Executive Turntable
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Hugh Forrest is out at South By Southwest, four months after assuming leadership of the music, tech and film conference, following a decision by the SXSW board to select Penske Media Corporation executive Jenny Connelly to lead the festival, Billboard has learned.
Connelly, a longtime executive vp of product and technology at PMC and a SXSW board member, has been appointed director in charge of the annual event in Austin. Consequently, Forrest was offered the opportunity to retain his titles as president and chief programming officer, reporting to Connelly in her new role, according to PMC. “When Hugh was told he wasn’t going to get the CEO role at SXSW, and would be reporting to her, Hugh made the decision to leave SXSW,” said the spokesperson for PMC, which has had control of SXSW for two years and is also Billboard‘s parent company.
Since joining PMC in late 2017, Connelly has overseen multiple teams responsible for engineering, data, IT, product and SEO, and also leads the subscriptions and email teams. Pre-PMC, Connelly was senior vp of product at Dreamworks NOVA, tasked with bringing that company’s 3D imaging technology to other industries. Earlier, she spent seven-plus years at Live Nation Entertainment, rising to senior vp of digital at Live Nation Studios.
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Connelly is based in Los Angeles but has begun traveling to Austin on a weekly basis, the company said.
“I’m happy to announce that after 3+ years on the SXSW board of directors, I’m now working as Director in Charge of SXSW,” she said in a social post on Tuesday (April 29), adding she’s “working with a killer group of dedicated, creative & skilled people who throw the world’s most influential festival. We are dreaming up the evolution of this event, so that SXSW never stops helping creative people achieve their goals.”
Several other key moves were announced Friday (April 25) during a company town hall as part of ongoing succession planning at the festival, the PMC rep said, along with additional promotions for festival veterans Peter Lewis, Greg Rosenbaum and Brian Hobbs. The organization said it has several open jobs to fill at SXSW.
Forrest declined to comment on last week’s chain of events when reached by Billboard but remarked in a statement over the weekend that “leaving South by Southwest was definitely not my decision,” adding, “I put my heart and soul into this event for more than 35 years, and I was looking forward to leading several more editions.”
Hugh Forrest speaks onstage during the 2023 SXSW Conference at Austin Convention Center on March 10, 2023.
Diego Donamaria/Getty Images
Forrest joined SXSW in 1989, when it was in its nascent stage, and spent the bulk of his tenure as chief programming officer. In 2022, he was promoted to co-president alongside then-chief brand officer Jann Baskett, succeeding the retiring CEO Roland Swenson. Forrest became the sole president late last year following Baskett’s departure to start her own consultancy.
As president, Forrest had been tasked with driving business growth and collaborating closely with the event’s board of directors, which includes co-founder Swenson, Jay Penske (CEO of Penske Media and SXSW’s largest shareholder) and Amy Webb (CEO of the Future Today Institute), among others.
The company told Billboard that the 2025 edition achieved the highest sponsorship revenue in the event’s history, while the SXSW EDU conference had its best turnout since its 2011 founding.
The Austin Chronicle hinted at a wider staffing shakeup at SXSW, reporting on Saturday (April 26) that “another 10 or more staff members … have left the company, either through previously planned departures or unexpectedly.” One departure, James Minor, the vp and head of music at the conference, was one of those planned exits. Minor told the Austin American-Statesman on Sunday he “already had plans to leave SXSW in motion for the fall.”
Founded in 1987 by Swenson, Nick Barbaro, Louis Black and Louis Jay Meyers, SXSW has grown into a globally influential event in Austin, which also now includes satellite events like the two-year-old SXSW Sydney and the upcoming debut of SXSW London, which launches in June. Swenson, who led SXSW for 36 years, transitioned to executive chairman in 2022.
The leadership change follows a recent announcement that next year’s conference will be on the shorter side, running from March 12-18, with interactive, film/TV and music programs happening concurrently. The reduction in days — and by extension, the number of showcasing music artists and shows — is due to the $1.6 billion redevelopment of the Austin Convention Center, which is underway. The new center, expected to open in 2029, will nearly double its size and focus on accessibility and sustainability. “A shorter SX gives attendees more of a chance to be here for the entire run,” a spokesperson told Billboard at the time.
Note: Billboard’s parent company PMC is the largest shareholder of SXSW and its brands are official media partners of SXSW.
Mike Van has been elevated to the role of CEO of Billboard — the first time anyone has held the role.
In this position, Van will oversee Billboard’s global brand footprint in 15 countries, along with all aspects of strategy, revenue, business operations, live experiences, international licensing and brand partnerships. Van will oversee both the business and editorial teams, with Billboard editor-in-chief Hannah Karp now reporting to him directly.
Van has served as the president of Billboard since 2022, driving double-digit revenue growth and expanding the brand’s global presence. Van has also driven Billboard‘s digital transformation and continued to develop cutting-edge live experiences, including Latin Music Week, the Billboard Latin Music Awards, THE STAGE at SXSW, the Billboard Music Awards and Billboard Women in Music.
Van will report to Jay Penske, chairman and CEO, Penske Media Corporation.
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“Mike is a one-of-a-kind leader, visionary and partner,” Penske said. “His passion for the Billboard brand and clear vision for its future has always set him apart. Mike has fostered a collaborative environment with a team committed to building a formidable global business – innovating and trailblazing at every level. It has been inspiring to watch Billboard’s seismic growth over the last several years and I look forward to seeing the brand continue to thrive under Mike’s leadership.”
“It is the honor of a lifetime to lead Billboard and the team,” Van said. “Together, we have cultivated a culture of excellence. What we’ve built over the last several years has been nothing short of extraordinary, particularly in a media landscape marked by contraction and consolidation. I am deeply proud to carry this legacy forward as we shape the next 125 years by continuing to celebrate artist and executive achievements through our charts, content, global IP expansion and evolving our signature live experiences, cementing our position as the definitive voice of music business and culture.”
Van’s career has spanned media, entertainment and business transformation. He has held leadership positions at Billboard for the last seven years before serving as president. In addition to his time with Billboard, Van brings more than 25 years of marketing and monetization experience, including leadership roles at Pandora, Electronic Arts and Complex.
It’s time to tighten our belts for another Executive Turntable, Billboard’s weekly compendium of promotions, hirings, exits and firings — and all things in between — across the music business. There’s been a gob of staffing news this week, so let’s hop to it.
Dawn Gates, senior vp of digital business and creative development at Universal Music Group Nashville (UMGN), announced her departure after nearly 20 years to launch Seven Note Enterprises, a consulting and management firm. Her exit coincides with UMGN’s rebranding as MCA under new leadership by CEO Mike Harris and chief creative officer Dave Cobb, who came aboard in early February following the departure of Cindy Mabe. During her tenure with UMG Nashville, Gates most recently served as the core liaison for global digital businesses, integration strategies and marketing initiatives. Gates initiated the launch of and oversaw Sing Me Back Home Productions, a production arm of UMG Nashville, established in 2024. Gates, who recently welcomed twins with her wife, Harper Grae, expressed gratitude for her time at UMGN and excitement for her new venture.
“After 19 transformative years with Universal Music Group, I’m stepping away to write the next chapters of my career,” said Gates, who can be reached at dawn@seven-note.com. “I’m deeply grateful to UMG – especially Mike Dungan and Cindy Mabe – for the belief in my vision and the support in taking bold, often unconventional, risks. I’ve had the privilege of working alongside some of the most innovative and driven minds in music. However, the industry continues to shift and the way we develop artists, build stories, and connect with audiences is changing – and so am I.”
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Meanwhile…
Universal Music UK appointed Rachel Tregenza and Charlotte Allan to lead its communications and policy team, reporting to svp of communications and policy Tom Williams. Tregenza, a Universal Music Group veteran of over a decade, steps into the role of senior director of communications and global artist strategy. She will focus on international storytelling for UMUK artists and collaborate with the audience and media division. Allan joins as vp of global communications and public policy from Milltown Partners, where she advised clients across creative and tech sectors. Her responsibilities will include corporate communications and UK policy initiatives. Williams, who has led global communications campaigns for UMG, will now oversee all communications and public policy efforts for Universal Music UK. Jonathan Badyal, who has spent eight years at UMUK, most recently as director of communications, will depart this summer for a new opportunity. UMUK president Dickon Stainer praised Tregenza and Allan for bringing a dynamic perspective and thanked Badyal for his contributions. “With Tom’s guidance, they have a fresh and ambitious perspective both for our communications and storytelling in the UK, as well as the international storylines of our UK artists overseas,” said Stainer.
iHeartMedia appointed David Hillman as executive vice president, chief legal officer and secretary. Hillman, who is based in Los Angeles, will oversee all legal matters, including compliance, regulatory, corporate governance, government and business affairs, and privacy teams. He brings extensive media experience, having recently served as chief legal officer at Venu Sports, a joint venture between ESPN, FOX, and Warner Bros. Discovery. Hillman also held roles at Paramount Global, Simon & Schuster and Westwood One. Bob Pittman, iHeartMedia’s chairman and CEO, praised Hillman’s relevant experience and “familiarity with the audio industry.” Hillman added: “I look forward to working with iHeart’s leadership, partners, and the talented Legal team to help advance the company across every corner of the audio landscape.”
Virgin Music Group promoted Hannah Thompson-Waitt to senior vice president of commercial strategy. In her new role, she’ll lead the U.S. commercial team from the company’s Los Angeles headquarters, focusing on streaming strategy, analysis and fan acquisition across a wide swath of artists. Thompson-Waitt, who reports to Zack Gershen, evp of global commercial and digital strategy, previously served as vp of commercial strategy and held senior roles at mtheory, with a career that began in 2014 when she launched her own K-pop media company. Her experience includes work with Clairo, St. Vincent and others. She also sits on the advisory board of Queer Capita and holds degrees from the University of Texas and NYU.
Michael Beckerman has been named the next dean of The UCLA Herb Alpert School of Music, beginning no later than Oct. 1 of this year. A leading musicologist known for his work in Czech and Eastern European music, Beckerman has held academic positions at NYU, UC Santa Barbara and Washington University in St. Louis, and has authored seven books and received prestigious honors such as the Dvořák and Janáček Medals. Beckerman holds degrees from Hofstra and Columbia, and serves on various academic boards. UCLA executive vice chancellor and provost Darnell Hunt lauded Beckerman’s credentials, saying his “academic, professional and administrative experience and achievements, coupled with his UC roots, position him well to lead The UCLA Herb Alpert School of Music at this pivotal moment.” Beckerman, in turn, emphasized his passion for music and dedication to supporting students and expanding the school’s reach locally and internationally. The UCLA Herb Alpert School of Music combines performance, scholarship and music industry training in its program.
Messina Touring Group made a round of promotions. The company has elevated Nick Ayoub to head of digital strategy and operations, to lead MTG’s overall digital operations. Ayoub also leads digital strategy for record-breaking stadium tours, including those by Taylor Swift, Ed Sheeran and more. Kara Smoak rises to director of digital marketing and continuing to lead digital marketing and creative strategy for all MTG country artists, including George Strait, Kenny Chesney, Eric Church, Blake Shelton and more. Meesha Kosciolek has been promoted to director of production, MTG Nashville, while Alvin Abshire has risen to digital operations manager. Lucy Freeman has been promoted to digital marketing manager, and Madison Machen has been elevated to manager, partnerships and branding. –Jessica Nicholson
Black River Entertainment named LeAnn Bennett as vice president of label services. In her new role, Bennett will oversee business affairs, A&R administration and sync licensing, reporting to EVP Rick Froio. A longtime consultant for Black River, she officially joins the team with over 30 years of industry experience, including past roles at Capitol Records Nashville, Compass Records and the Country Music Hall of Fame. Since 2010, she has also led Bennett Entertainment Group. Froio praised the move, calling it “a natural fit,” while Bennett called the BRE “the best in the business.”
NASHVILLE NOTES: Curb Records elevated Allyson Gelnett (Massey) to national director of promotion & strategic initiatives, up from her previous role as director of promotion. Since joining the label in 2018, Gelnett has played a key role in developing artist campaigns and driving success across country radio. In her expanded role, she’ll work alongside svp of promotion RJ Meacham to craft and implement strategies aimed at growing fanbases and boosting airplay in top markets … Warner Music Nashville promoted two members of its commercial partnerships team: Katherine Firsching shifted to partnerships director from manager of video strategy, and Blair Poirier stepped up to division manager from coordinator.
Darkroom Records named Nina Lee as head of communications and publicity. Based in New York, Lee will lead the label’s communication strategies and publicity campaigns, collaborating closely with CEO Justin Lubliner and the Darkroom team. With over ten years of experience in music, tech and entertainment PR, Lee will manage publicity for artists including d4vd, John Summit, and Wisp. Meanwhile, Alexandra Baker of High Rise PR continues to oversee campaigns for Billie Eilish and FINNEAS. Previously, Lee held senior roles at Shore Fire Media and The Oriel Company. A first-gen Korean American and NYU alum, she is a strong advocate for equity in entertainment and mentors through the Next Gem Femme program. Lubliner praised Lee’s creative approach and deep understanding of artist development, noting “she understands the importance of narrative and works closely with artists to help them best tell their stories.”
Ikenna Nwagboso and Camillo Doregos launched Hi-Way 89 Entertainment, a new music company based between Toronto and Calgary, with distribution through Vydia/gamma. The company focuses on artist development and label services, highlighting talent from Canada and Africa. Their first major signing is Canadian pop/R&B singer Chrissy Spratt, whose debut single “In Too Deep” releases on April 25. Nwagboso, co-founder of emPawa Africa, has launched careers for artists like Joeboy and Fave. Doregos, founder of DC Talent Agency, has worked with artists like Pheelz and booked talent for major festivals. Both hail from Nigeria, and Hi-Way 89 has also signed Nigerian artist Siraheem and South African DJ Chelsea Sloan, aiming to bridge African and Canadian music markets.
BOARD SHORTS: The MLC put out an APB seeking candidates for its board of directors and several key committees. Several terms for publisher reps are expiring this year, with elections for open seats taking place soon. Selected members will serve three-year terms, with the possibility of renewal. Current openings include one publisher seat on the Dispute Resolution Committee, two on the Operations Advisory Committee, and two on the Unclaimed Royalties Oversight Committee. These groups provide policy and procedural recommendations to the board. Suggestions are due by May 22 and can be submitted via this form … AEG Presents executive Brent Fedrizzi was elected to his second non-consecutive term as board president of the North American Concert Promoters Association, following the trade group’s annual meeting April 15 at the Beverly Wilshire in Los Angeles. (His initial term ended in 2022, with Jodi Goodman succeeding him.) NACPA also elected 2025 board members, including Anthony Nicolaidis (Live Nation), Chuck Steedman (The Live Co.), Jodi Goodman (Live Nation) and John Valentino (AEG).
Shelby Paul launched boutique public relations firm Evolvance PR, specializing in strategic communications, media relations, story development and more. Paul previously worked as director of communications at Big Machine Label Group, leading media strategy for the label and its publishing arm Big Machine Music. At BMLG, she worked with artists including Carly Pearce, Conner Smith, Thomas Rhett, Lady A, Rascal Flatts, songwriters Jessie Jo Dillon and Laura Veltz, and more. Paul’s prior stops include the Academy of Country Music, Detroit Pistons and Allied Global Marketing. –J.N.
Trent Allison has been promoted to senior director of sales and special events for AEG Presents‘ venues in Georgia and Tennessee. Based in Nashville, he will oversee certain events at The Pinnacle, AEG’s new flagship venue, while continuing his leadership at The Eastern, Terminal West, Variety Playhouse and Georgia Theater. Reporting to regional vp Mike DuCharme, Allison brings over 25 years of sales experience and a strong track record in revenue growth. Margarita Rios will become director of sales in Georgia, and Dell Ressl will be promoted to sales and operations manager, both reporting to Allison. Allison has been key to AEG’s venue expansion in Georgia since 2013.
Discord appointed Humam Sakhnini as chief executive officer, effective April 28. He will also join the board of directors. Co-founder Jason Citron will transition to an advisor role while remaining on the board, and Stanislav Vishnevskiy continues as chief technology officer. Sakhnini, with over 15 years of gaming industry experience, previously held leadership roles at Activision Blizzard and King Digital Entertainment. His appointment aligns with Discord’s renewed focus on gaming, including expansions into advertising, micro-transactions, and developer tools. Discord serves over 200 million monthly active users, who spend 2 billion hours gaming each month, and has seen strong revenue growth.
ALL IN THE FAMILY: Tim Chan is promoted to vp of e-commerce at PMC. In his new role, he will lead editorial strategy and performance across PMC’s e-commerce initiatives, collaborating with editorial, sales, and revenue teams to meet commerce goals. Chan will oversee shopping, hospitality and consumer tech content for PMC’s fashion and entertainment brands, including Billboard, and spearhead projects to grow revenue and audience reach. Chan joined PMC in 2016 as the founding editor of Spy.com and later became lifestyle editor at Rolling Stone. He has also worked at Snapchat, founded the independent fashion magazine Corduroy, and began his career in Canada as a producer for E! Network and MuchMusic. Craig Perreault, PMC’s chief strategy officer, praised Chan’s talent and creativity since joining the company nearly a decade ago: “He brings his deep talent, creativity and natural business instincts to everything he does and is responsible for significantly growing our e-commerce programs across the portfolio.”
ICYMI:
Nicole George-Middleton
Universal Music Group Nashville is rebranding as MCA under CEO Mike Harris and chief creative officer Dave Cobb. Staffing changes include Katie McCartney as executive vp and general manager and Tom LaScola as head of artist and audience strategy, reflecting the new direction … Atlantic veteran Gina Tucci launched a new independent dance label, 146 Records … Nicole George-Middleton was elevated to evp and head of creative membership at ASCAP. [Keep Reading]
Last Week’s Turntable: Island Elevates Its Head of Analytics

Veteran record label executive Gina Tucci has launched a new independent dance label, 146 Records. Today’s launch happens in conjunction with the label’s first release, “Sunrise,” by rising Swedish producer Discrete.
146 Records is based in New York City and currently has a team of four. Distribution is being handled by Virgin Music Group, where, Tucci says, “we benefit from their extensive industry expertise, global reach and robust distribution capabilities to effectively launch and scale our artists’ music.”
“For years, I’ve envisioned an electronic dance music label that nurtures artists with a song-first approach, prioritizing the music above all else,” she continues. “At 146, we provide artists the necessary time, resources and attention to produce their best work. My goal is to discover and develop the next generation of dance music talent, crafting the kind of hits that become classics, hits that resonate decades from now. I want 146 to feel like a creative home — a place artists can experiment, collaborate closely with me and our team, and leverage cutting-edge technology. The goal is to build enduring music catalogs that sustain lifelong careers.”
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Prior to founding 146, Tucci was the longtime head of Atlantic Records’ dance imprint Big Beat Records, the label founded by Atlantic Records CEO Craig Kallman in 1986. Here, Tucci helped lead the label’s 2010 relaunch and over the next 14 years broke acts including Skrillex, Clean Bandit, Icona Pop and Joel Corry, bringing dance music to new levels of visibility in tandem with the genre’s early 2010’s explosion in America. In the role she also led A&R creative for Galantis, Martin Solveig, Cash Cash, The Knocks, 100 gecs, Tiësto and more. Tucci has appeared on myriad Billboard Dance Power lists through the years.
“I bring to 146 the rigorous standards and global perspective I developed running Big Beat at Atlantic Records under Craig Kallman for over a decade,” Tucci says. “At Big Beat, I learned firsthand the intricacies of successfully launching and breaking dance records globally, recognizing that each rollout requires a uniquely tailored strategy. Dance music has always thrived on global connectivity, and I’m adept at leveraging data-driven insights to map out precise, effective release strategies that connect deeply with audiences worldwide.”
Today’s release from Discrete begins a weekly release schedule where, says Tucci, “we’re diving headfirst into exploring the new sound designs and grooves, but the art of great melodies will always remain paramount.” Discrete’s upcoming tour dates include May shows at Elsewhere in New York City and EDC Las Vegas.
“A lot of today’s tracks flash moments of brilliance but don’t fully ignite,” Tucci continues. “At 146, we’re closing that gap. We’re committed to sweating every detail, inspiring our artists to leave no creative stone unturned. It’s about elevating dance music from disposable moments into timeless anthems.”
Nicole George-Middleton has been promoted to executive vice president and head of creative membership at ASCAP, the organization announced Wednesday (April 23). In her elevated role, George-Middleton will oversee songwriter, lyricist, and composer relations, reporting directly to ASCAP CEO Elizabeth Matthews and joining the organization’s senior leadership team. She will also continue to serve as […]

It’s time to drop the needle on another Executive Turntable, Billboard’s weekly compendium of promotions, hirings, exits and firings — and all things in between — across the music business. There’s been a fair share of news this week, so let’s get cracking.
Sony Music Entertainment named Kevin Foo as managing director for Southeast Asia, overseeing operations in the Philippines, Indonesia and Thailand, effective immediately. Based in Singapore, Foo will lead efforts to expand SME’s presence in these rapidly growing music markets, focusing on artist development and audience engagement. He will report to Shridhar Subramaniam, president of Asia and Middle East, and manage a squad including general managers and a vp of international marketing for Southeast Asia. Foo brings a strong track record, having previously served as MD of RCA Records Greater China and GM of SME Taiwan. During the Covid-19 pandemic, he led a cross-border collaboration supporting Taiwanese artist Eric Chou’s charity initiative. Prior to joining the Sony family in 2022, Foo co-founded Umami Records, ran Beep Studios, managed artists through Foundation Music, and did some consulting for UMG. His appointment signals SME’s commitment to growth of local genres like P-pop and T-pop. “Kevin has a unique ability to connect artists, markets, and audiences in ways that drive both commercial and cultural impact,” said Subramaniam. “His deep understanding of the region, coupled with his passion for artist development, makes him an ideal leader to shape the next phase of our Southeast Asia strategy.”
Island Records elevated Matt Palazzolo from vp to senior vp and head of analytics at the UMG imprint. Based in New York, he’ll report directly to co-chairmen and CEOs Imran Majid and Justin Eshak. In his new role, Palazzolo will continue to enhance the label’s data capabilities and provide action-oriented insights to the organization, management partners and artists. Since joining Island in 2022 after a lengthy stint at Sony Music Publishing, Palazzolo and his team have excelled in using insights to support artist development. Eshak praised Palazzolo as “key to our culture of learning” at the label, adding, “he also has a real understanding of music and culture that’s indispensable to the delicate process of combining art and analytics.” Majid emphasized Palazzolo’s skill in integrating analytics into the label’s “DNA… He has an incredible ability to attune to what each department is doing and add value by way of his intensive and comprehensive research.”
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Big Machine Label Group hired Chris Koon as executive vice president of finance. Koon will report directly to BMLG president Andrew Kautz and HYBE America CFO Eric Holden. Koon has over three decades of financial experience across recorded music, distribution and publishing operations, holding financial leadership positions at Universal Music Group/Capitol CMG, managing business acquisitions and integrations. –Jessica Nicholson
Marc Eckō
Complex founder Marc Eckō is returning as chief creative and innovation officer, overseeing creative strategy and integrating technologies like artificial intelligence to boost audience engagement. Eckō founded Complex magazine in 2002, transforming how youth culture and streetwear are covered in media. Before Complex, he pioneered Eckō UNLTD., blending music and design. Complex, acquired by NTWRK in 2024 with strategic investment from UMG, Jimmy Iovine, Goldman Sachs and Main Street advisors, has expanded into e-commerce, revived its print magazine, and globally expanded ComplexCon. Additionally, Ray Elias joined as chief marketing officer, leading brand, growth and communications. Elias, with over 25 years of experience, has held pivotal roles at high-growth startups and market-leading brands, including CMO at HotelTonight and StubHub, driving significant business growth and industry disruption.
Smith Entertainment Law Group (SELG), known for its expertise in production counsel for awards shows, series, films, documentaries, and live events, named Lynn Elliot, Esq. as senior counsel. Based in NYC, Elliot brings extensive experience in film, television, music, live events, and new media, having worked on projects like Precious, Alive Inside, and The Rachel Zoe Project. Her clients include producers, writers, directors, musicians, and event promoters. Previously, she served as Associate General Counsel at Dayglo Presents, handling legal matters for ventures like Brooklyn Bowl and Relix Magazine. At SELG, Elliot will lead deal structuring, risk assessment, employment transactions, and business operations support. With a background in film, TV writing, and clinical psychology, she offers a unique blend of creative and legal insight. Kerry Smith, founder and managing partner of SELG, praised Elliot’s breadth of experience and noted “her passion for supporting creative visionaries will further elevate the comprehensive services we offer to our clients.”
Warner Music Nashville promoted Katherine Firsching to director of commercial partnerships and Blair Poirier to manager of commercial partnerships. Both will report to Kristen Williams, svp of radio and commercial partnerships. Firsching, who joined WMG in 2020 as an interactive marketing coordinator, later became manager of video strategy. Poirier joined WMG in 2022 as commercial partnerships coordinator after working at Pierce Public Relations. Williams praised Firsching’s ability to build relationships with partners and artists, highlighting her “driving spirit to learn and win,” while commending Poirier’s skills in DSP account management and her ability to manage workloads “while also building fantastic relationships with our premiere DSP accounts.” They can be reached at katherine.firsching@wmg.com and/or blair.poirier@wmg.com.
Berklee appointed Edward J. Lewis III as senior vp of institutional advancement, effective May 15, a role in which he’ll work with Berklee’s top leadership to drive global fundraising and engagement initiatives. Lewis brings over 20 years of experience in higher education and the performing arts, with expertise in fundraising and strategic planning. Previously, Lewis was president and CEO of the Caramoor Center for music and the arts, where he launched its first major gifts program and advanced diversity and inclusion efforts. As vice chancellor for advancement at the University of North Carolina School of the Arts, he led a $75 million fundraising campaign and doubled the school’s endowment. A professional violist, Lewis also held development roles at the University of Maryland. “[Lewis’] extensive leadership and fundraising expertise, coupled with his community-focused approach, will help us realize our ambitious institutional advancement priorities across our campuses,” said president Jim Lucchese.
5B Artist Management announced internal promotions and the launch of its new creative and marketing agency, Pink Motel. Brad Fuhrman has been promoted to senior vp, managing artists like Lamb of God, BABYMETAL and Stone Sour. Lindsey Medina joins as senior manager of business development, bringing experience from Danny Wimmer Presents and Live Nation. In the UK, Adam Foster has been promoted to general manager, working with acts such as Behemoth and Slaughter to Prevail. Pink Motel, led by Stephen Reeder and Audrey Flynn, will focus on music marketing, brand campaigns and digital strategy. The agency already partners with top clients including Sony, BMG and Live Nation, while Reeder and Flynn continue their roles at 5B.
Jay Ahmed has been promoted to head of promotions at London-based promo agency Your Army, where he’ll lead the DJ, UK Radio, international radio and third party playlist departments. Having joined the company seven years ago as a national radio plugger, Ahmed has played a key role in successful campaigns for artists like BICEP, Barry Can’t Swim, Sub Focus, A Little Sound, salute, LF SYSTEM and KILIMANJARO. In his new position, he will oversee all promotional operations, develop global strategies and strengthen ties with media, artist management and label partners. Ahmed expressed gratitude for the opportunity and praised the Your Army team and artist roster, stating his excitement for what lies ahead in his expanded role.
ICYMI:
Armin Zerza
EMPIRE Publishing appointed producer !llmind as senior vp of A&R. Additionally, Al “Butter” McLean was elevated to executive vp of global creative, continuing to co-lead EP with Vinny Kumar … Opry Entertainment Group named Tim Jorgensen as vp of operations for its Austin team, overseeing ACL Live, 3TEN and W Austin … Warner Music Group hired Armin Zerza as evp and chief financial officer, effective May 5, bringing extensive leadership experience from his previous role as CFO of Activision Blizzard. [Keep Reading]
Last Week’s Turntable: Orchard Veteran Breaks Out on His Own
EMPIRE Publishing has hired !llmind as a senior vp of A&R. As part of his duties, the tech entrepreneur and Grammy-winning producer, who has worked with Drake, The Carters, Eminem, Ye, Nicki Minaj, Nathy Peluso, Romeo Santo and more, will screen songs and provide feedback, based on his production expertise. !llmind will also act as a bridge between EMPIRE’s publishing and label arms.
Along with !llmind’s appointment, the independent music giant is also promoting Al “Butter” McLean to executive vp of global creative, where he will keep co-leading EMPIRE Publishing with senior vp of global head of business Vinny Kumar. Over McLean’s 30-year career as an artist, producer, street promoter, manager and A&R, he’s inked deals for names like Yung Bleu, Childish Gambino, Alicia Keys, Daddy Yankee, Lecrae, Mint Condition, KEM and Kirk Franklin. As part of his elevation, McLean will now be responsible for overseeing all global deals and signings. He will also provide internal leadership to ensure EMPIRE Publishing continues to grow.
“I’ve worked with !llmind for years and have seen firsthand how his passion, taste, and commitment to excellence inspire everyone around him,” says Kumar. “He’s a true visionary—constantly evolving, embracing new technology, and defining the future of music and culture. We’re beyond excited to officially welcome him to the EMPIRE Publishing family.”
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“I was fortunate to have signed the amazing !llMind to a publishing venture years ago – so now this is full circle not only re-signing him as a writer, producer, and publisher, but to work alongside him as a colleague,” says McLean. “He is a legend and what he brings to our entire EMPIRE Publishing and Creative team is immeasurable”.
Adds !llmind: “My entire career I’ve always felt like an outsider because I like to dive head first into innovation, solving things in unique ways and pushing the sound of music forward. I can’t wait to contribute to this movement and learn more in the years ahead!”
Opry Entertainment Group (OEG) has named Tim Jorgensen as vp of operations on its Austin team. In the new role, Jorgensen will lead OEG’s Block 21 businesses in the city, including ACL Live, 3TEN and W Austin. In addition to leading strategic direction for the Block 21 complex, he will oversee day-to-day operations at ACL […]
Warner Music Group announced on Monday (April 14) that Armin Zerza will join the company as executive vice president and chief financial officer, effective May 5, reporting to CEO Robert Kyncl. Zerza, who previously served as CFO of Activision Blizzard, brings extensive global financial, commercial and operational leadership experience.
Bryan Castellani, the current executive vp and CFO, will serve until May 5 and then act as an advisor to ensure a smooth transition.
Armin Zerza
Zerza has three decades of experience across the entertainment, technology and consumer goods sectors. At Activision Blizzard, the game publisher behind Call of Duty and Tony Hawk’s Pro Skater, he held roles as CFO and chief commercial officer, playing a pivotal role in the company’s acquisition by Microsoft. Before joining Activision Blizzard in August 2015, Zerza spent over 20 years at Procter & Gamble, serving in various senior leadership roles across North America, Europe and Latin America. He managed multibillion-dollar businesses such as P&G’s European Baby Care and Latin America divisions and was part of the global M&A team.
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CEO Robert Kyncl praised Zerza’s 30 years of global experience and his track record of delivering results through innovation and financial discipline, adding, “He’ll help us evolve our long-term strategy and build WMG for the lasting benefit of our artists, songwriters, investors, employees, and partners.”
“I am thrilled to join WMG, a dynamic and innovative leader in the music industry,” said Zerza. “I believe the business has tremendous potential and look forward to working closely with Robert and the talented team at WMG to help deliver its ambitious vision for innovation, growth, and long-term value creation.”
Castellani joined WMG in August 2023 after nearly 30 years at The Walt Disney Company, rising to CFO for Disney Entertainment & ESPN. Prior to that, he held such roles as evp of finance for Disney Media, where he oversaw its distribution, ad sales and networks businesses, and previously he was evp and CFO of ESPN proper. Castellani succeeded longtime CFO Eric Levin.
“It’s been a rewarding experience to contribute to the ongoing evolution of this great company,” he said. “There’s so much we achieved at a pivotal time for the industry. I thank Robert, the Board of Directors, and everyone at WMG, especially the global finance team.”
Are we having fun yet? It’s time to rally for another spin ’round the Executive Turntable, Billboard’s weekly compendium of promotions, hirings, exits and firings — and all things in between — across the music business. There’s been a whole mess of news this week, so let’s get to it.
Madison Square Garden Entertainment appointed David Collins as executive vice president and chief financial officer, effective April 14. Collins will oversee all financial functions at MSG Entertainment, including financial planning and analysis, controllership, treasury, investor relations, tax and procurement, reporting directly to executive chairman and CEO James L. Dolan. MSG Entertainment’s portfolio includes Madison Square Garden, Radio City Music Hall and the Beacon Theatre in NYC, and the Chicago Theatre in take-a-guess. With over 30 years of experience, Collins brings expertise across live entertainment, sports, energy, transportation and restaurant industries. He previously served as CFO and EVP at Harris Blitzer Sports and Entertainment, managing finance, accounting, analytics, and ticket operations for the Prudential Center, Philadelphia 76ers, and New Jersey Devils. Collins also held c-suite roles at Base Entertainment and began his career as a CPA at Ernst & Young. Dolan expressed confidence in Collins’s broad financial experience, particularly in live entertainment and sports, as MSG Entertainment advances key initiatives and long-term goals.
Danny Buch, a promo veteran with decades under his belt who helped break artists from Stone Temple Pilots to Brandi Carlile plus a fair share of “hair” (bands), announced he has departed Sony Music after a 20-year run at two of the label’s indie distribution arms and is launching his own shop, Danny Buch Promotion. Until recently, Buch was senior vp of promotion at Sony’s The Orchard, where he worked artists like BTS, Kelsea Ballerini, Walk off the Earth, Jack White and Bad Bunny at radio. Pre-Orchard, he helped pioneer independent artist promotion by launching RED Distribution’s promo arm in 2005 and stayed there until Sony merged RED into Orchard, starting in 2017. (The RED name was retired later.) During his RED days, Buch helped break Phoenix, Ingrid Michaelson, Alabama Shakes and more indie darlings. But before he saw RED, Buch clocked 25 years at Warner, where he played an integral role in Atlantic Records’ promotion department between 1980 and 2004. Co-heading promo for much of his tenure, Buch lead efforts on behalf of Atlantic giants like AC/DC, INXS, Rush, Genesis, Led Zeppelin, CSNY, Hootie & the Blowfish, STP and more. In the mid-to-late 1980s he broke a chunk of hair/glam metal hits of the day, given Atlantic was home to RATT, Skid Row, White Lion, Winger, Twisted Sister and more. On his next chapter, Buch said: “In launching my new venture, I recognize the opportunity to tap into my years of relationships, in helping both artists & labels. I’m excited about the incredible prospects that lie ahead.” Contact: dbuchmail@gmail.com
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Sarah Gabrielli has been promoted to head of A&R at Sony Music Publishing UK, where she will lead the UK A&R team, strengthen creative strategies, and create new opportunities for songwriters. Based in London, she continues to report to president and co-managing director David Ventura. Over her eight years at SMP, Gabrielli has signed and worked with artists including Artemas, Beabadoobee, Cian Ducrot, Jordan Rakei, Arlo Parks and Two Inch Punch, and her most recent wins include Charli XCX’s 2024 album BRAT. Ventura praised Gabrielli’s passion, leadership, and deep commitment to artist development, calling her promotion a natural next step. Co-managing director Tim Major echoed the sentiment, saying “she is someone who leads with heart, empathy, passion and dedication.”
Michelle Bower joined The Neal Agency as president of strategic partnerships. Bower most recently served as associate sr. vp at LaForce, leading campaigns for companies/brands including Madewell, YSL Beauty, Motorola and Tinder. Bower previously held roles at Jonesworks, Dittoe Public Relations and Fleishman-Hillard. The Neal Agency’s roster includes Morgan Wallen, HARDY, Ernest and more. –Jessica Nicholson
Paul Dworkis is poised to become Berklee‘s new executive vp and chief financial officer, starting next Tuesday (April 15). In this role, he’ll oversee finance, accounting, budgeting, real estate, facilities, risk management and more business matters. Dworkis brings extensive experience in higher education, having served as CFO at Emerson College, the University of Maryland, and in senior roles at Columbia University. At Emerson, he supported academic initiatives, managed public safety and launched the unCommon Stage in Boston Common. Dworkis also spent part of his early career at Newsweek. Berklee president Jim Lucchese praised Dworkis for his “unparalleled” credentials and commitment to student-focused operations. “We share the philosophy that everything we do comes back to our students and how to best meet their needs,” he said. Dworkis expressed enthusiasm for joining Berklee, calling it a “truly special—an institution whose mission, creativity, and global impact are unmatched.”
Electric Feel Entertainment appointed Chandler Nicole Sherrill as senior director of creative, reporting to company founder and CEO Austin Rosen. Based in Nashville, Sherrill brings a strong background in music publishing, beginning her career at Little Extra Music in 2015 and later joining MV2 Entertainment, where she helped contribute to over 20 No. 1s for major artists like Morgan Wallen and Jason Aldean. In her new role, she’ll lead creative strategy and collaboration among artists, producers and songwriters. Rosen, who just joined the board of Outback Presents, praised Sherrill’s passion and vision, calling her a valuable addition to the team. “We look forward to seeing the impact she will have as we continue to push boundaries and shape the future of entertainment,” he said.
NASHVILLE NOTES: Big Loud promoted Brianne Deslippe to head of marketing from senior vp of global marketing and strategy. She fills the vacancy left by the recent departure of senior vp of marketing Candice Watkins … Megan Wise was named vp of new business at Anotherland Agency, a music label and marketing startup. With over 15 years of industry experience, including roles at the Country Music Association and Creative Artists Agency, she’ll lead brand collaborations, sales strategies and partnership initiatives to drive growth.
Amigo Records appointed Carina Petrillo as product manager / marketing director and promoted Jillian Rutstein to head of digital. Petrillo, with experience at Elektra Records, MTV and Hulu, brings strategic marketing expertise and a strong background in digital engagement, including launching MTV’s TikTok presence. At Amigo, she’ll focus on building artist-fan connections through comprehensive campaigns. Rutstein, who previously split her time between Amigo and Prescription Songs, brings over a decade of experience in digital strategy, contributing to the success of tracks like LU KALA’s “Pretty Girl Era.” Amigo is home to artists such as Scoot Teasley, SNOW WIFE, Kim Petras and Ethel Cain. Petrillo and Rutstein both expressed enthusiasm about working together to shape a new era at the imprint. “Together we are ushering in a new era of Amigo Records while focusing on building comprehensive marketing campaigns for our roster that meet fans where they are – both online and in person,” said Petrillo.
Audible Treats, a New York-based independent music publicity firm, appointed major label veteran Cheyenne Beam as their new director of public relations. Beam was previously the director of PR at Interscope Records and has over ten years of experience in the music, entertainment, fashion and lifestyle industries. He has worked with artists such as Erykah Badu, Toni Braxton, Chaka Khan, Sean Paul, Swae Lee, Juice WRLD and more. Audible Treats’ current clients include artists like Sexyy Red, Chief Keef, Key Glock and events such as Baja Beach Fest and Sueños. Co-founder Michelle McDevitt praised Beam’s deep network, highlighting his ability to address client needs and manage teams effectively, adding, his “broad experience across both agency and major label systems makes him the ideal fit to usher Audible Treats into its next chapter.”
Oak View Group elevated Nick Vaerewyck to senior vp of programming and hired Danny Cohen as director of programming at Seattle’s Climate Pledge Arena, home of the NHL’s Kraken. Vaerewyck will lead strategic content development across the Pacific Northwest and oversee programming, private event sales, service and ticketing. He joins the executive leadership team and brings experience from roles at Brooklyn Sports and Entertainment and Nassau Coliseum on Long Island, NY. Vaerewyck has managed over 200 events annually and aims to further elevate Seattle as a premier entertainment market. Cohen, with 15 years in the industry, will support all event programming. Previously, he led programming at Colorado Chautauqua in Boulder. Vaerewyck expressed excitement for the arena’s continued growth, highlighting Seattle’s rise as a top-tier venue and welcoming Cohen to help expand their world-class programming and industry impact.
Big Machine Music named Preston Berger as senior manager of publishing. Berger will join the publishing creative team in representing the BMM catalog and management of the company’s roster of songwriters. Berger previously spent three years at Black River Entertainment’s publishing arm. Prior to Black River, he spent time as an agent assistant at CAA. At the 2025 NSAI Member Awards, he was honored with the friend of NSAI award. –J.N.
BOARD SHORTS: The Nashville Songwriters Association International recently completed its board of directors elections and held the first meeting of the new term. New members Deric Ruttan, Lydia Vaughn and Dan Wilson joined the board, with Jimmy Yeary returning. Eight current members were re-elected, including Kelly Archer and Jessie Jo Dillon. Roger Brown was re-appointed legislative chair, with Rhett Akins and Caitlyn Smith as artist writer board members and Brett James as industry liaison. Officers for the year include Lee Thomas Miller as president and Jenn Schott as vice president.
Select Management Group, a top management firm for next-gen digital creators, announced several strategic promotions and new hires to enhance its services for digital creators. Lauren Fisher has been promoted to director of strategic partnerships, where she will work with top brands like Disney, Uber, Netflix, and Google. Emily Rifanburg joined as a talent manager, bringing over a decade of experience from ICM Partners and Strand Entertainment. Payton Booker and Natasha Trepel have also been promoted to talent managers, focusing on supporting clients across various verticals. Additionally, Katie Josiah has been promoted to talent coordinator, and Madison Dailey and Daisy Wright have been hired as talent coordinators.
Beatchain, an AI-powered A&R and artist services platform, appointed Holly Hutchison, Umesh Luthria and Nick Hamman as regional brand ambassadors for North America, Asia and Africa, respectively. They’ll support Beatchain’s global expansion by strengthening partnerships and driving business development in their regions. Beatchain’s tech helps artists retain their music rights while offering insights into audience growth and performance. Hutchison brings over 35 years of A&R experience; Luthria, based in Mumbai, has over three decades of business expertise and helped launch Muzartdisco Arena; and Hamman, a digital strategist and radio presenter in Johannesburg, has significantly impacted South Africa’s music scene. Said Beatchain CEO Ben Mendoza: “This expansion will help build stronger connections between artists and the global music ecosystem, making it easier for the industry to discover, develop and monetize talent on a global scale.”
The Zach Sang Show appointed Allie Gold as its new social media director, strengthening its digital and multi-platform presence. In her new role, Allie will lead content creation, community management, and multi-platform strategy to further engage fans with the show. Gold brings valuable experience in content creation and audience engagement, having previously served as social media strategy director at iHeartRadio LA and digital marketing strategist at Live Nation. She also played a key role in social media strategy for The Elvis Duran Show and Z100 New York.
ICYMI:
David Massey
Danny Hayes is stepping down from his role as chief executive and partner at Danny Wimmer Presents after more than ten years … Marshall Nolan has been promoted to executive vp and head of commercial strategy at Island Records … Sony Music announced that David Massey, who has served as president of Arista Records since its relaunch in 2018, will retire at the end of June. The company has not yet named his successor. [Keep Reading]
Last Week’s Turntable: Board Buildups at ASCAP and iHeart