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Beloved jam band Goose hits the stage this weekend, June 14-15, at Merriweather Post Pavilion in Columbia, Maryland with Joe Russo’s Almost Dead and the String Cheese Incident for All Good Now, the 30th anniversary of Baltimore promoter Tim Walther’s 1995 outing with Gov’t Mule and John Scofield at Wilmers Park, Maryland.
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“Back then it was just me, some bands, a fax machine and a bunch of fliers,” Walthers tells Billboard of that first-year effort. Since then, he’s grown his small promotion company into one of the most influential indie promoters in the mid-Atlantic region with over 2 million tickets sold across 3,000 club shows and 68 festivals, staging events at venues across the region, from the famed 9:30 Club in Washington D.C. to the bustling mountaintops of West Virginia.
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“We’ve always stayed true to our roots while also having our eye on something bigger for fans of jam bands and improvisational music,” Walthers says. This weekend’s festival also includes sets from Lawrence, Molly Tuttle, the Disco Biscuits, Pigeons Playing Ping Pong and more. The festival is divided by two stages, a symphony woods section and a Shakedown Street where fans can shop and socialize.
Walther notes “there was no promoter playbook” when he first started the All Good Music Festival & Campout in 1997 with landowner Arthur Wilmer to launch “a new kind of music festival—one driven by spirit, spontaneity, and shared values. We were just trying to figure it out and make enough to make it to the next festival.”
Over time, the crowds swelled from 940 people to 23,000 fans, with 1,200 people hired annually to work on the event, which has become a rite of passage for jam band fans from around the world. The festival “never lost its soul,” Walther tells Billboard. “There’s no overlapping sets and whenever possible, fireworks.”
To view set times and buy tickets, visit allgoodpresentslivemusic.com.
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Summer is upon us again, which means you’ll have to combat the sweltering sun’s rays once again.
Unlike last year, however, you can put away the sunscreen and prep your wardrobe with help from Apivoe’s sun-protected “shirts.” Retailing for as low as $9.77 depending on the colorway, this men’s hooded long-sleeve makes for the perfect gift for those who love the sun, without the damage. If you’re heading to a festival or to the beach, we can see this style coming in handy for any sun-soaked activities.
Men’s Sun Protection Hoodie UPF 50+
A men’s hoodie in deep blue that protects from the sun’s rays.
The long sleeve comes in 12 colorways and sizes small to 3XL. No matter the colorway, this piece is constructed of UPF 50+ fabric or Ultraviolet Protection Factor, which blocks up to 98% or more of the sun’s harmful UV rays, providing the wearer with a high level of protection against pesky sunburn, skin aging or even skin cancer. No, it’s not magic. The UPF-rated fabric utilizes specific weaves, materials, and coatings to absorb, reflect and block UV rays, offering a barrier of sorts.
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Beyond being sun-protecting, the fabric is also elasticized, making it extremely comfortable. While we can see this long sleeve working well for all festivals this season, it could also be great for those who labor outside like construction workers or athletes.
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This piece is also extremely breathable and waterproof. The hood attached to the neckline offers optimum coverage and is equipped with a built-in mask that allows you to customize your look based on weather conditions. Still looking for a gift for Father’s Day? If you buy now, Amazon will ship this shirt out ahead of the holiday, making gifting for those stubborn dads a breeze.
Men’s Sun Protection Hoodie UPF 50+
A men’s sun protecting hoodie in rainbow gradient hues.
Some of our favorite colorways include Black, Gray and Camouflage, which looks more like a rainbow gradient despite its name. The color options allow for endless styling possibilities. The neutral tones lean more casual, while the colorful tones would be great festival attire.
We can see the rainbow gradient style lending itself well to pride parades galore, accompanied by denim shorts, white sneakers and a bandana. For a work day under the sun or a hiking trip with scenic views, we can envision the shirt worn with cargo pants and boots, a backpack slung over your shoulder for a rugged moment. Whatever way you choose to style this piece, you’ll know you’re protected from the sun no matter the occasion. Summer just became worry-free.
Men’s Sun Protection Hoodie UPF 50+
A men’s hoodie in black that protects from the sun’s rays.
From a surprise David Byrne appearance to an explosive encore, Rodrigo delivered a guts-spilling, house-burning headlining set at the NYC festival.
After a sweltering first day at the 2025 Governors Ball on Friday (June 6), Tyler, The Creator made sure to remind everyone multiple times throughout his explosive closing set just how hot it really was. With sweat pouring down his face, he paused his music a few times just to comment on how he was […]
Foo Fighters, Chappell Roan and Linkin Park will headline the 15th edition of the Corona Capital festival, which will also mark the highly anticipated return of Deftones to Mexican stages after nearly a decade, promoter OCESA announced on Tuesday (June 3).
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The exciting lineup for the annual rock festival — scheduled to take place from Nov. 14 to Nov. 16 at the Autódromo Hermanos Rodríguez in Mexico City — also includes Queens of the Stone Age, Franz Ferdinand, Garbage, Vampire Weekend, Alabama Shakes and Weezer.
“Corona Capital is not just a festival — it’s a bridge between cultures, emotions, and generations,” Memo Parra, director of international events at OCESA, tells Billboard Español. “Since 2010, it has evolved into one of the most important festivals in the world, attracting thousands of fans from every corner of the globe to Mexico.”
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Parra emphasized that, with an attendance of 255,000 people per edition and a team of over 5,000 making it possible, Corona Capital is “living proof of the power of music to bring us together.”
Close to 70 artists and bands make up the 2025 lineup, including Aurora, Damiano David, James, Of Monsters and Men, AFI, Jerry Cantrell, Jehnny Beth, TV On The Radio, 4 Non Blondes, Circa Waves, Mogwai, Shermanology, Jordan Rakei, Kadavar and The Struts, among others.
But the participation of Deftones will undoubtedly be one of the standout moments. The last time the Sacramento, California-based rock band performed in Mexico City was in 2014. In an interview with Billboard Español published in February, vocalist Chino Moreno said that they were in talks for what could be their big return to the country.
Another highly anticipated act is Queens of the Stone Age, who had to cancel its 2024 shows — including one at the Corona Capital festival — due to health issues affecting singer and guitarist Josh Homme.
“What truly sets Corona Capital apart is its musical curation: a carefully crafted selection that has made music the backbone of the festival,” Parra adds, highlighting that people come not only to see their favorite artists, but also to “discover new sounds and be surprised.”
Corona Capital will take place in the context of the centennial celebration of the beer Corona, the festival’s sponsor. Leading up to the event in November, celebrations will be held in several cities across the country under the name Corona Capital Sessions.
The presale for Banamex cardholders will take place on Friday (June 6), with the general sale beginning the following day.
In its 15 years of existence, Corona Capital has solidified itself as the most important international music festival in Mexico, and one of the few in Latin America featuring major English-speaking bands. In the past, it has hosted renowned acts such as Paul McCartney, Jack White, The Cure, Muse, Blur, Nine Inch Nails, Portishead, Interpol, Billie Eilish, Pixies and Richard Ashcroft.
“More than 500 international artists have taken the stage, performing for a curious, open-minded, and passionate crowd that has helped us build a space where inclusion, social impact, and Mexican cultural traditions are celebrated and shared with the world,” Parra says.
Check out the lineup for Corona Capital 2025 below:
As Pride Month kicks off, former Little Mix member Jade Thirlwall is saying avada kedavra to transphobia, courtesy of her latest words against J.K. Rowling. During her set at London’s Mighty Hoopla festival on Saturday (May 31), the “Angel of My Dreams” singer led her crowd in a call-and-response chant during her song “FUFN” (that’s […]
American metal band Mastodon will join influential Brooklyn indie rockers TV on the Radio and 1990s alt- rock icons Pavement to headline this year’s Levitation festival, alongside reunited sludge metal band Acid Bath, Built to Spill, the Brian Jonestown Massacre and more.
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Launched in 2008 by Austin band The Black Angels to celebrate the resurgence of psychedelic rock and the formation of the label The Reverberation Appreciation Society or RVRB, the festival is now part of a partnership with Austin promoter Resound Presents, led by Graham Williams.
This year Levitation is moving to the festival grounds at the Palmer Events Center, in addition to nightly venue programming across Austin’s Downtown Red River District. Located on the shores of Town Lake overlooking the Austin skyline, the Palmer Events Center includes a massive 75,000 square foot environment for the indoor stage and a huge canvas for the artists on stage with 360 lighting and visuals, day or night. The indoor experience is accompanied by an outdoor stage set to a backdrop of lush trees and the Austin skyline. The new venue offers amenities like an air-conditioned common space, indoor experience for the main stage, ample outdoor green space, plenty of room to stretch out and hang, and an immersive setting for the music and visual experience.
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“The idea to use Palmer Events Center goes all the way back to 2011. I was riding my bike home from the cleanup day after that year’s festival at Seaholm Power Plant—our first and last year there before the site was redeveloped into convos and office spaces,” says Levitation’s co-founders Rob Fitzpatrick. “I took a detour through the park and stopped by Palmer. I’d been there before, but never seriously considered it as a festival site. That day I peeked inside and saw the massive indoor space and canopy around it and thought, ‘Damn, this would be perfect.’
The new home means larger acts can play the weekend festival, and Levitation’s Night Shows will continue to offer intimate club experiences downtown, celebrating the independent music scene—from up-and-comers to national headliners.
“When the 2016 edition at Carson Creek Ranch was canceled due to weather, it was a huge setback—we didn’t get a full insurance payout and were left with serious debt,” Fitzpatrick says. “So it was a disaster but the silver lining of the weekend was the way that the Austin music community and venues stepped up. They moved shows, shifted schedules, let us rebook shows in their clubs and helped save the weekend for fans. That experience sparked an idea: instead of building a temporary city in a remote location without infrastructure – and exposed to the weather – at the ranch, what if we brought the whole thing into downtown—with intention? That became the blueprint from 2018 to 2024.”
With this new chapter, Ftizpatrick says the fest was “finally able to merge both models. Palmer gives us the space, infrastructure, and production capabilities to bring back a larger-scale, multi-stage experience—and thanks to its downtown location, we can still collaborate with the Red River venues that have been the heart of the festival in recent years. It’s the best of both worlds.”
Passes for Levitation 2025 are now on sale, and night show tickets can be purchased separately here.
Levitation
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OVO Fest will be back in summer 2025. Drake made the announcement while making a surprise guest appearance at Central Cee‘s concert in Toronto Saturday (May 24) at History. “I’ll see you this summer, by the way” Drake said to the crowd, while congratulating the British rapper on his success. “OVO Fest will be back […]
When Shakira announced the stadium tour dates for her Las Mujeres Ya No Lloran trek, Chicago was not part of the list, leaving fans wondering why the Windy City was left out. Soon after, it was unveiled that she’d headline Sueños Festival and on Saturday (May 24), the Colombian star closed out day one of the two-day event in Chicago’s Grant Park.
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What was originally billed as a two-hour performance starting at 8 p.m., Shakira went onstage closer to 8:30 p.m. and played a 90-minute set. The crowd — which had quickly dispersed after Peso Pluma’s set — slowly returned to find a good spot to watch Shakira and the empty spots filled up, especially when the main stage lights were turned on.
Shakira’s crowd was multigenerational, which is noteworthy given that Sueños caters to a younger, perhaps Gen Z-leaning crowd. Many women in attendance paid homage to Shakira, wearing her signature belly-dancing hip belts. And Colombians proudly waved their flags, eager to hear La Loba howl.
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“I was really looking forward to being with you tonight,” a beaming Shakira said, speaking in a mix of English and Spanish. “This is incredible. This city, wow I’m in love with this city, it’s so beautiful. Thank you for making me feel at home. There is definitely no better reunion than a she-wolf with her pack. Chicago, tonight, we are one.”
While it’s hard to replicate a stadium tour stage in a festival setting, it’s safe to say Shakira gifted Chicago fans an unforgettable night. Going from wearing a shimmery white jumpsuit and large black sunglasses to a sparkly pink dress in a blink of an eye, the “Pies Descalzos” singer, backed by a troupe of fierce dancers, kicked off with bangers, including “Girl Like Me,” “Las de la Intuición,” “Estoy Aquí,” “Inevitable,” “Te Felicito,” “TQG” and “Don’t Bother.”
“These last few years have not been easy for me, nobody is saved from falls. But if I have learned anything, it’s that the fall is not the end but the beginning of a higher flight. We, women, get up a little stronger, a little more wiser, every time we fall,” Shakira said, a nod to the empowering theme of her Las Mujeres Ya No Lloran era, inspired by the healing that comes from a heartbreak.
During her 90-minute set, Shakira’s hypnotizing dance moves and choreography were on full display, including her unmatched belly-dancing in “Ojos Asi” and the champeta and calypso footwork during “Waka Waka.” But a fan favorite moment was when Shakira revisited her rockera roots, singing “Pies Descalzos, Sueños Blancos” and “Antología.”
Of course, she closed with the global hit “Bzrp Music Sessions, Vol. 53,” which had all the women in attendance singing at the top of their lungs, ending an epic reunion between a she-wolf and her pack.
Sueños continues on Sunday (May 25) with Grupo Frontera and Don Omar as headliners. Meanwhile, Shakira’s Las Mujeres Ya No Lloran is set to visit Boston, Atlanta, Miami and Los Angeles next.
Sueños fans waited one year for Peso Pluma to headline the Latin music festival in Chicago’s Grant Park after his set was canceled by festival organizers last year over thunderstorms.
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“It’s good to be in Chicago,” Peso told attendees at the top of his one-hour-and-15-minute set on Saturday (May 24). “Remember last time we got rained out? Well, no rain can stop me this time.”
The significant crowd that gathered to see him perform at the event’s main stage roared, crowding the stage area to be closer to Peso.
Although the air was crisp and unseasonably cold temperatures had festival-goers rethinking their summery wardrobe choices, it did not rain. This time, mother nature was on Peso’s side. And so he went on to sing his biggest hits, including “AMG,” “Rubicón,” “Nueva Vida,” “La Patrulla,” “Rompe La Dompe” and “Lady Gaga,” to name a few on his Sueños setlist.
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Dressed casually in jeans, a black T-shirt with a black puffer jacket over it and a black and white Chicago White Sox baseball cap (which he later traded for a beige one), Peso was accompanied by his band composed of nearly 10 musicians — giving life to signature sound powered by instruments like charchetas, trombones and trumpets and following Peso’s lead.
“They are my family,” Peso gushed about his band. “Over the past three years, we’ve grown this project together.”
A handful of artists joined him onstage as special guests, including Oscar Maydon and El Alfa — both who had performed earlier in the day — and labelmates Tito Double P and Jasiel Nuñez. Throughout his show, Peso expressed his Mexican pride and wrapped a Mexican flag at the end of his set saying, “Viva la cultura mexicana!”
And, although he didn’t address head on the bans on narcocorridos in Mexico and the U.S., and how they’ve impacted a few of his fellow regional Mexican hitmakers, Peso made note during his set that he’s focusing on romantic corridos.
According to Sueños’ website, as of Saturday, about 95% of the passes to the event were sold, although actual daily attendance figures were not made readily available by festival organizers. Now in its fourth edition, day one of Sueños featured other acts like NSQK, El Malilla, Dei V, Oscar Maydon, El Alfa and Arcángel. Shakira closed out Saturday with a 90-minute set.
Don Omar and Grupo Frontera will headline day two of Sueños on Sunday (May 25).