Chart Beat
Page: 42
Elvis Presley’s The Classic Christmas Album leads Billboard’s Top Rock Albums chart for the first time, rising two places to No. 1 on the Jan. 4, 2025-dated survey.
In the week ending Dec. 26, the set earned 40,000 equivalent album units, a jump of 59%, according to Luminate.
The Classic Christmas Album was released in 2012 and features 17 holiday-themed hits from Presley’s catalog, including “Blue Christmas” and “Here Comes Santa Claus (Right Down Santa Claus Lane).”
The collection, which previously reached a No. 2 best on Top Rock Albums over the 2020 holiday season, is Presley’s second No. 1 on the chart, which began in 2006, after Elvis Presley Forever led for a week in 2015. That album accompanied a “forever” postage stamp issued by the U.S. Postal Service that year.
Concurrently, The Classic Christmas Album jumps 9-4 on Top Country Albums and 46-23 on the all-genre Billboard 200. It’s a new peak on both charts, usurping its prior Nos. 5 and 26 highs, respectively.
“Blue Christmas” was the album’s top performer in streaming last week. It ranks at No. 2 on Rock Steaming Songs with 27.1 million official U.S. streams (up 61%). “Here Comes Santa Claus (Right Down Santa Claus Lane)” also appears on the tally, at No. 11 (8.1 million, up 43%). “Blue Christmas” was the set’s top radio track, with 9 million in audience (up 33%).
On the all-genre Billboard Hot 100, “Blue Christmas” rises to No. 21, a year after it reached a No. 18 best. The late Presley ties for the longest span of appearing on the chart – stretching across its entire existence, as he placed at No. 4 on the inaugural ranking (dated Aug. 4) with “Hard Headed Woman” and at No. 34 with “Don’t Ask Me Why” (both with the Jordanaires). Also with a 66-year and five-month span of hitting the Hot 100 from its first to its latest week, and likewise due to resurgent holiday hits: fellow late legends Chuck Berry, Nat King Cole, Perry Como and Dean Martin.
Shakira continues to light up Billboard’s LatinAirplay chart as her latest single, “Soltera,” rises a spot for its first week atop the tally (dated Jan. 4, 2025).
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Shakira swells her total to 24 Latin Airplay champs, extending her record for the most among women, dating to the chart’s 1994 inception. The closest female contender, Karol G, has amassed 18 No. 1s. Among all acts, Shakira ties Maluma for the sixth-most rulers.
“Soltera” scales the Latin Airplay summit as it concurrently runs up a 12-week domination on the Latin Pop Airplay chart. The song drew 11 million in all-format radio airplay audience in the U.S. during the Dec. 20-26 tracking week, according to Luminate.
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As “Soltera” becomes the week’s new leader, it eclipses Karol G’s “Si Antes Te Hubiera Conocido” after the latter’s 23 weeks in charge, the second-longest No. 1 run on Latin Airplay. Overall, Shakira’s own “La Tortura,” featuring Alejandro Sanz, retains the record with 25 weeks at No. 1 in 2005. The former experienced a record consecutive 23-week domination; the No. 1 stay of “La Tortura” was interrupted twice.
Here’s the recap of the artists with the most Latin Airplay No. 1s:
36, J Balvin34, Ozuna32, Enrique Iglesias28, Daddy Yankee25, Bad Bunny24, Maluma24, Shakira
Further, as “Soltera” leads Latin Airplay, it becomes Shakira’s first No. 1 without a billed collaborator since “Loba,” her eighth No. 1, in 2009. Among her 24 career No. 1s, she has logged six solo, including her first four in 1998-2003, beginning with “Ciega, Sordomuda.”
“Soltera” reached No. 9 in October on the streaming-, airplay- and sales-based Hot Latin Songs chart. It became her 37th top 10, the most among women since the survey started in 1986.
All charts (dated Jan. 4, 2025) will update on Billboard.com tomorrow (Dec. 31). For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
As holiday hits decorate the Billboard Hot 100’s entire top 10, and top 16, spots for the first time, another seasonal song, among others, makes a notable jolly jaunt: Ed Sheeran and Elton John’s “Merry Christmas” jingles four places to No. 38, marking its first week in the chart’s top 40 – and John’s milestone 60th top 40 hit and Sheeran’s likewise landmark 25th.
The team-up, which Sheeran and John co-wrote, was released in 2021 and first peaked at No. 42 a year later.
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In the Dec. 20-26 tracking week, the song drew 20.2 million official streams (up 38%) and 2.8 million in radio airplay audience (up 25%) and sold 2,000 (up 59%) in the United States, according to data tracker Luminate.
Notably, John ties Beyoncé for the ninth-most top 40 Hot 100 hits, dating to the chart’s Aug. 4, 1958, start.
Most Top 40 Billboard Hot 100 Hits:
206, Drake
165, Taylor Swift
89, Lil Wayne
81, Elvis Presley (whose career predates the Hot 100’s inception)
78, Kanye West
74, Nicki Minaj
72, Future
63, Eminem
60, Beyoncé
60, Elton John
57, Kendrick Lamar
55, Travis Scott
John first reached the Hot 100’s top 40 on the chart dated Dec. 19, 1970, when “Your Song” jumped 49-38. He appeared in the top 40 every year consecutively through 1999 – linking a record 30-year streak in the tier – and returned with his 58th and 59th entries in 2021 and 2022, respectively: “Cold Heart (Pnau Remix),” with Dua Lipa (No. 7 peak), and “Hold Me Closer,” with Britney Spears (No. 6).
(From 1972 through 1986, John charted 36 consecutive Hot 100 hits in the top 40. The run included 20 top 10s, of 29 in his career, and seven No. 1s, of his nine total.)
Plus, John extends the longest span of top 40 Hot 100 appearances for a soloist excluding holiday fare to 54 years and two weeks. Among all acts and backing out seasonal songs, The Beatles boast the longest span: 59 years, nine months and three weeks, from “I Want To Hold Your Hand” in 1964 through “Now and Then” in 2023.
Sheeran first placed in the Hot 100’s top 40 with “The A Team” on the chart dated Nov. 10, 2012, and had most recently ranked in the region with “Eyes Closed” in July 2023.
The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data, the lattermost metric reflecting purchases of physical singles and digital tracks from full-service digital music retailers; digital singles sales from direct-to-consumer (D2C) sites are excluded from chart calculations. All charts (dated Jan. 4, 2025) will update on Billboard.com tomorrow (Dec. 31). For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
Mariah Carey‘s “All I Want for Christmas Is You” dashes back to No. 1 on both the Billboard Global 200 and Billboard Global Excl. U.S. charts. The carol, released in 1994, leads the Global 200 for a record-extending 19th week and Global Excl. U.S. for a record-breaking 14th frame.
The Global 200 and Global Excl. U.S. charts, which began in September 2020, rank songs based on streaming and sales activity culled from more than 200 territories around the world, as compiled by Luminate. The Global 200 is inclusive of worldwide data and the Global Excl. U.S. chart comprises data from territories excluding the United States.
Chart ranks are based on a weighted formula incorporating official-only streams on both subscription and ad-supported tiers of audio and video music services, as well as download sales, the latter of which reflect purchases from full-service digital music retailers from around the world, with sales from direct-to-consumer (D2C) sites excluded from the charts’ calculations.
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“All I Want for Christmas Is You” tops the Global 200 (2-1) with 197.9 million streams (up 176% week-over-week) and 13,000 sold (up 5%) worldwide Dec. 20-26. The song has run up its record 19 weeks at No. 1 dating to the chart’s start via one frame this holiday season, five each over the 2023 and 2022 holidays and four in both the 2021 and 2020 seasons. (Harry Styles’ “As It Was” follows with 15 weeks at No. 1 in 2022.)
Wham’s “Last Christmas” pushes 4-2 on the Global 200, returning to its best rank, with 192.5 million streams (up 78%) and 13,000 sold (up 12%) worldwide.
With their latest totals, “All I Want for Christmas Is You” and “Last Christmas” claim the seventh- and eighth-biggest worldwide streaming weeks since the Global 200 began:
289.2 million, “Butter,” BTS, June 5, 2021
224.5 million, “APT.,” ROSÉ & Bruno Mars, Nov. 2, 2024
217.1 million, “Seven,” Jung Kook feat. Latto, July 29, 2023
217.1 million, “Flowers,” Miley Cyrus, Feb. 4, 2023
212.1 million, “Pink Venom,” BLACKPINK, Sept. 3. 2022
207.5 million, “APT.,” ROSÉ & Bruno Mars, Nov. 9, 2024
197.9 million, “All I Want for Christmas Is You,” Mariah Carey, Jan. 4, 2025
192.5 million, “Last Christmas,” Wham!, Jan. 4, 2025
185.6 million, “Flowers,” Miley Cyrus, Feb. 11, 2023
179.1 million, “Flowers,” Miley Cyrus, Jan. 28, 2023
“All I Want for Christmas Is You” drew its previous best worldwide streaming sum a year ago this week (159.1 million), and its previous second-best total two years ago this week (124.9 million). “Last Christmas” previously peaked with 142.6 million a year ago this week.
Brenda Lee’s “Rockin’ Around the Christmas Tree” rises 5-3 on the Global 200, after reaching No. 2; Bobby Helms’ “Jingle Bell Rock” trots 6-4, returning to its peak; and ROSÉ and Bruno Mars’ “APT.” falls to No. 5 after spending its first nine weeks on the chart at No. 1.
Plus, two holiday hits reenter the Global 200’s top 10: Michael Bublé’s “It’s Beginning To Look a Lot Like Christmas” (11-8) and Dean Martin’s “Let It Snow! Let It Snow! Let It Snow!” (12-9). Both songs have hit No. 6 highs.
Additionally, Lady Gaga and Mars’ “Die With a Smile” drops 4-10 on the Global 200, following eight weeks at No. 1 beginning in September. It drew 126.4 million streams (up 1%) worldwide in the latest tracking frame and has tallied over 100 million streams globally in each of the last 17 weeks, the longest such streak since the chart began.
Carey’s “All I Want for Christmas Is You” crowns the Global Excl. U.S. chart (3-1) with 132.6 million streams (up 90%) and 5,000 sold (up 27%) outside the U.S. Dec. 20-26. As it adds its record-breaking 14th week at No. 1, it surpasses the 13-week reigns of Miley Cyrus’ “Flowers” in 2023 and Styles’ “As It Was” in 2022. The carol led for five weeks last holiday season, following annual No. 1 runs of four weeks (over the 2022 holidays), three weeks (2021) and one week (2020).
Wham’s “Last Christmas” rebounds to its No. 2 Global Excl. U.S. high, from No. 4; ROSÉ and Bruno Mars’ “APT.” slips to No. 3 after logging its first nine weeks on the survey at No. 1; Lee’s “Rockin’ Around the Christmas Tree” lifts 7-4, after hitting No. 3; and Helms’ “Jingle Bell Rock” jumps 8-5, revisiting its best rank.
Elsewhere in the Global Excl. U.S. top 10, Kelly Clarkson’s “Underneath the Tree” climbs 12-9, returning to its peak, and Bublé’s “It’s Beginning To Look a Lot Like Christmas” sleigh-rides 13-10, after reaching No. 4.
The Billboard Global 200 and Billboard Global Excl. U.S. charts (dated Jan. 4, 2025) will update on Billboard.com tomorrow, Dec. 31. For both charts, the top 100 titles are available to all readers on Billboard.com, while the complete 200-title rankings are visible on Billboard Pro, Billboard’s subscription-based service. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
Mariah Carey‘s “All I Want for Christmas Is You” crowns the Billboard Hot 100 for an 18th total week. The carol, which leads for a fourth consecutive week this holiday season, moves to within one week of the longest domination in the chart’s 66-year history, after only the 19-week rules of Shaboozey’s “A Bar Song (Tipsy)” this year and Lil Nas X’s “Old Town Road,” featuring Billy Ray Cyrus, in 2019.
“All I Want for Christmas Is You” was originally released on Carey’s album Merry Christmas in November 1994 and, as streaming has grown and holiday music has become more prominent on streaming services’ playlists, it hit the Hot 100’s top 10 for the first time in December 2017, and the top five for the first time in the 2018 holiday season. It led at last, prior to the past four weeks, over the holidays in 2019 (for three weeks), 2020 (two), 2021 (three), 2022 (four) and 2023 (two).
The track also holds at No. 1 on the Streaming Songs chart for a record-extending 22nd week, leads Digital Song Sales for a sixth week and hits the Radio Songs top 10 for the first time.
“All I Want for Christmas Is You” became Carey’s 19th Hot 100 No. 1, the most among soloists and one away from The Beatles’ overall record 20. It also made Carey the first artist to have ranked at No. 1 on the chart in four distinct decades (1990s, 2000s, ‘10s and ‘20s).
In a historic first, the Hot 100’s top 10 consists entirely of holiday hits. In fact, the top 16 spots on the chart belong to seasonal songs; Lady Gaga and Bruno Mars’ “Die With a Smile” is the top non-Yuletide title, at No. 17 after reaching No. 2. Previously, holiday songs hit a high by infusing the top eight positions a year ago this week (along with nine of the top 10 last week, a year ago this week and four years ago this week).
Among the Hot 100’s top 10, Ariana Grande “Santa Tell Me” dashes 9-5, becoming only the eighth holiday song in the chart’s history to reach the top five, and Nat King Cole’s “The Christmas Song (Merry Christmas To You)” returns to the tier (14-10, after reaching No. 9).
The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data, the lattermost metric reflecting purchases of physical singles and digital tracks from full-service digital music retailers; digital singles sales from direct-to-consumer (D2C) sites are excluded from chart calculations. All charts (dated Jan. 4, 2025) will update on Billboard.com tomorrow (Dec. 31). For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
‘Christmas’ Streams, Airplay & Sales
Christmas wouldn’t be Christmas without Mariah Carey’s “All I Want For Christmas Is You” lighting up the ARIA Singles Chart.
The beloved holiday classic is back at No. 1 this week, continuing its reign as the ultimate festive anthem. Since its release in 1994, the track has evolved from a seasonal favorite to a chart-topping juggernaut, hitting No. 1 in Australia for the first time in 2018. This year marks its eighth cumulative week at the top, proving that Carey’s holiday magic never fades.
After a brief stint at No. 3 last week, the holiday hit once again nudged past Wham!’s “Last Christmas,” which landed at No. 2 and returning the chart every year since 2017. Joining the festive frenzy are Brenda Lee’s “Rockin’ Around The Christmas Tree” at No. 3, Bobby Helms’ “Jingle Bell Rock” at No. 4, and Ariana Grande’s “Santa Tell Me” at No. 5, completing a holiday-dominated top five.
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Meanwhile, over on the ARIA Albums Chart, Sabrina Carpenter’s breakout 2024 release, Short N’ Sweet, has reclaimed its spot at No. 1, marking the album’s seventh non-consecutive week in the top position and its first return since mid-October.
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Michael Bublé’s perennial favorite Christmas wasn’t far behind, soaring from No. 9 to No. 2 as Australians embrace his crooning holiday classics.
SZA’s SOS has also found a resurgence, climbing to No. 4 thanks to its deluxe “Lana” edition, which adds fresh tracks, including the fan-favorite “Saturn.” Originally released in December 2022, SOS first reached No. 1 in early 2023 and has proven to have staying power, much like the holiday hits it’s sharing the charts with this week.
While Christmas classics dominate the singles chart, Carpenter’s Short N’ Sweet has shown incredible staying power amidst the festive flurry.
As for Mariah Carey, her holiday dominance continues worldwide. “All I Want For Christmas Is You” has also returned to the top of the Billboard Hot 100 this month, adding to its cumulative 13 weeks at No. 1. The festive anthem shows no signs of slowing down, much like the joy it brings to listeners year after year.
Frank Sinatra returns to the top 10 of the Billboard 200 albums chart for the first time in over a decade, as his holiday compilation Ultimate Christmas climbs 17-10 on the Jan. 4, 2025-dated chart. The title, which previously peaked at No. 12, reaches the top 10 in its 52nd week on the chart — […]
After 22 months, SZA’s chart-topping SOS returns No. 1 on the Billboard 200, as the set jumps 15-1 on the Jan. 4-dated chart. It bolts back to the top thanks largely from activity generated by the album’s deluxe reissue on Dec. 20 (dubbed SOS Deluxe: LANA) that added 15 additional songs to the album. The set was originally released on Dec. 9, 2022, with 23 tracks. All versions of the album, old and new, are combined for tracking and charting purposes and continue to chart under the title SOS.
SOS surges to No. 1 with 178,000 equivalent album units earned in the U.S. in the week ending Dec. 26 (up 297%), according to Luminate. With its return to No. 1, the set collects an 11th nonconsecutive week atop the list, and its first since the March 4, 2023-dated chart. That 22-month gap between weeks at No. 1 is the longest for any album since the Billboard 200 began publishing on a regular, weekly basis in March 1956.
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Notably, had the 15 new songs on the LANA deluxe edition of the album been released as a new stand-alone album, its track activity alone would have been enough for that stand-alone set to debut atop the list. (The 15 new songs generated 105,000 in SEA and TEA units. The No. 2 title this week, Michael Bublé’s former leader Christmas, earned 100,000 units from SEA, TEA and traditional album sales combined.)
SOS debuted atop the Billboard 200 dated Dec. 24, 2022, and logged 10 nonconsecutive weeks at No. 1 on the list through the March 4, 2023-dated chart. It has never left the weekly top 20 of the chart during the 107 consecutive weeks that it has spent on the list. SOS closed 2024 at No. 6 on the year-end Billboard 200 Albums chart, after it was No. 3 on the year-end list in 2023.
Also in the top 10 of the latest Billboard 200 chart, Frank Sinatra scores his first top 10-charting in over a decade, as his holiday compilation Ultimate Christmas vaults 17-10.
The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new Jan. 4, 2025-dated chart will be posted in full on Billboard‘s website on Tuesday (Dec. 31). For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
Of SOS’ 178,000 equivalent album units earned in the week ending Dec. 26, SEA units comprise 167,000 (up 341%, equaling 220.22 million on-demand official streams of the set’s songs; it hits No. 1 on the year-old Top Streaming Albums chart for the first time), traditional album sales comprise 10,000 (up 44%, rising 39-23 on Top Album Sales) and TEA units comprise 1,000 (up 1,744%).
A deluxe reissue of SOS had been in the works since at least February of 2023, and SZA first mentioned LANA as the name of the expansion in September 2023. The deluxe reissue was preceded by the Billboard Hot 100-charting hit “Saturn” (one of the 15 added tracks), which debuted and peaked at No. 6 in March.
The last R&B/hip-hop album with at least 11 weeks atop the Billboard 200 was Drake’s Views, which notched 13 nonconsecutive weeks at No. 1 in 2016 (May 21-Oct. 8). SOS has the most weeks at No. 1 for an R&B/hip-hop album by a woman, or an R&B album by a woman, since Mariah Carey’s self-titled debut spent 11 weeks, all consecutively, at No. 1 in 1991. (Honorable mention to the Whitney Houston-led soundtrack to The Bodyguard, which logged 20 nonconsecutive weeks at No. 1 in 1992-93. The 12-track album has six songs by Houston and six songs by other artists.) SOS has the most weeks at No. 1 for any R&B album since The Bodyguard’s 20-week reign. (R&B/hip-hop and R&B albums are defined as those that have hit or are eligible for Billboard’s Top R&B/Hip-Hop Albums and Top R&B Albums charts, respectively.)
At No. 2 on the latest Billboard 200, Michael Bublé’s former leader Christmas jingles 5-2 with 100,000 equivalent album units earned (up 47%). The set spent a total of five weeks atop the list in late 2011 and early 2012, following its release in October of 2011. It has climbed to No. 2 in four of the last six holiday seasons. With 100,000 units earned, Christmas tallies its largest week, by units, since the Billboard 200 began ranking by units in December 2014.
The Jan. 4-dated Billboard 200 is set to be the last chart of the holiday season to showcase high-ranking Christmas efforts, as the tracking week for the chart closed on Dec. 26, the day after the Christmas Day holiday.
Bing Crosby’s Ultimate Christmas rallies 6-3 on the new Billboard 200, marking the late entertainer’s highest-charting effort since the Jan. 5, 1959-dated chart, when his former No. 1 Merry Christmas ranked at No. 2. Merry Christmas had previously spent a week at No. 1 on Jan. 6, 1958-dated chart.
Nat King Cole’s The Christmas Song moves 11-4, matching its peak, with 84,000 equivalent album units earned (up 56%). Kendrick Lamar’s chart-topping GNX falls 2-5 (76,000; down 24%), Mariah Carey’s Merry Christmas rises 10-6 (nearly 76,000; up 36%), and Taylor Swift’s former No. 1 The Tortured Poets Department dips 3-7 (74,000; down 13%).
The Wicked film soundtrack falls 7-8 on the Billboard 200 with 71,000 equivalent album units earned (up 9%) and the festive compilation A Christmas Gift for You From Phil Spector climbs 16-9 with 70,000 units (up 60%).
Rounding out the top 10 is Frank Sinatra’s Ultimate Christmas, climbing 17-10 with 63,000 equivalent album units earned (up 55%). The title — which previously peaked at No. 12 and reaches the top 10 in its 52nd week on the chart, dating to its December 2017 debut — is the late legend’s first visit to the top 10 since August 2012, when his 2008 hits package Nothing Best the Best returned to the top 10 (re-entering at No. 3 on the Aug. 25, 2012-dated list after sale pricing and promotion). Nothing had previously debuted and peaked at No. 2 on the May 31, 2008-dated chart.
Ultimate Christmas becomes Sinatra’s 33rd top 10-charting effort, the most among solo males. The Rolling Stones have the most top 10s, with 38. They are followed by Barbra Streisand (with 34), Sinatra and The Beatles, whom he passes (32).
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
12/27/2024
Perry produced some of the biggest and best hits on the Hot 100 in the ’70s and ’80s.
12/27/2024
Rosé & Bruno Mars’ “APT.” returns to No. 1 on the Billboard Japan Hot 100, on the chart released Dec. 25, logging its fourth week atop the tally.
Compared to last week, the global hit shows signs of slowing down with streams and radio airplay down to 96% and 44%, respectively, but downloads gained (101%) and video views are also up slightly. The track comes in at No. 1 for downloads and streaming, No. 2 for video, No. 20 for radio, and No. 42 for karaoke this week. “APT.” has also led Billboard’s Global 200 for nine consecutive weeks.
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Mrs. GREEN APPLE’s “Lilac” rises 4-2. Downloads for the Oblivion Battery opener are up to 131% week-over-week, streaming to 105%, video to 104%, and karaoke to 104%.
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Aqours’ “Eikyu hours” debuts at No. 3. This is the title track off the single containing the theme song for the group’s last headlining concert with all nine members, called Love Live! Sunshine!! Aquours Finale LoveLive! Eikyu Stage, set for June 2025. The CD launched with 179,390 copies to hit No. 1 for sales, and the song also comes in at No. 82 for downloads and No. 41 for radio.
Creepy Nuts’ “Otonoke” rises two notches to No. 4, and Mrs. GREEN APPLE’s “Bitter Vacances” holds at No. 5. Also, a wide range of Christmas favorites have also returned to the chart in droves this week, with back number’s “Christmas Song” climbing 7-6, Mariah Carey’s “All I Want For Christmas Is You” jumping 30-19, and Keisuke Kuwata’s “White Love” moving 48-32.
The Billboard Japan Hot 100 combines physical and digital sales, audio streams, radio airplay, video views and karaoke data.
See the full Billboard Japan Hot 100 chart, tallying the week from Dec. 16 to 22, here. For more on Japanese music and charts, visit Billboard Japan’s English X account.