Chart Beat
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Bobby Vinton turns 90 today, having made his mark on the Billboard charts over the years. The singer, who gained the nickname “The Polish Prince,” had four No. 1 hits on the Billboard Hot 100 and three top 10 albums on the Billboard 200. Vinton holds a special footnote in pop culture history: He had […]
Neither country star Bailey Zimmerman or rap hitmaker BigXthaPlug had ever hit the top five of the Billboard Hot 100 before — but now they both have together, with their new team-up “All the Way.”
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The relationship-gone-bad trap ballad bows at No. 4 on the Hot 100 (Apr. 19) this week, and features BigX taking on the rap verses in between Zimmerman’s sweet-and-sour sung hook. The combination has proven particularly irresistible for streaming audiences, with the song debuting atop the Streaming Songs chart this week.
Whose career does the song’s early success mean more for? And what other country-rap star pairs could do even bigger things on the charts? Billboard answers these questions and more below.
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1. BigXthaPlug and Bailey Zimmerman’s new collab “All the Way” debuts at No. 4 on the Hot 100 – higher than either artist has ever peaked before. On a scale from 1-10, how surprised are you by the song’s immediate success?
Christopher Claxton: In terms of surprise, I would rate my level at a 2. The fusion of country music and hip-hop is not a new phenomenon, and its popularity is well-established and is making a comeback. For example, consider the chart success of Shaboozey’s “A Bar Song (Tipsy)” — a genre-blending track that is neither strictly hip-hop nor country, but a crossover that resonated strongly with American audiences, which spent a record-tying 19 weeks atop the Hot 100.
Kyle Denis: 8. On paper, this collaboration makes complete sense. My surprise stems from the fact that I didn’t know this song was even coming out last week – and I certainly didn’t expect such a splashy first week since neither artist is known for lofty single debuts.
Elias Leight: 4 — while BigXthaPlug had never hit the top half of the Hot 100 before, he’s quietly been earning more than 50 million on-demand streams a week in the U.S. for most of the last two months. When an artist has that kind of dedicated fan base, he’s poised for this kind of explosive moment. It doesn’t hurt that he teamed up with Zimmerman, who is already an established country hitmaker.
Jason Lipshutz: A 9. Obviously popular music is preoccupied with the intersection of country and hip-hop right now — we’re only a few months removed from one country-rap hybrid, Shaboozey’s “A Bar Song (Tipsy),” tying the all-time Hot 100 record set by another country-rap hybrid, Lil Nas X and Billy Ray Cyrus’ “Old Town Road” — but neither of those smashes scored a top 5 debut on the chart, instead riding to the upper tier. “All the Way” is an anomaly, not just because of its high-powered debut but because BigXThaPlug had never scored a top 10 hit before, while Bailey Zimmerman had once before with a song that sounds nothing like this collaboration. I could have foreseen “All the Way” eventually growing into a crossover hit, but a No. 4 debut is genuinely startling.
Andrew Unterberger: An 8. I certainly thought there would be a good chance for BigX to score his biggest hit with one of the country collabs he’d teased, but I thought it would be with a slightly more proven crossover hitmaker than Bailey Zimmerman. But I’m sure that in retrospect it won’t actually seem that surprising at all.
2. Which of the two artists do you think the song’s impressive debut means more to, BigX or Zimmerman?
Christopher Claxton: The chart success of “All the Way” likely holds greater significance for Zimmerman. While he currently has seven tracks on the Hot 100 not including “All the Way”, only two are from 2024, with the others dating back to 2022 and 2023. In contrast, BigX has experienced substantial momentum, charting five tracks on the Hot 100 in 2024 alone. That said, BigX still has reason to celebrate — this marks his first top 10 hit, whereas it is Zimmerman’s second.
Kyle Denis: Probably BigX. Zimmerman at least has a handful of Hot 100 top 40 hits – including the No. 10-peaking “Rock And a Hard Place.” BigX has only hit the Hot 100 thrice before, and none of those entries broke the chart’s top 60. Your first top 40 hit doubling as a No. 4 debut must feel pretty special.
Elias Leight: For BigX, who’s been flying under the radar despite his enviable streaming numbers, “All the Way” is a mainstream breakthrough — a level-up moment. And while Zimmerman has already had a top 10 hit with “Rock and a Hard Place,” “All the Way” shows that wasn’t a one-off, while also introducing him to an audience of hip-hop fans that probably hadn’t heard him previously.
Jason Lipshutz: BigX — simply because, unlike Zimmerman, “All the Way” is now by far his biggest hit. “Mmhmm” served as a breakthrough for the Dallas native, but that single only peaked at No. 63 on the Hot 100, a hip-hop radio staple that couldn’t quite muster a full-blown pop crossover. While that moment could have defined his career for a bit, the No. 4 debut for “All the Way” suggests that BigX is quickly moving on to bigger hits and a greater national profile; Zimmerman will continue to rise in the country world, but BigXThaPlug might have just punched his ticket to rap stardom.
Andrew Unterberger: I think it might actually be Zimmerman — it introduces him to a new audience and proves he has the juice in a way beyond what people probably expected of him. Though I guess you could say the same of BigX, so it’s pretty close to a draw here.
3. Does this single’s runaway success tell you something new or interesting about the commercial potential of hip-hop and country collabs right now – or is it more just about these artists and this song?
Chris Claxton: The strong debut of “All the Way” further supports the idea that the fusion of hip-hop and country is making a resurgence — one that has been building momentum over time. We witnessed a major breakthrough with Lil Nas X and Billy Ray Cyrus’ “Old Town Road” remix, which spent 19 weeks at No. 1 in 2019, mirroring the success of Shaboozey’s “A Bar Song (Tipsy).” Even in the early 2000s, we saw the success of the fusion in tracks like Nelly’s “Country Grammar (Hot S**t).” The data reflects what listeners are gravitating toward, and it seems likely that we’ll see a continued rise in this hybrid sound — especially with the upcoming release of BigX’s hip-hop-country project, which has strong potential for success.
Kyle Denis: I’m inclined to say it’s just these artists and this song. It’s hard to tell how invested consumers are in country crossovers after such a jam-packed 2024. Chappell Roan’s “The Giver” isn’t exactly lighting the charts on fire and Lana Del Rey’s “Henry, Come On” didn’t have an explosive debut, but Shaboozey and Morgan Wallen still have songs in the Hot 100’s top 10. I think BigX and Zimmerman are both buzzy artists with a lot of social media pull and relatively young fanbases – and Bailey’s backwards cap-over-cowboy hat style pairs well with BigX’s Texan rap bravado. Their union just made sense, and it doesn’t hurt that the song is catchy.
Elias Leight: Hip-hop country collaborations have been commercially potent for more than a decade. Many of these are one-offs — Tim McGraw and Nelly, Moneybagg Yo and Morgan Wallen — or the work of newcomers: Lil Nas X and Billy Ray Cyrus, Breland and Sam Hunt. BigX’s trajectory is more unusual, in that he is a successful rapper pivoting to put out a project dedicated to country hip-hop fusions. Considering that the two longest running Hot 100 hits both have one foot in rap and one in country, it’s clear that this combination remains formidable.
Jason Lipshutz: Five years separated the chart runs of “Old Town Road” and “A Bar Song (Tipsy),” with some country-rap hits in between but nothing close to those songs’ respective scales. The top 5 debut of “All the Way” hints that a greater wave is about to crash down, though, to satisfy a wide swath of listeners that is clearly interested in the combination of rap verses and country hooks. BigXThaPlug and Zimmerman were both on upward trajectories upon the release of “All the Way,” but its immediate success has less to do with their journeys and more to do with what pop listeners are generally looking for at the top of their streaming playlists these days. I’d expect an influx of songs like this over the next 6-12 months.
Andrew Unterberger: I think the song’s success does demonstrate the potency of a rap-country combo right now — though I would caution artists and execs from putting too much stock in there being a consistent X + Y = Z formula here. We will see some rappers and country singers team up to great returns in the next couple years, I believe, but not as many as we’ll see making similar attempts and ending up just looking kinda silly and desperate.
4. If you had to guess one of these two artists to have another top 10 Hot 100 hit before the end of the year, which would it be?
Christopher Claxton: BigXthaPlug is the obvious pick for me. As previously mentioned, he has a country-inspired project on the way, featuring notable artists such as Shaboozey, Jelly Roll, Morgan Wallen and more. BigX has already collaborated with Shaboozey on the track “Drink Don’t Need No Mix,“ which I personally enjoy. The song charted on both Billboard’s Hot Country Songs and Hot R&B/Hip-Hop Songs charts — not quite the Hot 100, but still a noteworthy first collaboration. The performance of that track could serve as valuable feedback to help shape a true Hot 100 hit in the future. Plus, with several other unrevealed collaborations on the upcoming project, there’s no telling what surprises might be in store.
Kyle Denis: The smart bet is probably Zimmerman given his track record, but I feel like BigX has one or two more eye-popping collabs in the tuck.
Elias Leight: BigX: The high-flying debut of “All the Way” gives him a lot of momentum as he moves towards the release of the full project, and last year, he said he was recruiting other heavy-hitters as collaborators, including Luke Combs, Jelly Roll and Post Malone.
Jason Lipshutz: BigXThaPlug because, while Zimmerman has proven to be adept at connecting with casual country listeners, songs like “Mmhmm” and “All the Way” demonstrate that BigX has a canny sense of pop sizzle. His rumbling flow can be magnetic even when he’s not trying to engineer a hit single, but BigX has a keen ear for flashy production and major hooks, understanding exactly how to fit his delivery into a song that could take off outside of his core listenership. “All the Way” may center Zimmerman’s chorus, but BigX knows exactly what he’s accomplishing with a track like this.
Andrew Unterberger: Definitely BigX with all those collabs coming — but I’m also pretty bullish on Zimmerman’s stock, so I’d say it’ll likely be both by the end of 2025.
5. Without naming either Kendrick Lamar or Morgan Wallen, who would be your perfect star rap/country pairing in 2025 for maximum commercial impact?Christopher Claxton: This may be a hot take, but I would love to see a collaboration between A$AP Rocky and Jessie Murph. Jessie has already demonstrated her ability to flow on hip-hop–influenced production, as seen in her collaboration with Jelly Roll on “Wild Ones,” which was an exceptionally well-executed track. Her work with BigX on “Holy Ground” further proves her versatility. A$AP Rocky, known for his adaptability and consistent delivery, could bring a unique energy to a country-inspired beat. He’s proven time and again that he’s a skilled rapper, and a country-hip-hop blend could offer a refreshing, playful twist to his sound, and offer him a moment to have fun with his music.
Kyle Denis: Drake and Jelly Roll – let’s hope it never happens.
Elias Leight: Doechii and Megan Moroney.
Jason Lipshutz: Let’s go with Tyler, The Creator and Kacey Musgraves, a pair of A-listers who have a long history of coloring outside of their respective genre lines. A Musgraves hook on a Tyler song, a la “Like Him” with Lola Young, would absolutely crackle.
Andrew Unterberger: J. Cole and Zach Bryan.
Billboard’s Producer Spotlight series highlights an artist who is currently charting on one of Billboard’s producer rankings. Whether they are new to the industry, or have been churning out hit-after-hit, the intention is to showcase where they are here and now, and the music that’s having a chart impact.
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BandPlay and Charley Cooks each have dozens of production credits to their names, but they reached new heights on Billboard’s latest charts (dated April 19, 2025), thanks to their work on BigXThaPlug’s “All the Way,” featuring Bailey Zimmerman.
The pair co-produced the song together, and are also listed as co-writers, alongside BigXThaPlug, Ben Johnson, KK Johnson and Jenna Johnson.
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Released April 4 via Atlantic/UnitedMasters, the song debuts at No. 1 on the Hot Country Songs chart and No. 4 on the Billboard Hot 100 with 24.1 million streams, 30,000 in airplay audience and 8,000 sold in its first week of release, according to Luminate. It debuts as both the top-streaming and top-selling song of the week, starting atop the Streaming Songs and Digital Song Sales charts. The genre-blending hit earns BigXThaPlug and Zimmerman their first top 5s on the Hot 100, and first No. 1s on Hot Country Songs.
Thanks to their production work, BandPlay (real name: Krishon Gaines) debuts at No. 14 on the Hot 100 Producers chart, while Charley Cooks (real name: Charles Forsberg) opens at No. 21. While chart points for “All the Way” are split evenly between both producers, BandPlay has one additional production credit on the latest Hot 100, helping boost his ranking on the chart—BigXThaPlug’s “The Largest” (which BandPlay co-produced with Tony Coles) re-enters at No. 92.
Cooks and BandPlay also debut and tie at No. 7 on the Country Producers chart.
“All the Way” is a landmark moment for both producers, as the track becomes the highest-charting song in their careers.
Here’s a look at Charley Cooks’ production history on the Hot 100:
BigXThaPlug, “Mmhmm,” No. 63, 2024 (BandPlay)
BigXThaPlug, “Change Me,” No. 79, 2024 (BandPlay, Tony Coles)
And here’s a look at BandPlay’s production history on the Hot 100:
Key Glock, “Proud,” No. 73, 2022
Gucci Mane ft. Key Glock & Young Dolph, “Blood All On It,” No. 98, 2022 (Doughboy Beatz)
Megan Thee Stallion ft. Key Glock, “Ungrateful,” No. 82, 2022
BigXThaPlug, “Mmhmm,” No. 63, 2024 (Charley Cooks)
BigXThaPlug, “Leave Me Alone,” No. 96, 2024 (Aimonmyneck)
BigXThaPlug, “Change Me,” No. 79, 2024 (Charley Cooks, Tony Coles)
NLE Choppa, “Gang Baby,” No. 82, 2024 (Tgrc, Tate Kobang)
BigXThaPlug, “The Largest,” No. 71, 2025 (Tony Coles)
Outside of the charts, Charley Cooks has produced songs for Nino Paid, Ravyn Lenae, Kevin Gates, Prof and more. BandPlay has also worked with 50 Cent, French Montana, and Upchurch, among others.
Billboard launched the Hot 100 Songwriters and Hot 100 Producers charts, as well as genre-specific rankings for country, rock & alternative, R&B/hip-hop, R&B, rap, Latin, Christian, gospel and dance/electronic, in June 2019, while alternative and hard rock joined in 2020, along with seasonal holiday rankings in 2022.
The charts are based on total points accrued by a songwriter and producer, respectively, for each attributed song that appears on the Billboard Hot 100. The genre-based songwriter and producer charts follow the same methodology based on corresponding “Hot”-named genre charts. As with Billboard’s yearly recaps, multiple writers or producers split points for each song equally (and the dividing of points will lead to occasional ties on rankings).
Malcolm Todd is officially a Billboard Hot 100-charting artist for the first time thanks to his breakthrough single, “Chest Pain (I Love).” Released in December on Columbia Records, the song debuts at No. 68 almost entirely from 7.7 million official U.S. streams (up 45%) April 4-10, according to Luminate. It also reaches the top 10 […]
Rapper BigXthaPlug’s team-up with featured artist Bailey Zimmerman, the genre-bending “All the Way,” debuts at No. 1 on Billboard’s Hot Country Songs chart (dated April 19).
Released April 4, the collaboration launches with 24.1 million official U.S. video and audio streams, 30,000 in radio airplay audience and 8,000 sold in the week ending April 10, according to Luminate.
The track concurrently opens atop the all-genre Streaming Songs and Digital Song Sales lists, and at No. 3 on Hot Rap Songs.
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As previously reported, “All the Way” soars in at No. 4 on the all-genre Billboard Hot 100, marking BigXthaPlug’s first top 10 and Zimmerman’s second.
BigXthaPlug (real name Xavier Landum), from Dallas, tops Hot Country Songs in his first appearance, while Zimmerman, from Louisville, Ill., earns his initial leader among five top 10s. They each crown Streaming Songs and Digital Song sales for the first time.
BigXthaPlug has notched 16 titles on Hot R&B/Hip-Hop Songs, beginning in late 2023. He has sent three tracks to the chart’s top 20: “Mmhmm,” his first entry (No. 11 peak); “The Largest” (No. 16); and “2AM” (No. 18). On Hot Rap Songs, the No. 3 start for “All the Way” marks a new career best, joining two other top 10s of his: “Mmhmm” (No. 8) and “The Largest” (No. 10).
The new track, which is being promoted to pop radio, previews BigXthaPlug’s forthcoming country-focused collection.
“It gives me a better feeling how they’ll feel about the [country] project,” BigXthaPlug tells Billboard about the first-week reception for “All the Way.” “I knew that song was gonna do something.”
Additional reporting by Michael Saponara.
Ozuna and Kapo‘s debut collaboration is making waves, as “Más Que Tú” claims the No. 1 spot on Billboard‘s Latin Airplay chart (dated April 19). Colombian artist Kapo achieves a career milestone as he celebrates his first-ever chart-topping hit on the overall Latin radio ranking. Meanwhile, Ozuna continues as one of the chart’s top performers, adding a 35th No. 1 to his ledger.
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“Más Que Tú,” released Feb. 12 on Nibiru/Sony Music Latin, jumps 3-1 after earning 8.3 million audience impressions in the U.S. in the tracking week ending April 10, according to Luminate. That is a 14% gain in impressions from the week prior. The song ejects another Puerto Rican-Colombian pair-up from the lead: Yandel and Feid’s “Habláme Claro,” falls 1-13 with a 43% decline in audience (to 5.2 million), after one week in charge.
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Thanks to “Más Que Tú,” Ozuna reaches a new milestone, securing his 35th chart-topping hit on Latin Airplay since the chart’s inception in 1994. He ranks just behind J Balvin, who holds the record with 37 No. 1 hits. The latest chart-topping track comes a year after Ozuna last claimed the peak with “Baccarat,” which spent one week at No. 1 in March 2024.
Kapo, meanwhile, scores his first No. 1 on his sixth chart visit. The Colombian has earned four top 10s, including two No. 2-peaking songs, “Ohnana” last November and “Imagínate,” with Danny Ocean, on the April 5-dated list. The song drops 4-7 on the current ranking.
Notably, in 2025 so far, 11 songs have reached the top on the Latin Airplay chart. While Shakira (“Soltera”) and Karol G “(Si Antes Te Hubiera Conocido”) mark the only female presence among those winners, five of those emerge from collaborations between male soloists; all one-week rulers. Here’s the recap of the male collabs:
Title, Artist, Peak Position“Doblexxo,” J Balvin & Feid, March 15“Khe?,” Rauw Alejandro & Romeo Santos, March 29“Háblame Claro,” Yandel & Feid, April 12“Más Que Tú,” Ozuna & Kapo, April 19
Elsewhere, “Más Que Tú” also improves on the Latin Rhythm Airplay chart, where it jumps 2-1 for its first week atop.
All charts (dated April 19, 2025) will update on Billboard.com tomorrow, April 15. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
Elton John and Brandi Carlile’s first collaborative album, Who Believes in Angels?, debuts at No. 9 on the Billboard 200 chart dated April 19, marking the 22nd top 10 for John and fourth for Carlile.
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John earned his first Billboard 200 top 10 more than 54 years ago, with his self-titled album on the Jan. 30, 1971-dated chart. A living soloist last logged a longer top 10 span on the Oct. 16, 2021-dated survey, when Tony Bennett’s Love for Sale, with Lady Gaga, debuted at No. 8. It gave the then-95-year-old Bennett a 59-year top 10 stretch, dating to I Left My Heart in San Francisco in October 1962.
As for Carlile, she notched her first top 10 on the Billboard 200 in 2012 with Bear Creek, which debuted and peaked at No. 10 on the June 23, 2012-dated list.
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Who Believes in Angels? earned 40,000 equivalent album units in the United States in its opening week (April 4-10), according to Luminate. The album’s sales (36,500) were bolstered by its availability across seven vinyl and five CD variants, including signed versions.
The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new April 19, 2025-dated chart will be posted in full on Billboard‘s website on April 15.
The new album also takes a bow atop both the Top Rock Albums and Top Rock & Alternative Albums charts, while also opening in the top 10 on Top Album Sales (No. 2), Indie Store Album Sales (No. 2) and Vinyl Albums (No. 3).
John and Carlile ushered in the release of the album with a flurry of media appearances, including CBS News Sunday Morning (CBS, March 30), The Tonight Show Starring Jimmy Fallon (April 3), Saturday Night Live (NBC, April 5) and the concert special An Evening With Elton John and Brandi Carlile (CBS and Paramount+, April 6), along with interviews with Apple Music’s Zane Lowe, NPR and SiriusXM’s The Howard Stern Show, among other outlets.
Meanwhile, the album’s title track extended John’s record for the most top 10s (43) in the history of the Adult Contemporary chart, where it rises to a new No. 9 high on the chart dated April 19.
“Nobody wants another Elton John album like the other 35 [I’ve made],” John recently told Billboard. “This one had to have energy, and it had to have a statement saying: ‘Listen, I’m nearly 78 and I’m gonna be really sounding powerful.’” Said Carlile, “I don’t think it’ll ever really catch up to how incredibly life-affirming this has been for me.”
54 Years of Top 10 Albums: John earned his first Billboard 200 top 10 a little over 54 years ago, when his self-titled album climbed 11-7 on the Jan. 30, 1971-dated chart; it peaked at No. 4 a week later (Feb. 6, 1971). Breaking down John’s 22 top 10s by decade: 13 in the 1970s, two in the 1990s, one in the 2000s, four in the 2010s and two in the 2020s. Who Believes in Angels? is John’s second album with shared artist billing to reach the top 10, following The Union, with Leon Russell, which reached No. 3 in 2010.
John continues to be among elite company of acts with at least 20 top 10-charting albums on the Billboard 200, from March 24, 1956, when the list began publishing on a regular, weekly basis, through the new, April 19, 2025-dated chart. Here’s an updated leaderboard:
Most Billboard 200 Top 10s:38, The Rolling Stones34, Barbra Streisand33, Frank Sinatra32, The Beatles27, Elvis Presley23, Bob Dylan23, Madonna22, Elton John22, Bruce Springsteen21, Paul McCartney/Wings21, George Strait20, Prince
Notably, the Kidz Bop Kids music brand has collected 24 top 10s, in 2005-16, with its series of kid-friendly covers of hit singles. The franchise’s early albums were performed mostly by anonymous studio singers, although later releases focused on branding named talent.
The late Dominican Rubby Pérez singer-songwriter returns to the Billboard charts as his 2021 album, Rubby Pérez ¡Grandes Éxitos! debuts at No. 7 on the Tropical Albums chart (dated April 19). The 30-song set launches with 2,000 units equivalent album units earned in the U.S. during the April 4-10 tracking week, according to Luminate. Pérez died on April 8 in Santo Domingo, Dominican Republic, after the roof of the Jet Set nightclub collapsed during one of his performances. He was 69.
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It’s the merengue artist’s first appearance on any Billboard albums chart in over three decades. He was last on an albums chart when his self-titled set peaked at No. 15 on the Top Tropical Albums chart in 1987.
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“It’s been 25 years, a lifetime together, filled with beautiful memories,” Enrique Paulino, Pérez’s international manager tells Billboard. “The most important thing for me was his humility and his outpouring of affection for his audiences.”
Out of Rubby Pérez ¡Grandes Éxitos! album’s unit sum earned in the week ending April 10,1,000 units were attributed to streaming activity. That translates to 1.6 million official on-demand streams for the set’s songs; a resurgence that comes two days after Pérez’s passing. The remaining negligible amount come from traditional album sales and track-equivalent units.
“Rubby quietly did thousands of deeds, such as buying medicine for people with cancer and various other illnesses,” Paulino adds. “He bought pets and schoolbooks for children. He was greatly loved in his country, Dominican Republic, and Venezuela. I want you to always remember him with his beautiful smile and his love for everyone.”
Pérez also achieved success on the Tropical Airplay chart, landing four entries over the years. Among them, “Tu Vas a Volar” reached a career-high at No. 9 in 2001. Most recently, Pérez collaborated with Romeo Santos, Toño Rosario and Fernandito Villalona on “15,500 Noches,” featuring Ramón Orlando, which peaked at No. 15 in 2022.
All charts (dated April 19, 2025) will update on Billboard.com tomorrow, April 15. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
Lady Gaga and Bruno Mars’ “Die With a Smile” tallies a 16th week at No. 1 on the Billboard Global 200 chart. The song also adds for a 13th week atop the Billboard Global Excl. U.S. survey. The ballad first led both lists last September.
Plus Drake’s “Nokia” hits the Global 200’s top 10, rising 13-8, and W Sound, Beéle & Ovy On the Drums’ “La Plena (W Sound 05)” reaches the Global Excl. U.S. top 10, thumping 14-9.
The Billboard Global 200 and Global Excl. U.S. charts, which began in September 2020, rank songs based on streaming and sales activity culled from more than 200 territories around the world, as compiled by Luminate. The Global 200 is inclusive of worldwide data and the Global Excl. U.S. chart comprises data from territories excluding the United States.
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Chart ranks are based on a weighted formula incorporating official-only streams on both subscription and ad-supported tiers of audio and video music services, as well as download sales, the latter of which reflect purchases from full-service digital music retailers from around the world, with sales from direct-to-consumer (D2C) sites excluded from the charts’ calculations.
“Die With a Smile” continues atop the Global 200 with 91.3 million streams (down 4% week-over-week) and 6,000 sold (down 3%) worldwide April 4-10. At 16 weeks, the song solely claims the second-longest No. 1 run since the chart began:
19 weeks at No. 1, “All I Want for Christmas Is You,” Mariah Carey (2020-25)
16 weeks, “Die With a Smile,” Lady Gaga & Bruno Mars (2024-25)
15 weeks, “As It Was,” Harry Styles (2022)
14 weeks, “Flowers,” Miley Cyrus (2023)
12 weeks, “APT.,” ROSÉ & Bruno Mars (2024-25)
“APT.” holds at No. 2 on the Global 200; Alex Warren’s “Ordinary” keeps at its No. 3 high; Billie Eilish’s “Birds of a Feather” flutters 5-4 following three weeks at No. 1 last August; and Doechii’s “Anxiety” dips 4-5 after reaching No. 3.
Drake’s “Nokia” surges 13-8 on the Global 200. It drew 39.9 million streams (up 9%) and sold 12,000 (up 28%) worldwide April 4-10, after its official video premiered March 31. Drake adds record-extending 36th top 10 since the chart began, lifting him further past runner-up Taylor Swift (33).
“Die With a Smile” collects a 13th week at No. 1 on Global Excl. U.S., with 74 million streams (down 7%) and 3,000 sold (down 8%) outside the U.S. The song ties for the third-longest domination in the chart’s archives:
19 weeks at No. 1, “APT.,” ROSÉ & Bruno Mars (2024-25)
14 weeks, “All I Want for Christmas Is You,” Mariah Carey (2021-25)
13 weeks, “Die With a Smile,” Lady Gaga & Bruno Mars (2024-25)
13 weeks, “Flowers,” Miley Cyrus (2023)
13 weeks, “As It Was,” Harry Styles (2022)
“APT.” is steady at No. 2 on Global Excl. U.S.; “Ordinary” holds at its No. 3 high; “Birds of a Feather” lifts 6-4, after three weeks at No. 1 last August; and JENNIE’s “like JENNIE” slips 4-5 after hitting No. 3 high.
Plus, all-Colombian collaboration “La Plena (W Sound 05)” bounds 14-9 on Global Excl. U.S. with 35.7 million streams (up 8%) outside the U.S. Billed to W Sound, Beéle & Ovy On the Drums, the track marks the first top 10 for each act (with W Sound the team-up series between Westcol and Ovy on the Drums).
The Billboard Global 200 and Billboard Global Excl. U.S. charts (dated April 19, 2025) will update on Billboard.com tomorrow, April 15. For both charts, the top 100 titles are available to all readers on Billboard.com, while the complete 200-title rankings are visible on Billboard Pro, Billboard’s subscription-based service. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.

Kendrick Lamar and SZA’s “Luther” leads the Billboard Hot 100 songs chart for an eighth total and consecutive week. The single, whose title celebrates late R&B legend Luther Vandross, who is sampled on the track, became Lamar’s sixth No. 1 and SZA’s third. Lamar and SZA each extend their longest career Hot 100 reigns with the song.
Meanwhile, “Luther” ties 24kGoldn’s “Mood” (featuring iann dior), which led for eight weeks in 2020-21, for the second-longest Hot 100 command among rap hits this decade, after Roddy Ricch’s “The Box,” which dominated for 11 weeks in 2020. (Rap titles are defined as those that have hit or are eligible for Billboard’s Hot Rap Songs chart.)
Plus, Drake’s “Nokia” rises 3-2 on the Hot 100 following the first full tracking week after its official video premiered March 31, and two songs enter the top 10: BigXthaPlug’s “All the Way,” featuring Bailey Zimmerman, debuts at No. 4 and Alex Warren’s “Ordinary” bounds 14-7. BigXthaPlug and Warren each earn their first top 10s, marking the first acts to reach the tier for the first time in 2025, while Zimmerman adds his second.
Browse the full rundown of this week’s top 10 below.
The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data, the lattermost metric reflecting purchases of physical singles and digital tracks from full-service digital music retailers; digital singles sales from direct-to-consumer (D2C) sites are excluded from chart calculations. All charts (dated April 19, 2025) will update on Billboard.com tomorrow, April 15. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
‘Luther’ Airplay, Streams & Sales