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Lawsuit

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Jamie Foxx has been accused of sexual assault and battery by a young woman who claims the singer and actor groped her at a New York restaurant in 2015.
The complaint was filed in New York court on Wednesday (Nov. 22) by attorney Craig Phemister. In it, the Jane Doe plaintiff claims she met an allegedly intoxicated Foxx at the Catch NYC restaurant rooftop in August 2015 and, along with a friend, asked if he would take photos with them.

The woman claims that after taking photos with Foxx, he made several flirtatious comments before subsequently pulling her to a “secluded area.” There, she claims he rubbed her breasts before sliding his hands into her pants and placing “his fingers on and in” her vagina and anus despite her attempts to step away from him. She says he only stopped after her friend came looking for her, at which point she claims he walked away.

The woman, who says she was 18 at the time, claims that in the aftermath of the alleged assault, she “was injured; was rendered sick, sore, lame and disabled; was caused to undergo medical treatment and advice; was unable to pursue her usual and regular activities; was caused to undergo great conscious pain and suffering, continues to undergo such, and will permanently be affected by the injuries and emotional distress she incurred as a result of the sexual assault, abuse, assault and battery.”

Also named in the lawsuit are Catch Hospitality Group, which owns the New York restaurant, as well as its co-founder, Mark Birnbaum, whom the woman claims was drinking with Foxx at his table that night. She alleges that Birnbaum, the hospitality group and associated companies “were negligent in the hiring, training, lack of supervision, management, control and retention of their employees,” including several (listed as John/Jane Does 1-10) whom she says were working at the restaurant that night.

The lawsuit additionally claims that Foxx’s co-defendants “had knowledge of [his] propensities for aggressive behavior towards females, the potential for unwanted sexual touching and his bad disposition when consuming excessive alcohol.” The suit adds that restaurant staff were not properly trained “how to observe when a patron such as Foxx has consumed an excessive amount of alcohol and should not be served any more, and in otherwise ensuring the safety of their patrons from unwanted and abusive sexual touching.” It also claims the restaurant did not provide adequate security to protect its guests, thereby making the alleged assault possible.

All defendants are additionally accused of violating New York City’s Gender-Motivated Violence Act — Foxx for the alleged assault and Birnbaum and the companies for allegedly enabling it.

The woman is seeking damages for pain and suffering and economic loss as well as punitive damages.

Representatives for Foxx, Birnbaum and Catch Hospitality Group did not immediately respond to Billboard‘s requests for comment.

The case against Foxx is just the latest in a string of sexual misconduct lawsuits filed over the last month against men in the music industry, including industry executives like L.A. Reid and Jimmy Iovine and superstar artists including Axl Rose and Sean “Diddy” Combs (who settled the lawsuit brought by his accuser, former girlfriend and R&B singer Cassie, one day after it was filed). The spike in cases is due to the looming expiration at midnight Thursday (Nov. 23) of New York’s Adult Survivors Act, which created a one-year window for alleged survivors to take legal action over years-old accusations that would typically be barred under the statute of limitations.

Interscope Records co-founder Jimmy Iovine is being sued by an unnamed woman for sexual abuse, forcible touching, sexual harassment and retaliation, according to a document filed in New York court Wednesday (Nov. 22). Though the full complaint is not yet available, a summons with notice was filed by the woman’s attorneys, Douglas Wigdor and Meredith […]

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Muhammad Aziz, a man who was wrongfully convicted in the 1865 assassination of Malcolm X, was exonerated of the crime back in 201. Now, Aziz is filing a lawsuit against the federal government over the FBI allegedly withholding proof of his innocence.
Muhammad Aziz, 85, filed the lawsuit in a Brooklyn, N.Y. federal court last week, adding a new chapter to his legal ordeal that landed him more than two decades behind bars. The estate of the late Khalil Islam, another man who was convicted in the assassination plot, also filed a lawsuit. Islam died in prison back in 2009.

Courthouse News Service reports that Aziz is alleging that former FBI director J. Edgar Hoover withheld proof that would have granted Aziz and Islam freedom. Adding to this, former Manhattan DA Cyrus Vance Jr. said during the hearing to clear Aziz and Islam that the FBI and NYPD. both hid witness records that may have cleared the men of any wrongdoing. Vance added that Hoover instructed witnesses in the case to not tell the police or prosecutors of their FBI informant status.
The lawsuits are naming more than a dozen people affiliated with the FBI and reportedly are seeking a combined $80 million in damages. The suit claims that Aziz and Islam were targeted due to their connection to the Nation of Islam despite being at home with their spouses at the time of the 1965 incident.
Thus far, Aziz and the estate of Islam have been awarded $36 million by New York City and the state.

Photo: Spencer Platt / Getty

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Boosie and Rod Wave represent Hip-Hop at differing generational points and it appeared that the two may have been crossing into some avoidable static. Boosie is reportedly considering a lawsuit against Rod Wave over the uncleared use of one of his songs.
For those unaware, Rod Wave, who has had several high-charting singles and projects since his career boomed in 2018, released his latest album Nostalgia this past September. The album features the track “Long Journey,” the same title of a Boosie Badazz song of the same name that was released in 2010 via the rapper’s Incarcerated album.
Wave’s hook is identical to the original and it’s clear where the Florida rapper got his inspiration.
From Rod Wave’s “Long Journey”:
Dear God, I thank You for (I thank You)Everything You gave to us, uhYou kept them devils away from us, uhAnd You finally made a way for us, so I sayDear God, I thank You for (I thank You)Everything You gave to us, uhYou kept them devils away from us, uhAnd You finally made a way for us, I say
Amazingly, fans of Wave are targeting Boosie and calling him out of his name for demanding royalties for artists using his song. He had a similar issue with Kodak Black in recent times and even said in a now-viral clip that the artists are often using the exact song titles as was the case for Wave.

Rod Wave caught wind of Boosie’s demands and shared a video to social media saying that he’ll pay the cost as long as the number isn’t crazy.

Check out the reactions from all sides below. We also posted the songs in question below as well.


Photo: Getty

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Source: CHRIS DELMAS / Getty

Just a day after Casandra “Cassie” Ventura filed a lawsuit against Sean Diddy Combs, accusing him of rape and abuse, the case has been settled.

According to the New York Times, both parties announced on Friday evening (Nov. 17) the settlement. However, neither side disclosed details of its terms.
“I have decided to resolve this matter amicably on terms that I have some level of control,” said Cassie in a statement. “I want to thank my family, fans and lawyers for their unwavering support.”
“We have decided to resolve this matter amicably. I wish Cassie and her family all the best. Love,” said Diddy in his own statement.
While this matter is settled in the courts, the jury of public opinion is certainly going to continue its deliberations. The detailed allegations that Cassie documented in her lawsuit were jarring and included physical and sexual abuse. Another detail that social media latched onto was Kid Cudi’s car allegedly getting blown up by a jealous Diddy.
But by settling, Diddy avoids the discovery portion of a trial where Cassie could have potentially laid out the receipts to back up her allegations.
Also worth noting is that although there were initial reports that Diddy was under investigation for rape in New York City, the NYPD has since refuted those claims.
Now, the speculation of how much Diddy came out of pocket begins.
The story is developing. 

Danity Kane members Aubrey O’Day and D. Woods have spoken out in support of Cassie amid her devastating lawsuit accusing her ex, Diddy, of rape and abuse. “I am in full support of Cassie,” O’Day shared in a statement to ET. “It isn’t easy to take on one of the most powerful people in this […]

Sean “Diddy” Combs was sued Thursday by R&B singer and longtime romantic partner Cassie over allegations that he repeatedly physically abused her over the course of a decade, including one instance of rape.
In a complaint filed in Manhattan federal court, attorneys for Cassie (full name Casandra Ventura) claimed she “endured over a decade of his violent behavior and disturbed demands,” including repeated physical beatings and forcing her to “engage in sex acts with male sex workers” while he masturbated.

According to the lawsuit, after she attempted to separate herself from him in 2018, Combs “forced her into her home and raped her while she repeatedly said ‘no’ and tried to push him away.”

“Ms. Ventura has now fully escaped Mr. Combs, but the harm that the assaults and sexual abuse he caused her to experience for nearly a decade will forever haunt her,” wrote Cassie’s attorney Douglas Wigdor, who has filed a number of high-profile sexual abuse cases. “She cannot, however, continue to live in silence about what she endured. Mr. Combs remains immensely powerful, and immensely dangerous.”

In a statement, Combs’ attorney – well-known celebrity defense lawyer Ben Brafman – said his client “vehemently denies these offensive and outrageous allegations.”

“For the past 6 months, Mr. Combs has been subjected to Ms. Ventura’s persistent demand of $30 million, under the threat of writing a damaging book about their relationship, which was unequivocally rejected as blatant blackmail,” Brafman said. “Despite withdrawing her initial threat, Ms. Ventura has now resorted to filing a lawsuit riddled with baseless and outrageous lies, aiming to tarnish Mr. Combs’ reputation and seeking a pay day.”

In his own statement, Wigdor disputed Brafman’s accusations about the settlement negotiations: “Mr. Comb’s offered Ms. Ventura eight figures to silence her and prevent the filing of this lawsuit. She rejected his efforts and decided to give a voice to all women who suffer in silence. Ms. Ventura should be applauded for her bravery.”

Ventura, who had an on-and-off public relationship with Combs for 11 years until they split in 2018, says that she met the hip-hop mogul in 2005, when she was just 19 and he was 37. After he signed her to his Bad Boy Records label, she says Combs “lured” her into a romantic relationship – albeit one in which he “asserted complete control over Ms. Ventura’s personal and professional life.”

“He provided unprecedented avenues for success for the aspiring artist, but in return, demanded obedience, loyalty, and silence,” her lawyers write in her complaint.

During the relationship, Ventura says she suffered “episodes of horrific abuse,” including times when he would fly into an “uncontrollable rage” and “beat Ms. Ventura savagely.” She says he would remind her of his ability to harm her, including by requiring her to carry his gun in her purse.

After years of “again and again” attempting to “escape his tight hold over her life,” Ventura says that in September 2018, she and Combs went to dinner at an Italian restaurant in Malibu “for what she believed would be a discussion about concluding their relationship for good.” Instead, he “forced himself into her apartment and tried to kiss Ms. Ventura” as she “told him to stop and attempted to push him away.”

“Mr. Combs then forcibly pulled off Ms. Ventura’s clothing and unbuckled his belt,” she says. “He proceeded to rape Ms. Ventura while she repeatedly said ‘no’ and tried to push him away.”

Combs is the latest high-profile music executive to face disturbing accusations of sexual wrongdoing over the past month. Former Recording Academy president/CEO Neil Portnow was sued over allegations of sexual assault last week; the the same day, label exec Antonio “L.A.” Reid was hit with similar accusations. Last month, longtime publishing exec Kenny MacPherson was sued for sexual harassment, accused of subjecting a woman to an “onslaught of unwanted sexual advances.”

All three of those cases, like the new case against Combs, were filed under newly enacted laws in New York and California that revised the time limits for bringing abuse lawsuits, creating limited windows for alleged survivors to take legal action over years-old accusations that would typically be barred under the statute of limitations. In New York, the look-back window closes later this month.

In her complaint against Combs, Ventura specifically thanked lawmakers for passing those new laws, saying they would allow her to seek “justice” after she had been “unable to speak up against the years of abuse she endured.”

“After years in silence and darkness, I am finally ready to tell my story, and to speak up on behalf of myself and for the benefit of other women who face violence and abuse in their relationships,” Ventura said in a statement. “With the expiration of New York’s Adult Survivors Act fast approaching, it became clear that this was an opportunity to speak up about the trauma I have experienced and that I will be recovering from for the rest of my life.” 

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Diageo, one of the world leaders in the adult beverages space, found itself locked into a legal battle with Sean “Diddy” Combs regarding business dealings connected to vodka and tequila brands. According to a new report, activity connected to the lawsuit filed by Combs will be moved to next year as both sides continue to state their respective claims.
As seen on Digital Music News, Diageo, which owns popular brands Johnnie Walker, Guinness, and Casamigos, was granted a stay this past Tuesday (November 14) by a panel of judges overseeing the matter. In his lawsuit, Diddy is alleging that the beverage company gave less attention to his Cîroc Vodka and DeLeón Tequila brands because of his race.

According to Combs’ legal team, their side believes the granted stay is a tactic to delay facing up to the allegations in a court of law.  
“Once the appellate court considers the actual merits, we are confident that they will reach the same conclusion as two separate judges already: that Diageo can’t avoid a public trial,” Diddy’s attorney, John Hurston, said in a statement.
The lawsuit was first enacted in May of this year with Combs stating that Diageo did not commit to its plans for diversity and inclusion and putting the brands that he helmed on the back burner because he’s Black.
In response to Combs’ claims, a spokesperson for the company wrote, “This is a business dispute, and we are saddened that Mr. Combs has chosen to recast this matter as anything other than that. Our steadfast commitment to diversity within our company and the communities we serve is something we take very seriously. We categorically deny the allegations that have been made and will vigorously defend ourselves in the appropriate forum.”
The company severed ties with Combs after filing its own countersuit which Diddy hit back with again with another lawsuit alleging that the countersuit from Diageo was “illegal retaliation.”
Combs owns and operates Combs Global, which oversees the mogul’s business interests including his wine and spirits portfolio.

Photo: Getty

Attorneys for Eothen “Egon” Alapatt are firing back at a lawsuit that claims he stole dozens of private notebooks belonging to the late hip-hop legend MF Doom, calling the case “baseless and libelous” and telling his side of the disputed story.
MF Doom’s widow sued last month, claiming that Egon (a label exec and a former collaborator with the famed rapper) wrongfully took possession of the notebooks as Doom spent a decade in his native England ahead of his shocking death in 2020, and has refused to return them ever since.

But in a strongly worded response filed in court Tuesday (Nov. 14), Alapatt’s attorney, Kenneth Freundlich, sharply disputed those allegations, saying that the “frivolous” case contained “knowingly false statements” about his client.

“Plaintiffs’ complaint is the continuation of a year-long smear campaign filled with baseless and libelous attacks on Alapatt’s integrity and character,” Freundlich wrote.

Doom, whose real name was Daniel Dumile, traveled to the United Kingdom in 2010 to perform but was later prohibited from returning to the United States due to immigration issues. He remained overseas until his sudden passing on Oct. 31, 2020, at the age of 49, from rare complications related to blood pressure medication.

In her lawsuit, Doom’s widow, Jasmine Dumile Thompson, says that when the rapper left the country, he left behind a collection of 31 “rhyme books” in his Los Angeles studio. She says they include “musings and other creative ideations,” including original lyrics to released music, lyrics to unreleased songs and song ideas — a veritable treasure trove for Doom fans and hip-hop historians.

Thompson’s lawyers say that Alapatt “took advantage of Doom’s being out of the country” to buy the notebooks from his landlord for $12,500 without ever consulting the rapper. When Doom himself asked for their return, the lawsuit claims, Alapatt “delayed, obfuscated and deflected” and then ultimately refused to return them. And since Doom’s death, Thompson says Alapatt has made the “astonishing” demand that the notebooks must be donated to an archive — a choice that she says runs contrary to Doom’s wishes that they remain “secret and confidential.”

“Who is Alapatt to decide that the notebooks containing the personal and intellectual property of Doom, the rights to which are plaintiffs’ alone, must be donated to an archive against the will of the deceased artist and his surviving family?” Thompson’s lawyers wrote in their complaint. “Setting aside the fact that the notebooks were stolen, Alapatt’s arrogant paternalism and extreme tone-deafness in trying to dictate that the notebooks be donated is astonishing.”

In Tuesday’s response, Alapatt’s lawyers admit that he took possession of Doom’s materials but denied that Doom had actually been their legal owner when he died. The real owner, they say, was the studio landlord because the notebooks had been left behind at his property and a large amount of rent had been left unpaid. If not for Alapatt’s actions, his lawyers argued that the landlord “would have either sold or possibly destroyed the notebooks.”

“Contrary to the knowingly false statements contained in the complaint, Alapatt saved and preserved the notebooks after he purchased them from DOOM’s former landlord who owned and controlled the notebooks because DOOM had abandoned his studio and was in years’ long arrears on rent,” Freundlich wrote in the court documents.

Alapatt’s lawyers say he later repeatedly tried to make arrangements with Doom and his reps to return the materials during his lifetime, but that the artist had failed to follow up. At one point, his attorneys say, Doom “seemed to have completely forgotten his prior discussion with Alapatt” about returning the notebooks.

Tuesday’s response confirms one key allegation of Thompson’s lawsuit: That Alapatt had said he would only return the notebooks if a digital copy of them was donated to an archive. (In the filing, his lawyers say he suggested  “the Cornell Hip-Hop Archive, the Smithsonian, or another accredited archive of their choosing.”)

But his lawyers argue that the request was a fair one because donating the materials would help protect “precious artifacts of hip-hop history” and allow “scholars and researchers to study DOOM’s creativity and further entrench his creative genius — not just in hip-hop but in American history.”

“Rather than accept Alapatt’s generous offer,” Freundlich writes in Tuesday’s filing, “plaintiffs chose to continue their hurtful, and defamatory attacks against Alapatt by filing this frivolous complaint.”

Attorneys for Thompson did not immediately return a request for comment on Wednesday.

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L.A. Reid was named in a lawsuit from former music executive Drew Dixon, alleging that the former Epic Records sexually assaulted her during her time at Arista Records where Reid served as its chief executive. Dixon claims that she was assaulted twice by Reid back in 2001 and that he was a barrier to her ascension in the music business after rejecting his advances.
A report from Reuters published this past Wednesday (November 8) details that Drew Dixon filed the suit in Manhattan federal court and asked for unlisted compensation and damages. The suit was filed under New York state’s Adult Survivors Act which allowed Dixon to bypass statutes of limitations expiration dates and bring claims even if they occurred a time ago.

This is not the first time Dixon has addressed her alleged assault, doing so once before in 2017 shortly after Reid stepped down from Epic Records after allegations of unlawful behavior involving a woman who worked for the company surfaced.
Today, Dixon serves as a board member for New York University’s Clive Davis Institute of Recorded Music and was part of the documentary On The Record, highlighting the sexual misconduct allegations that continue to hound Def Jam co-founder Russell Simmons.
Dixon, a former A&R for Def Jam Records, worked in the same role at Arista Records while helming the label during Clive Davis’ time. In 2000, Reid replaced Davis in the chief executive position.
The details of the assault, which might be disturbing to some, state that Reid allegedly assaulted her while on a private plane in 2001 and once more after an event in New York that same year.
Dixon left the music industry in 2002 and entered Harvard Business School.
In a statement delivered by her legal team, Dixon said that Redi’s “persistent campaign of sexual harassment and assault forced me to abandon the work I loved when I was at the top of my game in the music business.”

Photo: Getty