Chart Beat
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M.I.A.’s “Paper Planes” is the latest No. 1 on the TikTok Billboard Top 50 chart, rising 2-1 on the Dec. 28-dated survey.
The TikTok Billboard Top 50 is a weekly ranking of the most popular songs on TikTok in the United States based on creations, video views and user engagement. The latest chart reflects activity from Dec. 16 to 22. Activity on TikTok is not included in Billboard charts except for the TikTok Billboard Top 50.
“Paper Planes” reigns 16 years after the song’s original run, when it peaked at No. 4 on the Billboard Hot 100 in September 2008.
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Its rise in December 2024 is linked to a dance trend, while Diplo (one of the song’s producers/writers) weighed in last week with an upload noting the tune’s revitalization.
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“Paper Planes” concurrently boasts 4.4 million official U.S. streams in the week ending Dec. 19, up 19%, according to Luminate. It lifts 10-9 on Hot Alternative Songs and debuts at No. 20 on Alternative Streaming Songs.
“Paper Planes” reigns over a top five on the TikTok Billboard Top 50 that includes songs that have reached those heights previously, with four of the five even having reached No. 1 at some point. Mariah Carey’s “All I Want for Christmas Is You” leaps 8-2, while Stepz’s “Rock” rises 5-4 and Yeah Yeah Yeahs’ “Maps” goes 7-5; all three songs have led the list for at least one week. The fifth, Tyler, the Creator’s “Like Him” (featuring Lola Young), returns to its peak of No. 3.
Two songs enter the top 10, one for the first time. First there’s Wham!’s “Last Christmas,” which zooms 20-7. That’s five spots below its peak so far of No. 2, achieved on the Jan. 6, 2024, chart. The holiday classic concurrently jumps 17% in Billboard-eligible streams to 46.1 million, returning to its No. 3 peak on the Hot 100.
In all, five holiday songs appear on the latest TikTok Billboard Top 50, with the next highest being Brenda Lee’s “Rockin’ Around the Christmas Tree” at No. 18.
The other new top 10 – in this case a newcomer – is Ceechnyaa’s “Peggy,” which leaps 18-9 in its second week on the ranking. The British rapper’s latest single was released on Dec. 5 and has gone viral for its raunchy lyrical content, with some of the top-performing TikTok uploads being reaction videos alongside lip-synch clips.
“Peggy” shoots 63% to 3.1 million streams in the week ending Dec. 19, though the TikTok Billboard Top 50 is the only chart it’s made so far.
See the full TikTok Billboard Top 50 here. You can also tune in each Friday to SiriusXM’s TikTok Radio (channel 4) to hear the premiere of the chart’s top 10 countdown at 3 p.m. ET, with reruns heard throughout the week.
Shaboozey’s “A Bar Song (Tipsy)” matches the longest No. 1 run of the 2020s on Billboard’s Hot Country Songs chart, adding a 27th week atop the tally (dated Dec. 28).
The track, co-written by the Virginian (born Collins Obinna Chibueze), first hit the summit in May and now ties Gabby Barrett’s rookie 2020-21 smash “I Hope” for the decade’s top mark.
The two songs are tied for third place overall since Hot Country Songs became an all-encompassing genre ranking in 1958. Bebe Rexha and Florida Georgia Line’s “Meant To Be” ruled for a record 50 weeks starting in December 2017, surpassing Sam Hunt’s “Body Like a Back Road,” which led for 34 weeks beginning that February 2017. (All four songs became hits at both country and pop radio formats.)
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Shaboozey’s smash totaled 63.8 million airplay audience impressions, 17.5 million official streams and 5,000 sold in the U.S. Dec. 13-19, according to Luminate.
“A Bar Song (Tipsy),” on American Dogwood/EMPIRE, with country radio promotion by Magnolia Music, ruled Country Airplay for seven weeks beginning in August — the longest No. 1 stay for an initial entry — and ranks in the top 10 for a 25th week. The song also became the first to hit the top five on Country Airplay, Pop Airplay, Adult Pop Airplay and Rhythmic Airplay.
On the all-genre, multimetric Billboard Hot 100, “A Bar Song (Tipsy)” spent 19 weeks at No. 1 between July and November, tying Lil Nas X’s “Old Town Road,” featuring Billy Ray Cyrus, for the longest command in the chart’s 66-year history.
Shaboozey’s sophomore single being promoted to country radio is “Highway,” which he also co-wrote. In its second week on the ranking, it rides 60-55 (989,000 in audience, up 24%).
Barber, Anna Hit Top 10
Sam Barber’s “Indigo,” featuring Avery Anna, jumps 17-8 in its second week on Hot Country Songs, marking the first top 10 for each artist.
The track, which the pair penned with Andy Sheridan, is from Barber’s LP Restless Mind, which arrived at its No. 13 high on Top Country Albums dated Nov. 16.
“Indigo” drew 9.3 million streams (up 49%) and sold 1,000 (up 15%) Dec. 13-19.
The 21-year-old Barber, from Frohna, Mo., previously hit Hot Country Songs with “Straight and Narrow,” which reached No. 33 in May. Anna, 28, from Flagstaff, Ariz., also makes her second appearance, after “Narcissist” hit No. 22 in June 2022.
Gospel music icon Kirk Franklin banks his record-tying 11th No. 1 on Billboard’s Gospel Airplay chart as “Try Love” rises to the top of the list dated Dec. 28. The song increased by 8% in plays Dec. 13-19, according to Luminate. Franklin co-authored the track with Ian Owen Devaney and Andy Morris, while Lisa Stansfield […]
Snoop Dogg’s Missionary album debuts in the top 10 across multiple Billboard charts, as the set opens in the top 10 on Top Album Sales (No. 7), Top R&B/Hip-Hop Albums (No. 7) and Top Rap Albums (No. 3) — all charts dated Dec. 28. It also launches at No. 20 on the overall Billboard 200 chart. On Top Album Sales, Missionary marks Snoop’s highest-charting effort in over 15 years.
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Missionary is the first album from Snoop Dogg produced by Dr. Dre since their successful teaming on Snoop’s debut effort Doggystyle in 1993.
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Billboard’s Top Album Sales chart ranks the top-selling albums of the week based only on traditional album sales. The chart’s history dates back to May 25, 1991, the first week Billboard began tabulating charts with electronically monitored piece count information from SoundScan, now Luminate. Pure album sales were the sole measurement utilized by the Billboard 200 albums chart through the list dated Dec. 6, 2014, after which that chart switched to a methodology that blends album sales with track equivalent album (TEA) units and streaming equivalent album (SEA) units.
Missionary debuts with 38,000 equivalent album units earned in the U.S. in the week ending Dec. 19, according to Luminate. Of that sum, album sales comprise 20,500, SEA units comprise 16,500 and TEA units comprise the remaining sum.
On Top Album Sales, Missionary is Snoop’s 13th top 10-charting effort and highest charting effort set Ego Trippin debuted and peaked at No. 3 on the March, 29, 2008-dated list.
As for the rest of the top 10 on Top Album Sales, Stray Kids’ HOP opens at No. 1 with 180,000 sold (it’s the sixth leader for the group); Taylor Swift’s chart-topping The Tortured Poets Department falls 1-2 with 50,000 (down 75%); the Wicked film soundtrack rises 6-3 with 29,000 (down 5%); Chappell Roan’s former leader The Rise and Fall of a Midwest Princess jumps 8-4 with 28,000 (up 34%); and Sabrina Carpenter’s Short n’ Sweet goes 7-5 with 26,000 (down 8%).
Billie Eilish’s Hit Me Hard and Soft scales 9-6 with 23,000 (up 26%); TWICE’s STRATEGY falls 2-8 with 19,000 in its second week (down 76%); Vince Guaraldi Trio’s A Charlie Brown Christmas TV soundtrack bumps 10-9 with 16,000 (up 20%); and Taylor Swift’s former No. 1, 1989 (Taylor’s Version) climbs 12-10 with 14,000 (up 29%).
Just in time for the last chart cycle of 2024, GloRilla adds to her already strong results this year with a first No. 1 on Billboard’s Rhythmic Airplay chart thanks to “Whatchu Kno About Me,” her collaboration with Sexyy Red. The pair’s co-billed single rises from No. 3 to rule the chart dated Dec. 28. As GloRilla achieves her first leader, Sexyy Red banks her second No. 1 on the radio ranking, but first in a lead or co-lead capacity.
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“Whatchu Kno About Me” advances to the Rhythmic Airplay summit after a 10% boost in plays that made it the most-played song on the U.S. monitored rhythmic radio panel in the tracking week ending Dec. 19, according to Luminate. The collaboration unseats Future’s “Too Fast,” which slides to No. 2 after one week in charge.
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The new champ also borrows from a previous Rhythmic Airplay hit. It samples Lil Boosie’s “Wipe Me Down,” featuring Foxx and Webbie, which reached No. 23 in 2007 and spent 16 weeks on the list.
As mentioned, GloRilla achieves her first No. 1 on Rhythmic Airplay. Before the coronation, her previous two singles both put her in touching distance of the top spot. A collaboration with Megan Thee Stallion and Cardi B, “Wanna Be,” peaked at No. 3 in August, while the Memphis rapper’s solo single “TGIF” peaked in the runner-up spot last month.
For Sexyy Red, “Whatchu Kno About Me” secures the rapper a second Rhythmic Airplay No. 1, after she and SZA featured on Drake’s “Rich Baby Daddy,” a two-week leader in December 2023. The reigning champ is the rapper’s first time in charge through a lead or co-lead billing; her prior best in that category was with her “Get It Sexyyy” single, which peaked at No. 8 in July.
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Adding to the triumphs, “Whatchu Kno About Me” rules Rap Airplay following an identical 3-1 climb. It jumps into the top slot after a 10% surge in audience in the tracking week, and likewise replaces Future’s “Too Fast,” which backtracks to No. 2 (down 11% in audience). There, GloRilla nabs her third No. 1, after “Tomorrow 2,” with Cardi B ruled for six weeks in 2022-23 and “TGIF” reigned for eight weeks earlier this year. Sexyy Red, meanwhile, picks up her second Rap Airplay No. 1, after a four-week run for “Rich Baby Daddy” in December 2023.
In addition to their current radio hit, GloRilla and Sexyy Red are together on another budding hit. The pair, alongside Lil Wayne, features on Tyler, The Creator’s “Sticky,” which pushes 10-8 on Rhythmic Airplay (up 17% in plays) and holds at its No. 11 high on Rap Airplay (up 11% in audience).
Stray Kids’ new album HOP puts K-pop back in a familiar spot – No. 1 on the all-genre Billboard 200 chart. HOP is the 19th No. 1 album or EP by a K-pop act on the Billboard 200. The first was BTS’ Love Yourself: Tear in June 2018. Stray Kids and BTS have each had […]
Iranian Dutch singer-songwriter Sevdaliza earns her first top 10 on a Billboard Latin radio chart thanks to “No Me Cansaré,” her maiden collab with Karol G, which rallies 17-9 on the Latin Pop Airplay chart (dated Dec. 28).
The bilingual song jumps to the top 10 on Latin Pop Airplay after a 1.7 million gain in audience impressions earned during the Dec. 13-19 tracking week, according to Luminate; that’s a 52% increase compared to the previous frame. The song was released Oct. 18 on Bichota/Interscope/Broke/Create Music Group.
With “No Me Cansaré,” Sevdaliza grabs her first top 10 on any Latin radio ranking, after the song opened at No. 22 less than a month ago, on the Nov. 30-dated list. The new win, however, becomes her second top 10 on a Latin chart overall, as the collab debuted and peaked at No. 5 on Latin Digital Song Sales (Nov. 2-dated survey).
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Prior to her radio and sales charts visits, the singer enjoyed some popularity on the multi-metric Hot Latin Songs chart (which combines radio airplay, streaming activity and digital downloads into its formula) where “Ride Or Die, Pt. 2,” her three-way team-up with Villano Antillano and Tokischa, peaked at No. 43 in May. There, “No Me Cansaré” reached No. 35 high in early November, for her highest rank among two total entries.
Back to Latin Pop Airplay, the song marks Karol G’s 15th top 10 career hit. The hitmaker placed one other song in the top 10 there in 2024, the No. 2-peaking “Contigo,” with Tiesto (June 1-dated list). Prior, “TQG,” with Shakira, took both Colombians to No. 1 in April 2023, where the song held strong atop for the 14 weeks, the most that year.
All charts (dated Dec. 28, 2024) will update on Billboard.com tomorrow (Dec. 24). For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
It’s been an eventful year for music in Canada. Billboard Canada has published year-end versions of multiple charts: the Canadian Hot 100, Canadian Albums, Top Artists (which combines data from both), Canadian Airplay, Canadian Streaming and Canadian Digital Song Sales. Each one tells a story about the Canadian music landscape in 2024.
It’s no big surprise to see who tops the year-end Billboard Canadian Hot 100 chart. Shaboozey’s “A Bar Song (Tipsy)” broke the record for longest-leading No. 1 hit this year, surpassing Lil Nas X’s “Old Town Road” for 20 weeks at the top and then extending the record to 25 weeks at No. 1. He set a similar record on the U.S. Hot 100, but did it in Canada first and for longer (on the U.S. Year-End Hot 100, “Tipsy” finishes second behind “Lose Control” by Teddy Swims.)
The biggest music story of the year was Drake vs. Kendrick Lamar. If one song can be declared the winner based solely on the charts, it’s “Not Like Us.” Even in Canada, Drake’s home turf, Kendrick’s irresistible diss track charted the highest. The song sits at No. 11 on the year-end Canadian Hot 100 and No. 11 on the year-end Streaming Songs chart. That chart success comes with some controversy, however, with Drake launching legal actions to accuse Universal Music Group, iHeartRadio and Spotify of conspiring to inflate the numbers. But the song was a bona fide hit.
Drake’s biggest hits, meanwhile, have little to do with his Kendrick beef. “IDGAF” with Yeat at No. 54, “Rich Baby Daddy” with SZA & Sexyy Red at No. 67, and “First Person Shooter” with J. Cole at No. 75 are all from his 2023 album For All The Dogs. And on the 2024 Artists chart for Canada? Drake is at No. 4 and Kendrick is at No. 17.
It’s never a surprise to see Taylor Swift ruling the year-end charts, but her unprecedented Eras Tour — undoubtedly the highest-grossing of all time — has given her an extra boost this year as she finished it off in Toronto and Vancouver in November and December. All of Taylor’s eras (or albums, if you’re old-fashioned) got a boost, which made her a lock for No. 1 on the Artists chart, which combines data from the Canadian Hot 100 and Canadian Albums chart. On the latter chart, Swift holds four of the top 10 spots: The Tortured Poets Department at No. 1, 1989 (Taylor’s Version) at No. 4 and Lover and Midnights at Nos. 9 and 10.
Check out a full chart breakdown — including trends like the resurgence of Canadian icons, homegrown radio hits and the success of francophone Quebec and Punjabi artists — here. And find all the year-end 2024 charts here.
This story was originally published by Billboard Canada.
Mariah Carey’s “All I Want for Christmas Is You” sets a new mark for the most time spent at No. 1 on Billboard’s Streaming Songs chart since its 2013 inception, spending a record 21st week atop the Dec. 28-dated tally. “All I Want for Christmas Is You” reigns with 48 million official U.S. streams earned […]
A select 16 shiny holiday hits have hung like ornaments in the Billboard Hot 100’s top 10.
The Chipmunks’ “The Chipmunk Song,” with David Seville, became the first Yuletide track to reach the region, logging for four weeks at No. 1 in the 1958 holiday season.
Two other carols have spent time upon the Hot 100’s highest bow: Mariah Carey’s “All I Want for Christmas Is You,” from 1994, for 17 total weeks at No. 1 beginning in 2019, and Brenda Lee’s “Rockin’ Around the Christmas Tree,” from 1958, for three weeks over the 2023 holiday season.
The two most recently released holiday hits to jingle to the Hot 100’s top 10 do so on the Dec. 28, 2024, dated chart: Ariana Grande’s “Santa Tell Me,” released in 2014, and Kelly Clarkson’s “Underneath the Tree,” from 2013.
Previously, superstar saxophonist Kenny G boasted the most recently released holiday top 10: his take on “Auld Lang Syne,” released at the end of 1999, hit No. 7 in the Y2K holiday season. (A mix including news clips of noteworthy 20th century events added to the original instrumental’s reach.)
The most vintage seasonal song to have reached the Hot 100’s top 10? Nat King Cole’s “The Christmas Song (Merry Christmas to You).” He unveiled the chestnut in 1946.
Notably, the bulk of holiday hits that have dashed to the Hot 100’s top 10 have done so in the 2020s, as streaming has grown and holiday music has become more prominent on streaming services’ playlists. (Further, for much of the Hot 100’s history, holiday songs were not eligible to make the list, appearing instead on seasonal surveys.)
As for the titles of the 16 top 10 Hot 100 holiday entries, five feature “Christmas” and one “Navidad.” “Tree” has appeared in two titles. (Plus, fittingly per their sleigh positions, “Rudolph” reached the top 10, over the 2020 holidays, before “Santa.”)
Here’s a recap of every holiday song that has made a holly jolly journey to the Hot 100’s top 10, listed from the most recently released to the earliest.
“Santa Tell Me,” Ariana Grande