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More than a decade after his global breakthrough, Hozier finally bags a U.K. No. 1 single with “Too Sweet”.
The Irish singer and songwriter benefits from the release of an expanded deluxe edition of his third LP Unreal Unearth, which led the national albums chart last August.
“Too Sweet” (via Island) accumulates 61,000 chart units and 6.7 million streams, making it the most-streamed track of the week in the U.K., according to the Official Charts Company, as the title lifts 4-1 on the Official U.K. Singles Chart, published Friday, April 12.
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It’s Hozier’s second U.K. top 10 single, joining his signature song “Take Me To Church,” which was released back in September 2013 and peaked at No. 2 the following year.
The leader at the midweek stage, Benson Boone’s “Beautiful Things” (Warner Records) holds at No. 2, while Beyoncé’s “Texas Hold ‘Em” (Columbia/Parkway Ent) loses its crown, down 1-3.
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Meanwhile British singer, songwriter and producer Artemas snags a career high with his electronic-pop number “i like the way you kiss me” (Parlophone), up 6-5. This current chart is twice as nice for Artemas, as his followup “if u think i’m pretty” lifts 52-39, for his second U.K top 40 appearance.
As country music cracks the whip in the U.K., Dasha makes her move on the singles chart with “Austin” (Warner Records). It’s up 15-8 as Dasha books her first-ever U.K. top 10 spot.
J. Cole lifts his tally of top 40 hits to 12, thanks to the surprise release of his mixtape, Might Delete Later (Interscope). Fresh cuts “H.Y.B.” featuring Bas and Central Cee (at No. 29) and the controversial, Kendrick Lamar diss track “7 Minute Drill (at No. 38), open their accounts.
Finally, EDM David Guetta star bags his 48th top 40 hit in the U.K. with “I Don’t Wanna Wait,” a collaboration with OneRepublic, new at No. 37. It’s OneRepublic 10th top 40 appearance.
Tanner Adell is just a few years into her country career, but on Sunday night (April 8) at the 2024 CMT Music Awards she was elated to celebrate her first chart-topper on the Billboard 200. When Billboard‘s Tetris Kelly mentioned that Adell was featured on Beyoncé‘s eighth No. 1 album, Cowboy Carter, the Kentucky native could not suppress a giant smile as she said, “apparently.”
Adell — who sings alongside Bey on the interpretation of the Beatles’ “Blackbird,” (which in Beyoncé’s version is titled “Blackbiird”) — said “it feels incredible. Congratulations to Bey, she’s worked so hard — especially just… Act I, now we’re Act II and I can’t wait for Act III. I’m just starting out and it feels pretty amazing to have one of my… not even one of my, my favorite artist on the planet know my name, put me on this album and now it’s debuted at No. 1. It’s very special.”
Pitching things forward a bit to the 2025 Grammy Awards, Kelly noted that if Cowboy Carter is nominated for the elusive album of the year prize that Beyoncé — the most-decorated artist in Grammy history — has never yet won, Tanner could get a major moment in the sun. Rendered speechless, Tanner smiled and said, “I guess?”
“I’m an independent artist, it’s been a grind and just to have someone of that caliber reach down and lift us up it’s really, really special and i’m just very honored,” said the singer who released her debut album, Buckle Bunny, last summer.
Cowboy Carter debuted at No. 1 on the Billboard 200 album chart dated April 13, debuting with 407,000 equivalent album units earned in the U.S. in the week ending April 4 according to Luminate; the album marks the singer’s eighth No. 1 on the all-genre Billboard 200. Cowboy Carter also has dibs on the biggest week of 2024 to date, marking the largest opening frame since Taylor Swift’s 1989 (Taylor’s Version) bowed with 1.653 million units in November.
Another contemporary Black country act who had high praise for Bey on Sunday was Reyna Roberts, who also lends her voice to “Blackbiird,” along with Brittney Spencer, Adell and Tiera Kennedy. “Absolutely! I believe it. I’ve always believed that I was going to history, not sure in what capacity,” said “Stompin’ Grounds” singer Roberts of possibly being part of a major moment if Bey is finally fitted for the AOTY crown next year. “I’m just grateful that Beyoncé allowed us to be part of her dream and her project. This is phenomenal, I can’t even describe how excited and happy I am.”
On the CMT red carpet, tAdell also showed of the new “Blackbiird”-inspired tattoo on her arm, noting that Roberts got her own version as well to commemorate their unexpected place in the Bey universe. “We all did it in our own style kind of how we wanted to,” she said showing off the bird image ink on her right forearm. “We just felt like this is a really big moment and something to commemorate the experience of being able to work together with someone that we all look up to very much.”
After their first collab reached the top 20 on Billboard’s Hot Latin Songs chart, Kali Uchis and Karol G linked up for “Labios Mordidos,” which debuts at No. 10 on the chart dated Dec. 9. Karol G extends her record for the most female pairings to debut in the top 10 in the list’s 37-year-old history, with five all-women collaborations.
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“Labios Mordidos” is the third preview from Uchis’ fourth studio album Orquídeas, the all-Spanish-language set due Jan. 12. The Colombian now repays the favor, after “Me Tengo Que Ir” — from Karol G’s No. 1 album Mañana Será Bonito (Bichota Season) — placed the pair at No. 19 on Hot Latin Songs last August.
“Labios Mordidos” which translates to “Bitten Lips,” arrives at No. 10 on the strength of streaming activity. The song logged 5.6 million official U.S. streams on latest tracking week of Nov. 24-30, according to Luminate. The seven-figure sum sparks a No. 9 start on the Latin Streaming Songs chart.
Further, “Labios” also begins with 500 downloads sold in the same period, enough for a No. 3 arrival on Latin Digital Song Sales.
With “Labios,” Uchis ups her career top 10 count on Hot Latin Songs to two and her first equal-billed top 10 debut. The new top 10 follows the eight-week ruler “Telepatía” (2021). The ranking blends weekly streaming, sales, and radio airplay data.
Karol, meanwhile, collects her 25th top 10, extending her second-most among women, trailing only Shakira who leads with 35 top 10s. Plus, as“Labios” debuts on the upper tier, la bichota captures her fifth all-women pair-up top 10 debut, the most by a woman in the history of Hot Latin Songs, which dates to 1986. Only one other female pair has racked up a top 10 launch without Karol G as one of the collaborators, Becky G and Natti Natasha with “Sin Pijama” in May 2018.
Here’s the full list of top 10 debuts by two co-billed women:
Debut Date, Debut Position, Title, ArtistMay 5, 2018, 10, “Sin Pijama,” Becky G & Natti NatashaNov. 23, 2019, No. 1, “Tusa,” Karol G & Nicki MinajApril 10, 2021, No. 9, “El Makinon,” Karol G & Mariah AngeliqFeb. 26, 2022, No. 1, “MAMIII,” Becky G & Karol GMarch 11, No. 1, “TQG,” Karol G & ShakiraDec. 9, No. 10, “Labios Mordidos,” Kali Uchis & Karol G
Elsewhere, “Labios” gives Uchis her second all-Spanish-language entry on the all-genre Billboard Hot 100, at No. 97. For Karol, it becomes her 29th career entry – still the most for a Latin female artist with all-Spanish-language songs.
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Enrique Iglesias and Maria Becerra unite atop Billboard’s Tropical Airplay chart as “Así Es La Vida” advances from No. 2 to lead the Dec. 9-dated ranking. The move brings back Iglesias to the lead after a nine-year break, for his eighth champ. Becerra captures her second No. 1.
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“Así Es La Vida” leads Tropical Airplay with a 14% improvement in audience impressions, to 4.8 million, earned in the U.S. in the week ending Nov. 30, according to Luminate.
The song was released Sept. 28 via Sony Music Latin and lands at No. 1 on Tropical Airplay in its ninth week. It unseats Chayanne’s “Bailando Bachata” from the penthouse after 15 weeks in charge, the third-most this decade and the longest-leading song in 2023.
“Así Es La Vida” propels Iglesias back to the top spot after “Bailando,” featuring Descemer Bueno and Gente de Zona, hit No. 1 in 2014. With over nine years to take over Tropical Airplay, it becomes the third-longest gap between No. 1s. Chayanne holds the second-longest span with a 15-year break between “Amor Inmortal” (2008) and “Bailando Bachata” (August 5-dated list). Jennifer Lopez continues to lead with the longest-break between champs — both Marc Anthony collaborations — with a 17-year wait between “No Me Ames” (1999) and “Olvídame y Pega La Vuelta” (2016).
Thanks to the new champ, Iglesias collects his eighth No. 1 on Tropical Airplay. Here’s his collection:
Peak, Title, Artist, Weeks at No. 1May 31, 2003, “Para Que La Vida,” oneJune 2, 2007, “Do You Know? (The Ping Pong Song),” oneDec. 19, 2009, “Gracias A Ti,” with Wisin & Yandel, oneSept. 11, 2010, “Cuando Me Enamoro,” featuring Juan Luis Guerra, sixDec. 31, 2011, “Ayer,” oneMarch 22, 2014, “El Perdedor,” featuring Marco Antonio Solis, oneJuly 5, 2014, “Bailando,” featuring Descemer Bueno & Gente De Zona, fourDec. 9, 2023, “Así Es La Vida,” with Maria Becerra
For Becerra, the new achievement gives her a second No. 1 on the tropical ranking. The Argentinian earned her No. 1 in her first chart visit through another bachata, “Te Espero,” with Prince Royce, in May 2022.
Beyond its Tropical Airplay coronation, “Vida” makes progress on the overall Latin Airplay tally, pushing 24-17.
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Chayanne dances his way back into the top 10 on Billboard’s Latin Pop Albums chart as Bailemos Otra Vez debuts at No. 3 on the Nov. 11-dated list. The set becomes his 15th top 10 and his first since 2014.
“It’s the greatest joy!” Chayanne tells Billboard. “I put heart, soul and all my energy into this project and it has rewarded me in the best way, which is the response from the public.”
Bailemos Otra Vez was released Oct. 27 via Sony Music Latin and launches on Latin Pop Albums with 4,000 equivalent album units earned in the U.S. in the week ending Nov. 2, according to Luminate.
Of the 4,000-unit sum, 3,000 derive from album sales. Streaming activity contributes to 1,000 units, which equals to 1.43 million official on-demand audio and video streams for the album’s songs in its first week, while a negligible amount of activity comes from track-equivalent units. On Latin Pop Albums, one unit equals to one album sale, 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams for a song on the album.
With Bailemos Otra Vez, Chayanne logs his 15th top 10 — and 12th consecutive — dating back to his self-titled 1989 album, the No. 3-peaking Chayanne. In fact, the Puerto Rican tracks a multi-decade streak of albums that reached the top 10 since the ’80s, a feat achieved by only one other artist, Rocio Durcal, who has placed top 10s in the ‘80s, ‘90s, ’00, ‘10s and ‘20s.
Here’s a review of Chayanne’s collection of top 10s on Latin Pop Albums spanning five decades:
Peak Date, Title, Peak Position, Weeks At No. 1Aug. 12, 1989, Chayanne, No. 3June 1, 1991, Tiempo De Vals, No. 2April 17, 1993, Provócame, No. 3March 4, 1995, Influencias, No. 12Nov. 9, 1996, Volver A Nacer, No. 15Jan. 9, 1999, Atado A Tu Amor, No. 3Dec. 16, 2000, Simplemente, No. 3April 13, 2002, Grandes Éxitos, No. 1, 10Sept. 13, 2003, Sincero, No. 1, oneApril 16, 2005, Desde Siempre, No. 2Oct. 15, 2005, Cautivo, No. 1, oneApril 28, 2007, Mi Tiempo, No. 2Nov. 15, 2008, Vivo, No. 5March 13, 2010, No Hay Imposible, No. 1, sevenFeb. 25, 2012, Solas Con Chayanne, No. 2Sept. 13, 2014, En Todo Estaré, No. 1, oneNov. 11, 2023, Bailemos Otra Vez, No. 3
Beyond his Latin Pop Albums top 10 debut, Bailemos opens at No. 35 on Top Latin Albums, his first chart appearance since the No. 1-peaking En Todo Estaré en 2014.
Bailemos was preceded by two songs: “Te Amo y Punto,” which reached No. 6 high on Latin Pop Airplay in 2022, and “Bailando Bachata” which holds strong at No. 1 on Tropical Airplay for a 13th week. The latter ties with Marshmello and Manuel Turizo’s “El Merengue” for the most weeks at the lead there in 2023.
“I’ve always liked to have music and rhythms for all tastes,” Chayanne adds. “From this one, I love bachata. I have the tropical in my DNA, and with this album I wanted to wink at Mexico, a country that has always given me so much love and support, so I have a lot of faith in “Necesito Un Segundo.”
Just nine weeks after Chayanne captured his first top 10 in over 14 years on Billboard’s Tropical Airplay chart, he is back in command – with his first No. 1 since 2008 – as “Bailando Bachata” rises 2-1 to rule the Aug. 5-dated list.
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The song earns Greatest Gainer honors for the week fueled by an 18% increase in audience impressions, to 8.9 million, earned in the week ending July 27, according to Luminate.
“Honestly, I always do things because I feel them and since we started working on the album, bachata was considered,” Chayanne tells Billboard. “With the excessive amount of competition these days I wasn’t expecting it, but I am very grateful for this No. 1.”
“Bailando Bachata” is the third single from Chayanne’s forthcoming studio album (released date TBD). It follows two top 10 singles: “Te Amo y Punto” and “Como Tú y Yo” reached No. 6 and No. 7, respectively on Latin Pop Airplay in late 2022.
“Bachata” tops the list 14 years after Chayanne’s last leader, “Amor Inmortal,” dominated for five weeks in late 2008. The over 14-year window between new rulers is the longest gap by any artist since Dec. 2016, when Jennifer Lopez ended a 17-year wait between No. 1s when “Olvídame y Pega La Vuelta,” with Marc Anthony, topped the list. It was her first No. 1 since “No Me Ames,” also with Marc Anthony, in 1999.
As bachata proliferates on a global level, more artists are basking on its popularity. Notably, five of the six songs that have arrived at the summit on Tropical Airplay in 2023 belong to the genre. Here’s the recap:
Title, Artist, Peak Date, Total Weeks at No. 1“Monotonia,” Shakira & Ozuna, Jan. 7 (nine)“El Pañuelo,” Romeo Santos & Rosalia, Feb. 4 (four)“La Bachata,” Manuel Turizo, Feb. 11 (14)“Me EnRD,” Prince Royce, July 8 (four)“Bailando Bachata,” Chayanne, Aug. 5
About the genre’s craze, Chayanne feels differently: “I love both bachata as much as all tropical rhythms. All the songs on the new album are special, I always surround myself with professionals and I only record what I feel I like, that suits me and that the public may like, not necessarily because there is a trend.”
As “Bailando Bachata” takes charge of Tropical Airplay, it ejects Prince Royce’s “Me EnRD” from its four-week command with a 17% dip in audience, to 8.4 million.
Further, “Bailando Bachata” concurrently delivers extra goods for Chayanne with a 5-3 lift on the overall Latin Airplay list, matching his career-high for almost a decade, as “Humanos a Marte” landed and at an equal No. 3 high in Aug. 2014.
“In my case, inspirations go hand-in hand with rhythm and lyrics,” Chayanne adds. “I like songs that denote joy and invite to dance. This one most certainly will be included on my next tour; I want all to dance it with me.”
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All charts (dated Aug. 5, 2023) will update on Billboard.com tomorrow (Aug. 2). For all chart news, you can follow @billboard and @billboardcharts on both Twitter and Instagram.
Bad Bunny teased a new track on TikTok and fans are excited for his potential return to music. Billboard looks at which Britney songs are ruling her streaming numbers over the past 18 months. Luke Combs recently gave Ed Sheeran a life lesson in the quintessential American art of suds-based party tricks. And more!
TETRIS KELLY:Bad Bunny teases new music and puts his romance on display. We run down Britney’s success while on hiatus. Luke Combs teaches Ed Sheeran a classic American tradition. We get to know Rita Ora a little better, and we find out who would be in Nicole Zignago’s ultimate girl group. Hey guys, Tetris Kelly here for Billboard News. It’s May 17th and Bad Bunny has been busy. Let me break it down for you.
Bad Bunny hopped on TikTok to tease new music, and I must admit the track is a banger. After a melodic intro the beat drops and Benito couldn’t control himself. Fans are ready for the new track — and a change in his dating life. One user commented “Benito you need to drop this song and Kendall [Jenner] at the same time.” The two have been inseparable, spending time partying after the Met Gala in New York and hanging courtside in LA at Lakers games. Do you approve of the new music? How about Benito’s boo? Well let us know in the comments.
Now it’s time to talk about my girl Britney Jean. Fans still love Britney Spears. Despite releasing only one song in the past seven years, the pop star’s music still resonates. Billboard’s Jason Lipshutz joins us to discuss how her music is doing 18 months after the #FreeBritney movement.
JASON LIPSHUTZ:It’s been a year and a half since Britney Spears’ conservatorship ended and we were just interested in looking at what her streams and sales and biggest hits look like in that time period when people are just kind of experiencing Britney Spears’ music once again, kind of in a different reality of post-conservatorship Britney.
TETRIS KELLY:I was surprised to learn ‘Toxic’ has become Britney’s biggest streaming hit over the past year.
JASON LIPSHUTZ:It peaked at No. 9 on the Hot 100, but aside from ‘Hold Me Closer,’ her newest single, it was her most streamed song over the past year. It was her most played song on radio over the past year, nearly 20 years since its release. And ‘Toxic’ is basically as strong as ever. It’s kind of the de facto biggest Britney Spears catalog hit at this point.
TETRIS KELLY:As you just mentioned, Britney’s only release in seven years ‘Hold Me Closer’ with Elton John did pretty well debuting at No. 6 on the Hot 100.
JASON LIPSHUTZ:People really love this song. It’s become basically Britney’s biggest hit in years and it was never a sure thing that that it was going to last beyond that first few weeks.
TETRIS KELLY:So Jason, tell me when can we expect new music from the pop star?
JASON LIPSHUTZ:There’s no announced plans for a new single or new album but one thing that ‘Hold Me Closer’ did suggest is that there is an openness to releasing new music at some point.
TETRIS KELLY:Let’s talk about international relations. The U.S. and the U.K. have a long history. We’ve got a new event to add to the history books.
ED SHEERAN:“By the way, for context, Luke is — what is this, shooting?”
LUKE COMBS:“Shotgun. Shotgun.”
ED SHEERAN:“Luke is teaching me how to shotgun a beer.”
TETRIS KELLY:Luke Combs taught Ed Sheeran an essential American party trick just in time for summer: shotgunning a beer.
LUKE COMBS:“You want me to go first or you want to go together?”
ED SHEERAN:“I think let’s go together, all right?”
LUKE COMBS:“All right count us down.”
LUKE COMBS“Be mindful of where your top is here right? Because once that opens beer’s coming out of that if it’s pointing to the ground, so you want this point in the sky and once you’re up then you crack the top and it’s just just gonna go.”
TETRIS KELLYI personally never had shotgunned a beer before, but I may follow those steps and give it a try
JELLY ROLLWhat’s up y’all it’s your boy Jelly Roll. I want to encourage you to get your tickets now for my show with Billboard on June 6 at Music Marathon Works in Nashville, Tennessee. Tickets available now. I’ll see y’all there.
TETRIS KELLYIf you want to learn more about Rita Ora, you’re in luck. We played a little rapid fire game with the pop star.
KATIE BAINWho has made you the most starstruck?
RITA ORAPrince was a moment for sure. I remember when he walked into a party with the most gorgeous twins, honestly it was like the seas parted and he just like walked through slowly and that was the first time I saw him but then we met afterwards.
KATIE BAINDid he ever give you any advice?
RITA ORAI think he just told me to own my masters. And now I own my masters.
KATIE BAINAmen, thank you Prince! Weirdest thing I do before I go onstage?
RITA ORAI warm up. And then I sort of like just hum but I’m alone. I have like 10 minutes to myself to just focus and think about the show.
KATIE BAINWhat is your favorite late night snack?
RITA ORAI mean pizza. I just love pizza. Who doesn’t love pizza? Or cheese?
KATIE BAINYou have an endless budget to start the ultimate group — who is in your group?
RITA ORAOh my gosh, I think Sam Smith. Yes, I love Anitta. Oh yeah, Charli XCX. Perfect, Nicki Minaj I mean, how big is this group because we like Beyoncé, David Bowie if he were still alive yeah and me! And the whole of BTS.
TETRIS KELLYBefore we let you go, we needed to know who Nicole Zignano would put in her ultimate girl group. So we asked her at Billboard’s Latin Women in Music.
NICOLE ZIGNANOBlackpink and Rosalia. The Bombastic Four that will be our name.
TETRIS KELLYThat’s the show, come back tomorrow where we’re interviewing Labrinth about his new music. I’m Tetris Kelly and this is Billboard News.
Morgan Wallen’s “Last Night” returns to No. 1, from No. 2, for a fourth total week atop the Billboard Hot 100 songs chart. It first ruled in March, becoming the country singer-songwriter’s initial leader on the list.
Meanwhile, a week after Eslabon Armado and Peso Pluma scored the Hot 100’s first top five regional Mexican hit, Grupo Frontera and Bad Bunny add the second. The former pairing retains the mark for the highest-charting song ever for the genre, as “Ella Baila Sola” rises 5-4, while the latter leaps 15-5 with “Un x100to.”
Plus, Taylor Swift rewrites her longest run in the Hot 100’s top 10, as “Anti-Hero” spends a 25th week in the region, at No. 10, surpassing the 24-week top 10 stay of “Shake It Off” in 2014-15.
The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data. All charts (dated May 6, 2023) will update on Billboard.com tomorrow (May 2). For all chart news, you can follow @billboard and @billboardcharts on both Twitter and Instagram.
Wallen’s “Last Night,” released on Big Loud/Mercury/Republic Records, drew 47.7 million radio airplay audience impressions – up 20%, good for the chart’s top Airplay Gainer award for a fourth consecutive week – and 33.7 million streams (down 4%) and sold 10,000 downloads (down 9%) in the April 21-27 tracking week, according to Luminate.
The single scores a seventh week at No. 1 on the all-genre Streaming Songs chart; dips 2-4 on Digital Song Sales, following a week on top; and ascends 11-7 on Radio Songs, marking Wallen’s second top 10 (after “You Proof” hit No. 10 last October). “Last Night” pushes to No. 5 on the Country Airplay chart, while scaling the top 20 of both Pop Airplay and Adult Pop Airplay.
“Last Night” concurrently tops the Hot Country Songs chart, which uses the same methodology as the Hot 100, for a 12th week. It becomes the first song to have led the Hot 100 and Hot Country Songs and ranked in the top 10 on Streaming Songs, Radio Songs and Digital Song Sales simultaneously.
“Last Night” became just the 20th song to have topped both the Hot 100 and Hot Country Songs. As it has now ruled the former for four weeks and the latter for 12, among those 20 songs, its 16 combined weeks atop the charts ties for the most, matching Johnny Horton’s “The Battle of New Orleans,” which spent six and 10 weeks at No. 1, respectively, in 1959.
Songs to Have Topped Both the Hot 100 & Hot Country Songs Charts:“Last Night,” Morgan Wallen, 2023 – 4 weeks atop the Hot 100 / 12 weeks atop Hot Country Songs“All Too Well (Taylor’s Version),” Taylor Swift, 2021 – 1 week / 3 weeks“We Are Never Ever Getting Back Together,” Taylor Swift, 2012-13 – 3 weeks / 10 weeks“Amazed,” Lonestar, 1999-2000 – 2 weeks / 8 weeks“Islands in the Stream,” Kenny Rogers, duet with Dolly Parton, 1983 – 2 weeks / 2 weeks“I Love a Rainy Night,” Eddie Rabbitt, 1981 – 2 weeks / 1 week“9 to 5,” Dolly Parton, 1981 – 2 weeks / 1 week“Lady,” Kenny Rogers, 1980 – 6 weeks / 1 week“Southern Nights,” Glen Campbell, 1977 – 1 week / 2 weeks“Convoy,” C.W. McCall, 1975-76 – 1 week / 6 weeks“I’m Sorry,” John Denver, 1975 – 1 week / 1 week“Rhinestone Cowboy,” Glen Campbell, 1975 – 2 weeks / 3 weeks“Thank God I’m a Country Boy,” John Denver, 1975 – 1 week / 1 week“Before the Next Teardrop Falls,” Freddy Fender, 1975 – 1 week / 2 weeks“(Hey Won’t You Play) Another Somebody Done Somebody Wrong Song,” B.J. Thomas, 1975 – 1 week / 1 week“The Most Beautiful Girl,” Charlie Rich, 1973 – 2 weeks / 3 weeks“Honey,” Bobby Goldsboro, 1968 – 5 weeks / 3 weeks“Big Bad John,” Jimmy Dean, 1961 – 5 weeks / 2 weeks“El Paso,” Marty Robbins, 1959-60 – 2 weeks / 7 weeks“The Battle of New Orleans,” Johnny Horton, 1959 – 6 weeks / 10 weeks
SZA’s “Kill Bill” slips to No. 2 on the Hot 100 a week after it became her first No. 1. It concurrently crowns the multi-metric Hot R&B/Hip-Hop Songs and Hot R&B Songs charts for an 18th and 19th week, respectively.
On Hot R&B/Hip-Hop Songs, “Kill Bill” extends the longest reign for a song by a woman in a lead role since the survey became an all-encompassing genre chart in 1958, having passed Mary J. Blige’s “Be Without You” (15 weeks, 2006). Overall, “Kill Bill” ties for the second-longest Hot R&B/Hip-Hop Songs command.
Most Weeks at No. 1 on Hot R&B/Hip-Hop Songs (since 1958):20, “Old Town Road,” Lil Nas X feat. Billy Ray Cyrus, 201918, “Kill Bill,” SZA, 2022-2318, “Industry Baby,” Lil Nas X & Jack Harlow, 2021-2218, “One Dance,” Drake feat. WizKid & Kyla, 201616, “Blurred Lines,” Robin Thicke feat. T.I. + Pharrell, 201315, “Be Without You,” Mary J. Blige, 2006
Miley Cyrus’ “Flowers” holds at No. 3 on the Hot 100, after eight weeks at No. 1, beginning upon its debut in January. It posts an 11th week atop Radio Songs (91.6 million in audience, down 1%). The song also spends a fourth week topping the Pop Airplay, Adult Pop Airplay and Adult Contemporary charts simultaneously, becoming just the third hit with that many weeks leading all three lists at the same time; it joins only Adele’s “Hello” (four, 2015) and Celine Dion’s “Because You Loved Me” (five, 1996).
Eslabon Armado and Peso Pluma’s “Ella Baila Sola” ascends 5-4 on the Hot 100. It claims another new all-time high rank for a regional Mexican song, a week after it became the chart’s initial top five hit, and two weeks after it became the first top 10, for the genre. The collaboration logs a fourth week at No. 1 on the multi-metric Hot Latin Songs chart.
Meanwhile, Grupo Frontera and Bad Bunny’s “Un x100to” becomes the Hot 100’s second-ever top five (and top 10) regional Mexican hit, surging 15-5. It drew 28.6 million streams, up 44%, as it wins the Hot 100’s top Streaming Gainer ribbon, along with 6.3 million in airplay audience and 3,000 sold.
Regional Mexican sextet Grupo Frontera, from Texas, achieves its first Hot 100 top 10, among six career entries dating to its first last October, while Bad Bunny adds his ninth.
Hot ‘100’: “Un x100to” is the first top 10, among over 5,000 top 10s in the Hot 100’s history, with “100” in its title. Special shout-outs to Gene McDaniels’ “A Hundred Pounds of Clay” (No. 3 peak, 1961) and “Somebody’s Been Seeping” by 100 Proof Aged in Soul (No. 8, 1970).
Rema and Selena Gomez’s “Calm Down” rebounds to its No. 6 Hot 100 high, from No. 7. It tops the Billboard U.S. Afrobeats Songs chart for a 35th week, extending the longest rule since the ranking began a year ago (in partnership with music festival and global brand Afro Nation).
Metro Boomin, The Weeknd and 21 Savage’s “Creepin’ “ descends 6-7 on the Hot 100, after hitting No. 3; The Weeknd and Ariana Grande’s “Die for You” holds at No. 8, following a week at No. 1 in March; and PinkPantheress and Ice Spice’s “Boy’s a Liar, Pt. 2” lifts 10-9, after reaching No. 3.
Rounding out the Hot 100’s top 10, Taylor Swift’s “Anti-Hero” returns to the tier, rising 11-10. The song became her sole longest-leading No. 1, for eight weeks in November-January, surpassing the seven-week reign of “Blank Space” in 2014-15. Now, with a 25th week in the top 10, it bests “Shake It Off” (24 weeks, 2014-15) for her longest run in the bracket. Next up in her catalog, “Blank Space” totaled 17 weeks in the top 10, also in 2014-15, followed by (each with 16), “I Knew You Were Trouble.” (2012-13) and “You Belong With Me” (2009).
Again, for all chart news, you can follow @billboard and @billboardcharts on both Twitter and Instagram and all charts (dated May 6), including the Hot 100 in its entirety, will refresh on Billboard.com tomorrow (May 2).
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
SZA slices her way to her first Billboard Hot 100 No. 1, as “Kill Bill” jumps from No. 4 to the top spot, following eight weeks at its prior No. 2 high. The song reigns following the release of its remix adding Doja Cat.
Plus, Ice Spice and Nicki Minaj’s “Princess Diana” launches at No. 4 on the Hot 100, marking the second top 10 for the former rapper and the 22nd for the latter.
Also in the Hot 100’s top tier, Eslabon Armado and Peso Pluma log the first regional Mexican top five hit in the chart’s history, as “Ella Baila Sola” soars 10-5. A week earlier, the song became the chart’s first-ever regional Mexican top 10.
The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data. All charts (dated April 29, 2023) will update on Billboard.com tomorrow (April 25). For all chart news, you can follow @billboard and @billboardcharts on both Twitter and Instagram.
Here’s a rundown of the Hot 100 coronation for “Kill Bill.” The song is the 1,149th No. 1 since the chart originated in August 1958. It was released on her Top Dawg/RCA Records album SOS, which ranks at No. 3 on the Billboard 200 chart, after 10 weeks at the summit.
Airplay, streams & sales: “Kill Bill” drew 86.5 million radio airplay audience impressions (down 1%) and 28.3 million streams – up 32% – and sold 5,000 downloads – up 228% – in the April 14-20 tracking week, according to Luminate, as it claims both the Hot 100’s top Streaming Gainer and Sales Gainer awards.
Sparking the song’s surge, its remix with Doja Cat arrived April 14. (All versions of the song roll up into one chart listing; Doja Cat is not listed on “Kill Bill” on the Hot 100, as the remix did not account for the majority of the song’s overall consumption during the tracking week.)
The track rises 3-2 for a new high on the Radio Songs chart; ascends 4-3 on Streaming Songs, following four weeks at No. 1; and bounds 36-8, returning to its best rank, on Digital Song Sales.
SZA’s first No. 1: SZA claims her first Hot 100 No. 1 with “Kill Bill.”
Here’s a look at her seven career Hot 100 top 10s, ranked by peak position. She scored her prior best peak also thanks to collaborating with Doja Cat, as featured on 2021’s “Kiss Me More.”
No. 1, one week, to-date, April 29, 2023, “Kill Bill”
No. 3, July 10, 2021, “Kiss Me More” (Doja Cat feat. SZA)
No. 7, Dec. 18, 2021, “I Hate U”
No. 7, March 3, 2018, “All the Stars” (with Kendrick Lamar)
No. 9, Feb. 6, 2021, “Good Days”
No. 9, Nov. 25, 2017, “What Lovers Do” (Maroon 5 feat. SZA)
No. 10, Dec. 24, 2022, “Nobody Gets Me”
Eight’s not too late: “Kill Bill” tops the Hot 100 after eight nonconsecutive weeks at No. 2. It debuted at No. 3 on the Dec. 24, 2022, chart – as SOS premiered at No. 1 on the Billboard 200.
The song ties for the second-most weeks spent at No. 2 on the Hot 100 before rising to No. 1 at last:
9 weeks at No. 2 on Hot 100 before hitting No. 1, “Bad Guy,” Billie Eilish, hit No. 1 Aug. 24, 2019
8, “Kill Bill,” SZA, April 29, 2023
8, “Starboy,” The Weeknd feat. Daft Punk, Jan. 7, 2017
8, “Sorry,” Justin Bieber, Jan. 23, 2016
8, “The Way You Move,” OutKast feat. Sleepy Brown, Feb. 14, 2004
7, “Havana,” Camila Cabello feat. Young Thug, Jan. 27, 2018
7, “Sexy and I Know It,” LMFAO, Jan. 7, 2012
6, “Girls Like You,” Maroon 5 feat. Cardi B, Sept. 29, 2018
6, “All of Me,” John Legend, May 17, 2014
‘Kill’-er hits: As SZA takes out all chart competition in her way, she notches the fourth Hot 100 No. 1 with “kill” (or any form of the word) in its title:
“Kill Bill,” one week at No. 1, to-date, April 29, 2023
“Stronger (What Doesn’t Kill You),” Kelly Clarkson, three weeks, beginning Feb. 18, 2012
“A View to a Kill,” Duran Duran, two, July 13, 1985
“Killing Me Softly With His Song” Roberta Flack, five, Feb. 24, 1973
Meanwhile, “Kill Bill” is the second Hot 100 No. 1 of the four above that doubles as a movie title, as it’s an ode to the 2003 Quentin Tarantino-directed, and likewise revenge-focused, martial arts favorite (subtitled Volume 1) starring Uma Thurman, among others (including David Carradine in the role of Bill). Duran Duran’s “A View to a Kill” is the theme from the same-named 1985 James Bond movie, and the only one from the franchise to have topped the Hot 100.
Record-extending R&B/hip-hop reign: “Kill Bill” concurrently rules the multi-metric Hot R&B/Hip-Hop Songs and Hot R&B Songs charts for a 17th and 18th week, respectively. On Hot R&B/Hip-Hop Songs, it boasts the longest command for a song by a woman in a lead role since the survey became an all-encompassing genre chart in 1958, having passed Mary J. Blige’s “Be Without You” (15 weeks at No. 1 in 2006).
Morgan Wallen’s “Last Night” dips to No. 2 on the Hot 100 after three nonconsecutive weeks at No. 1. It adds a sixth frame at No. 1 on Streaming Songs (35.1 million, down 4%), while winning top Airplay Gainer honors on the Hot 100 for a third week in a row (39.9 million, up 16%). The single from Wallen’s album One Thing at a Time, which spends a seventh week atop the Billboard 200, leads the multi-metric Hot Country Songs chart for an 11th week.
Miley Cyrus’ “Flowers” holds at No. 3 on the Hot 100, after eight weeks at No. 1, beginning upon its debut in January. It posts a 10th week atop Radio Songs (92.7 million in audience, down 1%) – where, since the survey began in December 1990, only 15% of all No. 1s have dominated for double-digit weeks. Notably, the song spends a third week topping the Pop Airplay, Adult Pop Airplay and Adult Contemporary charts simultaneously, becoming just the fourth hit with that many weeks leading all three lists at the same time; it joins Adele’s “Easy on Me” (three, 2022) and “Hello” (four, 2015) and Celine Dion’s “Because You Loved Me” (five, 1996).
Ice Spice and Nicki Minaj’s “Princess Diana” debuts at No. 4 on the Hot 100, with 21.8 million streams, 2.4 million in radio audience and 77,000 downloads sold, following the April 14 arrival of its remix with Minaj; the original version of the track was released by Ice Spice solo in January.
The song starts as Ice Spice’s second Hot 100 top 10 – her first, “Boy’s a Liar, Pt. 2,” with PinkPantheress, drops 8-10, after reaching No. 3. Minaj achieves her 22nd top 10, extending her record for the most among women rappers.
“Princess Diana” opens at No. 1 on Digital Song Sales, where it’s Minaj’s 13th leader, and Ice Spice’s first, and No. 6 on Streaming Songs. (Helping the song’s sales, along with Ice Spice’s solo version and the main [billed as “edited”] version of the duet remix, clean, explicit, extended, sped-up, slowed-down and instrumental versions of the Minaj remix were available for purchase in the tracking week.)
The single also begins atop the multi-metric Hot Rap Songs chart, where Minaj earns her 10th No. 1 and Ice Spice, her first.
Eslabon Armado and Peso Pluma’s “Ella Baila Sola” vaults 10-5 on the Hot 100, led by 31.8 million streams, up 31%. It becomes the first regional Mexican top five hit in the chart’s archives, a week after it became the list’s initial top 10 for the genre. The collaboration tallies a third week at No. 1 on the multi-metric Hot Latin Songs chart.
Metro Boomin, The Weeknd and 21 Savage’s “Creepin’ ” slips 5-6 on the Hot 100, after hitting No. 3, and Rema and Selena Gomez’s “Calm Down” descends to No. 7 from its No. 6 high. The latter tops the Billboard U.S. Afrobeats Songs chart for a 34th week, extending the longest rule since the ranking began a year ago (in partnership with music festival and global brand Afro Nation).
The Weeknd and Ariana Grande’s “Die for You” backtracks 7-8 on the Hot 100, following a week at No. 1 in March, and Drake’s “Search & Rescue” falls to No. 9, a week after it roared in at No. 2.
Again, for all chart news, you can follow @billboard and @billboardcharts on both Twitter and Instagram and all charts (dated April 29), including the Hot 100 in its entirety, will refresh on Billboard.com tomorrow (April 25).
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
Morgan Wallen’s “Last Night” grants the singer-songwriter two firsts in the history of Billboard’s Hot Country Songs chart, where it leads for a 10th week.
The track joins Wallen’s 19-week Hot Country Songs No. 1 from 2022, “You Proof,” as the second song from his One Thing at a Time album to reign for double-digit weeks — while the set becomes the first with two such leaders since the chart launched as an all-encompassing genre survey in October 1958. (“You Proof” was released eight-and-a-half months ahead of the LP, but is featured on the collection’s 36-song tracklist.)
Wallen is also the first soloist, and second act overall, with as many as three 10-week-plus Hot Country Songs No. 1s. Duo Florida Georgia Line first achieved the feat; Luke Combs and Sam Hunt boast two each.
Here are Wallen’s three Hot Country Songs No. 1s that have dominated for at least 10 weeks:
10 weeks at No. 1, “Last Night,” beginning Feb. 18, 2023
19 weeks, “You Proof,” May 28, 2022
11 weeks, “Wasted on You,” Jan. 23, 2021
And Florida Georgia Line’s:
50 weeks at No. 1 (a chart record), “Meant To Be,” with Bebe Rexha, beginning Dec. 16, 2017
18 weeks, “H.O.L.Y.,” May 21, 2016
24 weeks, “Cruise,” Dec. 22, 2012
Overall, 32 singles have topped Hot Country Songs for 10 or more weeks, out of over 1,500 No. 1s in the list’s history. Of those 32, 21 have led since the chart adopted the Billboard Hot 100’s streaming-, airplay- and sales-based methodology in October 2012.
“Last Night” simultaneously helms the Hot 100 (dated April 22) for a third week. The song, released on Big Loud/Mercury/Republic Records, drew 36.6 million streams (up 4%) and 34.5 million radio airplay audience impressions (up 16%, good for the chart’s top Airplay Gainer award for a second consecutive week) and sold 10,000 downloads (up 6%) in the April 7-13 tracking week, according to Luminate.
Concurrently, One Thing at a Time tops the Billboard 200 for a sixth frame, with 167,000 equivalent album units earned April 7-13, while Wallen also rules the Billboard Artist 100 chart for a fifth week.
