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This week, Billboard’s New Music Latin roundup and playlist — curated by Billboard Latin and Billboard Español editors — features fresh new music from artists such as Edén Muñoz, La Doña, Justin Quiles, and more. Camila — comprised of Mario Domm, Pablo Hurtado and Samo — released Regresa, a 10-track set that marks a comeback of sorts. The last time the Mexican trio, who […]
New Music Latin is a compilation of the best new Latin songs and albums recommended by Billboard’s Latin and Billboard Español editors. Check out this week’s picks below.
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Justin Quiles, Permanente (Warner Music Latina)
Justin Quiles has dropped his new studio album, Permanente, three years after La Última Promesa. The opening title intro, which sets the tone for the 11-track production, finds Quiles opening up about his place in the music industry for the past decade, admitting that he’s in love with his process, that he’s still in the game, and he will always bet on himself. Following the heartfelt intro is the focus track “Tu Ropa,” backed by a melodious reaggetón beat that best characterizes Quiles’ flow. The previously-released single “Boom Boom” in collaboration with Rawayana (and the only feat on the set) continues with its feel-good, reggae vibe.
On the set, the Puerto Rican singer-songwriter navigates electronic music and trap, in addition to reggaeton and perreo. “The idea is to return to something simpler but still disruptive, different, and attention-grabbing,” he expressed of his album in a press statement. “That’s how I want to move in my career, without fear of playing with new sounds and showing my fans my versatility. Like a vandal, I am a rebel with my writing, as you will hear in some of my songs on this album. The music is raw, bold, but fun!” — JESSICA ROIZ
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Camila, Regresa (Sony Music México)
Mexican band Camila is back with its first studio album in five years, Regresa, renewing its pop sound by playing with other rhythms while maintaining its original essence. The 10-track set includes everything from romantic ballads to rock progressions, shades of blues and even mariachi — in songs like “Diamantes y Amaranto” and the powerful “Corazón en Coma” with Eden Muñoz — and emotional lyrics in the best style of the trio. An anthem to second chances, “Por Si Me Vuelves a Querer” arrives as the focus track. “We have worked hard to create something truly special,” Pablo Hurtado, who integrates Camila with Mario Domm and Samuel “Samo” Parra, said in a press release. “This album is not only a return to our roots, but also a leap forward to the future.” — SIGAL RATNER-ARIAS
Eden Múñoz, “NTP” (Sony Music México/EMC Music, Inc.)
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Edén Muñoz is the type of artist that likes to keep you on the edge of your seat not knowing what route he’ll take for his next project. Just last month, Muñoz had released a cumbia-norteña (“No Sabes La Que Te Espera” with Luck Ra). With his new single, titled “NTP,” he does a 180 delivering a signature norteña fused with elements of banda and tumbado, a pompous production that’s very much who Muñoz is as a producer, with a mindset that always seems to be go big or go home. “NTP (don’t worry), I’m going to be well, worse things already happened, I’d be a fool if I fall for again, she’ll really get to know me,” he sings in the chorus. “NTP” is a preview from his upcoming new album, Edén, due Aug. 15. — GRISELDA FLORES
La Doña, “Confesiones” (Empire/La Doña)
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Backed by a full banda ensemble, La Doña challenges conventional gender norms and delves into the intimate details of an infidelity fueled by mezcal in “Confesiones.” The song combines the honesty of traditional corridos with her poetic flair, while also showcasing her genre versatility — an artist who has long dabbled with reggaetón and experimental Latin pop. “I spent the first 20 years of my life singing rancheras and corridos so it feels empowering to be able to finally integrate that part of my life with my identity as La Doña,” she says in a press release. This second single follows “Mejor Que Amarte,” both of which will be part of her upcoming debut, Los Altos de la Soledad, due September 6, an album that will feature boleros, cumbia rebajada, banda, and reggaetón and cover themes of “forced migration, of falling in and out of love, of standing up against genocide, of fighting to maintain space in a as a brown girl in an inhospitable homeland,” she adds. — ISABELA RAYGOZA
JAZE, “Mil Procedimientos” (Sony Music Entertainment)
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Peruvian freestyle rapper JAZE shows his singer-songwriter side with his new single “Mil Procedimientos.” JAZE fuses rap lyricism with indie and pop elements to create an eclectic mix full of soul and funk. Musically, a strong bass line stands out that marks the song’s melody along with the piano, while the lyrics navigate between thoughts and existential uncertainties. “‘Mil Procedimientos’ lands and with it an immense liberation. “This track previews my third album, which I have been preparing for you for so long,” he shared on his social media. The song was produced by Nicolás Btesh and Diego Mema, and the video, recorded in Mar del Plata, Argentina, tells the story of a sailor who that cleverly connects with the message of the song. — LUISA CALLE
Listen to more editors’ Latin recommendations in the playlist below:
As tension continues in Venezuela following the presidential elections on Sunday (July 28), when the Venezuelan electoral authority declared Nicolás Maduro the winner and the opposition denounced irregularities in the count and claimed that their candidate Edmundo González had won with almost 70% of the votes, Venezuelan and foreign artists have spoken out about the difficult situation in the South American country.
Whether expressing solidarity with the Venezuelan people or sharing images of the demonstrations that have turned violent in the face of repression by the Armed Forces and the police, Venezuelan stars like Nacho, Lele Pons and Elena Rose, as well as foreigners like Juan Luis Guerra, Gloria Trevi and Don Omar, have shared messages of support with their millions of followers.
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One of those who has been most vocal from exile is Danny Ocean, who in recent days posted an emotional video on his Instagram account calling on the family members of the National Bolivarian Armed Forces (FANB) and police forces to make them see reason to prevent further bloodshed.
The demonstrations in Venezuela have left “at least 20 dead, dozens injured, and hundreds detained,” reports Univision Noticias. While the government has refused to make public the voting records that would show Maduro has won, opposition leader María Corina Machado and her team published theirs on the internet, with election witnesses also showing them on social media. The U.S. government has recognized Edmundo González as the winner of the elections.
Danny Ocean, who left Venezuela in 2015, feels that the only way for this to end is with the support of the militia, and that is why he insists on his call. In this “as told to” narrative, the Venezuelan musician reflects on the situation in his country and invites his colleagues to unite in a single message.
I don’t even know where to start. What is happening in Venezuela hurts me a lot. It hurts to see the number of kids who are dying right now in the streets, and I feel that the only ones who can ease this and reduce this are the National Armed Forces and the police.
I know that they must not be having an easy time either, honestly. But, I don’t know, that’s how I feel. Everything I have been talking about from my side has been from the heart, trying to be as sensible as possible. And I also don’t want to interfere with the communication that is happening right now with Venezuela; I am trying to support all the people who are trying to talk to their children, helping to pass information about the people who are inside Venezuela.
From my side, I don’t want to be putting out information like this arbitrarily; I think it’s necessary to give space to digital media so they can communicate what they want to communicate. I just want to call on the relatives of the military to please talk to them, tell them that we are really tired. They know what is happening and what is really going on and what is right and what is wrong. They are the only ones who can help the people so that there is no massacre in the streets.
If we want to get out of this mess, because this is no longer a political issue of left, right, blue, red, yellow, none of that crap. No. This is now a situation of good against evil. And about people being tired. People are really tired.
And beyond that, there are almost 8 million Venezuelans who are abroad, as I said in my post, and the region is not prepared for another massive wave [of emigrants]. And we don’t want more broken families. Enough is enough! If that number is so high, it’s for a reason. If there’s smoke, there’s fire. This is something very important for the international community to understand, because we are really tired, and the military knows it.
The game right now is on their side. It really depends on them. And I, as a spokesperson, as an artist, am trying to simply carry my message on that side.
[I would like to see Venezuela] prosperous, with chances to grow, where people don’t have to worry about their future, don’t have to worry about having to leave to seek a better future. A place where there is room for everything. Venezuela has everything for everyone to do something incredible. That’s what I hope happens at the end of all this.
But now I’m trying to focus on the present, on what is happening. Right now I think we need to all get together, guys. People are dying in the streets.
I see artists throwing crap at each other [on social media]. That doesn’t work. The messages have to be positive. I know there is a lot of pain, I know there are many things stored inside, but it’s not the time to be throwing crap at each other. It’s very important that at least the community of artists among us Venezuelans are aligned with the messages we are giving.
If all the artists got on a wave of pleading with our militia and our police to help and collaborate — because they are the only ones who can reduce that number [of victims] — that would be great. I think it would be a spectacular movement if we all united with that message.
The Echeverri-Reglero family is officially a family of four. Camilo and Evaluna announced on social media on Thursday (Aug. 1) the arrival of their second daughter, Amaranto, who joins her 2-year-old sister Índigo.
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“Amaranto. All the frogs came out to sing your welcome. Girl of golden velvet. Dad caught you and you painted his hands forever. Sovereign of midnight. Welcome,” reads a shared post on the couple’s Instagram accounts, along with a carousel of photos that starts with a tender image of the four resting on a bed, Amaranto on Evaluna, Índigo on Camilo.
There’s also a photo of a white sheet with a pair of hands imprinted on it in red, something that the poem in the caption refers to.
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It is not specified where and when Amaranto was born. Camilo’s publicist told Billboard Español that no further information will be provided at this time.
Camilo and Evaluna married in February 2020 after five years together, and became parents in April 2022. Índigo was born months after they announced the pregnancy in the music video of a song named after their daughter.
Earlier this year, in February, they announced that they were expecting baby No. 2 with a beautiful poem by Camilo dedicated to his wife, who wrote in the description: “Officially the Echeverri-Reglero are FOUR.”
“Evaluna, fertile, a mother never ready, a walker discovered in the journey, a new daughter of calmness and killer of haste,” narrated the Colombian singer-songwriter in a video. “Owner of all Sundays, a caller of downpours and heavy rains, a tester of bathtubs and a volcanic diver. A baker by accident, excellent for intentional lack of trade. A springtime crossed. Violator of calendars, anticipator of Christmases, and mother of Amaranto and Indigo.”
Check out Camilo and Evaluna’s new baby announcement here.
A timeless Andy & Lucas song has resurfaced 20 years after its release thanks to a new version by Pabllo Vittar.
The heartfelt “Son de Amores,” released by the Spanish duo in 2004, has been picked up by the Brazilian artist for an uptempo, samba version that has gone viral on social media.
Thanks to its easy-to-learn dance challenge — where you make a heart shape with your hands, lift your arms, move your finger across your neck, and do a four-count pelvic thrust — Vittar’s “São Amores” version has nabbed over 167K video creations on TikTok, and another 330K reels on Instagram at the time of publishing. A Peruvian woman demonstrating how to do the dance has also powered its success (her video alone has garnered nearly 80K video creations on TikTok).
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Although Vittar is currently going viral with her track, the song has yet to enter the Billboard charts. The original version, however, hit No. 1 on the Tropical Airplay, Latin Airplay, and Hot Latin Songs charts dated Sept. 18, 2004 — all for one week.
In addition to Vittar’s 2024 version, other artists have covered the popular early 2000s tune, including Puerto Rican newcomer Luis Vázquez, who delivered his own salsa version last year.
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Now, Billboard compares Andy & Lucas’ and Pabllo Vittar’s version. See what’s different, below:
Title: “Son De Amores”
Artist: Andy & Lucas
Release Year: 2004
Song: Marking the second single off of the duo’s self-titled debut album, “Son De Amores” is a romantic pop ballad backed by weeping Flamenco guitar riffs. Produced by Alejo Stivel and penned by member Lucas Gonzalez Gomez, the sweet song finds the duo encouraging a girl to stop crying and to remember her worth following a bad breakup. “Stop crying/and think that one day a boy will give you/the whole fantasy and much more/because you are not crazy,” says part of the chorus.
Video: In the official music video, the Spanish duo is performing the track in different rooms of a house as a model is first seen going through a rollercoaster of emotions in her bedroom. She’s upset, she’s sad, she’s mad, but towards the end of the clip, she blossoms into a happier version of herself.
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Title: “São Amores”
Artist: Pabllo Vittar
Release Year: 2024
Song: Sung completely in Portuguese, Vittar did not change any of the song’s lyrics, but she did give it an uptempo beat. Part of her album Batidão Tropical Vol. 2, “São Amores” is an infectious samba interlaced with batucada produced by Gorky, Maffalda, and Zebu. Its repetitive, fast pace melody powered by hard-hitting drums and sultry saxophone melodies, has become a 2024 party anthem.
Video: No official video has been released, but there is an all-pink visualizer showcasing a radiant Vittar in a fantasy desert, surrounded by flamingos, as she’s brushing her hair and getting ready to go out.
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Telling her story in a documentary was not difficult for Mon Laferte. On the contrary, the Chilean-Mexican singer-songwriter tells Billboard Español, narrating part of her past in front of a camera provoked “a certain nostalgia,” mainly when remembering her pregnancy and the birth of her son.
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“I think how crazy I was, going singing when I was three months pregnant, with my belly all over the place — and then with my baby, three months after birth, and I was on stage!” the artist explains from Mexico City, with a chuckle.
Mon Laferte, Te Amo, which arrived on Netflix on Thursday (August 1), is an intimate portrait in which the singer of “El Beso” and “Tu Falta de Querer” reveals details of her professional and personal life, from her crude childhood and her start as a singer in her native Viña del Mar, to her arrival in Mexico in 2007, and how she managed to become a Latin music star. But it is, above all, “a story of strength, of resilience,” she says.
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Directed by Camila Grandi and Joanna Reposi Garibaldi, the documentary finds Laferte in the middle of an international tour, just weeks away from becoming a mother. In the back and forth between stages, dressing rooms and her home, Norma Monserrat Bustamante Laferte (her real name) recalls a complex childhood, marked by the abandonment of her father and economic struggles, as well as the differences that distanced her from her mother at a young age.
Then, a painful event caused an even greater estrangement with her mother, who was involved in a relationship with an alcoholic man who used domestic violence and abused Laferte sexually, the artist narrates in her biographical chronicle.
“Talking about my mother in a documentary was very healing,” she says. “I’ve had a difficult relationship with her, at times of much love, and at times of friction, of disagreements with her since I was a child. But over the years, I understand her much more, and today there is greater empathy.”
Motherhood is undoubtedly the common thread in Mon Laferte, Te Amo — where the figures of her grandmother, her mother and herself as a new mom are the protagonists.
The artist compares her experience to that of Beyoncé, whose documentary Homecoming (2019) records the days leading up to her highly anticipated performance at the 2018 Coachella Festival and the emotional path the American superstar and also mother went through, from creative concept to the concert’s moment.
“I remember in the documentary, she was rehearsing all day, she was with her baby, and in my ignorance I thought, ‘She should go home to rest, and then come back,’” Laferte says. “But when I became a mom, I understood her a lot because there is something about needing to feel again like yourself before pregnancy and giving birth.”
Other passages in Mon Laferte, Te Amo talk about her life after leaving school, her beginnings as a singer in local bars in Chile and her relationship with a man 21 years older than her who soon became her first manager, and she the victim of emotional and economic abuse.
It also tells of her time on Rojo, the Chilean National Television show that made her known, and her arrival in Mexico, where she had to start over again years later to conquer the most important music market in the Hispanic world.
“Many women can see themselves reflected in this documentary, we go through the same things,” says the four-time Latin Grammy winner. “Not all of them are singers, but it is like the daily life of a woman — facing the challenges that society demands of us, and that we demand of ourselves.
“I demand a lot from myself to be a great artist, but also to be the best mother in the world,” she adds with a smile.
Mon Laferte’s documentary arrives as the Chilean star — and naturalized Mexican, as of November 2022 — continues her Autopoiética Tour in support of her 2023 album of the same name.
Mon Laferte was also just confirmed to participate at the 2024 Billboard Latin Music Week, which will be held Oct. 14-18 at The Fillmore Miami Beach at Jackie Gleason in Miami Beach, Florida.
Yng Lvcas, Lupita Infante, De La Ghetto and Venesti are all set to perform at RUMBAZO 2024, Billboard announced Thursday (Aug. 1). The third edition of the event, taking place Sept. 13-14 in Las Vegas, is being headlined by Nicky Jam, Luis R Conriquez, Arcángel and Codiciado, as previously confirmed.
In partnership with Billboard and presented by Estrella Jalisco, RUMBAZO is set to take place at the Downtown Las Vegas Events Center, where music fans will not only be in for some showstopping performances, but will also get to enjoy food stands, art displays and many other activities. RUMBAZO coincides with the traditional El Grito and Mexican Independence Day weekend, celebrated Sept. 15-16.
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Nicky Jam, Arcángel, De La Ghetto and Venesti are set to perform Sept. 13, while Luis R Conriquez, Codiciado, Lupita Infante and Yng Lvcas will take the stage Sept. 14.
“We listened to the fans, and are excited to bring even more top talent from across the Latin world to the heart of downtown Las Vegas,” said a RUMBAZO Organizer. “No matter if you attend both days or just Friday or Saturday, you’ll discover an incredible up-and-coming artist while also celebrating with your favorite headliner. It’s going to be an unforgettable Mexican Independence Day Weekend.”
General Admission tickets include access to multiple bars, local Latin cuisine, live performances and additional experiences, with GA Weekend tickets starting at $99. GA Single Day tickets will be available for purchase starting Aug. 2 at 10a.m. PT, with prices starting at $59.
VIP tickets include upfront viewing, a dedicated entrance, exclusive bathrooms and all GA ticket inclusions, with VIP Weekend prices starting at $149. VIP Single Day tickets will be accessible starting Aug. 2 at 10a.m. PT, with tickets starting at $99. The event is open to guests ages 18+ and tickets can be purchased at rumbazofest.com/tickets.
This year’s RUMBAZO lineup reflects the stronghold both regional Mexican and urbano have on Latin music and culture. For more information, visit rumbazofest.com or follow the event on social media at @rumbazofestival.
See the lineup below:
Ivan Cornejo achieves his first No. 1 on Billboard’s Top Latin Albums chart with Mirada, his third studio album, which debuts atop the Aug. 3-dated ranking. The 12-track effort follows two other top 10 albums for Cornejo, both within a year, between 2021-22.
Mirada starts at the summit on Top Latin Albums with 34,000 equivalent album units earned in the U.S. during the July 19-25 tracking week, according to Luminate. The set was released July 19, the first day of the tracking period, on Zaragoza/Insterscope/ICLG.
Of Mirada’s 34,000 units in its coronation week, 25,000 of those derive from streaming activity, which represent 35 million official on-demand U.S. streams of the album’s songs. Album sales comprise 9,000, while the remainder negligible amount stem from track sales. On Top Latin Albums, one unit equals one album sale, 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams for a song on the album.
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Third Regional Mexican Act to Debut at No. 1 on Top Latin Albums in the 2020s: 20-year-old Cornejo joins an elite group of regional Mexican acts whose projects launched at the summit on Top Latin Albums in the 20s decade. Alejandro Fernández’s Hecho En México debuted at No. 1 in Feb. 2020, while Eslabon Armado enlisted two No. 1 debuts, through Vibras de Noche and Desvelado in Aug. 2020 and May 2023, respectively.
Further, Cornejo captures his third top 10 on Top Latin Albums with a third appearance. The singer-songwriter visited the chart with the No. 7-peaking set Alma Vacía (Oct. 2021) and Dañado which peaked at No. 2 (Dec. 2022) and earned him a first Billboard Latin Music Award for regional Mexican album of the year in 2023.
Largest Debut Sales Week for a Regional Mexican Album Since 2020: Adding to Cornejo’s triumphs this week, the Riverside, Calif.-born artist likewise scores the largest debut sales week for a regional Mexican album since 2020, with 9,000 sold. The last regional Mexican album to start with a bigger sales figure was Fernández’s Hecho En México, which debuted at No. 1 on the Feb. 29, 2020-dated Top Latin Albums chart with 10,000 sold. Mirada‘s first-week sales were supported by a signed CD exclusive to his webstore, and a standard CD.
Second Regional Mexican Album to Debut in The Top 10 on Top Album Sales: Mirada is just the second regional Mexican album to debut within the top 10 on the all-genre Top Album Sales chart, which began in 1991. In total, 33 Latin albums have opened in the top 10. The only other regional Mexican album to debut in the top 10 was Fernández’s Hecho En México, with a No. 8 debut in 2020.
11 cuts from Mirada have landed on the multi-metric Hot Latin Songs chart, led by “Baby Please,” which bowed and reached a No. 8 high last March. Here’s a look at the album tracks on Hot Latin Songs, including two already ranked songs, a reentry, plus seven debuts on the current survey:
No. 7, “Intercambio Injusto”No. 9, “Sale Para Ser Feliz”No. 14, “Mirada”No. 19, “Baby Please”No. 21, “Herida Abierta”No. 23, “Vuelve”No. 27, “Donde Estás”No. 29, “Atención”No. 31, “Aquí Te Espero”No. 41, “Interlude”
Adding to Mirada’s breakthrough week, Cornejo reaches the top 20 for the first time on the overall Billboard 200, as the new album debuts at No. 17. He previously peaked at No. 28 with his last album, Dañado, in 2022. Plus, Mirada also debuts at No. 1 on Regional Mexican Albums, for Cornejo’s second No. 1 there.
Lomiiel always knew he had a gift, but it was put to the test only a year ago when he uploaded his debut single, “Que Chevere,” to all the streaming platforms. He’s been unstoppable since.
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Inspired by artists such as Lil’ Baby, Drake, Bad Bunny and El Alfa, Lomiiel hails from La Romana in the Dominican Republic, and comes from a Christian family who’s fully supporting his dream. Although he’s making a name for himself in the dembow genre, the young newcomer has already navigated other genres, including trap, drill and reggaeton.
In fact, it was because of his freestyle-rap abilities that he was initially discovered while working at a local hype store called Cuero Macho Boutique.
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“I worked at the store of my now manager [Eddy Alexander Florian Rodriguez], and he saw my intention and desire to pursue a music career,” Lomiiel tells Billboard. “He was the first one to see my potential. He was also a fan of music, but neither him nor I knew what the music business was like. However, we began working together, and today we are representing and succeeding as business partners.”
Lomiiel’s first viral hit arrived in the spring with the release of “Hay Lupita,” a song that he says connected with people all over the world because of its lyrics and flow. With its sped-up drum pattern and carefree energy, “Lupita” — about a girl who looks good and is moving her hips to the beat — has garnered nearly one million video creations on TikTok and more than 40 million views on YouTube at press time.
On the Billboard charts, the saucy tune secured entries in the Hot Latin Songs, Latin Rhythm Airplay, Billboard Global 200 and Global Excl. U.S. charts, currently spending 12 weeks on the former.
As the new face of dembow, Lomiiel assures he’s bringing a lot of new colors and textures to the Dominican urban movement.
“It’s something different that was truthfully missing in dembow,” he explains. “I know my audience very well and I structure myself well for them. That’s why Lomiiel, in just nine months, has been able to get to where I am today.”
Below, learn more about this month’s Latin Artist on the Rise.
Name: Marco Antonio Santana
Age: 20
Recommended Song: “Hay Lupita”
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Biggest Accomplishment: “Truthfully, the success from ‘Hay Lupita’ has opened a lot of doors for me. It’s taken me to markets where very few Dominicans have gone. I also feel very happy to have bought my house and my car.”
What’s Next: “A lot of collaborations and bada– songs with American and Puerto Rican artists. Wait for a lot of new music because we’re going to go all out. In about two weeks, I’m thinking of releasing an EP.”
Maria Becerra has announced she’s taking a break from social media to focus on her mental health amid panic and anxiety attacks she’s experienced while on tour in Europe.
On Tuesday (July 30), the Argentine hitmaker began her emotional X post with, “I’m leaving this social media platform.” Later in the thread, she explained that she’s “detoxing” from not only X, but all social media.
“I have struggled a lot with my mental health on this European tour, it feels horrible, I have experienced everything from crying spells to anxiety and panic attacks,” she wrote in Spanish. “It’s waking up every day and reading thousands of offensive things about me and talking about my personal life and the way I dress — as if I’m committing some crime and deserve the worst when it’s just MY TASTE to dress. They pick on my physique on a daily basis, on everything! I understand that this is part of the fame.”
She continued: “I understand that many of you want to help and advise me and you of all people know that I listen to you and care a lot about what you think. But to get to the point of insulting me like you do is unacceptable to me. I will no longer tolerate this because it’s not good for me. I understand that things like this will continue to happen to me. But I’m not going to continue being a masochist having a social account where you enter and it’s just reading horrible things. I’m out of here. Thanks to all who support me and send me their love.”
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Signed to Warner Music Latina, in a joint venture with 300 Entertainment, the singer-songwriter is currently touring in Spain and will then head to Latin America to continue her world trek. She’s set to kick off the U.S. leg of her stint in October, with stops in New York, L.A. and Dallas, among other major cities.
The 24-year-old artist — known for fusing pop, cumbia villera, bachata and reggaeton — broke out in 2019 with her EP 222. Two years later, she released her debut album, Animal, featuring collaborations with artists such as Cazzu, Becky G and Tiago PZK. The set earned Becerra a Latin Grammy nomination for best urban music album.
Most recently, she teamed up with Gloria Trevi for “Borracha.” She’s also set to participate in Billboard Latin Music Week, as announced on Wednesday (July 31).
“I will get back to my cell phone when I feel able to do it. For the moment it has only caused me anxiety and panic,” she ended the X thread.
Read the original post in Spanish below:
Me voy de esta red social. He luchado mucho con mi salud mental en esta gira por Europa, se siente horrible todo esto, experimente desde ataques de llanto hasta ataques de ansiedad y panico.Es despertarme todos los dias y leer miles de cosas ofensivas sobre mi hablando 👇🏽— LNDA 🇦🇷 (@MariaBecerra22) July 31, 2024