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The 2023 Heat Latin Music Awards (Premios Heat)—which recognizes renowned and up-and-coming artists who are making a buzz in the Caribbean and Latin American regions—aired live from Cap Cana in The Dominican Republic on Thursday (June 8), and featured many memorable moments.

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Karol G, Feid, and Bad Bunny led the nominations with six each, followed by five-time nominee El Alfa. Romeo Santos and Bizarrap each scooped four nominations.

The big winner of the night was Karol G, who took home the coveted song of the year award for “Provenza.” 

But beyond awarding the best urban artist, the best new artist, the best music video, and the best collaboration, to name a few categories, Premios Heat captured star-studded performances, special awards and tributes, and memorable speeches.

Below, check out some of the best highlights from the eighth edition of the Heat Latin Music Awards:

1. Hottest Song of the Moment: On the Premios Heat carpet, Billboard asked artists to share the hottest song of the moment and the answers ranged from perreo to pop. Reggaeton veteran Maldy said the song he can’t stop listening to — and dedicates to his wife — is YNG LVCAS and Peso Pluma’s “La Bebe (Remix).” Mau y Ricky gave Billboard an exclusive and sang a snippet of their upcoming collaboration with Argentine newcomer La Joaqui. Also, LAGOS crooned us with Lasso’s “Ojos Marrones,” which he helped compose.

2. Jay Wheeler’s in Love: The Puerto Rican artist, who’s making the rounds with his single “Pacto,” arrived at the Premios Heat with his wife and Venezuelan singer Zhamira Zambrano. It was a special night for the newlyweds as they not only took center stage to perform their pop ballad “Dicelo” but Wheeler also nabbed the award for best artist north region. “Don’t be afraid to fall in love because it’s beautiful. I’m married and I’m very happy,” he said during his acceptance speech.

3. Mike Bahia’s Surprise Award: At the eighth edition of Premios Heat, Colombian artist Mike Bahía was surprised with a special award called Lo + Heat for being part of the Heat family since its inauguration in 2015. During his acceptance speech, Bahía expressed that life has been in charge of reminding him not to quit. “Today I realize why life reminds me how beautiful it is to walk with a team. It wouldn’t make sense if I didn’t have someone to share it with. Love and honor your family always,” he said.

4. The New Wave of Latin Acts: The Heat Latin Music Awards is known for not only supporting up-and-coming Latin artists but also offering a platform where their hard work is recognized. Keeping their mission firm, this year’s awards show included a segment where a wave of emerging acts took center stage. They were Mar Rendon, who performed a rock version of Nek’s “Laura No Esta;” Teo (Fanny Lu’s son), who performed a medley of two original songs; Kunno and Dayanara, who performed their collaboration “El Ganado;” Xofi, who performed an infectious bachata; and Elena Rose, who performed “Bayamón.”

5. A Grupo Niche Tribute: Premios Heat celebrated the 43-year trajectory of Grupo Niche for its impact on music with a star-studded tribute. Joining the Colombian salsa group on stage to sing some of their timeless hits were Eddy Herrera, Mike Bahía, Yahaira Plasencia, and Yeison Jimenez. “This award is and will always be for Jairo Varela, creator of this iconic band,” the ensemble said during its acceptance speech.

Karol G was the big winner at the 2023 Heat Latin Music Awards (Premios Heat) on Thursday (June 8), taking home the awards for best urban artist, best video for “Mientras Me Curo del Cora,” and song of the year for “Provenza.”

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The Colombian star, Bad Bunny, and Feid had led nominations for the ceremony, tallying six each.

The fan-voted awards ceremony—held live from the beach in Cap Cana, Punta Cana, The Dominican Republic, and aired on the HTV and TNT networks—recognizes renowned and up-and-coming artists who are making a buzz in the Caribbean and Latin American regions.

“It’s an experience. It’s the musical platform where you can make a real connection—the beach gives us that feeling of closeness,” Premios Heat founder Diana Montes tells Billboard. “What was clear to me when we did the treatment of the awards is that I did not want to do them in the United States for various reasons beginning with we did not have the resources to compete with the larger awards show. Initially, we spoke with Cartagena de Indias but for some reason, we arrived in Cap Cana, and we’ve been hosting the awards here for nine years now. That’s the difference from a traditional award, here you see everyone working and networking but in a bathing suit and with a beer in hand.”

Below, check out the complete 2023 Heat Latin Music Awards winners list:

Best Male ArtistBad BunnyChristian NodalRomeo SantosAlejandro FernándezPrince RoyceWisinOzunaFeid — WINNERMaluma

Best Female ArtistShakiraKarol GTiniRosalíaFarinaGreeicy — WINNERNatti NatashaEmilia MernesKim LoaizaGloria Trevi

Best Group or BandGrupo FirmeWisin & YandelPiso 21Zion & LennoxMoratReikServando y FlorentinoGrupo Niche — WINNER

Best Rock ArtistMorat — WINNERJuanesManáNo Te Va GustarFito PáezLeivaLos CaligarisLeon Larregui

Best Pop ArtistLassoSebastián Yatra — WINNERKany GarciaCamiloAxelCarlos RiveraDanny OceanAndrés CepedaLali

Best Urban ArtistBad BunnyKarol G — WINNERFeidArcángelEladio CarriónRyan CastroRauw AlejandroJustin QuilesEl AlfaFarruko

Best Tropical ArtistCarlos VivesRomeo Santos — WINNERSilvestre DangondMarc AnthonyVíctor ManuelleFelipe PeláezAméricoEddy HerreraJandy Ventura

Best Artist South RegionDukiLIT KillahTruenoNicki NicoleEmilia MernesTiago PZKCris MjBizarrap — WINNERWos

Best Artist Andean RegionFanny LuDanny OceanGoyoMike Bahia — WINNERDekkoManuel TurizoRyan CastroBlessdFarinaAndreína Bravo

Best Artist North RegionFarrukoSechDalexKim LoaizaChris AndrewJay Wheeler — WINNEREl AlfaMoraJustin QuilesChris Lebron

Best New ArtistPolimá WestcoastLola ÍndigoQuevedoEdén MuñozBrrayChris LebronLIT Killah — WINNERKim Loaiza

Musical PromiseTEOElena RoseYoung MikoPaopaoDayanaraMario Bautista — WINNERÁngel DiorADSOVillano AntillanoMar Rendón

Influencer of the YearDomelipa — WINNERKunnoYeri MuaMont PantojaLa SeguraBriandaMarkoLele PonsKevlex

Best Popular Regional ArtistChristian Nodal — WINNERAlejandro FernándezCarin LeónPaola JaraJessi UribeGrupo FirmeGrupo FronteraYeison JiménezEden Muñoz

Best Dominican Urban ArtistEl Alfa — WINNERAngel DiorRochy RDChimbalaLa MaterialistaBulovaLa InsuperableFlow 28Rosaly Rubio

Best Video“Mientras me Curo del Cora” – Karol G — WINNER“For Sale” – Gilberto Santa Rosa, Carlos vives“La Reina” – Maluma“Le Pido a Dios” – Feid“Mi Pecadito”- Mike Bahía, Greeicy“Ambulancia” – Camilo, Camila Cabello“Cairo” – Karol G, Ovy on The Drums“Suegra” – Romeo Santos“Tití Me Preguntó”- Bad Bunny

Best CollaborationKarol G, Shakira – “TQG”Rauw Alejandro, Baby Rasta – “Punto 40”Arcangel, Bad Bunny – “La Jumpa” — WINNERRomeo Santos, Chris Lebron – “SIRI”Ozuna, Feid – “Hey Mor”El Alfa, Zepekeño, El Pepo Show – “Arrebatao Remix”Lasso, Sebastián Yatra – “Ojos Marrones”Kany Garcia, Christian Nodal – “La Siguiente”Mora, Feid – “La Inocente”

Best Content, Music PlatformMolusco TVDimelokingAlofoke Media — WINNEREl ChomboRapetón

DJ of the YearDj Adoni — WINNERGordoTiëstoDiploMarshmelloBizarrapDj TornallVíctor Cardena

Song of the Year“La Bachata” – Manuel Turizo“BZRP Music Sessions #53” – Bizarrap, Shakira“Despechá” – Rosalía“Feliz Cumpleaños Ferxxo” – Feid“Los Cachos” – Piso 21, Manuel Turizo“Tití Me Preguntó” – Bad Bunny“Provenza” – Karol G — WINNER“La Fórmula” – Maluma, Marc Anthony“BZRP Music Sessions #52” – Bizarrap, Quevedo“Bendecido” – El Alfa, Farina“Me Porto Bonito” – Bad Bunny, Chencho Corleone

With Pride Month in full swing, Billboard is asking its readers to vote for which Latin LGBTQ artist they currently have on repeat. The fan-based poll consists of the 11 artists that were included in our “LGBTQ Artists We’re Obsessed With” list published on June 1st.  Explore Explore See latest videos, charts and news See […]

While superstar musicians from Puerto Rico, Colombia and across the Americas have raised the profile — and bottom line — of Latin music in recent years, 2023 is turning out to be a breakout year for a particular kind of Latin music.

Regional Mexican music consumption in the United States jumped 42.1% year to date through May 25, according to Luminate. The genre — comprised of banda, corridos, norteño, sierreño, mariachi and more subgenres — had 5.81 million equivalent album units [EAUs] in the first 21 weeks of 2023 compared to 4.09 million EAUs in the prior-year period. EAUs combine album sales in addition to track sales and streams converted into album units.

That outpaces gains in the Latin genre overall (+23.1%), as well as country (+21.7%), dance/electronic (+15.5%), rock (+12.4%) and pop (+10.3%), as well as the overall market (+13.4%). Only K-pop — up 49.4% year to date as Korean music companies partner with U.S. labels to further penetrate the U.S. market — has performed better than regional Mexican.

The numbers are on track with Mexican music’s exponential and global growth — which Billboard has been reporting on — over the past few years. The legacy genre, which has been around for more than a century and a half, has experienced a newfound popularity, ushered in by a new generation of Mexican and Mexican-American artists who have subtly fused core traditional sounds with urbano/hip-hop styles appealing to a younger, digitally connected audience — mostly notably Eslabon Armado, Peso Pluma and Grupo Frontera.

About 99% of regional Mexican consumption comes from streaming. Through May 25, on-demand audio streaming from services such as Spotify and Apple Music accounted for about 90% of consumption of regional Mexican music. The remaining streaming consumption came from video streaming platforms such as YouTube and programmed streams from Pandora and other non-interactive radio services. Physical sales are not important for the genre — some artists are digital only — accounting for about 1% of total consumption.

Collaborations have driven success for regional Mexican artists, with Elsabon Armado and Pluma’s hit single, “Ella Baila Sola,” and Grupo Frontera’s collab with Bad Bunny both reaching the top 5 of the Billboard Hot 100 in May. Both songs are currently part of a handful of regional Mexican songs that are surging on the Billboard Global 200 chart, where representation of the genre went from notably absent to now comprising nearly 10% of the entire ranking. Sixteen regional Mexican songs have debuted on the Hot 100 as of June 2; the chart dated May 6 set a record, with 14 positions occupied by regional Mexican tracks and another held down by a remix of Latin urban artist Ynvg Lvcas’s “La Bebe” featuring Pluma.

Latin music has soared in recent years with the help of artists such as Puerto Rico’s Bad Bunny and Colombia’s Karol G. In 2022, Latin music consumption grew 28.2% and was the No. 5 genre in the U.S. behind R&B/hip hop, rock, pop and country. Bad Bunny alone accounted for 6.7% of Latin consumption in 2022 when his album Un Verano Sin Ti finished the year as the top album in the United States and put 24 tracks into the Hot 100 chart.

Regional Mexican represented 18.2% of Latin consumption in 2022, about the same as the prior two years (19% and 18.7%). But through May 25, a handful of standout successes helped regional Mexican increase its share of Latin consumption to 20.1%.

Eslabon Armado is the leading regional Mexican act thus far in 2023. The four-piece group from California’s central valley accounted for about 8% of regional Mexican consumption through May 25 and boasted the second-highest consumption of any Latin artist behind Bad Bunny. That’s translated into chart success, including reaching No. 4 on the Hot 100 with “Ella Baile Sola” and reaching No. 6 on the Billboard 200 albums chart with Desvelado on DEL Records. The second- and third-leading regional Mexican artists, Ivan Cornejo and Junior H, both rank amongst the 11 most popular Latin artists in terms of EAUs — behind Colombian superstar Shakira and ahead of American-born Puerto Rican rapper Eladio Carrion.

This year, the top regional Mexican albums are dominated by artists, not compilations. Sony Music Latin’s Fuerza Regida has both the top album, Pa Que Hablan, and the No. 4 album, Sigan Hablando. Last year’s top albums, Modo Despecho and Cantina Mega Mix, rank at No. 6 and No. 7, respectively. In the same period in 2022, nine of the top 10 regional Mexican albums were compilations such as Universal Music Group’s Modo Despecho, Cantina Mega Mix and Cumbias de Microbusera. Corta Venas by DEL Records’ Eslabon Armado was the lone artist album in last year’s top 25 regional Mexican albums.

Collaborations have added to regional Mexican artists’ success in 2023. Eslabon Armado’s share of the subgenre increases from about 8% to 9.6% when collaborations with Cornejo, Junior H, Grupo Frontera, Fuerza Regida and Luis R. Conriquez are counted. Fuerza Regida’s standalone recordings and collaborations with Grupo Frontera, Natanael Cano, Peso Pluma, Juanpa Salazar, Marca Registrada, Cornejo, Becky G and others in the top 200 regional Mexican artists give the group a 9.2% share of regional Mexican consumption.

Ten years ago, Colombian music executive Diana Montes created the Premios Heat (Heat Latin Music Awards) brand with the mission to not only support and develop up-and-coming Latin artists but also offer a platform where their hard work is recognized. 
The awards show officially launched in 2015 via the HTV and TBS networks and counted on the support of artists such as Juanes, Juan Luis Guerra, Nicky Jam and a then-rising J Balvin. “It was beautiful because truthfully, Premios Heat was born big already,” Montes, who has a 25-year career in music, tells Billboard. 

Now, its eighth edition airing from Cap Cana in the Dominican Republic on Thursday, June 8, via HTV and TNT, the 2023 Heat Latin Music Awards is led by six-time nominees Karol G, Feid and Bad Bunny, followed by five-time nominee El Alfa and, with four nominations each, Romeo Santos and Bizarrap. Confirmed performers include El Alfa, Mau y Ricky, Greeicy, Mario Bautista, Grupo Niche and many more. 

But beyond an awards show — which focuses on talent charting in Latin America as opposed to the United States — the Premios Heat brand has a festival franchise and “La Nueva Cepa,” a new partnership with Warner Music Latin and hitmaker Master Chris, to help promote newcomers making a name for themselves in their countries, as they’ve done in the past with Ryan Castro, Anitta, Yahaira Plasencia and Dekko. 

“In five years, without a doubt, Premios Heat will be the strongest music brand in Latin America,” Montes assures. “We see it by our numbers, by the growth of the awards and the festival. We are more than an award; we are a television platform, and we see ourselves developing artists as a label in the future.”

In the below Q&A, Montes takes us more in-depth into the Heat Latin Music Awards:

Anitta

Premios Heat/Carlos Zambrano*

Can you briefly explain what Premios Heat is and why are they held on the beach? 

It’s an experience. The musical platform where you can make a real connection—the beach gives us that feeling of closeness. What was clear to me when we did the treatment of the awards is that I did not want to do them in the United States for various reasons beginning with we did not have the resources to compete with the larger awards show. Initially, we spoke with Cartagena de Indias but for some reason, we arrived in Cap Cana, and we’ve been hosting the awards here for nine years now. That’s the difference from a traditional award, here you see everyone working and networking but in a bathing suit and with a beer in hand.

How do you determine the nominees for each awards season?

They were initially chosen by the artists that rotated on HTV. Right now it is a mix of HTV, LosHeat.TV—our new platform that in its second year debuted as the best platform in Latin America, following TikTok—and what we see in the Latin American regions. We visit many countries. We have very young people monetizing the local charts and social media in countries like Peru, Ecuador, Colombia, and the Dominican Republic.

The Heat Latin Music Awards has stood out for discovering, supporting and promoting emerging talents such as J Balvin, Karol G, Bad Bunny and many more: Which artist of the new generation do you see possibly reaching that superstar status?

We have Dekko here, who won the 2022 musical promise award. I feel that he is already doing a crossover. I see a very strong Dayanara Peralta from Ecuador, with impressive numbers. I see Mar Rendon and an ADSO doing very interesting things. I see a Young Miko, who carries a very strong movement. We have seen the musical movement in Latin America very closely and the important thing for us is not to look at what’s sounding or trending in the U.S. but rather what’s happening in Peru? What’s happening in Colombia? I feel that these artists need a platform and we have the vision to see that great talent.

Can you elaborate a bit more on the “La Nueva Cepa” initiative and its importance?

It’s an idea we’ve been around for a long time and basically celebrates Master Chris’ 25 years as a music producer. Instead of making a record with artists he has produced like Alexis y Fido, Greeicy, and J Balvin, he wanted to follow the Heat Awards philosophy and discover the talent that exists in Latin America. We are not a record label but on our platform, we have developed many talents. With this initiative, what we are going to do is record them, make videos for them, and put them on HTV.

Marshmello has achieved his first-ever No. 1 entry on the Billboard Latin Airplay chart (dated June 9) with his Manuel Turizo-assisted “El Merengue,” becoming the first non-Latin genre artist to top the chart in 2023.

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The infectious EDM-merengue fusion, which dropped on March 2, finds Turizo singing about not getting over an ex and drinking his sorrows away.   

Additionally, “El Merengue”—named after the traditional Dominican music genre—reached No. 1 on Billboard’s Tropical Airplay chart (dated April 8). The song sent Turizo’s own “La Bachata”  to No. 2 after 14 weeks in charge.

Below, check out the complete lyrics translated into English:

I’m tired of thinking about youWith my heart brokenThere’s sun but it’s cold since you leftI’m only drinkingLooking at your photosWanting to delete them but I can’t

I should’ve said I’m sorryTo not hold anything backThe kisses I didn’t give youI should’ve stolen them from youMissing you has meWith my eyes redIt’s not the same as being aloneThan being alone and in love

I said I forgot about youBut I didn’t forget youAy, ay, ayI also said I got over youBut I haven’t gotten over youDrunk I said I forgot about youBut I didn’t forget youAy, ay, ayI also said I got over youBut I haven’t gotten over you

Entering the club, I saw her, I saw her, I saw herShe was dancing aloneDancing aloneI got close, I got close, I got closeAnd the hours flew byA couple of hours

Tell me, without shame tell meAsk me whatever you want Except to forget about youWhen one is drinkingThey don’t measure words Today I apologizeIf one day drunk

I said I forgot about youBut I didn’t forget yoAy, ay, ayI also said I got over youBut I haven’t gotten over youDrunk I said I forgot about youBut I didn’t forget youAy, ay, ayI also said I got over youBut I haven’t gotten over you

Entering the club, I saw her, I saw her, I saw herShe was dancing aloneDancing aloneI got close, I got close, I got closeAnd the hours flew byA couple of hours

In her new podcast, the revealing En Boca Cerrada: Lo Que Nunca Se Nunca Se Dicho Sobre El Caso Trevi-Andrade, María Raquenel Portillo (formerly known as Mary Boquitas) tells her story for the first time about the teenage sex cult that shocked the world in the ’90s.
For those who do not remember the case and its protagonists, Portillo — who eventually had a brief career as a singer and actress — was married to Sergio Andrade, the manager, producer and artist promoter who “discovered” Gloria Trevi in the late ’80s and was instrumental in her stardom. But Andrade was later indicted and jailed on sordid charges of corruption of minors, as were Trevi and Portillo, who were later exonerated of all charges against them.

Portillo, however, continued to be singled out by many as an accomplice in the case. Now, for the first time, she details her life with the disgraced Mexican hitmaker, and the changing relationship they had over the years: teacher and student, husband and wife, divorced couple, boss and employee, manager and artist, and master and maid.

Portillo would share with Trevi her husband, the world stage and, later, a prison cell. Billboard Español contacted Trevi’s representatives for comment on the podcast, but received no response. Trevi was acquitted of all charges against her in 2004 and has repeatedly said that she too was a victim of abuse. For his part, Andrade has not commented on the case. He received a sentence of 7 years and 10 months in prison, and was released in 2007.

Produced by Uforia and Pitaya Entertainment, the first season of En Boca Cerrada reveals heartbreaking details about the disturbing case, reminiscent of the Jeffrey Epstein and R. Kelly scandals. The presenter alleges that she was brainwashed into marrying Andrade in the mid-’80s when she was only 15 years old; he was twice her age. She also claims to be the first victim of the Trevi-Andrade clan. 

“There is no definite time to tell a story. However before I did it was vital to heal my wounds, get my life back and have the strength to make it happen,” she tells Billboard Español 19 years after being acquitted of charges of corruption of minors. “God’s timing so perfectly aligned with mine and the opportunity came so clearly and precisely.” The presenter invites journalist María García, psychologist Francia Piña, Rubén Aviña, author of the book Aline: La Gloria por el Infierno, her mother, her sister and more people who bring their own knowledge and experiences about the case.

“In the first recordings I swear I almost regretted it — because they say that to remember is to live again,” she continues. “Through my emotions at the time, I discovered how I really went through this and was able to tolerate it.”

According to a press release, in its first week En Boca Cerrada was the most listened to Spanish-language podcast in the U.S., reaching No. 52 on Spotify’s Top Podcasts list, while in Mexico it reached No. 1 on both Spotify and Apple.

While stunningly entertaining, the uncensored podcast ultimately serves as a cautionary tale, a deep dive into the lurid world of a serial child molester and those unfortunate enough to cross his path, in the voice of one of the survivors. Here are five revelations from En Boca Cerrada.

The Tactics of a Child Molester

Over the course of ten chapters, the host reveals increasingly atrocious scenarios. Portillo does not hold back when talking about the warning signs that were present from the beginning, but that neither she nor her family saw. From their first meeting, she describes how Andrade made her wait hours for his appointments, when the then-respected producer had scheduled her for a casting at 4:00 p.m. and was not seen until midnight. According to Portillo, it was a tactic Andrade used to detect his prey and see how far a potential victim and her family were willing to go for the mere possibility of having a better life. 

When he formed the all-girl teen group Boquitas Pintadas, Portillo says the girls were not allowed to talk or “gossip” with each other. He reinforced manipulation with extreme jealousy, tender words, long rehearsal days and tons of gaslighting. The gang of five later grew into dozens of aspiring artists who adored and idolized Gloria Trevi’s star power (who was considered the Mexican Madonna and the biggest pop star in Mexico and beyond) and Andrade’s star-making gift. He made the girls believe were all his family, according to Portillo, but instead they “were all one in his eyes,” she says in the podcast.

With the help of his guests, Portillo reveals the profile of an antisocial narcissist, who exercised absolute power over weak victims. He did not foresee consequences or take responsibility, and constantly blamed the girls for the slightest thing, even for eating a can of tuna without permission. “Please sir,” “thank you sir,” and “I’m sorry sir” were a must at the end of every sentence, the narrator says. 

“If I Can’t Marry Her, I Will Steal Her”

Portillo says that when she was 14 years old, Andrade began to ask her to marry him. When her parents discovered that their daughter was in love with the producer, he assured them that it was something platonic and fleeting. When the relationship became more serious, Andrade responded to her parents by saying that they also married young. “Yes, but Pepe (Raquenel’s father) was also a child and not a grown man,” exclaimed her mother. “If I can’t marry her, I will steal her. You choose,” Andrade threatened her, something that was not uncommon in rural Mexico at the time. Portillo was about to turn fifteen. Her parents threw her a quinceañera — without chambelanes, at Andrade’s request — in hopes that their daughter would change her mind. It didn’t happen.

Portillo explains that in her time almost all women aspired to marry and raise a family. And rather than to marry a person of lower economic status, Andrade convinced her parents that the only way for their daughter to succeed was to marry a well-positioned man like himself. That, coupled with religion to enforce obedience, became a dangerous mix — because “this man felt he was God,” Portillo says in the podcast.

Normal or Normalized?

“Everything Sergio said sounded logical… that was his power,” Portillo says in the podcast. Andrade had absolute control over his victims because he made sure it was so. The day of their marriage ended their romantic phase and the violence began, according to Portillo. The narrator says she was violently, physically and sexually assaulted on her wedding night. After punching her, he allegedly fondled her and raped her. “I’m doing it for your sake so you’ll be perfect,” he often told her, she recounts. Wired beatings accompanied by sex became the norm for her and other victims, she says.

When she was still a teenager, Portillo became pregnant and he arranged her abortion without her knowledge, she says, a procedure she believes left her sterile for life. “One is taught that love can do anything and that for love everything is endured,” she tells Billboard Español. “In any type of love relationship where you don’t immediately identify a red flag… that’s where the dangerous thing happens, when we love for love, out of affection or compassion and we put up with [abuse] over and over again. And suddenly these types of relationships become addictive. Addiction is co-dependence on something that even though you know it’s wrong, you’re there.”

Andrade was untouchable, Portillo says, noting that people who knew of his misconduct remained silent, including famed television host Raul Velazco, who died in 2006. Velazco was never accused of misconduct or linked to Andrade. Somehow, says the narrator, the disgraced producer — who years later was convicted — managed to normalize the most atrocious behavior.

Gloria Trevi’s Feminist Rebellion

Gloria Trevi was Sergio Andrade’s golden goose, says Portillo in episode 8, “El fenómeno Trevi, un anzuelo perfecto” (or “The Trevi Phenomenon, a Perfect Hook”). She says that the “Pelo Suelto” singer’s success was rewarded with privileges such as eating at fancy restaurants (with the help of the superstar’s hard earned money) that the other girls didn’t have access to, even though many were part of Trevi’s team — Portillo was her backup singer. She also alleges that Trevi’s gigantic hair was not her idea but Andrade’s — allegedly, she liked to keep her hair very neat — as well as her famous ripped pantyhose and sensationalist statements to the press, like how she would run for the presidency. Her feminist artistic rebellion, shockingly, was masterminded by her abuser, according to the podcaster. 

The Hierarchy of “The Favorites”

Being among the producer’s “favorites” was something the girls in the clan aspired to — they all wanted to be at the top of the chain, and the younger they were, the more likely they were to get it, according to Portillo. Under Andrade’s control, the 12- and 13-year-olds were “easier” to mold for “maximum results,” while the older ones (18 and up) had a shorter lifespan within the clan, which kept them away from him and the possibility of stardom. Being a favorite, however, did not exclude the girls from physical punishment, Portillo says, but guaranteed them a better standing before the master and occasional small luxuries: a better meal and a couple of compliments. 

For most of her two decades with the clan, Mary Boquitas stayed lower on the list of favorites because of her growing age, she says. She was, however, the most loyal, and while that didn’t earn her special treatment, it did earn her Andrade’s trust, a relationship she says she’s not proud of.

Gloria Trevi, however, “was never just one more, she wasn’t like the rest, like them or like me. Without denying that Gloria was not 100 percent free, we all knew that when the time came she would sit down to propose punishments with the teacher, or make decisions that would make it clear that she was not just one more,” narrates Portillo in episode 10. Andrade knew how to manipulate each of the girls to provoke distrust among them, the narrator continues, comparing the dynamics to a reality show, to awaken that pressing need to please him and be able to climb a place in his ranking.

Portillo mentions the National Human Trafficking Hotline at the end of each episode. If you are at risk or know someone who may be, call 1-888-373-7888, or visit https://humantraffickinghotline.org.

The first season of En Boca Cerrada consists of 10 episodes that are available on Uforia. The first nine episodes can be heard on all other podcast platforms. The second season of En Boca Cerrada is currently in production.

Karol G’s just-announced signing with Interscope Records had been rumored for months in Miami music circles, as far back as the release of her record-making album Mañana Será Bonito last February.

So when Interscope finally announced the signing on Monday, after what sources describe as a “lengthy” and complex negotiation, it wasn’t entirely surprising. However, new information indicates this is no ordinary record deal.

According to a source with knowledge of the negotiations, Karol G, whose real name is Carolina Giraldo Navarro, will actually be releasing music under her own imprint, Bichota Records, and will be distributed by Interscope and worked by the label. Moving forward, she will own her masters as well. 

“It is one of the most ambitious deals signed by a Latin artist in recent memory,” says the source, who also said the deal is “valued at almost $100 million.”

The arrangement marks a departure from Karol G’s previous recording deal with Universal Music Latino, and seems to be more aligned with her manager Noah Assad‘s independent mentality. Assad’s other superstar client, Bad Bunny, records under indie Rimas and is distributed by The Orchard.

Karol G’s move from Latin label to mainstream label is still fairly uncommon, even at a time when Latin music’s success is growing to unprecedented levels both globally and in the United States. It follows news from April that Brazilian star Anitta signed with Republic Records, but also work with Universal Music Latin Entertainment. While stars who are signed to major labels have historically released their music jointly between Latin and mainstream labels, according to language — Shakira long released her English albums on Epic and her Spanish language albums on via Sony Music Latin, for example, and Enrique Iglesias released both on Interscope and Universal Music Latin — Karol G’s recordings will fall entirely under Interscope’s purview, with the label promoting and marketing her to both English and Spanish-language markets.

Even though Interscope doesn’t have a Latin division per se, it has a Miami office run by Latin music veteran executive Nir Seroussi and it works Interscope’s Latin projects, which also include Kali Uchis and Cuco.

Karol G’s signing to Interscope — much as with Anitta’s Republic signing — signals the Latin superstar’s intent to break into a mainstream U.S. audience and expand her brand globally even more than she has already. And although she has recorded in English in the past (in the track “Don’t Be Shy” with Tiësto) there are no immediate plans to release English language music right now, sources say.

“I’m continuously amazed at the support my fans give me, which motivates me to deliver the best of me, and I’m certain that this partnership with Interscope and their incredible team will help us continue building and making history,” said Karol G in a statement announcing the deal. “I’m thrilled to see what’s to come.”

Singer-songwriter and producer Edén Muñoz seeks to build a bridge between the past, present, and future of Regional Mexican music with an album where he will present notable songs from his catalog and new singles accompanied by legendary and emerging acts.

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The two-part set, titled Ayer y Hoy (Yesterday and Today) (Lizos Music), does not have a release date, but Muñoz has already been giving fans a preview of his project, including his latest single “Abcdario” with Junior H, part of the Hoy album.

“The concept of ‘Ayer y Hoy’ was born from the perspective I have of music at this moment in my life, in a generational context. I feel right in the middle of the new exponents of the Mexican regional and the music legends with whom I grew up”, explains Muñoz exclusively for Billboard Español.

The track with Junior H will be followed by Ayer’s first single, featuring norteño music legend Lalo Mora, on June 16. Although the voices of “Mi recaída en los excesos” were recorded remotely, the music video was filmed by both stars in Monterrey, Mexico.

“It had been one of my great dreams and I am very grateful for the opportunity to work with one of the pillars of our music. These bases are what allow us to be where we are now today,” he continues. “We must continue supporting Regional Mexican at this important moment. It’s now when the eyes of the world are on us and they must know our roots, our essence, and our musical foundations to get to where we are.”

Muñoz, 32, is considered a key player in the development and rise of the regional Mexican genre for his achievements and contributions in recent years, first as part of Caliber 50, and now as a soloist. He’s placed seven albums at No.1 on Billboard‘s Regional Mexican Albums chart, in addition to 22 number 1s on the Regional Mexican Airplay chart with songs of his own performed as a soloist and by artists such as Caliber 50, Banda MS, and La Arrolladora.

That is why young artists such as Gabito Ballesteros, Junior H, Pedro Tovar (Eslabón Armado), Fuerza Regida, El Fantasma, Los Dos Carnales, Luis R. Conríquez, and Carin León have not hesitated to be part of Hoy. With the latter, there’s great expectation for the soon-to-be-released collab called “Me Rento.”

“[Carin León and I are] very alike in many ways, even down to the physical,” he notes. “Carlos Rivera brought us together for ‘Alguien me espera en Madrid’ and the chemistry was instantaneous. We went into the studio a few days later.”

On the other hand, the great exponents that participate in Ayer with a more traditional sound are Rosendo Cantú, Eliseo Robles, and Miguel y Miguel. “I would love it, and I hope it will be achieved, that Los Tigres del Norte was part of this dream that I am making come true,” he adds.

Additionally, Muñoz is set to embark on his first solo U.S. tour called Consejos Gratis (produced by Live Nation) on August 25 at the Kings Theater in Brooklyn, New York, and wrapping on November 22 at The Pavillion in Irving, Texas.

Marshmello claims his first No. 1 on Billboard’s Latin Airplay chart with the Manuel Turizo collab “El Merengue,” which advances to the summit of the list dated June 10.
“El Merengue” jumps from No. 2 despite a 5% dip in audience impressions, to 10.4 million, earned in the U.S. in the week ending June 1, according to Luminate. It ousts Grupo Frontera and Bad Bunny’s “Un x100to” after its three-week command, sending it to No. 2, likewise with a decline on weekly impressions (falls 11% to 10.36 million).

As “Merengue” tops Latin Airplay, Marshmello becomes the first artist unfamiliar to the Latin genre to occupy the top slot in 2023. Congolese French singer and rapper Gims (born Gandhi Alimasi Djuna) last completed the deed as “Arhbo (Music From The FIFA World Cup Quatar 2022),” with Ozuna, took over Latin Airplay for three weeks last December.

Further “Merengue” is just the second tropical tune to lead the overall tally this year, after Romeo Santos and Rosalia’s “El Pañuelo” headed the Feb. 25-dated ranking.

Turizo, meanwhile, cements his airplay No. 1 growth with six champs spanning almost six years. Previously, the Colombian topped Latin Airplay with another tropical track: “La Bachata” (one week in October 2022).

Beyond its Latin Airplay coronation, “Merengue” wins a second term at its No. 5 high on Hot Dance/Electronic Songs in its 13th week in the top 10, encompassing its entire run in the chart so far.

Bad Bunny Keeps Going

Elsewhere on the Latin charts, Bad Bunny collects his 28th top 10 on Latin Rhythm Airplay as “Where She Goes” soars 20-9, the biggest climb in 2023 so far. The song flies with an 88% gain in audience impressions, to 4 million, during the same period, the biggest percentage increase of the week.

As “Goes” enters the upper region on Latin Rhythm Airplay, Bad Bunny picks up his 28th top 10, the eight-most since the chart launched in 2005.

The song also makes its first chart visit on Latin Airplay, at No. 26.

Over on Latin Streaming Songs, “Goes” holds at its No. 2 high despite a 30% dip in weekly streams. It logged 16.3 million official U.S. streams, 7 million less than the week prior. That yields a 7-3 tumble on the overall Streaming Songs list.