Executive Turntable
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Merlin has appointed Charlie Lexton as its next CEO, effective Jan. 1, the indie licensing organization announced Wednesday (Nov. 12). Lexton will succeed Jeremy Sirota, who announced his exit in May after serving in the role since 2020.
Lexton has worked for Merlin since its 2007 founding and has served as the organization’s COO since April 2020. He has played a key role in a number of important developments at the agency — from negotiating licensing deals with streamers and social media platforms to forming a recently announced partnership with AI audio company ElevenLabs, through which Merlin members can opt in to train ElevenLabs’ AI music model. He was also involved in Merlin’s 2012 settlement of a copyright infringement lawsuit against LimeWire, the transfer of parts of Parlophone Label Group to the independent sector after Universal Music Group (UMG) acquired EMI and the sale of Merlin’s equity interest in Spotify, which Merlin says resulted in a $125 million payout to its members.
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Early in his career, Lexton co-founded London indie label Dorado Records after previously working as a DJ, songwriter and producer. As an attorney, he worked at UMG and EMI, where he led business affairs for EMEA (excluding the U.K.). Prior to helping launch Merlin, he ran the London indie label City Rockers as co-owner.
“I am delighted at the opportunity to lead this organisation,” said Lexton in a statement. “My focus is on our members — the most significant grouping of independent music companies in the world — and on the Merlin team, our incredibly hard working and dedicated staff. I can do nothing without the support of our team. And without our members, there is no Merlin.”
Added Sirota, “Charlie has been a great partner in evolving Merlin into what it is today. He consistently delivers — from his unwavering commitment to the Merlin team to pioneering the first significant AI deal with ElevenLabs to empowering our members via Merlin Insights. Next year, I’m proud he will champion Merlin Engage to empower the next generation of female leaders for independent music. I’m excited for Charlie and the team to write Merlin’s next chapter.”
Merlin chairperson and Secretly Group co-CEO Darius Van Arman said: “When we conducted our search for the new CEO, we met a number of extraordinary leaders, however one person stood out. Charlie Lexton has earned the trust of the Merlin membership by consistently delivering immense value throughout the organization’s history. I am extremely confident that under his stewardship and working closely with the exceptional Merlin team, Merlin will reach new heights and further enable the independence of the world’s leading music companies.”
Marie Clausen, Merlin management board member and MD of North America at Ninja Tune, added: “Charlie is a brilliant strategist and remarkable negotiator who has earned the respect of our membership, team, and partners. The industry is at a pivotal moment of change. With Charlie at the helm, Merlin is ideally positioned to turn that change into opportunity. Having worked with him over a decade, I am confident that under Charlie’s leadership Merlin is in the best hands.”
According to a press release, Merlin saw record-high revenue of $1.64 billion and a record-low administration fee of 1% in 2024.
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Atlantic Music Group (AMG) has tapped A&R veteran Jeremy Vuernick as its next executive vice president.In the new role, Vuernick will report jointly to AMG CEO Elliot Grainge and Atlantic U.K. co-presidents Ed Howard and Briony Turner, overseeing the AMG roster to sign and develop new artists with global potential. He will be based in London.
The announcement follows the recent promotion of Howard and Turner to AMG’s global leadership team, a move the label has said was “designed to create tighter collaboration across the two territories, and to generate greater global impact for Atlantic’s world-class roster”.
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In the past year, Atlantic has enjoyed transatlantic success for U.S. breakthrough artists such as Alex Warren, Teddy Swims, and Benson Boone, as well as British firebrand Charli XCX.
Vuernick brings with him two decades of experience in the music industry, largely in the A&R sector. He joined Capitol’s Astralwerks imprint in 2013, serving in senior capacities at the label before being promoted to executive president of A&R at Capitol Music Group (CMG) in 2019, where he oversaw the company’s portfolio of labels.
Prior to his tenure with Astralwerks, Vuernick held senior roles at independent label Ultra Music, overseeing A&R, marketing, and sales. More recently, in 2024, Vuernick founded the Los Angeles-based independent company Queens Road Music in partnership with Atlantic.
The U.K. has long been one of the most influential markets in the world and a cultural leader in developing and exporting exceptional global talent,” said Vuernick in a press release.
“With Elliot cementing the natural relationship between the U.K. and US, and Ed and Briony leading the charge as two of the best creative leaders in the business, our combined force will take Atlantic and its artists to a new level of recognition and success.”
Grainge added: “I have worked with Jeremy for a number of years and I’m excited to officially welcome him into the AMG family. He comes to us with outstanding experience, instincts, and passion for artists, so he’ll be an ace addition to our newly aligned teams.
“Under the expert leadership of Ed and Briony, Atlantic UK has been a formidable source of chart-topping, game-changing artistry. With Jeremy now based in London, we are continuing to build our bridge across the ocean, ramping up our collective A&R and cultural firepower.”
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Cris Lacy has been named chair and president of the rebranded Warner Records Nashville, continuing her role as one of the highest ranking women label executives in Nashville.
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Formerly Warner Music Nashville, the Nashville label has been renamed after coming under Warner Records Group in September 2024. Lacy will continue to report to Warner Records Group Co-chairman/CEO Aaron Bay-Schuck and Co-chairman/COO Tom Corson, as she has since the realignment over a year ago.
Gregg Nadel, who had served as Warner Music Nashville co-chair and co-president with Lacy for the last 14 months, will take on a new leadership role within Warner Music Group, which will be announced shortly.
Lacy started at Warner 20 years ago as an A&R executive after starting her career in publishing. She and Ben Kline became co-presidents at then-Warner Music Nashville in 2023, after John Esposito moved to a chairman emeritus role. Then last September, as Warner Music Nashville began reporting to Bay-Schuck and Corson, Kline left and Nadel came in to serve with Lacy.
Warner Records Nashville
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“Nashville has always been synonymous with exceptional storytelling, expertly crafted lyrics and incomparable musicianship. Its growing influence is permeating other genres and is increasingly found front and center on the world’s stage,” Lacy said in a statement. “This move formalizes the cross-pollination that we’ve been developing over the years with our Los Angeles colleagues across areas such as A&R, marketing strategy, data/research, business affairs and radio promotion. Warner Records is a powerful brand, and we know that we’re stronger when we work together to propel our artists and their life’s work to new heights.”
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Bay-Schuck and Corson jointly stated, “This rebrand marks an exciting new era for our flagship Nashville label — one that builds on everything that already makes it so special, guided by Cris’ extraordinary leadership. Her passion, vision, and unwavering respect for artistry define the label’s spirit and have earned the trust of the Nashville community. Together, we’re collaborating closer, and expanding the reach and opportunities for artists in a genre where the future feels limitless. This is an exciting next step as we continue to forge a global ecosystem that amplifies our competitive edge and impact for our artists.”
In addition to Warner Records U.S. and Warner Records Nashville, Warner Records Group includes Warner Records UK. Warner Records Nashville is home to such artists as Kenny Chesney, Cody Johnson, Bailey Zimmerman, Ashley McBryde, Chase Matthew, Cole Swindell, Gavin Adcock and many others. The combined Warner Records U.S. and Warner Records Nashville rosters also include Zach Bryan and Dasha, among others.
For a brief moment earlier this year, all three major Nashville labels were helmed or co-helmed by women. Cindy Mabe‘s departure as CEO/chair of UMG Nashville (now MCA) in February leaves Warner Records Nashville and Sony Music Nashville as headed by women. Taylor Lindsey became chair/CEO at Sony following Randy Goodman’s departure in January.
Trending on Billboard Latin music executive Jochy Rodríguez has launched a new independent agency, Joch Entertainment, he tells Billboard. Rodríguez — who has spent the past nine years as senior vp of promotions and marketing at WK Entertainment — will focus the company’s efforts on marketing, management, consulting and radio promotions. “This new chapter represents […]
Trending on Billboard Michael Young has been appointed chief information officer of Sony Music Publishing, effective immediately from his base in Nashville. In his new role, which reports to CFO Tom Kelly, Young will lead the company’s global technology strategy and oversee transformation initiatives aimed at enhancing growth, scalability, and operational efficiency for SMP’s songwriters […]
Trending on Billboard Leda Chang has been named senior vice president of global brand and audience for Warner Music Group’s global catalog division, a newly created role aimed at accelerating the company’s artist-focused marketing strategy. Reporting to global catalog president Kevin Gore, Chang will lead efforts to deepen fan engagement and unlock new growth opportunities […]
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AXS is ramping up its European ambitions with two senior executive hires designed to accelerate the ticketing company’s growth across the region. The company has appointed Peter Quinlan as managing director of Europe, and Hannah Rouch as vp of marketing in Europe — both newly created roles that will operate out of London and report to AXS’s international division.
Quinlan will oversee all European operations and lead the company’s regional strategy, reporting to Blaine Legere, president of AXS International. Rouch will report to Quinlan and spearhead marketing efforts across the continent, with a mandate to expand brand awareness and drive audience growth for the ticketing platform.
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“Europe remains a critical growth engine for AXS, and these appointments mark an important step forward in our continued evolution,” Legere said in a statement. “Peter’s global experience and operational acumen, combined with Hannah’s deep marketing expertise and track record of execution, will be instrumental as we continue to scale and deliver across the region.”
Quinlan joins AXS after 18 years at Live Nation Entertainment, where he held leadership roles across marketing, sponsorship, and ticketing. He most recently served in a global executive capacity at Ticketmaster, overseeing commercial partnerships, payments, fraud operations and other revenue initiatives. His new role puts him at the center of AXS’s European expansion strategy at a time when the company continues to compete with Live Nation’s Ticketmaster, CTS Eventim and other players across the territory.
“There’s tremendous opportunity for growth — especially in Europe, where promoters, venues and artists are looking for innovative, transparent partners with technology that can scale and deliver,” Quinlan said. “I’m excited to help lead that charge.”
Rouch joins AXS from Gumtree/eBay, where she led a brand repositioning for the marketplace and previously held marketing leadership roles at Motors.co.uk and Bauer Media. Her remit will include strengthening the AXS brand across all European markets and building a marketing infrastructure to support both promoter clients and consumer initiatives.
“I’m thrilled and energized to take on this role at a time of significant growth for AXS across Europe,” Rouch said. “Our focus will be on strengthening our brand and reach across Europe and building out marketing as a growth engine for the business – accelerating our ability to deliver for our clients and enhancing our efforts to ‘hold the hand of the fan’ from show discovery to live event.”
The hires come as AXS continues to grow its international footprint, with partnerships spanning festivals, arenas, sports franchises, and touring artists. The expansion also reflects the company’s broader strategy to scale its global technology platform and deepen its presence outside the U.S.
“These new appointments reflect AXS’s ongoing commitment to scale, unify, and empower our international teams,” Legere added. “With this expanded leadership structure, we’re better positioned than ever to deliver world-class support for our clients and partners.”
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Belmont University’s new Center for Mental Health in Entertainment, launched by the University’s Mike Curb College of Entertainment & Music Business and the College of Pharmacy & Health Sciences, has tapped industry veteran and licensed clinical social worker Debbie Carroll as its executive director.
Carroll was most recently vp of entertainment and specialized services at Onsite Entertainment and previously spent more than 20 years as vp of health and human services at MusiCares.
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Carroll will also hold the position of CMA endowed chair as part of a $3 million gift from the Country Music Association to the new center. Two million dollars of that will go towards the creation of the chair and the executive director position, while the remaining $1 million will go toward programming. The $2 million will be matched by the Johnson Academic Challenge at Belmont, for a total of $5 million.
“I’m honored to step into this role and help lead a transformative initiative that places mental health at the heart of the entertainment industry,” said Carroll in a statement. “This Center represents a powerful opportunity to build a culture of care, resilience and innovation for artists and professionals across music, film, television and beyond. With Belmont’s deep commitment, and CMA’s visionary support, we’re poised to make a lasting impact, starting in Nashville and reaching far beyond.”
Belmont University Center for Mental Health in Entertainment
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The Center will address the critical need for mental health research, education and resources in the entertainment industry. It will serve both students and industry professionals.
CMA CEO Sarah Trahern added, “As a trade association, it’s our responsibility to care for the people who make this industry thrive. Supporting their well-being has always been central to CMA’s mission, and through years of investments and partnerships, we’ve seen how access to care can change lives. This collaboration with Belmont allows us to take that support a step further—transforming advocacy into meaningful, long-term change. With a leader like Debbie Carroll guiding this work, we’re helping ensure a stronger, healthier music community for generations to come.”
Brittany Schaffer, dean of Curb College, said, “Our partners, like CMA, know a thriving entertainment industry begins with healthy, supported individuals connected by community. This center will invest in today’s leaders and creators, prepare the next generation to confidently navigate challenges, and serve as a model for how our industry can care for its own. Debbie Carroll has long been the trusted voice on mental health in entertainment—her wisdom, compassion and proven leadership have shaped the vision for this Center from the spark of the idea, and I have every confidence in her as our inaugural CMA Endowed Chair & Executive Director. With Debbie at the helm, we have the opportunity to forever change culture.”
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Stacey Tang, co-president of RCA Records UK, has been appointed chair of the BRIT Awards 2026 committee as the ceremony moves to Manchester’s Co-op Live for the next two years — marking the first time in nearly 50 years the BRITs will be held outside London.
Tang will oversee all aspects of the show’s creative direction, working alongside representatives from major and independent labels, BRITs TV and the BPI. Sony Music UK will lead the committee from 2026 to 2028, following Warner Music UK’s tenure under Damian Christian.
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Tang, a Billboard UK Power Players list honoree who was promoted to co-president of RCA UK in early 2023, has played a key role in the label’s recent success with artists such as Cat Burns and Myles Smith.
She joins a creative team including Misty Buckley, Phil Heyes, Sally Wood and Maggie Crowe. Speaking on the news, Tang said, “As a massive music fan I always watched the BRIT Awards growing up, but revisiting the shows through the lens of chair has given me a totally different perspective. Being inspired by the spectacle and show as a young person, now motivates me to create something that feels important nationally and globally, while capturing the brilliant and eccentric nuance of British music and culture.
Tang added, “The decision to move to Manchester has been met with amazing feedback from the local community and the industry. To oversee a show that’s doing something for the first time feels energising but ultimately, we also want to inject fun into the proceedings … and people in Manchester know how to have fun!”
The BRITs also announced several category updates: the Rising Star Award reverts to its original name, Critics’ Choice, and Best New Artist becomes Breakthrough Artist. Eligibility criteria have been tightened across major categories, requiring higher chart performance. Nominees must now have a top 30 album or two top 20 singles, while genre categories maintain existing standards. The Mastercard Album of the Year must also reach the top 30. These changes aim to better reflect artist impact and chart success.
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Nominees will be announced in January, with voting handled by a panel of industry professionals and, in recent years, the public for genre categories. The 2026 ceremony will take place on Feb. 28 at Co-op Live, a 23,500-capacity venue opened in 2024, signaling a new chapter for the BRITs and its commitment to celebrating British music across the country.
Check out a full rundown of this week’s staffing news below.
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Trending on Billboard As part of a significant reorganization of its product teams, YouTube promoted Christian Oestlien, previously vp of product management, to lead a team responsible for subscription products across YouTube Music, YouTube TV and YouTube Premium. As vp of YouTube’s subscription products, Oestlien will also oversee podcasts, commerce and YouTube Primetime Channels. Related […]
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