Latin

Lenny Tavárez Proposes to His Girlfriend & More Uplifting Moments in Latin Music

From career milestones to new music releases to major announcements and those little important moments, Billboard editors highlight uplifting moments in Latin music. Here’s what happened in the Latin music world this week.

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A New Era for Piso 21

Piso 21 kicked off 2025 announcing that they will now be a trio composed by founding members David Escobar (Dim), Juan David Huertas (El Profe), and Pablo Mejía (Pablito). The news comes on the heels of member Lorduy (real name: David Lorduy Hernández) announcing that he was exiting the group

“Thank you for your love, for your support. Thank you for believing in our dreams,” the now three-member Colombian band expressed on social media. “We promise that we will continue to give our lives to bring you the best music, and thus continue to be the soundtrack of your lives. We dream of continuing to accompany you in those moments of love and heartbreak. And to meet with you on this floor of love and brotherhood.” 

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Since launching in 2012 with previous member Llane (real name: Juan David Castaño Montoya), the group has achieved many Billboard chart entries including a No. 1 hit on Latin Pop Airplay with “La Misión” in collaboration with Wisin last year. The group has released seven albums: Piso 21 (2014), Ubuntu (2018), Canciones Que Nos Marcaron (2020), El Amor en Los Tiempos del Perreo (2021), 777 (2022), Los Muchachos (2023), and 2.1 (2024).  

Lenny Tavárez Is Getting Married

Lenny Tavárez will soon tie the knot! The Puerto Rican artist—who’s making the rounds with his viral 2024 hit “Tu Feo” in collaboration with Prince Royce—proposed to his longtime girlfriend and mother of his children, Natasha Nazario. The intimate engagement took place January 2 at Los Roques Archipelago in Venezuela, where they were joined by their two children Miami Zabelle and Mor Antonio. “I dreamed it, I wrote it in my songs, and now it’s real,” the artist expressed on Instagram on Thursday (Jan. 9), the day he revealed the news to his fans. “Now I’m starting the best stage of my life with you. Thank you for being my light, my strength, and my inspiration. I love you!” 

Lenny Tavárez and Natasha Nazario

Lenny Tavárez and Natasha Nazario

BOE Polanco 

Bad Bunny’s Fun Marketing

Earlier this week, Bad Bunny was back home in his native Puerto Rico promoting his sixth studio album DeBÍ TiRAR MáS FOToS. Previously, we’ve seen Bad Bunny promote his albums on many popular podcasts, but this time, he hit up the local news network. On WAPA TV, he took on the role of news anchor and weatherman on the “NotiCentro Al Amanecer” morning show, and later in the week, he portrayed a stage director on Telemundo Puerto Rico’s “Alexandra a las 12” afternoon show, bringing a refreshing vibe and silly skits to both shows—all while promoting his tropical-leaning set. 

A Scholarship for Emerging Artists

On its mission to provide educational opportunities that advance Latin music and its heritage, the Latin GRAMMY Cultural Foundation unveiled its first-ever Emerging Artist Scholarship. Valued at $275,000, the scholarship is in partnership with Berklee College of Music, and will cover a bachelor’s degree and room and board at the college for its 2025 fall semester, as well as wrap-around services and ongoing mentorship and learning opportunities. The Latin GRAMMY Cultural Foundation is now accepting applications until April 10, 2025. For more information on how to apply, click here

Sebastián Yatra performs on stage with prior Latin GRAMMY Cultural Foundation Scholarship winners at the LGCF Sebastián Yatra Scholarship Ceremony on August 7, 2024 in Coral Gables, Florida.

Sebastián Yatra performs on stage with prior Latin GRAMMY Cultural Foundation Scholarship winners at the LGCF Sebastián Yatra Scholarship Ceremony on August 7, 2024 in Coral Gables, Florida.

John Parra/Getty Images

Latin Remix of the Week: Karen y Los Remedios’ ‘Las Muchachas (Mexican Institute of Sound Remix)’

In our Latin Remix of the Week series, we spotlight remixes that the Billboard Latin and Billboard Español editors deem exceptional and distinct. We might not publish a review every week. This is our selection today.

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Karen y Los Remedios became a captivating revelation in Latin indie with their 2023 nine-track debut album Silencio, a darkly poetic blend of eerie cumbia rhythms and subtle trip-hop influences. Comprised of singer/songwriter Ana Karen Gonzalez Barajas, producer Jonathan “Jiony” Muriel, and guitarist Guillermo Berbeyer, the trio offers a hypnotizing exploration with themes that explore sorrow, solitude, and mystical musings.

Among its tracks, “Las Muchachas” is especially noteworthy, highlighting the group’s penchant for experimental cumbia-pop fusion. Lyrical depth is woven through the melody with lines like “Cuando tú me dices que soy inalcanzable, pienso en las estrellas” (“When you tell me I’m unattainable, I think of the stars”).

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Camilo Lara

Camilo Lara

Napoleon Habeica

Mexican Institute of Sound, helmed by Camilo Lara, reimagines this song with an innovative twist. The Mexico City DJ/producer retains the haunting allure of the original while injecting spatial sound effects and a lustrous glow to the vocals. Plus, he adds a reggae dub atmosphere and a spellbinding violin-synth blend midway, morphing the remix into an immersive experience that respects the original’s core while introducing dynamic auditory layers.

Lara is renowned for his ability to meld traditional Latin sounds with exploratory electronic elements and kitschy Mexican folk. In addition to his Mexican Institute of Sound (Instituto Mexicano del Sonido) project, Lara has also been involved in the band Mexrrisey (the Mexican Morrisey project), and plenty of soundtracks and film scores (Narcos Mexico, Coco).

Karen y Los Remedios’ “Las Muchachas (Mexican Institute of Sound Remix)” will be part of the trio’s Silencio Remixes, to be released on April 11.

Listen to the “Las Muchachas” remix below:

Adriel Favela & Octavio Cuadras’ ‘Esquizofrénico’ & More: Which Is Your Favorite New Latin Music Release of the Week?

This week, Billboard’s New Music Latin roundup and playlist — curated by Billboard Latin and Billboard Español editors — features fresh new music from artists including Adriel Favela & Octavio Cuadras, Kapo and Ke Personajes, to name a few.

Adriel Favela and Octavio Cuadras kick off the new year with a “happy corrido.” The two música mexicana hitmakers team up for “Esquizofrénico,” which thrives on a vibrant horn section and requinto melodies. The track previews Favela’s upcoming new album Origen, set to be released Jan. 23.

Meanwhile, Guaynaa released “QNPLC,” initials for “Que No Pare La Cumbia,” featuring Mexican group Tropikal Forever. The song honors cumbia, a genre that originated in Colombia but is also super popular in other Latin American countries like Argentina and Mexico.

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Bad Bunny also released his sixth studio album, Debí Tirar Más Fotos, on Sunday (Jan. 5). The 17-track set, with producers like Tainy, MAG and La Paciencia, is an ode to Puerto Rico and the music that has soundtracked the island for generations. Featuring collaborations with Chuwi, Dei V, Omar Courtz, Pleneros de la Cresta and RaiNao — all Puerto Rican acts — the superstar takes traditional Afro-Puerto Rican styles such as plena and jíbara and fuses them with his signature urbano swagger.

Other new releases include Paulo Londra and Luísa Sonza’s “Itamambuca,” powered by a pulsating baile funk rhythm; Ke Personajes’ “La Danza”; Kapo’s “Aloh Aloh”; and Alfredo Olivas’ “Noche de Enciclopedia.”

Who should win this week? Give these new releases a spin and vote for your favorite new Latin music release below.

Reba McEntire, Brooks & Dunn, Post Malone, Carín León Set For RodeoHouston 2025 Lineup

RodeoHouston will once again take over The Lone Star State’s biggest city when the music event returns to NRG Stadium on March 4-23, 2025.

This year’s lineup is packed with both country and Latino performers, with Carín León and Grupo Frontera on the lineup alongside country music luminaries including Reba McEntire and Brooks & Dunn, as well as hot-shot newcomers such as Zach Top and Warren Zeiders. Also on the bill is the genre-fluid hitmaker Post Malone, who made an indelible foray into country music in 2024 with his Billboard 200 chart-topping collaborative country album F-1 Trillion, which included the six-week Billboard Hot 100 chart-topper “I Had Some Help” with Morgan Wallen and “Pour Me a Drink” with Blake Shelton.

Beyond music, the longstanding festival will feature an array of activities for RodeoHouston attendees, including light shows, drone shows, a carnival, animal rides, a petting zoo, an array of food and beverage vendors and much more.

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2025 HOUSTON RODEO Entertainer Lineup

Courtesy Photo

Tickets for RodeoHouston will go on sale starting Jan. 16 at rodeohouston.com, in two waves through AXS. Wave 1 tickets for March 4 – March 13 performances go on sale at 10 a.m. (with the waiting room opening at 9:30 a.m.), and Wave 2 tickets for March 14 – 23 performances go on sale at 2 p.m. (with the waiting room opening at 1:30 p.m.).

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See the RodeoHouston concert lineup below:

March 4: Reba McEntire – Opening Day presented by Shell Federal Credit Union

March 5: Riley Green  – Armed Forces Appreciation Day presented by Crown Royal

March 6: AJR

March 7: Bun B Birthday Bonanza – Black Heritage Day Presented by Kroger

March 8: Bailey Zimmerman

March 9: Carín León 

March 10: Brad Paisley – First Responders Day Presented by BP America

March 11: Zach Top

March 12: Lauren Daigle – Community Day Presented by TC Energy

March 13: Jon Pardi – Volunteer Appreciation Day Presented by Phillips 66

March 14: Journey

March 15: Warren Zeiders

March 16: Groupo Frontera – Go Tejano Day Presented by Fiesta Mart

March 17: Charley Crockett

March 18: Post Malone

March 19: Old Dominion

March 20: Cody Jinks

March 21: Parker McCollum

March 22: Brooks & Dunn

March 23: Luke Bryan

Kapo Kicks Off 2025 With Feel-Good ‘Aloh Aloh’ & More Best New Music Latin

New Music Latin is a compilation of the best new Latin songs and albums recommended by Billboard Latin and Billboard Español editors. Check out this week’s picks below.

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Kapo, “ALOH ALOH” (Sony Music Latin/La Industria Inc.)

Kapo kicks off the year with his new single “ALOH ALOH,” following the feel-good sound and uplifting lyrics that have made him a household name. Penned by the Colombian newcomer and co-produced by  Gangsta and Jeyjenm, the track is charged with a certain charm that will make anyone feel beautiful and confident—similar to his 2024 Billboard hits “Ohnana” and “UWAIE.” “You’re more than a kiss/ More than a few hours/ More than two caresses and a coffee,” he chants in the chorus, backed by his signature Latin Afrobeat sound. “‘Aloh Aloh is about capturing the moment, the joy, the rhythm, and the vibe,” he said in a press statement. “I wanted a name and a sound that felt alive, effortless, and uniquely me.”  — JESSICA ROIZ

Adriel Favela & Octavio Cuadras, “Esquizofrénico” (Fonovisa/UMG Recordings)

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Adriel Favela and Octavio Cuadras team up on “Esquizofrénico” to deliver a “happy corrido” that combines the vivacity of Mexican music with bold storytelling. It portrays the intense and extravagant lifestyle of a rock star, touching on themes of mental strain, sleepless nights, and the daunting side of fame. Musically, the track captivates with a vibrant horn section and requinto melodies. The music video may cause initial backlash among those concerned about propagating mental health stigmas by featuring images of a person in a straitjacket. However, Favela himself has openly dealt with bipolar disorder, which adds layers to the video’s interpretation and suggests personal reflection. His deep delivery of the song and compelling narrative bode well for Favela’s upcoming album, Origen, to be released on Jan. 23. — ISABELA RAYGOZA

Paulo Londra feat. Luisa Sonza, “Itamambuca” (Paulo Londra/DALE PLAY Records)

It may be winter in most parts of the world, but Paulo Londra and Luísa Sonza are heating things up and transporting us to the beaches of Brazil with “Itamambuca.” Produced by Mr. Naisgai, the euhphoric track kicks off with a slowed down baile funk rhythm that later transitions into more uptempo, powered by a sped-up reggaetón beat. Londra and Sonza sing about fate bringing them together and set the scene for what could be an idyllic rendezvous. “Just imagine, you and I kissing in Itamambuca .. dedicating you to the moon … Caipirinha with ice and hookah,” they propose. According to a press release, the Argentine hitmaker traveled to Itamambuca where he was introduced to the world of surfing and decided to turn his trip into a musical project, joining forces with Brazilian star Sonza. — GRISELDA FLORES

Alfredo Olivas, “Noche De Enciclopedia” (Fonovisa/UMG Recordings)

Alfredo Olivas starts off 2025 with his new single titled “Noche de Enciclopedia” (Encyclopedia Night). This song highlights his unique lyrical style, telling a poignant story about someone who rises from the depths of despair after being disappointed by a loved one. The imagery in the lyrics compares this transformation to that of a vampire who, after a long period of darkness, is finally ready to embrace the light again. Musically, “Noche de Enciclopedia” features a lively polka melody, enriched by soulful harmonica tones and the powerful sounds of an accordion. — INGRID FAJARDO

Guaynaa & Tropikal Forever, “QNPLC” (Guaynaa Records)

Guaynaa begins the new year with “QNPLC,” a catchy preview of what he calls “the most important project I have worked on so far.” The song, performed with the Mexican group Tropikal Forever and whose title is the initials of “Que No Pare la Cumbia” (Don’t let cumbia stop), honors the genre originated in Colombia that has gained strength throughout Latin America. “Time will pass and fashions come and go/ But don’t let cumbia end when you dance,” says part of the lyrics, also saluting icons of the genre such as Los Ángeles Azules from Mexico, Los Wawancó from Argentina, Armonía 10 from Peru and Los Corraleros and Carlos Vives from Colombia, among others.

“With a lot of dedication, with love, and with a lot of respect, we bring you #cumbiayamor,” added the Puerto Rican musician on an Instagram post, implying that Cumbia y Amor would be the title of the album (which means Cumbia and Love). “A new chapter begins in my career, in the search to highlight the greatness and beauty of the Latin American identity, especially giving visibility to new generations. As a Caribbean, from the tropics, and with a lot of flavor, we prepare this for you to enjoy!!!!” Guaynaa also released an “Intro” in which a female voice explains the relevance of this tropical genre. It is a solid and exciting sample of what promises to be an album that will make you dance and rejoice.  — SIGAL RATNER-ARIAS

Check out more Latin recommendations this week below:

Maná Donating to L.A. Wildfire Relief: ‘Los Angeles Has Always Been Our Second Home’

Maná has spoken out about the devastating ongoing wildfires in Los Angeles, asking their fans and colleagues to make donations. 

“Los Angeles is like hell. There are devastating fires that are affecting the houses…it’s tremendous how the fire is raging,” frontman Fher Olvera said in a video message posted on Thursday (Jan. 9). 

He continued: “First, we urge the Latin artistic community to donate. Los Angeles has always treated all of us artists, and well for Maná, Los Angeles has been family to us. Let’s donate and also calling the entire Mexican and Latin American community in the United States. We have to give today, whatever we can. We have to find a place, a foundation, an institution that can channel the resources that we send. We, Maná, wish that this passes as soon as possible and that it affects you as little as possible. That’s nature, we love you very much from Mexico.” 

In the caption on the post — where they also expressed that L.A. “has always been our second home” — the Mexican rock band shared a list of organizations that they will be donating to and supporting: Los Angeles Fire Department Foundation, World Central Kitchen, and the Pasadena Community Job Center.  

The west-side Palisades Fire has become the most destructive in L.A. history, according to the Associated Press. Fanned by strong, gusting winds, the fire has led to the evacuation of more than 30,000 residents, per CBS News. On the east-side, Eaton Fire has currently burned 10,600 acres near Pasadena, and over 50,000 residents have evacuated their homes.

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For health alerts, evacuation updates and shelter information, check out L.A. County’s emergency website here.

How Van Cleef Is Becoming an Emblem of High Fashion in Latin Music

The worlds of hip-hop and reggaeton have been intertwined in both style and sound since the origins of both genres, particularly in their common affinity for opulent jewelry. Large, flashy bling has for years marked the elites of these two musically akin cultures, representing a display of wealth and a symbol of defiance, a bold claim to hard-won success and status.

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Parallel to this trend, the current Mexican music generation has also absorbed hip-hop’s aesthetics into its contemporary revival. Yet, some of the most successful artists in the scene have opted for more refined choices.

Van Cleef & Arpels — known for its sleek designs of metal and precious stones inspired by nature, like the four-leaf clover — has notably emerged as a favored brand among a bevy of corridos tumbados stars. The subtle luxury of these pieces has become a symbol within the genre — whether flaunted in outfits seen in music videos or lyrically celebrated in tracks.

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This was evident in 2023 when Peso Pluma was spotted donning a Van Cleef chain in the billion-stream music video for “La Bebé – Remix” alongside Yng Lvcas. The trend was underscored again in June when Natanael Cano sported the chic chain in the video for “Vino Tinto” with Peso Pluma and Gabito Ballesteros.

In a recent interview, Oscar Maydon, who arrived at the Billboard offices in New York wearing a Van Cleef bracelet, commented, “It’s something that became fashionable. They’re very pretty, they’re very practical, they go with everything. People like them, they are very youthful, all the kids adapted them very well.” The Mexicali artist — whose hit “Tu Boda” with Fuerza Regida has been at No. 1 on the Hot Latin Songs chart for 11 weeks — also talked to us about an unreleased corrido that mentions the French brand.

And there’s more. For example, last September, Interscope artist El Padrinito Toys released a romantic turned ominous sierreño directly titled “Van Cleef,” further articulating the brand’s appeal: “Si no te tengo no me palpita el corazón/ Eres como una pesadilla, la neta ya te compré una Van Cleef amarilla/ Te está esperando tu silla, voy bien jalado y atrás viene la policía” (If I don’t have you, my heart doesn’t beat/ You’re like a nightmare, I already bought you a yellow Van Cleef/ Your chair is waiting for you, I’m riding hard and the police are coming).

Others have expressed their spirit of camaraderie by gifting such jewelry. Darey Castro, the leader of Los Dareyes de la Sierra, for example, has given Van Cleef & Arpels products to colleagues, a source told Billboard Español.

When Billboard Español reached out to a Van Cleef & Arpels representative for comment, they stated, “Regarding the use of Van Cleef & Arpels pieces by Mexican artists, I would like to confirm that we do not currently lend to celebrities; therefore, this phenomenon is completely organic.”

While the incorporation of Van Cleef & Arpels into Mexican music culture has become notable, its influence has also been felt in other fields of Latin music. Myke Towers included the track “Van Cleef” with Pirlo on his latest album, and AMF recorded “Exoticón (Van Cleef)” with Victor Mendivil, illustrating the brand’s far-reaching cultural resonance.

In her 2023 book Fashion Killa: How Hip-Hop Revolutionized High Fashion, Sowmya Krishnamurthy delves into the intersection between hip-hop and fashion and how their relationship is deeply symbiotic. She highlights how the DIY ethos of hip-hop artists and their communities has progressively influenced luxury fashion houses.

Because of the way Latin music artists are wearing Van Cleef, their chains feel more like an integral aspect of their musical and cultural identity than a simple accessory.

Bad Bunny Learns to Dance Salsa in ‘Baile Inolvidable’ Music Video: Watch

Just days after dropping his new album Debí Tirar Más Fotos, Bad Bunny (real name Benito Antonio Martínez Ocasio) released a music video for “Baile Inolvidable,” the third song on the LP.

The sweet six-minute clip begins with Puerto Rican filmmaker Jacobo Morales, the protagonist on Benito’s Debí short film, who joins a salsa dance class. Once in the studio, Bad Bunny takes the place of Morales where he trains in a group setting. And while initially it seems like he’s not totally catching on, eventually he becomes a pro. Toward the end of the video, he goes from studio to ballroom where he not only shows off his dancing skills but performs the song as well with a live band in tow.

During an interview with Apple Music’s Zane Lowe, the Puerto Rican hitmaker revealed that “Baile Inolvidable” was his favorite song from the album. Backed by live instrumentations — congas, piano, trumpets and all that jazz — “Baile” is about a man who can’t forget the woman he loved, especially the one who taught him how to dance.

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“It’s a very special song that I have in my mind for maybe two years,” he told Lowe. “The whole composition, it was in my mind way before the song was created. The whole song is made with new young musicians from Puerto Rico. All of them are 20 years old, 21, 22 they’re really young kids, straight from the Escuela Libre de Música, it’s like the public music school from Puerto Rico.”

Debí Tirar Más Fotos is Bad Bunny’s sixth studio album, which he released on Sunday (Jan. 5). The 17-track set includes collaborations with Chuwi, Dei V, Omar Courtz, Pleneros de la Cresta and RaiNao — all Puerto Rican acts.

Watch Bad Bunny’s “Baile Inolvidable” music video below:

8 Latin Collaborations We Want to See in 2025

Here are the collabs our Latin editors are hoping for this year.

Five out of the top 10 tracks on the 2024 Hot Latin Songs year-end chart were collaborations. From Luis R Conriquez and Neton Vega’s attitude-heavy corrido “Si No Quieres No” to FloyyMenor and Cris MJ’s global reggaeton hit “Gata Only” and Fuerza Regida and Marshmello’s EDM-laden “Harley Quinn,” these teamups dominated not only the charts but also the whole year.

The aforementioned collabs, along with teamups by Peso Pluma and Cardi B; Prince Royce and Gabito Ballesteros; Belinda and Natanael Cano; and J Balvin and Feid, marked a year of dream collaborations we didn’t know we needed. As we’re ringing in the new year, Billboard Latin editors have put together a list of eight pairings that, while not yet confirmed to be in the works, we’d love to see happen in 2025.

The wide-ranging list includes dream collaborations that would make a big girl-power statement, including Belinda and Becky G jumping on a corrido tumbado, a música mexicana subgenre both artists have embraced. Plus, there’s Rosalía and Yailin La Más Viral, who are already friends, which could potentially lead to a musical project.

There’re also two possible collaborations we’ve been thinking about since the 2024 Billboard Latin Music Week: Thalia and Maria Becerra and J Balvin and Pedro El Rapero. The former met for the first time when they linked up for a Mental Health panel, and they turned out to be sort of like kindred spirits. The latter sparked from a totally spontaneous moment when a young rapper from Venezuela jumped onstage to show J Balvin some of his songs. Balvin was instantly mesmerized.

From Karol G and Grupo Niche to Aventura and Natti Natasha, below are our editors’ picks for dream collaborations in 2025 (in no particular order):

Joy Huerta Talks Writing Music for Broadway, Debuts New Song of ‘Real Women Have Curves’: Watch Here

As an artist, Joy Huerta says she likes a good challenge. So when the producers of Broadway‘s upcoming adaptation of Real Women Have Curves reached out to her in early 2020 to see if she could write the songs for the musical, she was swept off her feet.

“I said, ‘For sure!’,” the Grammy Award-winning singer of Mexican pop duo Jesse & Joy — who had never composed music for theater before — tells Billboard Español. “I saw [the 2002 movie] and said, ‘I love the idea, of course, let’s do it.’ I think it was the weekend before we went into lockdown.” She adds: “You dream of challenges, but you don’t know what those challenges are going to look like.”

Five years later, Real Women Have Curves: The Musical is finally giving a glimpse of Huerta’s work ahead of its spring Broadway opening. First, the production released an acoustic performance video of “If I Were A Bird” three weeks ago, in which she sings with fellow Mexican actor and singer Aline Mayagoitia. Now, on Thursday (Jan. 9), arrives “Flying Away,” which Huerta — who is not part of the cast — performs in the clip accompanied by Nadia DiGiallonardo, Rich Mercurio and Yair Evnine. “They gave up so much so I could have more/ And if I don’t go what was all of it for,” say part of the lyrics.

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“’Flying Away’ is a song of longing of this teenage girl becoming a woman, who is growing up in a double culture [as the daughter of Latin American immigrants.] She’s becoming her own person while she’s trying to discover who she wants to be, who she is supposed to be, and who her family need her to be,” Huerta explains. “It’s a big struggle for her, and I think she doesn’t wanna let anyone down, but she ultimately has to think about her, without forgetting about her family. ‘Flying Away’ is that type of song about, how can I spread my wings, how can I fly, how can I be who I was born to be without leaving everyone behind.”

Additionally, fans can stream four demo tracks from the show, including “Make It Work,” “Flying Away,” “Daydream,” and “Real Women Have Curves,” all performed by Huerta, here. All songs were written by the Mexican star along with composer/lyricist Benjamin Velez, whom she calls “a very talented guy.”

Known for Hot Latin Songs hits including “Corre!”, “Me Soltaste” and “Ecos de Amor” as part of Jesse & Joy, the duo she shares with her brother, Huerta — who could relate to the story as the Mexican daughter of an American mother — has enjoyed learning the craft of writing songs for a different form of art in this project.

“Also understanding in what way you are telling the story, because the way I tell stories is in 3 minutes. Here, I especially had time to strike a certain nerve, knowing that what I did or said was going to have a domino effect half an hour, 45 minutes later,” she says enthusiastically. “And that’s been phenomenal because for me now writing songs for Jesse & Joy, knowing what I know after five years of working on this project, it’s been fascinating — it’s like I’m stealing little tricks from different sides for both worlds, and it’s been quite fun.”

Based on the play by Josefina López and the HBO’s movie adaptation, Real Women Have Curves: The Musical is set in East L.A. in 1987 and follows 18-year-old Ana García, a daughter of immigrants who struggles between her ambitions of going to college and the desire of her mother for her to get married, have children, and oversee the small, rundown family-owned textile factory. The 2002 movie, directed by Patricia Cardoso, put a young America Ferrera on the map.

Now Huerta hopes the show helps people see real immigrants in a different light.

“Something that’s really affected me with this story is that all these issues that were happening in the 80s are still happening today, and you would think no, it’s 2025, so many things have changed, it should be easier, and it’s not,” the artist says, wiping tears from her eyes.

“I have dual citizenship, I feel very privileged, but it is very difficult for those who are going to live right now in this new change of government,” she adds. “One of the reasons I’m very excited about this play is that I feel like, whenever you try and tell the story through a family perspective, a family point of view, I feel like maybe we can stop looking at our differences and we can start looking at each other as people. And when that happens, I think change really starts happening.”

As for her aspirations not only to write but also to perform on Broadway, Huerta would love to do it one day, but right now she is enjoying the ride behind the scenes. “I would definitely love to do it at some point. I would also love writing more for musicals,” she says. “This has been such a rewarding and such a beautiful experience.”

Real Women Have Curves: The Musical is produced by Waitress producers Barry and Fran Weissler, and Jack Noseworthy. It has a book by Lisa Loomer with Nell Benjamin, music supervision by Nadia DiGiallonardo, and direction & choreography by Tony and Olivier Award winner Sergio Trujillo. Cast and additional creative team will be announced at a later date.

It arrives on Broadway following its 2023 world premiere at American Repertory Theater (A.R.T) at Harvard University, with previews beginning on Tuesday, April 1, and an opening night set for Sunday, April 27 at the James Earl Jones Theatre (138 West 48thSt). Tickets can be purchased online now at Telecharge.com or by calling 212-239-6200.

Watch Joy Huerta singing “Flying Away” from Broadway’s Real Women Have Curves: The Musical above.