Chart Beat
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Sam Smith and Kim Petras are on the verge of completing an “Unholy” (EMI) month in the U.K.
The hit collaboration leads the midweek U.K. chart and is heading for a fourth consecutive week at No. 1.
“Unholy” heads an unchanged top 4, as a psycho stalks the top 5. Anne-Marie and Aitch’s “Psycho” (via Atlantic) is eying an 8-5 climb, for what would be a new high in its fifth week on the chart.
Based on midweek data, Stormzy’s on target for the highest new entry with “Hide & Seek” (Def Jam). It’s chasing a No. 9 debut. If it holds its ground, “Hide & Seek” will give the Brit Award winner a 13th U.K. top 10.
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Further down the list, Oliver Tree and Robin Schulz’s “Miss You” (Atlantic) could crack the top 20 for the first time, bouncing 16 places to No. 12 on the Official Chart Update. It’s battling another version of “Miss You,” cut by 19-year-old German producer Southstar, who has accused his compatriot Schulz of releasing a “copycat version” (Schulz and Tree have yet to respond to the accusation). Southstar’s “Miss You” (B1/Ministry Of Sound) is new at No. 26 on the chart blast.
West London rapper Central Cee is flying high with his new cut, “One Up” (Central Cee) which starts at No. 17 on the chart blast. Since bursting onto the scene with 2020’s “Loading,” Central Cee has secured 13 U.K. top 40s, including four top 10s.
Blink-182’s freshly-reunited classic line-up of Mark Hoppus, Travis Barker and Tom DeLonge could bag an 11th U.K. top 40 appearance with “Edging” (Columbia), new at No. 23 on the chart update. “Edging” is the first cut from the pop-punk favorites’ forthcoming album, and the first with DeLonge since the singer/guitarist left the band for a second time, in 2014.
Finally, the “lost” Queen track “Face It Alone” (EMI) is impacting the midweek tally. The previously unheard track features vocals from the band’s iconic late singer Freddie Mercury and was recorded during the 1988 sessions for the band’s penultimate album with Mercury, 1989’s The Miracle.
The song is the lead single from the upcoming Nov. 18 re-release of the band’s 13th album, which will be available as the 8-disc Queen The Miracle Collector’s Edition boxed set.
With “Face It Alone,” Queen should add to their tally of 55 career titles on the U.K. singles chart. It’s new at No. 46 on the chart blast.
All will be revealed when the Official U.K. Singles Chart is published Friday (Oct. 21).
The U.K. albums chart battle is heating up as Red Hot Chili Peppers apply the pressure on the 1975.
Based on midweek data published by the Official Charts Company, the 1975 is out front with Being Funny In A Foreign Language (Dirty Hit), the British alternative rock act’s fifth studio album. If it holds its position, Being Funny will bring Matt Healy and Co. their fifth U.K. leader, following their self-titled 2013 debut; I like it when you sleep, for you are so beautiful yet so unaware of it (from 2016); A Brief Enquiry Into Online Relationships (2018) and Notes On A Conditional Form (2020).
The Chili Peppers could have a say in that.
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The veteran California rockers start at No. 2 on the Official Chart Update with Return Of The Dream Canteen (Warner Records). It’s their 13th album and the follow-up to Unlimited Love, which led the U.K. chart in April of this year.
With their Return, RHCP should nab a 10th U.K. top 10 appearance, a track record that includes five No. 1s.
Rounding out an all-new top five on the chart blast is U.S. band Alter Bridge’s Pawns & Kings (Napalm), at No. 3; Atlanta rapper Lil Baby’s It’s Only Me (Motown/Quality Control), at No. 4; and Dexys Midnight Runners’ Too-Rye-Ay (Mercury), a reissue of the Birmingham, England band’s sophomore album from 1982, which featured the classic single “Come on Eileen”. The LP, which peaked at No. 2 following its original release, is set to return to the top 10 for the first time in 40 years, the OCC reports.
Also charging to the top ten is English indie rock act Big Moon, with Here Is Everything (Fiction), which is on track for a career-best No. 6, while Lightning Seeds should bolt into the top tier with See You In The Stars (BMG), the Britpop era band’s first LP in 13 years. It’s set to debut at No. 7, and could become the band’s highest-charting studio album in a 32-year career.
Close behind is the Vamps’ career retrospective Ten Years Of The Vamps (UMR/Virgin), which is poised to start at No. 5, for what would be the British pop band’s fifth top 10 record.
Finally, veteran artist and production mastermind Brian Eno is on track for a career solo high with his 22nd studio album FOREVERANDEVERNOMORE (Universal Music Recordings), starting at No. 10 on the midweek chart.
All will be revealed when the Official U.K. Albums Chart is published late Friday, Oct. 21.
To celebrate the Midwestern rapper who overcame a rocky childhood to become one of rap’s biggest international sensations, we’re taking a look at Eminem’s 30 biggest hits on the Billboard Hot 100.
He may go by a handful of names — Eminem, Marshall Mathers, Slim Shady — but the rapper/producer/actor has never shied away from being himself, and only himself, sharing his trials and tribulations in his music with fans since stepping up to the mic in his teens. Along the way, the man from 8 Mile has earned seven Billboard 200 No. 1s, five Hot 100 No. 1s, countless of awards, and respect from just about everyone in hip-hop.
See below for Eminem’s top Hot 100 hits.
This chart is based on actual performance on the weekly Billboard Hot 100. Songs are ranked based on an inverse point system, with weeks at No. 1 earning the greatest value and weeks at No. 100 earning the least. Due to changes in chart methodology over the years, eras are weighted to account for different chart turnover rates over various periods.
After a staggering 91 weeks, Glass Animals‘ “Heat Waves” is now solely the longest-charting hit in the Billboard Hot 100‘s 64-year history.
On the latest Oct. 22, 2022-dated Hot 100, “Heat Waves” passes the 90-week run of The Weeknd’s “Blinding Lights” (in 2019-21), which had held the record since August 2021.
“Wow, all I can say is wow,” Glass Animals frontman Dave Bayley marveled to Billboard about the band’s feat. “Many of you know when I wrote this song I was writing about missing someone I loved very dearly. Never in my wildest dreams did I think that it would lead to so much love and connection across the globe.”
As “Heat Waves” adds a new record to its repertoire, here is a breakdown of the song’s biggest stats, as of Billboard charts dated Oct. 22, 2022.
91: Record number of weeks that “Heat Waves” has spent on the Hot 100, dating to its debut on the chart dated Jan. 16, 2021.
37: Number of weeks “Heat Waves” spent in the top 10 of the Hot 100, the fifth-most all-time, after “Blinding Lights” (57 weeks in the region), The Kid LAROI and Justin Bieber’s “Stay” (44), Dua Lipa’s “Levitating” (41) and Post Malone’s “Circles” (39).
57: Number of weeks “Heat Waves” logged in the top 20 of the Hot 100, tied for the fourth-most with “Stay,” after “Blinding Lights” (80 weeks in the tier), “Levitating” (62) and “Circles” (60).
76: Number of weeks “Heat Waves” has tallied in the top 40 of the Hot 100, the second-most after “Blinding Lights” (86).
59: The record number of weeks that “Heat Waves” took to hit No. 1 on the Hot 100, as it began a five-week domination in March.
12: The number of U.S.-specific Billboard charts on which “Heat Waves” has hit No. 1. It topped the Hot 100, Hot Rock & Alternative Songs, Hot Rock Songs, Hot Alternative Songs, Radio Songs, Alternative Airplay, Pop Airplay, Adult Pop Airplay, Alternative Streaming Songs, Alternative Digital Song Sales, Billboard Global 200 and Global Excl. U.S. charts.
37: Number of weeks that “Heat Waves” spent at No. 1 on the Hot Rock & Alternative Songs, Hot Rock Songs and Hot Alternative Songs charts. Only Panic! At the Disco’s “High Hopes” has spent more time atop Hot Rock & Alternative Songs and Hot Rock Songs (65 weeks on both). “Heat Waves” holds the record on the Hot Alternative Songs, which launched in June 2020.
3.3 billion: Total cumulative audience for “Heat Waves” on U.S. radio, according to Luminate.
1.3 billion: Total on-demand official U.S. streams for “Heat Waves,” audio and video combined.
255,000: Total U.S. downloads sold for “Heat Waves.”
11: Number of countries in Billboard‘s international charts menu in which “Heat Waves” has hit No. 1: Australia, Austria, Belgium, Canada, Czech Republic/Czechia, Germany, Iceland, Luxembourg, New Zealand, Slovakia and Switzerland.
2: Weeks that “Heat Waves” has not appeared on the Hot 100, dating to its debut. The song entered at No. 100 on Jan. 16, 2021, and fell off the ranking for two weeks, before re-entering at No. 91 that Feb. 6. The song has, thus, appeared on the Hot 100 over a span of 93 weeks since its debut. (It was released in June 2020.)
28: Total number of songs that have topped the Hot 100 since “Heat Waves” debuted on Jan. 16, 2021 (excluding “Heat Waves”). In chronological order, the leaders are 24kGoldn’s “Mood,” featuring iann dior (which was in its eighth and final week at No. 1); Olivia Rodrigo’s “Drivers License,” Drake’s “What’s Next”; Cardi B’s “Up”; Justin Bieber’s “Peaches,” featuring Daniel Caesar and Giveon; Lil Nas X’s “Montero (Call Me by Your Name)”; Silk Sonic’s “Leave the Door Open”; Polo G’s “Rapstar”; The Weeknd and Ariana Grande’s “Save Your Tears”; Rodrigo’s “Good 4 U”; BTS’ “Butter” and “Permission To Dance”; The Kid LAROI and Bieber’s “Stay”; Drake’s “Way 2 Sexy,” featuring Future and Young Thug; Coldplay and BTS’ “My Universe”; Lil Nas X and Jack Harlow’s “Industry Baby”; Adele’s “Easy On Me”; Taylor Swift’s “All Too Well (Taylor’s Version)”; Mariah Carey’s “All I Want for Christmas Is You”; Carolina Gaitán, Mauro Castillo, Adassa, Rhenzy Feliz, Diane Guerrero, Stephanie Beatriz and Encanto Cast’s “We Don’t Talk About Bruno”; Harry Styles’ “As It Was” (which dethroned “Heat Waves” upon its debut); Future’s “Wait for U,” featuring Drake and Tems; Harlow’s “First Class”; Drake’s “Jimmy Cooks,” featuring 21 Savage; Lizzo’s “About Damn Time”; Beyoncé’s “Break My Soul”; Nicki Minaj’s “Super Freaky Girl”; and Steve Lacy’s current leader “Bad Habit.”
1,266: Total number of songs that have charted on the Hot 100 alongside “Heat Waves” since its debut.
4: Total number of No. 1 hits that Drake has earned on the Hot 100 since “Heat Waves” debuted on Jan. 16, 2021, the most among all acts in that span. BTS has earned three leaders in that window, while Bieber, Future, Harlow, Lil Nas X and Rodrigo have each earned two.
60: Total number of entries that Lil Durk has tallied on the Hot 100 since “Heat Waves” debuted, the most among all acts. Drake is next with 53, followed by Lil Baby (49), YoungBoy Never Broke Again (48) and Taylor Swift (41).
66: Total number of weeks that “Heat Waves” spent on the Hot 100 alongside The Weeknd and Ariana Grande’s “Save Your Tears,” the most of any song over the former’s run on the chart. Dua Lipa’s “Levitating” follows with 64 shared weeks, then The Kid LAROI and Justin Bieber’s “Stay” (63).
12: Total number of songs to debut at No. 100 on the Hot 100 and hit No. 1. They are: Wilbert Harrison’s “Kansas City” (in 1959); Mark Dinning’s “Teen Angel” (1960); The Highwaymen’s “Michael” (1961); Steve Lawrence’s “Go Away Little Girl” (1963); Percy Sledge’s “When a Man Loves A Woman” (1966); Vicki Lawrence’s “The Night the Lights Went Out in Georgia” (1973); UB40’s “Can’t Help Falling in Love” (1993); Chris Brown’s “Kiss Kiss,” featuring T-Pain (2007); Wiz Khalifa’s “See You Again,” featuring Charlie Puth (2015); “Heat Waves”; and, as of two weeks ago, Steve Lacy’s “Bad Habit.”
3: Total number of songs to chart in the Hot 100’s history with “heat wave” in their titles. Martha & The Vandellas’ “Heat Wave” was the first in 1963 (No. 4 peak), followed by Linda Ronstadt’s cover of that classic (No. 5, 1975) before Glass Animals’ “Heat Waves.”
134 degrees Fahrenheit: The hottest recorded heat wave in history. Furnace Creek Ranch in California’s Death Valley recorded a high temperature of 134.1°F (or 58°C) on July 10, 1913, the highest ambient air temperature recorded on earth, according to the World Meteorological Organization.
Way back in 2018, Elton John launched the Farewell Yellow Brick Road Tour, billed as his final, three-year-long global trek. The announcement of his final shows has paid dividends, generating more than half a billion dollars while he plays to more than four million fans. So far, according to figures reported to Billboard Boxscore, the Farewell Yellow Brick Road Tour has grossed $661.3 million and sold 4.5 million tickets across 257 shows around the world through Oct. 9.
John has been banking millions since the tour began, but stepped on the gas after returning from a two-year COVID-19 delay. After playing 39 North American arena dates in the spring, he flew to Europe for a 19-date stadium run, and then came back stateside for more than 30 domestic stadium shows. Of those, 20 have played so far, adding $133.4 million and 830,000 tickets to the tour’s sum.
From one North American leg to another, attendance jumped by 192% to 41,513 per show, and nightly revenue increased by 160% to $6.7 million.
The 39 stadium shows that have played so far in Europe and North America have earned $202.6 million and sold 1.3 million tickets, making up 31% and 30%, respectively, of the tour’s total figures, despite accounting for just 15% of its shows.
In getting to this point, John’s goodbye run is the third tour in Boxscore history to pass the $600 million threshold, following U2’s 360 Tour, which grossed $736.4 million in 2009-11, and Ed Sheeran’s reigning champ, The Divide Tour, which earned $776.4 million from 2017 to 2019.
Sheeran’s all-time champ is an interesting comparison point, with 258 shows throughout its two-and-a-half-year run – just one more than John’s tour has played so far. In contrast to Sheeran and U2, as well as other $500 million tours by Guns ‘N Roses, The Rolling Stones and Coldplay, the Farewell Yellow Brick Road Tour has spent most of its time in arenas. While these classic rock greats made their sums quickly in 50,000-plus-capacity stadiums, John has been a road horse in 15,000-cap arenas, able to push high ticket prices in a relatively intimate setting.
The current North American leg continues with 13 more shows before its Nov. 20 close at Los Angeles’ Dodger Stadium. John continues with a 10-stadium run in Australia and New Zealand in January, plus a return to European arenas with more than 40 shows in the spring. The Farewell Yellow Brick Road Tour is scheduled to close at Stockholm’s Tele2 Arena on July 8, 2023, and with just $115 million between him and the all-time record, John soldiers on at breakneck speed.
Across his career, John has grossed $1.7 billion and sold 19.1 million tickets, becoming the highest grossing solo act in Billboard Boxscore’s three-decade-plus history.
Sam Smith and Kim Petras‘ “Unholy” posts a third week at No. 1 on both the Billboard Global 200 and Billboard Global Excl. U.S. charts, two weeks after it launched at the summit of both surveys.
The two charts, which began in September 2020, rank songs based on streaming and sales activity culled from more than 200 territories around the world, as compiled by Luminate. The Billboard Global 200 is inclusive of worldwide data and the Billboard Global Excl. U.S. chart comprises data from territories excluding the U.S.
Chart ranks are based on a weighted formula incorporating official-only streams on both subscription and ad-supported tiers of audio and video music services, as well as download sales, the latter of which reflect purchases from full-service digital music retailers from around the world, with sales from direct-to-consumer (D2C) sites excluded from the charts’ calculations.
‘Unholy’ Atop Global 200 for Third Week
Sam Smith and Kim Petras’ “Unholy” claims a third week at No. 1 on the Billboard Global 200, with 81.5 million streams (down 2%) and 18,000 downloads sold worldwide (up 9%) in the Oct. 7-13 tracking week.
Notably, songs by acts all from outside the U.S. have topped the Global 200 for 34 consecutive weeks, spanning seven titles (and five countries), both record streaks since the chart began. Here’s a recap:
“Heat Waves,” Glass Animals (U.K.), six weeks at No. 1, beginning March 5“As It Was,” Harry Styles (U.K.), 15, April 16“Running Up That Hill (A Deal With God),” Kate Bush (U.K.), three, June 18“Bzrp Music Sessions, Vol. 52,” Bizarrap (Argentina) & Quevedo (Spain), four, July 30“Pink Venom,” BLACKPINK (South Korea), two, Sept. 3“Shut Down,” BLACKPINK (South Korea), one, Oct. 1“Unholy,” Sam Smith (UK) & Kim Petras (Germany), three to-date, Oct. 8
The Global 200’s top five holds in place, with David Guetta and Bebe Rexha’s “I’m Good (Blue)” at its No. 2 high; Harry Styles’ “As It Was” at No. 3 following its record 15-week reign; Chris Brown’s “Under the Influence” at its No. 4 best; and OneRepublic’s “I Ain’t Worried” at its No. 5 highpoint.
Elsewhere in the Global 200’s top 10, Steve Lacy’s “Bad Habit” rebounds to its No. 10 best, from No. 12, up 3% to 37.6 million streams worldwide. It previously spent a week in the region on the Aug. 27 chart.
Smith, Petras Continue Atop Global Excl. U.S.
Sam Smith and Kim Petras’ “Unholy” concurrently logs a third week at No. 1 on the Billboard Global Excl. U.S. chart, with 59.3 million streams (down 2%) and 6,000 downloads sold (up 8%) worldwide in territories outside the U.S. in the Oct. 7-13 tracking week.
Similar to the Global 200, songs by acts from outside the U.S. have dominated the Global Excl. U.S. chart for 32 weeks in a row, covering nine titles (and six countries), likewise record streaks:
“Heat Waves,” Glass Animals (U.K.), three weeks at No. 1, beginning March 19“Envolver,” Anitta (Brazil), one, April 9“As It Was,” Harry Styles (U.K.), 13, April 16“Yet To Come,” BTS (South Korea), one, June 25“Running Up That Hill (A Deal With God),” Kate Bush (UK), one, July 16“Bzrp Music Sessions, Vol. 52,” Bizarrap (Argentina) & Quevedo (Spain), six, July 30“Pink Venom,” BLACKPINK (South Korea), three, Sept. 3“Shut Down,” BLACKPINK (South Korea), one, Oct. 1“Unholy,” Sam Smith (U.K.) & Kim Petras (Germany), three to-date, Oct. 8
The Global Excl. U.S. top five is stationary, with David Guetta and Bebe Rexha’s “I’m Good (Blue)” at its No. 2 best; Manuel Turizo’s “La Bachata” at its No. 3 high; Harry Styles’ “As It Was” at No. 4 following its record 13-week rule; and Bizarrap and Quevedo’s “Bzrp Music Sessions, Vol. 52” at No. 5, after it reigned for six weeks.
The Billboard Global 200 and Billboard Global Excl. U.S. charts (dated Oct. 22, 2022) will update on Billboard.com tomorrow (Oct. 18). For both charts, the top 100 titles are available to all readers on Billboard.com, while the complete 200-title rankings are visible on Billboard Pro, Billboard‘s subscription-based service. For all chart news, you can follow @billboard and @billboardcharts on both Twitter and Instagram.
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
Glass Animals‘ former five-week Billboard Hot 100 No. 1 “Heat Waves” is now the longest charting song in the list’s 64-year history, as it tallies a record-breaking 91st week on the latest Oct. 22-dated survey.
Ranking at No. 21 on the newest Hot 100, “Heat Waves” surpasses The Weeknd’s “Blinding Lights,” which logged 90 weeks on the chart in 2019-21.
Over the course of its run on the chart, “Heat Waves” also broke the record for the steadiest climb to No. 1 when it reached the summit in its 59th week in March.
“Wow, all I can say is wow, ” Glass Animals frontman Dave Bayley marvels to Billboard about the band’s achievement. “Many of you know when I wrote this song I was writing about missing someone I loved very dearly. Never in my wildest dreams did I think that it would lead to so much love and connection across the globe. You all have done that. Thank you to everyone who has helped this song reach so many people. You know who you are. Thank you.”
Here’s an updated look at the songs with the most weeks spent on the Hot 100, from to the chart’s Aug. 4, 1958 inception through the Oct. 22-dated ranking:
Most Weeks Spent on the Billboard Hot 100:
91, “Heat Waves,” Glass Animals90, “Blinding Lights,” The Weeknd87, “Radioactive,” Imagine Dragons79, “Sail,” AWOLNATION77, “Levitating,” Dua Lipa76, “I’m Yours,” Jason Mraz69, “Save Your Tears,” The Weeknd & Ariana Grande69, “How Do I Live,” LeAnn Rimes68, “Counting Stars,” OneRepublic68, “Party Rock Anthem” LMFAO feat. Lauren Bennett & GoonRock
“Heat Waves” has also spent the second-most weeks in the Hot 100’s top 40 (76), trailing only the sum of “Blinding Lights” (86), and is tied with The Kid LAROI and Justin Bieber’s “Stay” for the fourth-most weeks spent in the top 20 (57), after “Blinding Lights” (80), Dua Lipa’s “Levitating” (62) and Post Malone’s “Circles” (60).
“Heat Waves” debuted at No. 100 on the Hot 100 dated Jan. 16, 2021. The No. 1 song that week was 24kGoldn’s “Mood.” Since then, an additional 27 songs (excluding “Heat Waves”) have reached the pinnacle. From the Jan. 16, 2021-dated Hot 100 to the current, Oct. 22, 2022, chart, “Heat Waves” has ranked alongside a whopping 1,266 other songs.
“Heat Waves” is Glass Animals’ first Hot 100 hit. Over its run, it has also spent 37 weeks at No. 1 on both Hot Rock & Alternative Songs and Hot Alternative Songs, six weeks at No. 1 on Radio Songs, three weeks at No. 1 on Alternative Airplay and two weeks at No. 1 on both Pop Airplay and Adult Pop Airplay. It also reached No. 5 on Rock & Alternative Airplay, No. 7 on Adult Contemporary and No. 17 on Adult Alternative Airplay.
Of the 91 weeks that “Heat Waves” has spent on the Hot 100, 66 were shared with The Weeknd and Ariana Grande’s “Save Your Tears,” the most of any song over the former’s run. “Levitating” follows with 64 shared weeks, then “Stay” (63).
As for “Blinding Lights,” the song logged four weeks at No. 1 on the Hot 100 and set records for the most weeks spent in the top five (43), top 10 (57), top 20 (80) and top 40 (86). Its longevity helped it earn the distinction as the No. 1 title on Billboard’s Greatest of All Time Hot 100 Songs ranking.
“Blinding Lights” had held the longevity record on the Hot 100 since August 2021, when it overtook Imagine Dragons’ “Radioactive.” The latter track spent 87 weeks on the chart and had held the mark since 2014, when it surpassed Jason Mraz’s “I’m Yours” (76 weeks, 2008-09).
Steve Lacy‘s “Bad Habit” notches a third week at No. 1 on the Billboard Hot 100 songs chart, two weeks after it ascended to the summit.
Meanwhile, Morgan Wallen achieves his first top five Hot 100 hit as “You Proof” rises from No. 7 to No. 5 and Doja Cat reaches the top 10 with “Vegas” (11-10). The latter samples Big Mama Thornton’s 1953 classic “Hound Dog,” which Elvis Presley famously covered in 1956, marking the latest chart success for the iconic song.
The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data. All charts (dated Oct. 22, 2022) will update on Billboard.com tomorrow (Oct. 18). For all chart news, you can follow @billboard and @billboardcharts on both Twitter and Instagram.
“Bad Habit,” released on L-M/RCA Records, tallied 42.3 million radio airplay audience impressions (up 4%), 20.1 million streams (down 2%) and 2,000 downloads sold (down 27%) in the Oct. 7-13 tracking week, according to Luminate.
The single, which Lacy solely produced and co-wrote, holds at No. 2 after five nonconsecutive weeks atop the Streaming Songs chart; keeps at its No. 7 high on Radio Songs; and falls to No. 43 from its No. 32 best on Digital Song Sales.
Lacy’s first Hot 100 No. 1, from his album Gemini Rights, which debuted as his first Billboard 200 top 10, at its No. 7 high, in July, concurrently tops the multi-metric Hot Rock & Alternative Songs, Hot Rock Songs and Hot Alternative Songs charts for an eighth week each and the Hot R&B/Hip-Hop Songs and Hot R&B Songs charts for a seventh frame each. It became the first song to rule all five rankings (dating to October 2012, when Billboard‘s main genre-based song charts adopted the Hot 100’s methodology).
Sam Smith and Kim Petras’ “Unholy” repeats at its No. 2 Hot 100 high, with 23.2 million streams (down 2%), 15.2 million in airplay audience (up 55%) and 12,000 sold (up 10%). It leads both Streaming Songs and Digital Song Sales for a third week and is the first hit to top both charts in its first three weeks on each list since Olivia Rodrigo’s “Drivers License” doubled up in its first three weeks on each survey (Jan. 23, 30 and Feb. 6, 2021; it went on to spend its first four frames atop Streaming Songs).
Harry Styles “As It Was” is steady at No. 3 on the Hot 100, after 15 weeks at No. 1 – the fourth-longest reign in the chart’s history. Still, the song, which debuted at No. 1 on the April 16-dated list, extends its record for the most weeks, 28, tallied in the top three, encompassing its entire run on the chart so far.
The track also rebounds for a ninth week at No. 1 on Radio Songs (60 million in audience, up 2%). It has led the list over a span of 23 weeks (since its first week atop the chart, dated May 21), the second-longest stretch of a song reigning, after The Weeknd’s “Blinding Lights,” which led for 26 weeks over 28 weeks in 2020.
Post Malone’s “I Like You (A Happier Song),” featuring Doja Cat, holds at No. 4 on the Hot 100, after reaching No. 3.
Morgan Wallen’s “You Proof” rises 7-5 for a new Hot 100 high, becoming the country star’s first top five hit, among four top 10s. Notably, it’s the second top five hit this decade that has reached the region by appearing on, among individual-format airplay charts, only Country Airplay (as opposed to crossing over to pop and/or adult surveys); Luke Combs’ “Forever After All” launched at its No. 2 Hot 100 peak in November 2020. Both tracks gained prominence thanks to strong streaming and country radio airplay, as “You Proof” drew 13.7 million streams in the latest tracking week, as it ranks at No. 8 on Streaming Songs, and tops the Country Airplay chart for a second frame. (“Forever” hit No. 2 on Streaming Songs and No. 1 for six weeks on Country Airplay.)
On Radio Songs, “You Proof” lifts 11-10 (34.6 million, up 2%), similarly becoming just the third title to reach the top 10 by appearing on Country Airplay but on no other individual genre chart (since Radio Songs became an all-format summary in December 1998). It joins Combs’ “Forever After All,” which reached No. 10 on Radio Songs in June 2021, and Cole Swindell’s “She Had Me at Heads Carolina,” which hit No. 9 on Radio Songs earlier in October (and topped Country Airplay for four frames starting in September).
“You Proof” concurrently commands the multi-metric Hot Country Songs chart for a ninth week.
OneRepublic’s “I Ain’t Worried” keeps at its No. 6 Hot 100 best; Nicky Youre and dazy’s “Sunroof” drops 5-7, after hitting No. 4; Nicki Minaj’s “Super Freaky Girl” holds at No. 8, after it premiered atop the Aug. 27 chart, as it tops the multi-metric Hot Rap Songs chart for a ninth week; and Combs’ “The Kind of Love We Make” is stationary at No. 9 on the Hot 100, after reaching No. 8.
Rounding out the Hot 100’s top 10, Doja Cat climbs 11-10 with “Vegas.” The song, from the hit Elvis movie soundtrack, reaches the Radio Songs top five (6-5; 48.5 million, up 4%) and also drew 8 million streams and sold 2,000 in the tracking week.
Doja Cat adds her sixth Hot 100 top 10. Prior to “Vegas” and “I Like You,” she tallied “Say So,” featuring Nicki Minaj (No. 1, one week, May 2020); “Kiss Me More,” featuring SZA (No. 3, July 2021); “Need to Know” (No. 8, November 2021); and “Woman” (No. 7, this May). She boasts the most top 10s among women this decade, surpassing Taylor Swift’s five since the start of 2020 (although with Swift appearing primed to reignite that race thanks to her LP Midnights, due this Friday).
“Vegas” samples Big Mama Thornton’s “Hound Dog,” a Billboard R&B chart No. 1 for the blues legend (who passed away in 1984) nearly 70 years ago. Written by Songwriters Hall of Fame and Rock and Roll Hall of Fame inductees Jerry Leiber and Mike Stoller, Elvis Presley’s version crowned multiple Billboard charts in 1956. (The Hot 100 began Aug. 4, 1958.)
Presley’s imprint is, thus, extended in the Hot 100’s top 10. Notably, “Hound Dog” was originally released with B-side and fellow classic “Don’t Be Cruel,” also a No. 1 on multiple Billboard surveys in 1956, and Cheap Trick’s faithful cover of the latter hit No. 4 on the Hot 100 in October 1988. Earlier in 1988, Pet Shop Boys likewise sent their interpretation of “Always on My Mind” to No. 4 (that May), after Presley’s ballad version hit No. 16 on Hot Country Songs in 1973. In July 1993, UB40’s take on “Can’t Help Falling in Love,” which Presley took to No. 2 on the Hot 100 in 1962, began a seven-week reign.
The late Presley himself appeared on the Hot 100 as recently as January 2021, when his holiday perennial “Blue Christmas,” originally from 1957, hit a No. 33 high, after becoming his highest-charting entry since 1981.
“Vegas” (a noteworthy hit in Tupelo, Miss.) additionally becomes Doja Cat’s sixth No. 1 on the Pop Airplay chart. It replaces “I Like You” atop the tally, making her the first artist to dethrone themselves at the summit since Ariana Grande’s “34+35” directly followed her “Positions” to the top in February 2021.
Again, for all chart news, you can follow @billboard and @billboardcharts on both Twitter and Instagram and all charts (dated Oct. 22), including the Hot 100 in its entirety, will refresh on Billboard.com tomorrow (Oct. 18).
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
British singers Paul Heaton and Jacqui Abbott, formerly with the Beautiful South, earn their second U.K. chart crown as a duo as N.K-Pop debuts at No. 1.
N.K-Pop led at the midweek point and does enough to cross the finish line first.
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As members of the Beautiful South, the English artists earned three leaders, with Carry On Up The Charts – The Best Of (from 1994), Blue Is The Colour (1996) and Quench (1998).
Heaton and Abbott also reached No. 1 as a pairing with their last album, 2021’s Manchester Calling.
Coming in at No. 2 on the Official U.K. Albums Chart is alt-pop outfit Easy Life, with Maybe In Another Life…, an effort that equals the Leicester band’s best chart placing, set with 2021’s Life’s a Beach.
Maybe In Another Life… is the week’s best-seller on vinyl.
Beyoncé’s Renaissance rebounds, partly due to the viral success of album track “Cuff It,” which lifts 10-5 on the singles survey, for a new high. Renaissance improves 20-7 on the Official Albums Chart, published Oct. 14.
U.S. pop singer Charlie Puth bags a third U.K. top 10 album with Charlie, new at No. 9.
Further down the tally, veteran rockers the Cult enjoy their first top 20 appearance since 2016, as Under The Midnight Sun shines at No. 15. Midnight Sun is the Ian Asbury led-band’s 11th full length album.
Ahead of the Mercury Prize ceremony, for which it’s shortlisted, a vinyl reissue of Sam Fender’s 2021 LP Seventeen Going Under, blasts 37 places to No. 16. Seventeen Going Under is Fender’s second chart leader, following his 2019 debut Hypersonic Missiles. The Mercury Prize will be announced Oct. 18 at Eventim Apollo, in Hammersmith, London. Fender has good form at industry awards. He won the Critics’ Choice Award at the 2019 BRIT Awards.
Another classic record on the up thanks to a re-issue is Pink Floyd’s Animals (2018 Remix), which vaults 90-21 following the release of a deluxe gatefold edition.
Canadian indie pop outfit Alvvays earn a second top 40 album with Blue Rev, new at No. 27, a career best.
Finally, as Swifties gear-up for the release of Midnights, her 10th studio album this Friday (Oct. 21), several Taylor Swift albums enjoy spikes on the latest frame. 1989 improves 41-31, and Lover lifts 45-35.
Sam Smith and Kim Petras make it a hattrick as “Unholy” (via EMI) claims a third consecutive week at No. 1 in the U.K.
The track draws level with Smith’s 2017 single “Too Good At Goodbyes” as their second-longest-running No. 1 hit, with both songs boasting three straight weeks at the summit.
Of Smith’s eight U.K. No. 1s, none has logged more time at the top than their “Promises” collaboration with Calvin Harris, at six weeks.
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“Unholy” leads an unchanged top three, ahead of David Guetta and Bebe Rexha’s “I’m Good (Blue)” (via Parlophone) and Lewis Capaldi’s “Forget Me” (Vertigo), respectively.
Beyoncé’s “Cuff It” (Columbia/Parkwood Ent) is enjoying a renaissance after going viral on social media. The single lifts 10-5 for a new chart high in its 11th week on the Official U.K. Singles Chart.
Also on the rise is Anne-Marie and Aitch’s “Psycho” (Atlantic), up 12-9 for its first stint in the top 10. “Psycho” leads Aitch’s three appearances in the top 40 of the latest U.K. chart frame, published Friday, Oct. 14, with Ed Sheeran collab “My G” (Asylum/Capitol) up 16-14, and Tion Wayne alliance “Let’s Go” (Atlantic) debuting at No. 30.
Another song on the rise after turning viral on TikTok is Tom Odell’s 2010 release “Another Love,” up 18-13. That’s the highest chart position for the track since July 2013, and it’s closing in on its peak of No. 10. The debut from the BRITs Critics Choice winner began trending alongside protest videos, including tributes in response to the death of 22-year-old Iranian woman Mahsa Amini in suspicious circumstances.
A slew of singles rise on the latest survey, including Lizzo’s “2 Be Loved (Am I Ready)” (via Atlantic), up 20-16; Rema’s “Calm Down” (Mavin) up 21-17; Burna Boy and Ed Sheeran’s “For My Hand” (Atlantic) up 19-18; Cian Ducrot’s “All For You” (Polydor) up 23-19; Venbee and Goddard’s “Messy In Heaven” (Columbia) up 38-20 and d4vd’s “Romantic Suicide” (DVD4) 31-22.
The highest new debut on the latest frame belongs to Mimi Webb, as “Ghost Of You” (Epic) starts at No. 23. Lifted from her forthcoming debut album Amelia, “Ghost Of You” is Webb’s fifth top 40 appearance.
Finally, Oliver Tree and Robin Schulz snag a top 40 debut with “Miss You” (Atlantic), new at No. 28. It’s Tree’s highest chart position in the U.K. and his second top 40 after “Life Goes On,” which last year peaked at No. 33, and it’s Schulz’ fourth appearance in the top tier.