Lawsuit
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Malcolm X, the civil rights leader who later transformed into a global activist, was assassinated in 1965 just as his messages for human rights began to resonate with the wider public. The family of Malcolm X has filed a $100 million wrongful death lawsuit against the United States government, alleging its involvement in his passing.
As reported late last week by ABC News, civil rights attorney Ben Crump was flanked by members of Malcolm X’s family and announced the $100 million lawsuit while addressing a media gathering in New York where the leader was gunned down.
According to Ilyasah Shabazz, the daughter of El-Hajj Malik El-Shabazz (Malcolm X), said that the family and their legal team have uncovered damning evidence that connects the NYPD and FBI worked in concert to kill her father.
“We fought primarily for our mother, who was here,” Ms. Shabazz said referencing the late Betty Shabazz while speaking at the site of the former Audubon Ballroom. “My mother was pregnant when she came here to see her husband speak, someone who she just admired totally and to witness this horrific assassination of her husband.”
Crump added in his statements to the press that the lawsuit targets an alleged scheme from the authorities to keep the truth of X’s death under wraps. In the lawsuit, a witness by the name of Mustafa Hassan claims that when he and others tried to stop the individuals who carried out the assassination, NYPD officers intervened to allegedly help the suspects escape. Hassan was reportedly never questioned by investigators on the scene despite him giving an account of the incident.
Further, the family’s legal team says it has two affidavits from a pair of X’s bodyguards who claim they were jailed by an undercover NYPD officer one week before the slaying was carried out and were kept from X’s side to guarantee the job would be done.
The FBI and NYPD have declined to comment on the lawsuit according to the outlet.
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An unnamed “celebrity” has filed a civil extortion lawsuit against Tony Buzbee, a Texas attorney who reps more than 100 of Sean “Diddy” Combs’ alleged abuse victims — claiming the lawyer is threatening to file a lawsuit containing “wildly false horrific allegations” if the anonymous bigwig doesn’t pay up.
In a lawsuit filed Monday (Nov. 18) in Los Angeles, lawyers for a “high-profile” public figure identified only as “John Doe” claim that Buzbee is “shamelessly attempting to extort exorbitant sums from him” by threatening to “unleash entirely fabricated and malicious allegations of sexual assault.”
“This is textbook extortion,” writes the celebrity’s attorneys, who hail from the prominent law firm Quinn Emanuel. “Buzbee pretends to be speaking truth to power, but that is far from the truth.”
Buzbee allegedly contacted the man earlier this month with “vile” false claims: That he had “raped multiple minors, both male and female, who had been drugged at parties hosted by Combs.” If the celebrity did not agree to a “confidential mediation,” Buzbee allegedly warned he would “take a different course.”
“Plaintiff presently faces a gun to his head,” the lawsuit reads. “Either repeatedly pay an exorbitant sum of money … or else face the threat of an untold number of civil suits and financial and personal ruin.”
In a statement to Billboard on Monday, Buzbee said he and his firm “won’t allow the powerful and their high-dollar lawyers intimidate or silence sexual survivors” and warned that a lawsuit against the unnamed plaintiff was looming.
“It is obvious that the frivolous lawsuit filed against my firm is an aggressive attempt to intimidate or silence me and ultimately my clients,” Buzbee wrote. “That effort is a gross miscalculation. I am a US Marine. I won’t be silenced or intimidated. Neither will my clients. Since our professional efforts at resolution obviously have failed, we will instead disclose the demand letters we sent at the time we filed suit.”
Combs has faced a flood of abuse accusations over the past year, starting with civil lawsuits and followed by a bombshell federal indictment in September, in which prosecutors allege he ran a sprawling criminal operation for years aimed at satisfying his need for “sexual gratification.”
Weeks after the indictment, Buzbee joined the fray by holding a press conference in which he claimed to represent 120 individuals who had been victimized by Combs and threatened a flood of litigation. He has since filed more than a dozen such lawsuits, all on behalf of unnamed Doe plaintiffs.
At the time, Buzbee explicitly warned that he would name others: “We will expose the enablers who enabled this conduct behind closed doors.” And later, in an interview with TMZ, he said several such celebrities had settled on private terms to remain anonymous.
In Monday’s complaint, the unnamed celebrity said those efforts represented a “shakedown” and a “cynical extortion scheme” — one in which Buzbee “capitalizes on the bravery of those victims who came forward” against Combs to win unearned settlements from “innocent celebrities, politicians, and business people.”
“Defendants devised a scheme to obtain payments through the use of coercive threats from anyone with any ties to Combs — no matter how remote,” lawyers for the unnamed plaintiff write. “Defendants claim to be investigating the facts, but the reality is they are finding deep pockets and trying to smear all of them with the same brush.”
The unusual episode — a mysterious celebrity plaintiff claiming they’re being extorted with baseless abuse allegations — echoes a similar incident last month involving Garth Brooks. In that case, Brooks filed an anonymous lawsuit as “John Doe” seeking a federal court order to block the publication of the allegations. But the accuser eventually filed their abuse lawsuit against Brooks in a separate court weeks later.
Megadeth and lead singer Dave Mustaine have agreed to pay $1.4 million to resolve allegations that they still owed commissions to a long-time manager after he was “unceremoniously” fired and replaced by Mustaine’s son.
The deal will resolve claims in a lawsuit filed last year by Cory Brennan and his Five B Artist Management, which alleged that Mustaine was refusing to hand over more than $1 million in unpaid commissions after abruptly terminating Brennan in early 2023.
In a filing made public on Wednesday (Nov. 13), attorneys for Brennan alerted a Los Angeles judge that Mustaine and Megadeth had agreed to pay the manager and Five B a total of $1,400,006 to end the litigation over those accusations.
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The settlement will not end the dispute entirely. Mustaine countersued Brennan last year, claiming his tenure as manager had been “plagued with missteps” that caused serious harm, including damaging Mustaine’s hearing. Those claims were not resolved by the settlement and will continue to be litigated.
In a statement to Billboard on Wednesday, Brennan’s attorney, Howard King, said that while his client was “displeased at having to sue an artist,” he was “gratified” by the settlement payment.
“Dave Mustaine, who has a known history of firing advisors, terminated Five B Artist Management after 9 years of their having resurrected his failing career,” King said. “Ignoring the success Five B had helped Dave achieve, including a campaign to help him win his first Grammy, the release of two hit albums, and the elevation of his touring from small clubs back to arenas and amphitheaters, Dave simply refused to pay commissions owing and forced 5B to file a lawsuit.”
Mustaine’s attorney, Richard Busch, did not immediately return a request for comment on the settlement.
In a June 2023 lawsuit, Brennan alleged that Mustaine had sought him out in 2014 to “manage his career and get it back on track,” following an extended downturn in commercial and critical success in which the beloved thrash metal band “seemed to have lost their way.” Over the next nine years, Brennan said he had “worked tirelessly” for Mustaine, including “helping him with his personal struggles” and successfully re-establishing Megadeth as “one of the greatest metal bands of all time.”
But the lawsuit claimed that Mustaine abruptly fired Brennan in early 2023, leaving him owed hundreds of thousands of dollars in unpaid touring commissions and hundreds of thousands more in merchandise commissions.
“Despite this success and their long-term relationship, on April 28, 2023, Mustaine, through his lawyer, unexpectedly and unceremoniously terminated Plaintiffs, stating no reason for the termination,” the lawsuit alleged. “The decision was made to help send business to Mustaine’s son, who has been trying to build a career in artist management.”
Months later, Megadeth and Mustaine fired back with a countersuit of their own, claiming that Brennan had been fired due to “repeated management failures” that had “dealt serious blows to Megadeth’s reputation and even David Mustaine’s physical health.”
Mustaine’s lawyers claimed that both sides had always agreed that each would “go their separate ways” following any split between Brennan and the band — and the lawsuit was simply retaliation because the ex-manager was “upset” that his “mishandling” of the band’s business had finally “caught up with him.”
“The cross-defendants’ unfounded claims are nothing more than an attempt to capstone their years of mistreatment with extortionate demands for money not earned by cross-defendants nor owed by cross-plaintiffs,” Busch wrote in the complaint.
Since the initial accusations and counter-claims, the case had spent months in discovery — the process of exchanging evidence in a litigation. No rulings on the merits of the cases have yet been issued.
Following the settlement of Brennan’s claims, Mustaine’s accusations of wrongdoing against him — including breach of contract and negligence — will continue toward an eventual trial.
This is The Legal Beat, a weekly newsletter about music law from Billboard Pro, offering you a one-stop cheat sheet of big new cases, important rulings and all the fun stuff in between.
This week: Young Thug ends his years-long YSL RICO case with a guilty plea that results in no prison time; UMG accuses distributor TuneCore of “industrial-scale copyright infringement”; Ed Sheeran wins a case over “Let’s Get It On,”; Metro Boomin faces a sexual assault lawsuit; and much more.
THE BIG STORY: Young Thug Heads Home
And just like that, it was all over for Young Thug. More than two years after the Grammy-winning rapper was arrested as part of a sweeping Atlanta gang case, he pleaded guilty and was sentenced to serve just 15 years probation with no prison time — a stunning end to a legal saga that rocked the music industry.
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Pitting prosecutors in America’s rap capital against one of hip-hop’s biggest stars, the case against Thug and his alleged “YSL” gang raised big questions — about the fairness of the criminal justice system; about violent personas in modern hip-hop; and about prosecutors using rap lyrics as evidence.
Thug, a chart-topping rapper and producer who helped shape the sound of hip-hop in the 2010s, was accused of being the kingpin of a violent gang that had wrought “havoc” on the Atlanta area for nearly a decade. But the case was a mess from the start, featuring endless witness lists, procedural missteps, a jailhouse stabbing and a bizarre episode that saw a judge removed from the case.
How did Young Thug go from that mess — the trial had no end in sight and was set to run well into 2025 — to walking away a free man? Go read my deep dive on the YSL endgame to find out.
Other top stories this week…
“RAMPANT PIRACY” – Universal Music Group filed a lawsuit against TuneCore and parent company Believe over allegations of “massive” copyright infringement, accusing the digital distributor of serving as a “hub” for the widespread dissemination of illegal copies of songs on streaming platforms and social media services, including those by Justin Bieber, Ariana Grande, Rihanna, Kendrick Lamar, Lady Gaga and many others. Seeking a whopping $500 million in damages, UMG claims TuneCore pursued “rapid growth” of its DIY distribution services by turning a blind eye to “rampant piracy” among its users: “Believe is a company built on industrial-scale copyright infringement,” said the lawsuit. In a statement, Believe and TuneCore said they “strongly refute these claims” and would “fight them” in court.
“MUSICAL BUILDING BLOCKS” – Ed Sheeran won a ruling at a federal appeals court confirming that his “Thinking Out Loud” did not infringe the copyright to Marvin Gaye‘s “Let’s Get It On,” effectively ending one of several cases over the sonic similarities between the two hits. The lawsuit argued that Sheeran copied a chord progression and rhythm from Gaye’s iconic track, but the appeals court said the two songs share only “fundamental musical building blocks” that are “ubiquitous in pop music” — and that granting a “monopoly” on them to any single songwriter would “threaten to stifle creativity.”
METRO ALLEGATIONS – Superstar producer Metro Boomin was hit with a civil lawsuit over allegations that he raped and impregnated a woman named Vanessa LeMaistre during a drug-and-booze-fueled incident at a recording studio in 2016. The lawsuit claimed that the alleged assault was referenced in a song he produced — a surprising accusation, given that Metro does not write lyrics or rap himself and the lyrics in question were by 21 Savage and Offset.
TEKASHI ARRESTED – Tekashi 6ix9ine (Daniel Hernandez) was arrested and charged over allegations that he violated a plea agreement struck with prosecutors when he infamously agreed to testify against his former Brooklyn gangmates back in 2018. The provocative rapper had just six months left on the five years of supervised release he secured under that deal, but prosecutors accused him of traveling to Las Vegas without permission and failing a drug test for meth. Tekashi denied the charges at an arraignment hearing, but the judge — the same one who signed off on the plea deal — cited a “full spectrum disregard for the law” and ordered him held until his next court date later this month.
MEGAN THEE PLAINTIFF – Megan Thee Stallion sued a YouTuber and social media personality named Milagro Gramz (Milagro Elizabeth Cooper), accusing her of “churning out falsehoods” about the criminal case stemming from the 2020 incident in which Tory Lanez shot Megan in the foot. Calling Gramz a “mouthpiece and puppet” for Lanez, the superstar seemed intent on using the case as a warning shot to other bloggers who allegedly share false information about the high-profile case: “Enough is enough.”
“OPAQUE AND UNFAIR” – A federal appeals court ruled that Live Nation and Ticketmaster must face a class action claiming they abuse their dominance to charge “extraordinarily high” prices to hundreds of thousands of ticket buyers. In doing so, the court rejected Live Nation’s argument that fans had signed agreements that required them to resolve disputes via private arbitration. The court not only called those agreements “unconscionable and unenforceable” but also “opaque and unfair”; “poorly drafted and riddled with typos”; and “so dense, convoluted and internally contradictory to be borderline unintelligible.”
CASSIE VIDEO CLASH – Prosecutors in the case against Sean “Diddy” Combs told a federal judge that they had not been behind the leaking of the infamous 2016 surveillance video showing the rapper assaulting his ex-girlfriend Cassie Ventura, arguing that such accusations were merely gamesmanship by Diddy’s defense team with the goal of trying to “suppress a damning piece of evidence.”
DIDDY ACCUSER UNMASKED – A federal judge in one of the many civil cases against Combs ruled that one of his accusers cannot use a “Jane Doe” pseudonym, saying her right to avoid “public scrutiny” and “embarrassment” does not trump Diddy’s right to defend himself against such “heinous” allegations. The ruling is not binding on other judges, but it could influence how they handle the issue of numerous other cases that have been filed against Combs by Doe plaintiffs.
MADLIB v. EGON – Hip-hop producer Madlib filed a lawsuit against his former manager Eothen “Egon” Alapatt over allegations of “rank self-dealing,” claiming the exec abused his role to claim undue profits from Madlib’s music and commit other alleged misdeeds. The case claims that Egon believes he can “keep profiting from Madlib work and goodwill because there is nothing Madlib can do about it” and is demanding that the artist “buy him out” if he wants to end the relationship.
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Madlib, the longtime producer who made his name early on as part of the Stones Throw Records label, filed a lawsuit against his former manager, Eothen “Egon” Alapatt. According to the complaint, Madlib is alleging that Egon engaged in business practices detrimental to their partnership.
In a pitch we received earlier this week, Madlib, real name Otis Jackson Jr., filed the lawsuit in Los Angeles County Superior Court on Thursday (October 31), which was also the anniversary of the passing of Madlib’s collaborative partner in Madvillainy, Daniel “MF DOOM” Dumile.
In our examination of the complaint, the producer alleges that Alapatt engaged in murky dealings that led to the pair exiting Stones Throw Records in 2010. Madlib took on Egon as a manager at this point which led to the creation of two related companies, Madcine Show and Rappcats. Alapatt was slated to run the business operations along with co-founder and recording engineer Jeffrey “Jeff Jank” Carlson, also named in the lawsuit.
Alapatt also helms Now-Again Records, which Jackson’s complaint alleges was pt into place as a go-between for business deals that were in place for Jackson. However, Jackson says Alapatt only sought to benefit himself and his singular business.
“Not only was EGON not performing these duties, but he was also engaged in rank self-dealing, concealing information from and repeatedly breaching his duties to Madlib, and otherwise engaging in persistent and pervasive mismanagement,” a portion of the complaint reads.
The suit further adds that Alapatt forced Jackson “out of several key music business platforms that he should have access to including but not limited to Ingrooves, Apple Music, Bandcamp, and YouTube as well as MADLIB’s own Facebook account and the Instagram account for his QUASIMOTO character.”
Alapatt has yet to publicly respond to the complaint.
This comes after the widow of MF DOOM, Jasmine Dumile Thompson, claimed that Alapatt took over two dozen rhyme notebooks belonging to the beloved lyricist containing songs that were never released. Alapatt is reportedly hoping to donate the notebooks to an archive, going against the wishes of DOOM’s widow.
The complaint can be viewed by following this link.
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Legendary hip-hop producer Madlib has filed a lawsuit against his former manager Eothen “Egon” Alapatt, alleging the executive abused his role to claim undue profits from Madlib’s music and merch companies, among other accusations.
In a complaint filed Thursday (Oct. 31) in Los Angeles court, attorneys for Madlib say Alapatt began managing Madlib’s business affairs around 2010 when the famed producer left his deal with Stones Throw Records — where Alapatt worked as an executive — in an effort to “own and control his music.” Around that time, the complaint alleges that Alapatt was fired from Stones Throw.
According to the lawsuit, Madlib trusted Alapatt to set up and manage two business entities (“Madicine Show” for his music interests and “Rapp Cats” for his merchandise) in Madlib’s name, with profits from the businesses to be shared between the two parties. However, Madlib allegedly discovered only recently that Alapatt was not only failing to properly run those businesses but was “also engaged in rank self-dealing, concealing information from and repeatedly breaching his duties to Madlib, and otherwise engaging in persistent and pervasive mismanagement.”
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The complaint further alleges Alapatt abused his position by taking “a fee off the top” of all income generated by Madlib’s label, Madicine Show, and that he “refused to account to Madlib” about his compensation and failed to provide any written agreements to the producer. Madlib’s lawyers additionally claim that Alapatt refused to allow an audit of his own business, Now-Again — which they say Alapatt inserted under false pretenses as a go-between for Madicine Show and its distributor, Ingrooves — to ascertain what proceeds it earned from Madicine Show.
Elsewhere, the complaint alleges that Alapatt “directed a single lawyer and single accountant to represent him” as well as Madlib, Madicine Show, Rapp Cats and Now-Again without Madlib’s “informed consent” and then “directed that lawyer and that accountant to refuse to cooperate with Madlib” and the new professional team Madlib had assembled after his relationship with Alapatt went south.
The complaint states that Madlib only discovered the extent of Alapatt’s alleged malfeasance in April 2023, when he finally managed, through “forensic accounting,” to learn more about the financials of Madicine Show and Rapp Cats during the period of 2018 to mid-2022. His lawyers claim this revealed “several accounting irregularities” and “a lack of any backup documentation” for several hundred thousand dollars in “‘consulting,’ ‘commissions,’ ‘fees’ or ‘reimbursements’” for Alapatt as well as a second named defendant, Jeffrey Carlson, a.k.a. Jeff Jank — an alleged associate of Alapatt’s who formerly worked as an art director at Stones Throw and is described in the complaint as “a member of Rapp Cats.”
The complaint further claims that Alapatt took “tens of thousands of dollars for personal expenses” from the two business entities, and that there was no documentation of employee payroll, inventory or artist royalty statements.
Alapatt also allegedly “captur[ed] half of Madlib’s producer royalties and advances for himself” while locking Madlib out of his Ingrooves, Apple Music, Bandcamp, YouTube and Facebook accounts; the complaint also claims he locked Madlib out of the Instagram account for his trademarked alter-ego Quasimoto, a cartoon character that the producer used throughout his career for merchandise and music.
“Madlib has since demanded that Madicine Show and Rapp Cats be wound up and dissolved and that any contractual relationship with those entities…be terminated,” the complaint reads. “[Alapatt] refuses to do so.” Instead, it claims, Alapatt told Madlib that he’s welcome to “‘buy him out’ of his interest in those entities or the underlying intellectual property.”
Thursday’s lawsuit is the second lawsuit to be filed against Alapatt over the past year. Last October, the manager was also sued by the estate of Madlib’s late collaborator MF DOOM for allegedly stealing the rapper’s notebooks full of lyrics. In response to that suit, attorneys for Alapatt called the case “baseless and libelous,” and characterized it as “the continuation of a year-long smear campaign.”
Madlib’s team is seeking a jury trial and a judicially supervised wind-up and dissolution for Madicine Show and Rapp Cats, “to include a full and complete accounting of the assets and liabilities of the entities [and] a determination of any unauthorized remuneration,” among other requests. Madlib is also seeking damages from Alapatt and Now-Again.
Alapatt and his attorney did not immediately respond to Billboard‘s requests for comment. Carlson also did not immediately return a request for comment.
A federal appeals court says Live Nation and Ticketmaster must face a class action claiming they charged “extraordinarily high” prices to thousands of ticket buyers, ruling that the concert giants cannot enforce “opaque and unfair” user agreements to scuttle the lawsuit.
Live Nation claimed fans had waived their right to sue in court when they bought their tickets, arguing they had signed agreements promising to litigate any legal disputes via private arbitration — a common requirement when purchasing event tickets and other services from many companies.
But in a ruling Monday (Oct. 28), the U.S. Court of Appeals for the Ninth Circuit ruled that Live Nation’s agreements were “unconscionable and unenforceable” since they would make it “impossible” for fans to fairly pursue claims against the company.
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“Forced to accept terms that can be changed without notice, a plaintiff then must arbitrate under … opaque and unfair rules,” the appeals court wrote. “The rules and the terms are so overly harsh or one-sided as to unequivocally represent a systematic effort to impose arbitration as an inferior forum.”
The ruling described Live Nation’s agreements in scathing terms, calling them “so dense, convoluted and internally contradictory to be borderline unintelligible” and “poorly drafted and riddled with typos.” The terms were so confusing, the court said, that Live Nation’s own attorneys “struggled to explain the rules” during a court hearing.
A spokesperson for Live Nation did not immediately return a request for comment on Thursday (Oct. 31).
The ruling came as Live Nation is facing a sweeping antitrust lawsuit from the U.S. Department of Justice, seeking to break up the company over allegations that it illegally maintained a monopoly in the live entertainment industry. That separate action, which could take years to resolve, remains pending.
The class action against Live Nation, filed in 2022, accuses the company of violating antitrust laws by monopolizing the market for concert tickets and engaging in “predatory” behavior. Filed on behalf of “hundreds of thousands if not millions” of ticket buyers, the case claims Live Nation and Ticketmaster abused their dominance to charge “extraordinarily high” prices to consumers.
The lawsuit was something of a sequel to an earlier class action, in which the same legal team (from the law firm Quinn Emanuel) made highly-similar claims against Live Nation. That earlier case was dismissed after a federal judge ruled that such accusations must be handled via private litigation because of agreements that the plaintiffs had signed when they purchased their tickets.
In Monday’s ruling, the Ninth Circuit said that earlier victory had been both a gift and a curse for Live Nation. Though it had allowed the company to avoid a class-action lawsuit, the ruling raised the troubling prospect of facing thousands of individual arbitration cases all at once.
“Defendants foresaw that if their motion to compel [arbitration] in that case were granted, they would be faced with a large number of parallel individual claims by ticket purchasers,” the appeals court wrote. “In anticipation of such claims, defendants sought to gain in arbitration some of the advantages of class-wide litigation while suffering few of its disadvantages.”
According to the ruling, doing so involved amending its terms of use to require fans to submit to “novel and unusual” procedures for “mass arbitration” offered by a new arbitration company called New Era ADR.
It was this new arbitration agreement that the appeals court declared unenforceable in Monday’s ruling. The court roundly criticized the rules, saying they had placed unfair terms on any consumers who wanted to litigate a dispute with Live Nation. And, citing the company’s market share, the court said fans had almost no choice but to sign the agreement.
“Because Ticketmaster is the exclusive ticket seller for almost all live concerts in large venues, prospective ticket buyers in most instances are faced with a choice,” the court wrote. “They can either use Ticketmaster’s website and accept its terms, or refuse to use the website and be entirely foreclosed from purchasing tickets on the primary market.”
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Metro Boomin is currently facing a lawsuit from a woman who claims that the producer allegedly raped and impregnated her in 2016 after meeting him on a chance meeting in Las Vegas. According to the attorney for Metro Boomin, this is nothing more than a money grab for the accuser.
TMZ first reported about the lawsuit filed against Metro Boomin and the details are as follows. According to the filing, the woman says that she met Metro in Las Vegas while on a getaway vacation following the passing of her 9-month-old son.
According to the documents, a woman named Vanessa LeMaistre claims that she hung out with Metro at his recording studio in Los Angeles and said she allegedly saw the producer downing codeine. From what we understand of the report, LeMaistre says she was at the studio in September 2016 and took Xanax and a shot of alcohol but later said she lost consciousness.
LeMaistre added in her claim that when she awoke, she was in a bed with Metro allegedly raping her along with performing other sexual acts. LeMaistre says she passed out once more and was inside a Beverly Hills hotel room but didn’t remember how she managed to get inside the establishment. LeMaistre says she discovered that she was pregnant after the assault and said that Metro was the father but terminated the pregnancy in November 2016.
In an update to TMZ’s initial report, Metro Boomin’s attorney offered a statement on the lawsuit.
From TMZ:
According to Metro Boomin’s (real name Leland Wayne) lawyer Lawrence Hinkle II of Sanders Roberts LLP tells TMZ … “This is a pure shakedown. These are false accusations. Mr. Wayne refused to pay her months ago, and he refuses to pay her now. Mr. Wayne will defend himself in court. He will file a claim for malicious prosecution once he prevails.”
Metro Boomin has yet to respond publicly beyond this statement.
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Superstar producer Metro Boomin is facing a civil lawsuit over allegations that he raped and impregnated a woman in 2016, then referenced the incident in one of his songs.
In a complaint filed Tuesday (Oct. 29) in Los Angeles court, attorneys for Vanessa LeMaistre say she blacked out after ingesting a Xanax and a shot of alcohol in his recording studio during the September 2016 session, then awoke to find herself being sexually assaulted by Metro (Leland Wayne).
“The next thing Ms. LeMaistre can recall is waking up on a bed in a different location with Wayne raping her and being completely unable to move or make a sound,” her lawyers write. “At no point during this encounter was Ms. LeMaistre able to consent to any sexual activity, and Wayne’s conduct without question constituted rape and sexual assault.”
In a response statement, Metro Boomin’s attorney Lawrence Hinkle II called the lawsuit “a pure shakedown” against his client: “These are false accusations. Mr. Wayne refused to pay her months ago, and he refuses to pay her now. Mr. Wayne will defend himself in court. He will file a claim for malicious prosecution once he prevails.”
The lawsuit claims Metro exploited the death of LeMaistre’s infant son to gain her trust, and that she believed they had “bonded over the ability of music to help people in their darkest moments.” But it says that belief was “shattered” after he invited her to the studio for the September 2016 session.
“Meeting Wayne resulted in Ms. LeMaistre suffering from the second worst thing that ever happened to her — being raped by someone who pretended to be her friend for months,” her lawyers write. “Ms. LeMaistre is still working to put herself back together after experiencing such an extraordinary amount of trauma at the hands of Wayne — someone she truly believed to be her friend but turned out to be her worst nightmare.”
Weeks after the alleged assault, LeMaistre says she learned she was pregnant. She says she did not have sex with anyone else other than Metro and that the pregnancy was the result of the alleged rape. Due to the “recent loss of her son and the traumatic cause of her pregnancy,” her lawyers say she could not continue the pregnancy and had an abortion in November 2016.
Notably, the lawsuit claims the alleged attack is referenced in the 2017 song “Rap Saved Me,” released by 21 Savage, Offset and Metro on their collaborative studio album Without Warning. The lyrics in question are: “She took a Xanny, then she fainted/ I’m from the gutter, ain’t no changing/ From the gutter, rap saved me/ She drive me crazy, have my baby.”
“The lyrics were horrifying for Ms. LeMaistre to hear over and over again, as they recounted the situation that happened to her and caused further trauma,” her lawyers write.
LeMaistre is represented by lawyers from Wigdor, the same law firm that filed a high-profile civil lawsuit against Sean “Diddy” Combs last year on behalf of his ex-girlfriend Cassie Ventura — a case that was then followed by a flood of other allegations and eventual federal criminal charges.
In a statement, the Wigdor attorneys referenced the alleged connection between the lyrics to “Rap Saved Me” and LeMaistre’s accusations.
“Metro Boomin has built a successful career with lyrics and social media that are not only offensive but also explicitly outline his intentions to harm women,” the firm wrote in a joint statement with LeMaistre’s co-counsel from the law firm Gerard Bengali. “These are more than mere words, and it’s time for him to be held accountable for his manipulative tactics and unacceptable behavior.”
Read the entire lawsuit against Metro here:
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The once successful partnership between Kanye West and adidas has reportedly been fully dissolved. The two parties have settled their legal battle.
As spotted on Sneaker News the apparel giant has confirmed that they no longer have any business ties to the rapper. During an third-quarter earnings call a reporter asked for an update regarding the brand’s current ties to Kanye West to which CEO Bjorn Gulden responded “There (aren’t) any more open issues and there is no… money going either way.” The Norwegian businessman went on to add “there were tensions on many issues (but) … both parties said we don’t need to fight any more.”
Kanye West and adidas originally announced their partnership back in 2014 after the “Stronger” performer claimed Nike failed to limited him to only creating sneakers. In 2015 YEEZY Season 1 debuted along his first adidas signature shoe. The Yeezy Boost 350 was a huge success with this model selling over 9,000 pairs in over 10 minutes. His line would go on to produce several iconic sneaker releases including the YEEZY 700, 300, Foam Runner and Slides.
On Oct. 7, 2022 adidas announced they would be ending the line after Kanye West made several antisemitic remarks. “Ye’s recent comments and actions have been unacceptable, hateful and dangerous, and they violate the company’s values of diversity and inclusion, mutual respect and fairness” a press statement read. Following the split adidas moved to exhaust all remaining YEEZY inventory via their CONFIRMED app and at adidas outlet stores.