Chart Beat

Sleep Token Scores First Hot Hard Rock Songs No. 1 Debut With ‘Caramel’

Sleep Token earns its first No. 1 debut on Billboard’s Hot Hard Rock Songs chart, bowing atop the April 19-dated survey with “Caramel.”

Released April 4, the track drew 11.2 million official U.S. streams, 30,000 in radio airplay audience and sold 3,000 downloads in the week ending April 10, according to Luminate.

Sleep Token tallies its second total No. 1 on the chart, following “Emergence,” which debuted at No. 2 on the March 22 ranking and led for three weeks up to the debut of “Caramel.” “Emergence” ranks at No. 2 on the latest list via 5.2 million streams, 2.2 million in radio reach and 1,000 sold.

Sleep Token becomes the third act to replace itself at No. 1 on Hot Hard Rock Songs since the chart began in June 2020. Bring Me the Horizon first achieved the feat, when “Teardrops” gave way to “Parasite Eve” (Nov. 14, 2020), followed by Linkin Park (“The Emptiness Machine” and “Heavy Is the Crown,” Feb. 15). The latter band supplanted itself at No. 1 again when “The Emptiness Machine” returned to the top (Feb. 22).

Concurrently, “Caramel” debuts at No. 1 on the Rock Streaming Songs, Hard Rock Streaming Songs and Hard Rock Digital Song Sales charts. “Emergence” also led each list.

“Caramel” also starts at No. 34 on the all-genre Billboard Hot 100 – Sleep Token’s highest rank yet, surpassing the No. 57 best for “Emergence.” It’s the highest-charting hard rock song on the ranking in 2025 and the best since “The Emptiness Machine” debuted and peaked at No. 21 last September.

“Caramel” is the second song released from Even in Arcadia, Sleep Token’s fourth studio album and first with RCA Records, due May 9. Its predecessor, Take Me Back to Eden, debuted at its No. 2 peak on the Top Hard Rock Albums chart in June 2023 and has earned 776,000 equivalent album units to date.

Muni Long Wields ‘Superpowers’ for Third No. 1 on Adult R&B Airplay Chart

Muni Long extends her hitmaking run on Billboard’s Adult R&B Airplay chart (dated April 19) as “Superpowers” climbs one spot to reach No. 1 on the radio ranking. The single ascends after its 1% gain in weekly plays made it the most-played song on U.S. panel-contributing adult R&B radio stations in the tracking week of April 4-10, according to Luminate.

As “Superpowers” asserts its supremacy, it replaces Chris Brown’s “Residuals” after a two-week stint. The former champ slides to No. 2 with an 8% decline in plays for the week.

Thanks to “Superpowers,” Muni Long achieves her third No. 1 on Adult R&B Airplay, after “Make Me Forget,” a one-week leader in August 2024, and “Ruined Me,” which logged two weeks on top last November.

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Further, with all three singles from her Revenge album, the set is the first to produce a trio of champs since Tank’s R&B Money launched three leaders in 2021-2022 from its standard edition – “Can’t Let It Show,” “I Deserve,” and “Slow,” featuring J. Valentine – and another from its 2024 deluxe reissue, “See Through Love,” featuring Chris Brown.

Among albums by women, Revenge becomes just the third set with three No. 1s in the 31-year history of the Adult R&B Airplay chart. It joins Toni Braxton’s self-titled debut, which spawned four leaders, “Another Sad Love Song,” “Breathe Again,” “Seven Whole Days” and “You Mean the World to Me” in 1993-94, and Alicia Keys’ The Diary of Alicia Keys, which sent “You Don’t Know My Name,” “If I Ain’t Got You” and “Diary,” feat. Tony! Toni! Tone! to the summit in 2004.



Elsewhere, “Superpowers” slips 14-13, dropping one rung from its peak, on the R&B/Hip-Hop Airplay chart, which ranks songs by combined audience totals from adult R&B and mainstream R&B/hip-hop stations. There, the track registered 7 million in audience for the week, down 3% from the prior week’s total.

Beyond its radio results, “Superpowers” debuts at No. 25 on Hot R&B Songs, a multi-metric chart that combines radio airplay with streaming and sales data for its rankings. The arrival gives Muni Long her 12th entry on the list, a count that includes three top 10s: the three-week No. 1 “Hrs and Hrs” in 2022, and a pair of 2024 hits, “Made for Me” (No. 2) and “Ruined Me” (No. 10).

Dance Moves: Skrillex, 2hollis, PinkPantheress & More Debut on Dance Charts With New Projects

Billboard’s Dance Moves roundup serves as a guide to the biggest movers and shakers across Billboard’s many dance charts — new No. 1s, new top 10s, first-timers and more.

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This week on charts dated April 19, Skrillex, 2hollis, PinkPantheress and others achieve new feats. Check out key movers below.

Skrillex

The influential DJ-producer dropped his fourth studio album, F*CK U SKRILLEX YOU THINK UR ANDY WARHOL BUT UR NOT!! <3>, on April 1 amid Billboard‘s Friday-Thursday (March 28-April 3) chart tracking week. The 34-cut set debuted at No. 4 on Top Dance Albums and No. 124 on the Billboard 200 on the April 12-dated charts after just three days of tracking with 11,000 equivalent album units earned, according to Luminate. Following its first full week of tracking (April 4-10, for the latest charts dated April 19), the set rises to No. 3 on Top Dance Albums and No. 69 on the Billboard 200 with 14,000 units.

The project is Skrillex’s eighth career entry on Top Dance Albums and seventh on the Billboard 200. Here’s a look at his history on the former:

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Peak Position, Title, Peak Date:

  • No. 1 (10 weeks), Bangarang, Feb. 11, 2012
  • No. 1 (five weeks), Recess, April 5, 2014
  • No. 1 (three weeks), Skrillex and Diplo Present Jack Ü, March 14, 2015
  • No. 2, Quest for Fire, March 4, 2023
  • No. 3, F*CK U SKRILLEX YOU THINK UR ANDY WARHOL BUT UR NOT!! <3> April 19, 2025
  • No. 3, Scary Monsters and Nice Sprites, Sept 10, 2011
  • No. 5, More Monsters and Sprites, July 9, 2011
  • No. 6, Don’t Get Too Close, March 4, 2023

Skrillex concurrently debuts five tracks from the new album on Hot Dance/Electronic Songs: “Voltage” (No. 11); “Spitfire,” with HAWAII SLIM (No. 18); “Recovery,” with Space Laces (No. 21); “Andy” (No. 22); and “While You Were Sleeping VIP,” with Virtual Riot and Nakeesha (No. 25). He has charted 69 total entries on the chart, fourth-best after only David Guetta (94), Marshmello (75) and Kygo (70).

Before Billboard launched Hot Dance/Electronic Songs on Jan. 26, 2013, Skrillex logged four songs on the Billboard Hot 100: “First of the Year (Equinox)” (No. 85 peak in January 2012); “Scary Monsters and Nice Sprites” (No. 69, 2012); “Kyoto,” featuring Sirah (No. 74, 2012); and “Bangarang” (No. 72, 2012). “Bangarang” also reached No. 19 on Dance/Mix Show Airplay. (He has added six Hot 100 entries since.)

Thanks to their guest appearances, HAWAII SLIM and Nakeesha both score their first Billboard chart hits. Space Laces tallies his fourth entry on Hot Dance/Electronic Songs, after “Destroid 1 Raise Your Fist,” with Excision and Downlink (No. 50 peak in 2013), and two collaborations with Marshmello in 2024: “Conquer” and “Rave Repeater” (Nos. 25 and 36, respectively). Virtual Riot makes his first Billboard chart visit in nine years, since his EP Chemistry reached No. 20 on Top Dance Albums in 2016.

F*CK U SKRILLEX is comprised of 34 tracks, 11 of which are less than one minute in length. The opening track notes that the album is best listened to from start to finish, as it plays at 46 minutes long as a continuous mix. It has more than two dozen collaborators, including Bibi Bourelly, Boys Noize, Dylan Brady of 100 gecs, G Jones, Jónsi of Sigur Rós and Wuki.

2hollis

The Los Angeles-based artist debuts on Billboard’s album charts for the first time with his new LP, Star. Released April 4 on Interscope Records as his major-label debut, the set arrives at No. 11 on Top Dance Albums (5,000 units). 2hollis had appeared on Billboard’s charts once before this week: on Oct. 19, 2024, “Gold” (which is included on Star) debuted and peaked at No. 31 on Hot Dance/Electronic Songs. He also reached No. 26 on the now-defunct TikTok Billboard Top 50 in November with “Jeans.”

2hollis served as the opening act for Ken Carson’s The Chaos Tour last year. He performed at Coachella last weekend and is slated to perform at Bonnaroo, Lollapalooza Chicago and Outside Lands.

PinkPantheress

The multifaceted singer-songwriter-producer returns to Billboard’s charts with her new single “Tonight.” Released April 4 via Parlophone/Warner Records, the song debuts at No. 5 on Hot Dance/Pop Songs with 3.6 million U.S. streams in its first week. “Tonight” is the lead single off her upcoming second mixtape, Fancy That, due May 9.

PinkPantheress previously charted two tracks on Hot Dance/Electronic Songs: “Way Back” with Skrillex and Trippie Redd reached No. 13 in January 2023, and Kaytranada’s “Snap My Finger” featuring PinkPantheress hit No. 40 last June. Her breakthrough collaboration with Ice Spice, “Boy’s a Liar, Pt. 2,” climbed to No. 3 on the Hot 100 in March 2023 and also spent a week at No. 1 on the Streaming Songs chart.

Rudimental & Khalid

Rudimental and Khalid’s new collaboration, “All I Know,” debuts at No. 17 on Hot Dance/Electronic Songs thanks almost entirely to its streaming sum: 958,000 in its first week, after it arrived April 4 via Rudimental/Room Two Recordings. The song earns British trio Rudimental its eighth entry on Hot Dance/Electronic Songs, and first since “Waterslides,” with Tiësto and Absolutely, last year. Notably, Rudimental appeared on the inaugural Hot Dance/Electronic Songs chart in 2013 with “Feel the Love,” featuring John Newman. “All I Know” earns Khalid his seventh entry on the chart, and first since “The Hard Way,” with Pnau, in 2023.

Layton Giordani, Linney & Sarah de Warren

All three artists debut at No. 34 on Billboard’s Dance/Mix Show Airplay chart with their collaboration “Act of God.” Layton Giordani and Sarah de Warren claim their first-ever Billboard chart appearances and Linney her second, after her team-up with Tritonal, “Electric Kids,” in 2020 (No. 32 peak on Dance/Mix Show Airplay). Released Jan. 24 on Experts Only, “Act of God” arrives thanks to a 70% increase in plays (among 24/7 dance reporters and pop stations’ mix show hours).

Giordani hails from New York City, with his catalog centered on techno music. He has released two full-length albums: Where It Begins in 2017, and New Generation in 2020. He has collaborated with Anyma, deadmau5, Dom Dolla and Oliver Heldens, among others.

Singer-songwriters Linney and de Warren have both lent their voices to other dance/electronic tracks. Linney has been releasing music for more than a decade and dropped her latest EP, We Dance (via Helix Records), in September. Warren’s catalog also stretches back that long and includes collaborations with the likes of Hardwell, HI-LO and Weird Genius.

Natti Natasha Scores First Solo No. 1 on Tropical Airplay Chart With ‘Desde Hoy’

Natti Natasha earns her first No. 1 as a soloist, unaccompanied by another artist, on Billboard’s Tropical Airplay chart with “Desde Hoy” which jumps 2-1 for its first week atop the April 19-dated ranking. It’s her first return to the summit in over five years.

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“Desde Hoy” takes the lead on Tropical Airplay, with the week’s Greatest Gainer honors, after a 9% gain in audience impressions, up 6.6 million, earned in the U.S. during the April 4-10 tracking week, according to Luminate. The song is the opening track off Natti’s fourth studio album, Natti Natasha En Amargue, her maiden entrance and first top 10 on the Tropical Albums chart (No. 6 debut and peak, Feb. 22 dated list).

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“Desde Hoy” marks Natti Natasha’s first No. 1 on Tropical Airplay in over five years. Her previous chart-topping hit, “La Mejor Versión de Mí,” her first collaboration with Romeo Santos as a co-billed artist, ruled the chart for 15 weeks between 2019-2020. Rewind to 2019, and her featured role on Don Omar’s “Dutty Love” reigned for one week then.

Notably, with “Desde Hoy” reaching No. 1, Natti joins an elite group of female artists who have topped the Tropical Airplay chart as soloists, unaided by any other act, during the 2020s decade. Before Natti, Rosalía’s “Despechá” reigned for four weeks in 2022, while Karol G most recently made history with “Si Antes Te Hubiera Conocido.” The latter broke the longest-leading record by surpassing Prince Royce’s 29-week reign with “Carita de Inocente” (chart dated Feb. 8). Ultimately, “Si Antes” dominated Tropical Airplay for 31 weeks between 2024-25.

With the new No. 1 by a woman, let’s review all the female artists who have led Tropical Airplay this decade, either as solo acts or through collaborations;

Title, Artist, Peak Date
“La Mejor Versión de Mí,” Natti Natasha & Romeo Santos, Oct. 26, 2019
“Víctimas Las Dos,” Víctor Manuelle & La India, May 29, 2021
“La Fama,” Rosalía Featuring The Weeknd, May 14, 2022
“Te Espero,” Prince Royce & Maria Becerra, May 28, 2022
“Despechá,” Rosalía, Oct. 1, 2022
“Monotonía,” Shakira + Ozuna, Dec. 3, 2022
“El Pañuelo,” Romeo Santos & Rosalía, Feb. 4, 2023
“Así Es La Vida,” Enrique Iglesias & Maria Becerra, Dec. 9, 2023
“Si Antes Te Hubiera Conocido,” Karol G, July 20, 2024
“Desde Hoy,” Natti Natasha, April 19, 2025

“Desde Hoy” also makes progress son the overall Latin Airplay chart, where it climbs 9-5

Here Are the Billboard Hot 100’s Top Songs of 2005: Nos. 100 to 1

This week, Billboard is publishing a series of lists and articles celebrating the music of 20 years ago. Our 2005 Week continues here with a look back at the Billboard Hot 100 chart’s top songs from that year, to go with the list of staff favorites our editorial team published earlier this week.

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Fifteen years into her Billboard chart career, Mariah Carey was still achieving firsts.

In 2005, the superstar’s smash “We Belong Together” spent 14 weeks at No. 1 on the Billboard Hot 100 songs chart, between that June and September, and went on to top the year-end survey – Carey’s first title to rule the annual recap.

Carey had dominated the 1990s like no act in any previous decade, becoming the first artist to lead the Hot 100 in every year of a decade (1990-99; she expanded her record chart-topping streak to 11 years, through 2000). By 2005, she was back in familiar triumphant territory thanks to the sultry second single from her album The Emancipation of Mimi. The set debuted at No. 1 on the Billboard 200 in April 2005 and logged 74 weeks on the chart, the most for an album of hers since Daydream a decade earlier.

“My real fans have always been with me through great times and not-so-great times,” Carey shared in the 2005 year-end Billboard print issue. “That’s why I think we have a really close, special connection.”

Carey’s command was just one of the highlights on the 2005 year-end Hot 100. Elsewhere, 50 Cent boasts four entries in the top 20; Carrie Underwood places with her American Idol coronation ballad, “Inside Your Heaven”; and hits dot the ranking from the debut solo albums from No Doubt’s Gwen Stefani and Matchbox Twenty’s Rob Thomas.

As Billboard celebrates 2005 Week, revisit the 2005 year-end Hot 100 chart, as originally revealed in the Dec. 24, 2005, publication. The recap is based on performance on the weekly Hot 100 charts dated Dec. 4, 2004, through Nov. 26, 2005. (You can also check out every year-end Hot 100 Songs chart since 2006 here.)

Bobby Vinton’s 10 Biggest Hot 100 Hits as He Celebrates His 90th Birthday

Bobby Vinton turns 90 today, having made his mark on the Billboard charts over the years. The singer, who gained the nickname “The Polish Prince,” had four No. 1 hits on the Billboard Hot 100 and three top 10 albums on the Billboard 200.

Vinton holds a special footnote in pop culture history: He had the last No. 1 of the pre-Beatles era. His revival of the old song “There! I’ve Said It Again” was knocked out of the top spot in February 1964 by the Fab Four’s electrifying smash “I Want to Hold Your Hand.” But the Beatles’ arrival didn’t end Vinton’s career — five of his nine top 10 hits were released after the Fab Four invaded our charts.

In December 1964, when he topped the Hot 100 for the fourth time, Vinton became just the fourth artist to amass four No. 1 hits, following Elvis Presley, who had accumulated seven Hot 100 leaders at that point; The Beatles, who had had five; and The Four Seasons, who had also had four. (Presley also had No. 1 hits pre-dating the inception of the Hot 100 in August 1958.)

Vinton was born in Canonsburg, Pa., the same town that gave us Perry Como, who was a popular recording artist from the 1940s into the 1970s, and The Four Coins, which had a hit in 1957 with the rapturous “Shangri-La.”

Vinton had three consecutive hits in 1963-64 – “Blue Velvet,” “There! I’ve Said It Again” and “My Heart Belongs to Only You” – that were remakes of oldies from the 1940s and 1950s. Vinton’s biggest hits also include songs written by legendary songwriters Barry Mann and Burt Bacharach & Hal David, as well as a few that he co-wrote himself.

Here’s an annotated list of Bobby Vinton’s biggest Billboard Hot 100 hits.

Based on actual performance on the weekly Billboard Hot 100. Songs are ranked based on an inverse point system, with weeks at No. 1 earning the greatest value and weeks at lower ranks earning less.  Due to changes in chart methodology over the years, eras are weighted to account for different chart turnover rates over various periods.

Who Does the Top 5 Debut for ‘All the Way’ Mean More To: BigXthaPlug or Bailey Zimmerman?

Neither country star Bailey Zimmerman or rap hitmaker BigXthaPlug had ever hit the top five of the Billboard Hot 100 before — but now they both have together, with their new team-up “All the Way.”

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The relationship-gone-bad trap ballad bows at No. 4 on the Hot 100 (Apr. 19) this week, and features BigX taking on the rap verses in between Zimmerman’s sweet-and-sour sung hook. The combination has proven particularly irresistible for streaming audiences, with the song debuting atop the Streaming Songs chart this week.

Whose career does the song’s early success mean more for? And what other country-rap star pairs could do even bigger things on the charts? Billboard answers these questions and more below.

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1. BigXthaPlug and Bailey Zimmerman’s new collab “All the Way” debuts at No. 4 on the Hot 100 – higher than either artist has ever peaked before. On a scale from 1-10, how surprised are you by the song’s immediate success?

Christopher Claxton: In terms of surprise, I would rate my level at a 2. The fusion of country music and hip-hop is not a new phenomenon, and its popularity is well-established and is making a comeback. For example, consider the chart success of Shaboozey’s “A Bar Song (Tipsy)” a genre-blending track that is neither strictly hip-hop nor country, but a crossover that resonated strongly with American audiences, which spent a record-tying 19 weeks atop the Hot 100.

Kyle Denis: 8. On paper, this collaboration makes complete sense. My surprise stems from the fact that I didn’t know this song was even coming out last week – and I certainly didn’t expect such a splashy first week since neither artist is known for lofty single debuts. 

Elias Leight: 4 — while BigXthaPlug had never hit the top half of the Hot 100 before, he’s quietly been earning more than 50 million on-demand streams a week in the U.S. for most of the last two months. When an artist has that kind of dedicated fan base, he’s poised for this kind of explosive moment. It doesn’t hurt that he teamed up with Zimmerman, who is already an established country hitmaker. 

Jason Lipshutz: A 9. Obviously popular music is preoccupied with the intersection of country and hip-hop right now — we’re only a few months removed from one country-rap hybrid, Shaboozey’s “A Bar Song (Tipsy),” tying the all-time Hot 100 record set by another country-rap hybrid, Lil Nas X and Billy Ray Cyrus’ “Old Town Road” — but neither of those smashes scored a top 5 debut on the chart, instead riding to the upper tier. “All the Way” is an anomaly, not just because of its high-powered debut but because BigXThaPlug had never scored a top 10 hit before, while Bailey Zimmerman had once before with a song that sounds nothing like this collaboration. I could have foreseen “All the Way” eventually growing into a crossover hit, but a No. 4 debut is genuinely startling.

Andrew Unterberger: An 8. I certainly thought there would be a good chance for BigX to score his biggest hit with one of the country collabs he’d teased, but I thought it would be with a slightly more proven crossover hitmaker than Bailey Zimmerman. But I’m sure that in retrospect it won’t actually seem that surprising at all.

2. Which of the two artists do you think the song’s impressive debut means more to, BigX or Zimmerman? 

Christopher Claxton: The chart success of “All the Way” likely holds greater significance for Zimmerman. While he currently has seven tracks on the Hot 100 not including “All the Way”, only two are from 2024, with the others dating back to 2022 and 2023. In contrast, BigX has experienced substantial momentum, charting five tracks on the Hot 100 in 2024 alone. That said, BigX still has reason to celebrate — this marks his first top 10 hit, whereas it is Zimmerman’s second.

Kyle Denis: Probably BigX. Zimmerman at least has a handful of Hot 100 top 40 hits – including the No. 10-peaking “Rock And a Hard Place.” BigX has only hit the Hot 100 thrice before, and none of those entries broke the chart’s top 60. Your first top 40 hit doubling as a No. 4 debut must feel pretty special. 

Elias Leight: For BigX, who’s been flying under the radar despite his enviable streaming numbers, “All the Way” is a mainstream breakthrough — a level-up moment. And while Zimmerman has already had a top 10 hit with “Rock and a Hard Place,” “All the Way” shows that wasn’t a one-off, while also introducing him to an audience of hip-hop fans that probably hadn’t heard him previously. 

Jason Lipshutz: BigX — simply because, unlike Zimmerman, “All the Way” is now by far his biggest hit. “Mmhmm” served as a breakthrough for the Dallas native, but that single only peaked at No. 63 on the Hot 100, a hip-hop radio staple that couldn’t quite muster a full-blown pop crossover. While that moment could have defined his career for a bit, the No. 4 debut for “All the Way” suggests that BigX is quickly moving on to bigger hits and a greater national profile; Zimmerman will continue to rise in the country world, but BigXThaPlug might have just punched his ticket to rap stardom. 

Andrew Unterberger: I think it might actually be Zimmerman — it introduces him to a new audience and proves he has the juice in a way beyond what people probably expected of him. Though I guess you could say the same of BigX, so it’s pretty close to a draw here.

3. Does this single’s runaway success tell you something new or interesting about the commercial potential of hip-hop and country collabs right now – or is it more just about these artists and this song? 

Chris Claxton: The strong debut of “All the Way” further supports the idea that the fusion of hip-hop and country is making a resurgence — one that has been building momentum over time. We witnessed a major breakthrough with Lil Nas X and Billy Ray Cyrus’ “Old Town Road” remix, which spent 19 weeks at No. 1 in 2019, mirroring the success of Shaboozey’s “A Bar Song (Tipsy).” Even in the early 2000s, we saw the success of the fusion in tracks like Nelly’s “Country Grammar (Hot S**t).” The data reflects what listeners are gravitating toward, and it seems likely that we’ll see a continued rise in this hybrid sound — especially with the upcoming release of BigX’s hip-hop-country project, which has strong potential for success.

Kyle Denis: I’m inclined to say it’s just these artists and this song. It’s hard to tell how invested consumers are in country crossovers after such a jam-packed 2024. Chappell Roan’s “The Giver” isn’t exactly lighting the charts on fire and Lana Del Rey’s “Henry, Come On” didn’t have an explosive debut, but Shaboozey and Morgan Wallen still have songs in the Hot 100’s top 10. I think BigX and Zimmerman are both buzzy artists with a lot of social media pull and relatively young fanbases – and Bailey’s backwards cap-over-cowboy hat style pairs well with BigX’s Texan rap bravado. Their union just made sense, and it doesn’t hurt that the song is catchy. 

Elias Leight: Hip-hop country collaborations have been commercially potent for more than a decade. Many of these are one-offs — Tim McGraw and Nelly, Moneybagg Yo and Morgan Wallen — or the work of newcomers: Lil Nas X and Billy Ray Cyrus, Breland and Sam Hunt. BigX’s trajectory is more unusual, in that he is a successful rapper pivoting to put out a project dedicated to country hip-hop fusions. Considering that the two longest running Hot 100 hits both have one foot in rap and one in country, it’s clear that this combination remains formidable. 

Jason Lipshutz: Five years separated the chart runs of “Old Town Road” and “A Bar Song (Tipsy),” with some country-rap hits in between but nothing close to those songs’ respective scales. The top 5 debut of “All the Way” hints that a greater wave is about to crash down, though, to satisfy a wide swath of listeners that is clearly interested in the combination of rap verses and country hooks. BigXThaPlug and Zimmerman were both on upward trajectories upon the release of “All the Way,” but its immediate success has less to do with their journeys and more to do with what pop listeners are generally looking for at the top of their streaming playlists these days. I’d expect an influx of songs like this over the next 6-12 months.

Andrew Unterberger: I think the song’s success does demonstrate the potency of a rap-country combo right now — though I would caution artists and execs from putting too much stock in there being a consistent X + Y = Z formula here. We will see some rappers and country singers team up to great returns in the next couple years, I believe, but not as many as we’ll see making similar attempts and ending up just looking kinda silly and desperate.

4. If you had to guess one of these two artists to have another top 10 Hot 100 hit before the end of the year, which would it be? 

Christopher Claxton: BigXthaPlug is the obvious pick for me. As previously mentioned, he has a country-inspired project on the way, featuring notable artists such as Shaboozey, Jelly Roll, Morgan Wallen and more. BigX has already collaborated with Shaboozey on the track “Drink Don’t Need No Mix, which I personally enjoy. The song charted on both Billboard’s Hot Country Songs and Hot R&B/Hip-Hop Songs charts — not quite the Hot 100, but still a noteworthy first collaboration. The performance of that track could serve as valuable feedback to help shape a true Hot 100 hit in the future. Plus, with several other unrevealed collaborations on the upcoming project, there’s no telling what surprises might be in store.

Kyle Denis: The smart bet is probably Zimmerman given his track record, but I feel like BigX has one or two more eye-popping collabs in the tuck. 

Elias Leight: BigX: The high-flying debut of “All the Way” gives him a lot of momentum as he moves towards the release of the full project, and last year, he said he was recruiting other heavy-hitters as collaborators, including Luke Combs, Jelly Roll and Post Malone. 

Jason Lipshutz: BigXThaPlug because, while Zimmerman has proven to be adept at connecting with casual country listeners, songs like “Mmhmm” and “All the Way” demonstrate that BigX has a canny sense of pop sizzle. His rumbling flow can be magnetic even when he’s not trying to engineer a hit single, but BigX has a keen ear for flashy production and major hooks, understanding exactly how to fit his delivery into a song that could take off outside of his core listenership. “All the Way” may center Zimmerman’s chorus, but BigX knows exactly what he’s accomplishing with a track like this.

Andrew Unterberger: Definitely BigX with all those collabs coming — but I’m also pretty bullish on Zimmerman’s stock, so I’d say it’ll likely be both by the end of 2025.

5. Without naming either Kendrick Lamar or Morgan Wallen, who would be your perfect star rap/country pairing in 2025 for maximum commercial impact?

Christopher Claxton: This may be a hot take, but I would love to see a collaboration between A$AP Rocky and Jessie Murph. Jessie has already demonstrated her ability to flow on hip-hop–influenced production, as seen in her collaboration with Jelly Roll on “Wild Ones,” which was an exceptionally well-executed track. Her work with BigX on “Holy Ground” further proves her versatility. A$AP Rocky, known for his adaptability and consistent delivery, could bring a unique energy to a country-inspired beat. He’s proven time and again that he’s a skilled rapper, and a country-hip-hop blend could offer a refreshing, playful twist to his sound, and offer him a moment to have fun with his music.

Kyle Denis: Drake and Jelly Roll – let’s hope it never happens. 

Elias Leight: Doechii and Megan Moroney.

Jason Lipshutz: Let’s go with Tyler, The Creator and Kacey Musgraves, a pair of A-listers who have a long history of coloring outside of their respective genre lines. A Musgraves hook on a Tyler song, a la “Like Him” with Lola Young, would absolutely crackle.

Andrew Unterberger: J. Cole and Zach Bryan.

Producer Spotlight: BandPlay, Charley Cooks Reach New Milestones Thanks to BigXthaPlug Track

Billboard’s Producer Spotlight series highlights an artist who is currently charting on one of Billboard’s producer rankings. Whether they are new to the industry, or have been churning out hit-after-hit, the intention is to showcase where they are here and now, and the music that’s having a chart impact.

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BandPlay and Charley Cooks each have dozens of production credits to their names, but they reached new heights on Billboard’s latest charts (dated April 19, 2025), thanks to their work on BigXThaPlug’s “All the Way,” featuring Bailey Zimmerman.

The pair co-produced the song together, and are also listed as co-writers, alongside BigXThaPlug, Ben Johnson, KK Johnson and Jenna Johnson.

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Released April 4 via Atlantic/UnitedMasters, the song debuts at No. 1 on the Hot Country Songs chart and No. 4 on the Billboard Hot 100 with 24.1 million streams, 30,000 in airplay audience and 8,000 sold in its first week of release, according to Luminate. It debuts as both the top-streaming and top-selling song of the week, starting atop the Streaming Songs and Digital Song Sales charts. The genre-blending hit earns BigXThaPlug and Zimmerman their first top 5s on the Hot 100, and first No. 1s on Hot Country Songs.

Thanks to their production work, BandPlay (real name: Krishon Gaines) debuts at No. 14 on the Hot 100 Producers chart, while Charley Cooks (real name: Charles Forsberg) opens at No. 21. While chart points for “All the Way” are split evenly between both producers, BandPlay has one additional production credit on the latest Hot 100, helping boost his ranking on the chart—BigXThaPlug’s “The Largest” (which BandPlay co-produced with Tony Coles) re-enters at No. 92.

Cooks and BandPlay also debut and tie at No. 7 on the Country Producers chart.

“All the Way” is a landmark moment for both producers, as the track becomes the highest-charting song in their careers.

Here’s a look at Charley Cooks’ production history on the Hot 100:

  • BigXThaPlug, “Mmhmm,” No. 63, 2024 (BandPlay)
  • BigXThaPlug, “Change Me,” No. 79, 2024 (BandPlay, Tony Coles)

And here’s a look at BandPlay’s production history on the Hot 100:

  • Key Glock, “Proud,” No. 73, 2022
  • Gucci Mane ft. Key Glock & Young Dolph, “Blood All On It,” No. 98, 2022 (Doughboy Beatz)
  • Megan Thee Stallion ft. Key Glock, “Ungrateful,” No. 82, 2022
  • BigXThaPlug, “Mmhmm,” No. 63, 2024 (Charley Cooks)
  • BigXThaPlug, “Leave Me Alone,” No. 96, 2024 (Aimonmyneck)
  • BigXThaPlug, “Change Me,” No. 79, 2024 (Charley Cooks, Tony Coles)
  • NLE Choppa, “Gang Baby,” No. 82, 2024 (Tgrc, Tate Kobang)
  • BigXThaPlug, “The Largest,” No. 71, 2025 (Tony Coles)

Outside of the charts, Charley Cooks has produced songs for Nino Paid, Ravyn Lenae, Kevin Gates, Prof and more. BandPlay has also worked with 50 Cent, French Montana, and Upchurch, among others.

Billboard launched the Hot 100 Songwriters and Hot 100 Producers charts, as well as genre-specific rankings for country, rock & alternative, R&B/hip-hop, R&B, rap, Latin, Christian, gospel and dance/electronic, in June 2019, while alternative and hard rock joined in 2020, along with seasonal holiday rankings in 2022.

The charts are based on total points accrued by a songwriter and producer, respectively, for each attributed song that appears on the Billboard Hot 100. The genre-based songwriter and producer charts follow the same methodology based on corresponding “Hot”-named genre charts. As with Billboard’s yearly recaps, multiple writers or producers split points for each song equally (and the dividing of points will lead to occasional ties on rankings).

Hot 100 First-Timers: Malcolm Todd Arrives With Breakthrough Hit ‘Chest Pain (I Love)’

Malcolm Todd is officially a Billboard Hot 100-charting artist for the first time thanks to his breakthrough single, “Chest Pain (I Love).”

Released in December on Columbia Records, the song debuts at No. 68 almost entirely from 7.7 million official U.S. streams (up 45%) April 4-10, according to Luminate. It also reaches the top 10 on both Hot Alternative Songs (13-9) and Hot Rock & Alternative Songs (16-10).

Todd first appeared on Billboard’s charts dated Dec. 14, 2024, when “Chest Pain (I Love)” debuted on the now-defunct TikTok Billboard Top 50. It hit No. 3 later that month. TikTok has continued to help popularize the song, as its official audio has soundtracked over 400,000 clips on the platform to date. Another variation of the song has been used in over 1.5 million TikToks. Todd’s repeated “I love” refrain is highlighted in most of the videos, which often center around creators and the people or things they love.

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Todd, 21, from Los Angeles, has since charted one additional song: “Bleed,” with Omar Apollo, reached No. 12 on Hot Alternative Songs and No. 20 on Hot Rock & Alternative Songs in March.

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The streaming bump in the latest tracking week for “Chest Pain (I Love)” can be partly attributed to the arrival of Todd’s self-titled debut full-length LP, released April 4. The 14-track album, which includes both “Chest Pain” and “Bleed,” opens at No. 13 on Top Alternative Albums and No. 23 on Top Rock & Alternative Albums with 12,000 equivalent album units. Todd previously dropped two EPs: Demos Before Prom, in 2022, and Showers Shoes, in 2023.

Todd concurrently climbs 22-14 for a new high on the Emerging Artists chart.

BigXthaPlug & Bailey Zimmerman Go ‘All the Way’ to No. 1 on Hot Country Songs Chart

Rapper BigXthaPlug’s team-up with featured artist Bailey Zimmerman, the genre-bending “All the Way,” debuts at No. 1 on Billboard’s Hot Country Songs chart (dated April 19).

Released April 4, the collaboration launches with 24.1 million official U.S. video and audio streams, 30,000 in radio airplay audience and 8,000 sold in the week ending April 10, according to Luminate.

The track concurrently opens atop the all-genre Streaming Songs and Digital Song Sales lists, and at No. 3 on Hot Rap Songs.

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As previously reported, “All the Way” soars in at No. 4 on the all-genre Billboard Hot 100, marking BigXthaPlug’s first top 10 and Zimmerman’s second.

BigXthaPlug (real name Xavier Landum), from Dallas, tops Hot Country Songs in his first appearance, while Zimmerman, from Louisville, Ill., earns his initial leader among five top 10s. They each crown Streaming Songs and Digital Song sales for the first time.

BigXthaPlug has notched 16 titles on Hot R&B/Hip-Hop Songs, beginning in late 2023. He has sent three tracks to the chart’s top 20: “Mmhmm,” his first entry (No. 11 peak); “The Largest” (No. 16); and “2AM” (No. 18). On Hot Rap Songs, the No. 3 start for “All the Way” marks a new career best, joining two other top 10s of his: “Mmhmm” (No. 8) and “The Largest” (No. 10).

The new track, which is being promoted to pop radio, previews BigXthaPlug’s forthcoming country-focused collection.

“It gives me a better feeling how they’ll feel about the [country] project,” BigXthaPlug tells Billboard about the first-week reception for “All the Way.” “I knew that song was gonna do something.”

Additional reporting by Michael Saponara.