genre latin
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Carín León places his second No. 1 of the year, and fourth overall, on Billboard’s Latin Airplay chart, as “Ahí Estabas Tú” ascends 3-1 on the May 24-dated list. The new achievement comes only two months after his most recent triumph with “El Amor de Mi Herida.”
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“Ahí Estabas Tú” claims the top spot on the overall Latin Airplay chart with 8.2 million audience impressions earned in the U.S. during the May 9-15 tracking week, according to Luminate –that’s a 21% gain from the previous week. The Greatest Gainer-awarded track of the week trades places with Gerardo Coronel ‘El Jerry’’s “No Se Dice,” after the latter drops 1-3 with a 5% dip in impressions (to 8.23 million).
“Ahí Estabas Tú” marks León’s second champ of 2025. Previously the Hermosillo, Sonora-born singer-songwriter took command of Latin Airplay for one week through “El Amor de Mi Herida” (March 22-dated list).
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With a second ruler in 2025, León is only the second soloist to have two No. 1s on Latin Airplay this year unaccompanied by another act. Earlier in 2025, Bad Bunny topped the chart twice with his solo tracks “El Clúb” and “Baile Inolvidable,” each reigning for two weeks in February and March, respectively.
In total, four artists have secured two No. 1 hits in 2025 so far. Between Benito’s two chart-toppers, Myke Towers claimed the No. 1 spot with “Otra Noche” featuring Darell, for one week in February. He followed up with another No. 1 hit, “Degenere,” which features benny blanco, leading for one week on the May 3 chart. Meanwhile, Colombian Kapo placed back-to-back champs as “Más Que Tú,” with Ozuna, ceded its place to “Imagínate,” with Danny Ocean, on the April 26 list, both one-week rulers.
Beyond his Latin Airplay coronation, León also takes “Ahí Estabas Tú” to the summit on Regional Mexican Airplay, where it jumps 2-1, his eighth No. 1 overall. He ties Eden Muñoz for the fourth-most rulers among soloists in the 2020s decade. They trail Christian Nodal who leads with 17 No. 1 this decade, Gerardo Ortiz follows with 13, and Alejandro Fernández with 12 leaders.
All charts (dated May 24, 2025) will update on Billboard.com tomorrow, May 20. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
Wrestlemania 41 was full of fans with strong opinions, and we went ahead and asked them who would win in the ring: Bad Bunny or Travis Scott?
Who do you think would win in the ring? Let us know in the comments!
Carl Lamarre:
Street fight: Travis Scott and Bad Bunny, one on one. Who’s taking it?
Fan 1:
Travis Scott is a bi—.
Fan 2:
I gotta go with “Goosebumps.” I gotta go with the Trav.
Carl Lamarre:
He gave Cody Rhodes a black eye, man.
Fan 2:
Yeah, he busted his eardrum. Come on.
Fan 3:
Travis Scott.
Carl Lamarre:
Why Travis?
Fan 4:
Travis is like a little ghetto, you know? Bad Bunny, he’s cool. He’s cool, you know. But like, they do it differently in Houston.
Fan 5:
Bad Bunny. Bad Bunny, all day.
Carl Lamarre:
Benito. Why?
Fan 5:
Because he’s also the GOAT. No, um, I don’t know. He just got, he got that dog in him.
Fan 6:
Yo soy Boricua, I’m from Puerto Rico. Oh, I’m not from Puerto Rico, but I’m Puerto Rican, so I have to pick him. Loyalty, you know what I mean? Bad Bunny. Yo soy Boricua pa’ que tú lo sepas.
Fan 7:
Travis Scott.
Carl Lamarre:
Why Travis?
Fan 7:
Bad Bunny don’t look like he could fight too good.
Carl Lamarre:
Bad Bunny got pretty busy in the ring not too long ago.
Fan 7:
You know, everybody lucky every once in awhile, right?
Fan 8:
Bad Bunny all day. You saw the damage he took from Damian Priest, I think it was last year.
Carl Lamrre:
At Puerto Rico.
Fan 8:
Puerto Rico, right? You saw the damage he could take. He can handle it.
Carl Lamarre:
Why Bad Bunny?
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Alejandro Fernández couldn’t be prouder to carry on the family legacy through his children, including Camila Fernández, who is currently joining him on his De Rey a Rey tour across the United States.
The 27-year-old artist showcased great confidence and poise on Sunday (May 18) at the Honda Center in Anaheim, Calif., where she performed songs from her repertoire like “Todo Todo,” “Pudimos Ser,” and “Se Cancela la Llorada,” earning a roaring ovation from the audience.
“Thank you for your applause,” said Vicente Fernandez’s granddaughter, elegantly dressed in a charro outfit. “Now I leave you with the new king of ranchera music who honors another king who was my grandfather, my father Alejandro Fernandez””
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Also dressed as a charro, El Potrillo opened his set with his father’s classic “No Me Sé Rajar,” included in his tribute album De Rey a Rey (meaning From King to King).
“I want to tell you that I was born with two blessings: the first, being born in Mexico; the second, being born a Fernández,” expressed the superstar. “Let’s celebrate together the legacy of the great Charro de México the way he would have liked — singing his songs at the top of our lungs.”
The setlist included classics like “Lástima Que Seas Ajena,” “Estos Celos,” “El Rey,” “Volver, Volver,” “De Qué Manera Te Olvido,” “Por Tu Maldito Amor,” and more.
In a heartfelt moment, the father and daughter duo performed “Fue Un Placer Conocerte” and “Siempre Estoy Pensando en Ti,” paying tribute to Juan Gabriel and Rocío Dúrcal, who used to sing those songs together. The tender glances and undeniable connection between Alejandro and Camila, along with their beautiful vocal harmonies, deeply moved the fans, who applauded nonstop.
“I want you to know that in this family, there are at least three of us who will fight tooth and nail to keep Mexican music alive, and we carry it deeply in our hearts,” said Alejandro Fernández, also referring to his son Alex.
And while the show serves as a tribute to his father, some Alejandro’s biggest hits couldn’t be left out, including “Me Dediqué a Perderte,” “Si Tú Supieras,” “Caballero” and “Hoy Tengo Ganas De Ti,” which was originally recorded with Christina Aguilera but performed during the concert with his daughter Camila.
The De Rey a Rey tour, which continues on May 23 in Salt Lake City, Utah, includes stops in Denver, Chicago, Miami, New York, El Paso, and Las Vegas (for Mexican Independence Day celebrations), before wrapping up on September 21 in San Diego, Calif.
Check out a clip Alejandro and Camila Fernández singing together below:
Mora (real name: Gabriel Armando Mora Quintero) surprised fans with the release of his fifth studio album, Lo Mismo de Siempre, on Sunday (May 18) via Rimas Entertainment.
The 17-track set, which was first produced in Miami and then finished in Puerto Rico, was created during an ultra-personal moment in Mora’s life: fatherhood. Though the songs don’t necessarily delve into his personal life per se, it was important for him to move back home with his family to spark his muse and seek the ideal inspiration.
Lo Mismo de Siempre — named in honor of those who say that the Puerto Rican artist-producer is “always doing the same thing” in his music — is truly an ode to the day-one fans.
“None of this was due to luck/ I’ve had a thousand falls, and although they hurt, they made me stronger/ The people made me, and that’s why I’m here with the same people as always,” he chants in the opening title track, over a dark, dramatic synth melody.
The set then navigates through futuristic reggaetón and perreo sounds (yes, true to Mora’s essence), but also some innovative trap, ballads, tropical and house fusions. He also reeled in potent collaborators, including C.Tangana, Young Miko, Sech, Ryan Castro, and Omar Courtz. Lyrically, he sings about love, heartbreak, the loses, the wins, and other relatable topics.
Lo Mismo De Siempre follows the sets Primer Día de Clases, Microdosis, Paraíso, and Estrella — all of which debuted top 10 on the Billboard Top Latin Albums chart.
Below, Mora breaks down five essential tracks from his new album, in his own words:
“Bandida”
Jennifer Lopez is facing copyright infringement claims for allegedly posting two paparazzi pictures of herself outside a Golden Globes pre-party in January without paying to license the photos.
Lopez was hit with a pair of federal court lawsuits on Saturday (May 17) from photographer Edwin Blanco and photo agency BackGrid USA. They say they co-own the two images of the pop singer and actress standing outside the Amazon MGM Studios x Vanity Fair Party at Los Angeles’ swanky Bar Marmont the night before this year’s Golden Globe Awards on Jan. 4.
A lawyer for Blanco and BackGrid alleges Lopez posted the photos to her Instagram and X accounts on Jan. 5 without permission. This supposedly set off a spate of reposts from fan pages and fashion brands, including the designer of a faux fur coat Lopez was wearing in the photos.
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“Ms. Lopez’s unauthorized use of the Images is commercial in nature, intended for the purpose of self-promotion,” wrote attorney Peter Perkowski. “For example, Ms. Lopez used the images to spotlight the designer of her clothing and jewelry, leveraging the publicity from the event to promote her fashion affiliations and brand partnerships.”
According to the lawsuits, a representative for BackGrid and Blanco contacted Lopez’s team about the alleged copyright infringement the next week. Perkowski says the two sides had “fruitful discussions” and orally agreed to a monetary settlement, but Lopez never signed a written settlement agreement and has not paid the promised money.
The lawsuits also note that Lopez was previously sued in 2019 for posting an unauthorized paparazzi image of herself and her then-boyfriend Alex Rodriguez to her Instagram account. That case, also brought by Perkowski, was ultimately dismissed voluntarily in 2020.
“This prior litigation placed Ms. Lopez on notice regarding the legal requirements and potential consequences associated with the use of copyrighted images without proper authorization,” continued Perkowski. “Despite this, Ms. Lopez has continued to engage in similar conduct, demonstrating a willful disregard for BackGrid’s copyrights through a pattern of behavior that undermines the rights of content creators.”
BackGrid and Blanco are accusing Lopez of willful infringement under the federal Copyright Act, which could entitle them to damages of up to $150,000 per photo.
Lopez’s reps did not immediately return a request for comment on Monday (May 19).
While seemingly strange, it’s quite common for celebrities to be sued for posting paparazzi photos of themselves to social media. Artists including Miley Cyrus, Dua Lipa and Justin Bieber have all faced similar lawsuits in the last few years.
As Billboard wrote in 2022, U.S. copyright law is on the side of photographers and image licensers. Though it may seem unfair, celebrities do not automatically co-own images of themselves and therefore don’t have the right to repost them for free.
Regional Mexican music imprint Kartel Music is rebranding as K Music, it was announced on Monday (May 19).
Founded in 2019 in Riverside, Calif., the label has played a pivotal role in promoting regional Mexican music while helping drive its recent global expansion.
“This rebranding to K Music marks a significant milestone for our team and artists,” said Freddy Becerra, CEO/co-founder of K Music, in a statement. “In just a few years, our artists have topped charts and earned recognition from global tastemakers like Billboard. Our new name reflects an ambition with no borders.”
The decision to renew the brand is part of a strategy that promises to “continue to amplify its impact,” a press release reads, adding: “The new identity reflects the label’s evolution and global ambitions, reaffirming its commitment to growth rather than signaling any detachment from its cultural roots.”
K Music also boasts a refreshed visual identity and updated logo.
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Leonardo Soto, CFO/co-founder, added, “Our name may be new, but our heart remains the same. K Music will continue to uplift the Mexican talent and culture that shaped Kartel Music, even as we expand into new territory.”
K Music represents some of the genre’s hottest stars, such as Luis R Conriquez, who graced the cover of Billboard last September. His 2024 album, Corridos Bélicos, Vol. IV, debuted at No. 5 on Top Latin Albums, No. 3 on Regional Mexican Albums and No. 36 on the Billboard 200. Then there’s Tony Aguirre, who boasts 7.5 million monthly listeners on Spotify and has collaborated with Xavi and Luis R in the early stages of their careers.
The label is also home to acts such as Dinamicos Jrs and Joel de la P, who has written hits for Peso Pluma and Tito Double P and released his breakout track, “Dembow Bélico.” K Music’s rebranding comes six years after its launch amid an ongoing crackdown on narcocorridos in Mexico.
Billboard Latin Music Week, the most prestigious and longest-running week dedicated to the celebration of Latin music, will return to Miami from Monday, Oct. 20 to Friday, Oct. 24, with the Billboard Latin Music Awards set for Thursday, Oct. 23.
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Set once again at the historic Fillmore Miami Beach, Latin Music Week 2025 will bring together top and emerging Latin music artists and executives from around the world for a week of showcases, networking, exclusive conversations, panels, workshops, activations and concerts.
The event — which last year featured conversations and performances by an impressive lineup including Alejandro Sanz, Peso Pluma, J Balvin, JOP, Bad Gyal, Belinda, Chiquis, Danny Ocean, Eden Muñoz, Eslabon Armado, Fat Joe, Feid, Keityn, Maria Becerra, Thalia, Yahritza y Su Esencia, Yeri Mua and many more — is known as the top gathering place for the most influential and impactful artists today, both established and emerging, as well as the ultimate meeting ground for top music executives.
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Marquee panels in 2024 included the now-iconic Women’s Panel and “Making the Hit Live,” which last year featured Grupo Frontera, who wrote a song live, “Ya No,” and later released it on Feb. 14, Valentine’s Day.
More than 10,000 people attended Latin Music Week last year, including the live shows by Fuerza Regida with Majo Aguilar; a reggaeton night with Omar Courtz, Dei V, and Saiko; and LMW’s 35th anniversary party with Young Miko, Tito Double P, Belinda, Elvis Crespo and more, among other events. (See the full 2024 schedule here.)
Ticket and lineup information for Billboard Latin Music Week 2025 will be announced in the coming weeks. Pre-register now for the latest information at billboardlatinmusicweek.com.
GTS (Global Talent Services), Universal Music’s Latin talent management and services company, has fully acquired respected music management company RLM (Rosa Lagarrigue Management).
As a result of the acquisition, RLM founder, veteran artist manager and promoter Rosa Lagarrigue, will join GTS as executive vice president global, reporting to Narcís Rebollo, president and CEO of GTS. Likewise, RLM’s team will also be integrated into the company.
Founded in 1980 by Lagarrigue as one of the first management companies owned by a woman, RLM has had a role in developing the careers of artists like Miguel Bosé, Alejandro Sanz and Mecano, among other Spanish icons. The company’s current roster includes Raphael and Rozalén among many others.
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Joining GTS is meant to maximize and improve the services provided to RLM’s artists in addition to bringing Lagarrigue and her team’s expertise to GTS.
Founded in 2011, GTS has grown to have presence in Spain, Portugal, the U.S., Mexico, Colombia, Argentina, Chile and Brazil and its roster includes Aitana, David Bisbal, Ela Tauber, Lola Indigo, Pablo Alborán and Vivir Quintana among many others.
“With her extensive experience, knowledge, and track record, Rosa is a key and respected figure in the management world, and this addition to our organization is a further investment in our position as a leading Talent Management and Services Company in Latin Music today,” said Rebollo in a statement. “I am convinced that the integration of our teams will provide each of our artists the best service and strategic support to achieve their goals across all markets.”
Added Lagarrigue: “I have always believed that every artist needs unique and personalized support; one that combines listening, intuition, strategy, and honest work. I’m excited to share this project with Narcís, undoubtedly one of the most brilliant executives in the industry, and with his team. What we started at RLM not only continues, but it is amplified and strengthened alongside them.”
Bad Bunny helped close out Saturday Night Live’s milestone 50th season with a memorable appearance on the show’s May 17 season finale, hosted by actress Scarlett Johansson. The 31-year-old Puerto Rican superstar took the stage twice during the NBC sketch comedy series, performing a pair of tracks from his history-making album, Debí Tirar Más Fotos. […]
Duki’s Ameri World Tour, presented by Live Nation, arrived to Miami on Saturday (May 17) — packed with energy, Argentinean pride, and rock star attitude.
The crowd — mostly made up of children and teens with their parents or young adults in their early 20s — filled the Kaseya Center and chanted “Duko Duko Duko” just minutes before 9 p.m. Shortly after, a three-member band (drums, keyboardist and guitarist) hopped on the red-lit stage and Duki followed singing “Leitmotiv.”
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He continued to perform almost all of the tracks from his latest studio album, Ameri, in order: “Nueva Era,” “Brindis,” “Buscarte Lejos,” “Imperio,” “Hardaway” and “Cine,” to name a few.
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“Thank you for sharing this night with me, Miami. I am Duki!” the Argentine trap star (real name: Mauro Ezequiel Lombardo Quiroga) told his euphoric fans.
Wearing a black muscle tee, baggy jeans, black beanie hat and white Adidas sneakers, Duki — who’s known as one of the pioneers of the Argentine trap movement — did not hold back from channeling his inner rock star.
“Vida de Rock,” “Rockstar,” and “Hablamos Mañana,” his collaboration with Bad Bunny, were some of the songs that fused rock with rap, and had the intense crowd jumping and chanting. He also performed the hits including “Si Te Sentis Sola,” “Goteo,” and his “BZRP Music Sessions #50.”
A notable moment of the night was when he took fans down memory lane and performed his 2017 breakthrough hit “Loca.” The song’s remix with Bunny and Cazzu earned Duki his first entry on Billboard‘s Hot Latin Songs that same year.
But the evening’s big highlight was when Puerto Rican urban artist Jhayco surprised fans by performing his collaboration with Duki, “Rockstar 2.0.”
“Thank you, my beautiful people! Thank you for bringing me far away from home to an emblematic venue,” Duki thanked his fans. “All of this tour is thanks to you and for you. I thank you with all my soul. Without you, this wouldn’t make sense.”
At 10:30 p.m., Duki closed his set with the ultimate fan-favorite track “Givenchy.”
Last December, he became the first urban artist ever to sell out Argentina’s biggest stadium — the fabled River Stadium in Buenos Aires — not once, but twice, selling 140,000 tickets across both nights. Earlier this year, he became the first urban artist to ever play and sell out Spain’s Bernabéu stadium in Madrid.
The Ameri World Tour wraps Sunday (May 18) in Puerto Rico, following his visits across Latin America and Europe that kicked off in March.