Bad Boy Records president Harve Pierre “plied” her with drugs and alcohol before raping her in a Manhattan recording studio when she was a high school junior.
Combs has strongly denied those allegations, saying: “I did not do any of the awful things being alleged. I will fight for my name, my family and for the truth.” Last week, he formally responded to the lawsuit, arguing that that the allegations are “fictional” and violate his constitutional right to due process.
For months, the two sides have wrangled over whether the Jane Doe accuser could proceed anonymously. She argued that the media attention she would face would result in fresh trauma, adding to what she already allegedly suffered. Diddy’s attorneys argued strongly the other way, saying it would be unfair to let his accuser proceed under a pseudonym while his name was dragged through the mud.
On Thursday, the judge sided clearly with Diddy’s argument, ruling that she had failed to show the kind of “particularized harm or current vulnerabilities” that would necessitate such special status.
“Although this case involves highly sensitive allegations and Doe has not publicly revealed her identity, all other factors weigh against Plaintiff’s motion should this case survive Defendants’ dispositive motions,” the judge wrote.
A woman who once appeared “obviously intoxicated” in a Kanye West music video cannot sue for defamation after the footage was used in the Kanye-focused Netflix documentary jeen-yuhs, a federal judge says, even if she later got sober and “turned her life around.”
Cynthia Love sued last year, claiming jeen-yuhs filmmakers Coodie Simmons and Chike Ozah defamed her by including the footage in the 2022 Netflix series. The clip, which showed Love dancing and slurring her words at a Chicago barbecue spot, was originally shot for the 2003 music video for Kanye West’s debut single, “Through The Wire.”
Love’s argument was unusual. She admitted that the footage was authentic — normally the death knell for a libel lawsuit. But she argued that because she had later gotten sober, it had become false and defamatory to use it in the present day.
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In a ruling Tuesday (Feb. 27), Judge Steven Seeger sharply rejected that argument, ruling that the footage was “historically accurate” and shows a “a past truth,” even if it was a truth that Love did not want to remember.
“Holding up a mirror isn’t defamation. Holding up a 20-year-old picture isn’t defamation, either,” the judge wrote. “They both reflect reality, like it or not.”
It did not matter that Love had later “turned things around,” the judge wrote, or that the Netflix doc depicts her at her “darkest moments” years ago: “The ‘Jeen-yuhs’ video accurately portrays Love in a moment of time several decades ago. The video does not suggest that Love remains in an intoxicated state, or anything of that sort.”
Directed by Coodie & Chike (the moniker used by the filmmakers), jeen-yuhs depicted West’s career through unreleased archival footage, much of it filmed by Coodie over decades of working with the rapper. After landing at Netflix for a reported $30 million, the series was released in February 2022 — just months before West would receive widespread condemnation for a string of antisemitic statements.
Years earlier, Love had briefly appeared in the “Through The Wire” video, which was directed by Coodie & Chike in one of their first projects. The video showed Love drunkenly dancing in Chicago eater Original Leon’s Bar-B-Q. That footage, plus additional unused footage showing her interacting with West, later appeared in jeen-yuhs, making up about two minutes of footage total across two episodes.
Love sued last year, accusing Coodie & Chike and Netflix of defamation and a wide range of other wrongdoing. (West was not named or accused of any wrongdoing). She claimed they had “recklessly disregarded the truth” that she had made “an amazing transformation” since the ugly footage was filmed, hurting her reputation among present-day peers: “Neighbors, co-workers, and family cannot help but view and treat her as someone less worthy of their respect, esteem and trust,” her lawyers wrote.
But in Tuesday’s order dismissing those allegations, Judge Seeger pointedly noted that “sometimes the truth hurts, and when the truth hurts, it isn’t defamation.” Summarizing her argument as “the footage was true then, but it isn’t true now,” the judge told her that’s simply not how defamation law works.
“Plain and simple, any allegations about Love in the ‘Jeen-yuhs’ docuseries are true,” the judge wrote. “The docuseries includes real-world clips of Love, without doctoring the content or adding any false material. It shows true clips of a real event.”
Attorneys for both sides did not immediately return a request for comment.
A U.S. District Court judge is allowing a shareholder lawsuit against Live Nation to move forward, denying the concert promotion giant’s motion to dismiss it in a decision handed down Friday (Feb. 27).
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The case involves how much the company should have to disclose about ongoing public pressure from federal authorities and how much of its financial success it should attribute to its dominant market share in the concert industry — as opposed to demand for concert tickets or the strength of its business.
Shareholders Brian Donley and Gene Gress are suing Live Nation over drops in its share price from February 2022 to November 2023 that they say were brought on by the company’s “false and misleading statements and omissions” within its annual earnings reports — specifically regarding the company’s alleged “anticompetitive behavior and cooperation with regulators.”
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The lawsuit did not reveal any new antitrust allegations against Live Nation, nor did it detail any new antitrust investigations into the company by regulators. Attorneys for the shareholders instead focused on boilerplate language within the company’s shareholder report and argued that it should have spent more time talking about the threat a federal antitrust investigation posed.
In siding with the shareholders, Judge Kenly Kiya Kato took issue with how the company described its success, noting in a 13-page ruling that she believed that Live Nation’s “failure to include specific facts and details about their presence and control of the live entertainment industry” in its annual report didn’t paint the full picture. Kato wrote in her ruling that the company’s claim that 2022 revenue growth “was a reflection of the quality of the Ticketmaster platform and its continued popularity with clients across the globe” was “misleading” because it failed to mention that “Ticketmaster controls ticket distribution for over 70% of major concert venues,” and “77% of the top 100 amphitheaters worldwide.”
Kato also wrote that Ticketmaster’s claims that its success was based on the superiority of its ticketing systems was in part a false claim because it omitted criticism from competitors who testified against the company in front of the U.S. Senate in early 2023.
Since it merged with Ticketmaster in 2010, Live Nation has faced antitrust complaints over the company’s size and market share from competitors, politicians including Senators Amy Klobuchar and Richard Blumenthal, and consumer advocates. Scrutiny of the company increased in 2019 when officials with the Department of Justice opted to extend a decade-old consent decree against it, and then ramped up again following the high-profile 2022 crash of Taylor Swift’s Ticketmaster sale for her Eras Tour.
Since 2022, Live Nation has not been notified that it’s the subject of any legal action by the Department of Justice and has written in its annual disclosures that it cooperates with all federal and state authorities, operates in a highly competitive marketplace and attributes its revenue growth at the end of 2021 to an increase “in events and higher ticket sales.”
Attorney Laurence M. Rosen, representing several shareholders in the class action lawsuit, said Live Nation’s answers contradict June 2023 reports from Politico and CNBC that the company was “allegedly stonewalling” a Senate subcommittee led by Senator Blumenthal that was seeking documents from the company about how it operated its concerts division.
Live Nation countered that Blumenthal was misrepresenting the dispute, that it had already handed over thousands of documents and was contesting demands for confidential information that included private details about how much artists earned from touring. In its response to the Senate committee, the company argued it would only hand over the documents if confidentiality protections were put in place. While Live Nation’s attorneys viewed the disagreement as insignificant, Rosen argued that the objection meant the company was “not cooperating fully with the ongoing DOJ and Senate Subcommittee investigations,” an attorney for the shareholders wrote.
Live Nation declined to comment for this story.
The estate of Donna Summer filed a copyright lawsuit against Kanye West on Tuesday (Feb. 27), accusing him of “shamelessly” using her 1977 hit “I Feel Love” without permission in his song “Good (Don’t Die).” Explore See latest videos, charts and news See latest videos, charts and news In a complaint filed in Los Angeles […]
A music producer who says he worked on Sean “Diddy” Combs‘ 2023 album The Love Album: Off the Grid is accusing the hip-hop mogul of sexual assault and harassment, sex trafficking and various other forms of misconduct in a sprawling lawsuit filed Monday (Feb. 26).
In the complaint, filed by plaintiff Rodney “Lil Rod” Jones Jr. in New York federal court, the producer accuses Combs of “groping and touching” his anus and trying to groom him into engaging in sexual acts with Combs and other individuals, including Love Album producer Steven Aaron Jordan (a.k.a. Stevie J) and a cousin of Combs’ ex-girlfriend Yung Miami (named as a Jane Doe defendant). He also claims that Combs “forced” him to “solicit sex workers,” some of whom were underage, as well as to “perform sex acts to the pleasure of Mr. Combs.”
In one alleged incident from February 2023, Jones claims he woke up “naked, dizzy, and confused” in a “bed with two sex workers and Mr. Combs” at Combs’ home in Miami and “believes” he was drugged by Combs.
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The lawsuit, filed by attorney Tyrone Blackburn, names several more defendants whom Jones claims conspired with Combs in an alleged “RICO enterprise” to enable his misconduct: Universal Music Group (UMG), its subsidiary Motown Records, Combs’ label imprint Love Records, UMG chairman/CEO Lucian Grainge, former Motown CEO/chairwoman Ethiopia Habtemariam; Combs’ chief of staff, Kristina Khorram; and Combs’ son, Justin Combs. Federal RICO cases, which are based on the Racketeer Influenced and Corrupt Organizations Act traditionally used to target the mafia and drug cartels, are brought to more effectively sweep up members of alleged crime rings. (Notably, the ongoing Georgia criminal case against Young Thug that alleges the rapper ran a violent Atlanta street gang is based on a Georgia statute modeled off of the federal RICO law.)
In this case, Jones claims the “RICO enterprise” in question was set up to recruit sex workers, some of them underage, and to acquire and distribute drugs and guns out of Combs’ Miami home. He accuses the participants in the alleged enterprise of keeping him under their control by threatening him with violence, ostracism from the music industry and nonpayment for work on the album, which he says he still has not been compensated for despite having allegedly produced nine tracks.
The lawsuit also brings up an alleged September 2022 incident at Chalice Recording Studio in Hollywood, during a writing and producing camp for The Love Album, that allegedly resulted in a man being shot in the stomach following a “heated conversation” between Combs, his son Justin Combs and another unnamed man. Following the incident, Jones claims Combs forced him to lie to police by telling them the man was injured in a drive-by shooting outside. Jones is suing Combs, UMG, Motown, Love Records and Chalice Recording Studio for providing “inadequate or negligent security” during the camp.
In a statement sent to Billboard, Combs’ attorney Shawn Holley said: “Lil Rod is nothing more than a liar who filed a $30 billion lawsuit shamelessly looking for an undeserved payday. His reckless name-dropping about events that are pure fiction and simply did not happen is nothing more than a transparent attempt to garner headlines. We have overwhelming, indisputable proof that his claims are complete lies. Our attempts to share this proof with Mr. Jones’ attorney, Tyrone Blackburn, have been ignored, as Mr. Blackburn refuses to return our calls. We will address these outlandish allegations in court and take all appropriate action against those who make them.”
A spokesperson for Justin Combs sent the following statement: “Justin Combs categorically denies these absurd allegations. They are all lies! This is a clear example of a desperate person taking desperate measures in hopes of a pay day. There will be legal consequences for all defamatory statements made about the Combs family.”
Representatives for UMG, Motown, Love Records, Grainge and Chalice Recording Studio did not immediately respond to requests for comment. Habtemariam could not be located for comment at press time.
Jones is asking for damages for loss of past and future income as well as “mental anguish, humiliation, embarrassment, stress and anxiety, emotional pain and suffering, and emotional distress”; punitive damages; and the costs of bringing the suit.
The Love Album was originally announced in May 2022 as a release on Combs’ newly formed imprint Love Records, to be released in tandem with UMG’s Motown. However, the album — which featured a laundry list of stars including Mary J. Blige, Burna Boy, John Legend, Justin Bieber and The Weeknd — was ultimately released independently in September 2023.
Jones’ lawsuit is just the latest in a string of legal accusations to be lodged against Combs over the past several months. In November, Combs’ longtime girlfriend, R&B singer Cassie, sued him for rape and physical abuse, though the case was promptly settled. He was subsequently sued by two more women for sexual assault and later by a Jane Doe who claimed Combs “sex trafficked” and “gang raped” her when she was 17. Combs has denied all of the allegations.
A new sexual assault lawsuit has been filed against Nigel Lythgoe, this time by an unidentified woman who claims the former American Idol and So You Think You Can Dance producer forcibly touched her in 2016.
The suit, filed on Saturday in Los Angeles Superior Court, is the latest against Lythgoe accusing him of sexual misconduct and abuse. After Paula Abdul sued the producer in December over two separate incidents of sexual assault, a pair of unnamed contestants on “AAG,” which is believed to be a reference to reality series All American Girl cited in a complaint from the women, came forward with accusations that he made unwanted sexual advances and groped them inside his Los Angeles home in 2003. That second suit was filed in January against a defendant with the initials “N.L.,” which multiple outlets identified as the producer.
Lythgoe stepped back from his on-camera and behind the scenes roles on SYTYCD in the wake of the allegations. The producer did not immediately respond to requests for comment for this story.
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The suit says the accuser met Lythgoe at a hotel in Beverly Hills and that he “insisted” on driving her home. The complaint describes the alleged assault, which took place inside his car over the course of at least ten minutes.
“Plaintiff tried to push Lythgoe away from her and instruct Lythgoe’s driver how to return to her house, but Lythgoe continued to grab at Plaintiff, fondle her breasts, and kiss her,” the suit states. “Lythgoe even shoved his hand up Plaintiff’s skirt and penetrated her genitalia.”
The woman claims the producer eventually relented once his driver arrived at her apartment after allegedly taking an unexpectedly long route. She alleges she continues to suffer severe mental anguish due to the incident.
The complaint brings claims for sexual battery, gender violence and intentional infliction of emotional distress. It seeks an unspecified amount in damages.
“It is troubling to hear of yet another alleged incident of a woman being taken advantage of and abused by a prominent public figure,” said Melissa Eubanks, a lawyer for the Jane Doe plaintiff who also represents Abdul in her suit against Lythgoe, in a statement.
In her complaint, Abdul accused Lythgoe of assaulting her twice during one of the early seasons of American Idol and years later when she was a judge on SYTYCD.
“Lythgoe shoved Abdul against the wall, then grabbed her genitals and breasts and began shoving his tongue down her throat,” the suit stated.
This article was originally published by The Hollywood Reporter.
The unnamed woman who filed a sexual abuse lawsuit against Interscope Records co-founder Jimmy Iovine in November has dropped the case, according to a document filed in New York court on Thursday (Feb. 15). The case has been “discontinued in its entirety with prejudice,” meaning the woman cannot refile. Representatives for Iovine and his accuser […]
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New York City is taking a hard line against social media. The mayor has filed a lawsuit claiming TikTok, Instagram and more are responsible for the mental health crisis with kids.
As reported by Digital Music News, the current mayor of The Big Apple is taking social media to task with claims that their apps are causing the youth issues with their mental health. On Wednesday, Feb. 14 Mayor Eric Adams held a press conference alongside New York City Department of Health and Mental Hygiene Commissioner Dr. Ashwin Vasan, NYC Health + Hospitals President Dr. Michell Katz, and New York City Department of Education Chancellor David C. Banks. During the presentation, the politician announced the filing of a lawsuit against TikTok, Instagram, YouTube, Snapchat and Facebook, citing that each of these platforms are fueling a nationwide mental health crisis.
“Over the past decade, we have seen just how addictive and overwhelming the online world can be, exposing our children to a non-stop stream of harmful content and fueling our national youth mental health crisis,” he explained. “Our city is built on innovation and technology, but many social media platforms end up endangering our children’s mental health, promoting addiction, and encouraging unsafe behavior. Today, we’re taking bold action on behalf of millions of New Yorkers to hold these companies accountable for their role in this crisis, and we’re building on our work to address this public health hazard. This lawsuit and action plan are part of a larger reckoning that will shape the lives of our young people, our city, and our society for years to come.”
According to NYC.gov, the filing allege that the platforms “intentionally designed their platforms to purposefully manipulate and addict children and teens to social media.” Some of the features that the officials say create these conditions include “using algorithms to generate feeds that keep users on the platforms longer and encourage compulsive use” and “mechanics akin to gambling in the design of apps, which allow for anticipation and craving for likes and hearts.”
The Daily News reports a representative from Meta says that Facebook and Instagram have “over 30 tools and features” to assist parents in making social media safe for their children. Jose Castañeda, a spokesman for Google, says that YouTube also offers “parents robust controls” and says that “The allegations in this complaint are simply not true.”
You can view the press conference below.
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