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HipHopWired Featured Video

Source: Kevin Mazur / Getty
Many people tend to forget that British music star M.I.A. was signed to Roc Nation back in 2012. Alhough the relationship dissolved just two years later, M.I.A.’s interaction with Roc Nation boss Jay-Z seems to have left quite an impression on her.

On Friday (Nov. 29), the “Paper Planes” artist took to Instagram Live to spill some disturbing beans about what Jay-Z asked of her when she put her John Hancock on that Roc Nation contract and revealed that Hova actually implored her to get some plastic surgery done.
Word?!

Dispelling any notion that she would need plastic surgery to get over any insecurity she may have, M.I.A. explained why she rebuffed the request saying, “Even when I met Jay-Z and signed to Roc Nation the first thing he told me to do was get plastic surgery. I’m not insecure because I would have got plastic surgery. So their argument of ‘Maya’s f-cking insecure, that’s why she needs to f*cking massage her ego,’ fails. Fails. Because you turn around and ask the mutha*cka – what women do you know who hasn’t had plastic surgery around you? All of them have. I’m the only one who didn’t, which already proves the fact it’s not insecurity.”
We can’t be mad at that at all. If the woman doesn’t want any work done on herself she shouldn’t have any work done even at the behest of her boss.
Continuing to explain herself, M.I.A. said, “Because if I was insecure I would have done that 100 times over. Even when I met Jay-Z and I signed to Roc Nation, the first thing he told me to do is get plastic surgery and I didn’t because it’s okay. Guess what, I’m 50. And I’m totally fine with the fact I am because, yeah, I f*cking took off when I was 30. It took 10 more f-cking years than any other f-cker because I was the first and I was the new. I was making something interesting happen that wasn’t f*cking happening before.”
Well, y’all can expect social media to be disgusted and begin to start going at Hov for trying to get M.I.A. to make some enhancements to herself. That being said, good for her for standing her ground and refusing the request.
According to MadameNoire, the relationship between herself and Roc Nation soured just two years after signing with them in 2012, and from the sound of it, it seems like M.I.A. not playing ball with them might’ve been the reason.

Per MadameNoire:
One of the first major issues was regarding a documentary that was about her. Roc Nation continued to delay the promotion for it and frustrations grew. The director of the project, Steve Loveridge, leaked the trailer for it, which Interscope immediately took down. This led to Loveridge quitting the project.
That next month, M.I.A. threatened to leak Matangi if Interscope wouldn’t stop delaying it and give it a release date.
The 50-year-old explained the reasons behind the delay of her fourth album, originally scheduled for release in December 2012.
According to Fader, in January 2013, months before her warnings, she told Gold Coast Bulletin about her label’s concerns with the project. 
“I thought I’d finished it. I finished it and then I handed the record in, like a couple of months ago,” she said. “At the moment, I’ve been told it’s too positive. So we’re having a bit of an issue at the label. They’re like, ‘You need to like darken it up a bit’. I don’t know what it is but as soon as I work that out. I’m taking my time to decide what they mean. It’s an interesting one for me. It’s like ‘We just built you up as the public enemy No. 1 and now you’re coming out with all this positive stuff.’”
M.I.A. ultimately bounced before the end of 2013.
Check out M.I.A. talk about her situation at Roc Nation below, and let us know your thoughts in the comments section.

HipHopWired Featured Video

Source: Rolling Stone / Getty
On the heels of receiving four Grammy Award nominations just a few weeks ago, TDE’s up-and-coming artist Doechii took her talents to The Late Show with Stephen Colbert and showed everyone in the audience and viewers at home why she’s going to be a problem for years to come.

Taking to the stage with two look-alike back-up dancers decked out in some spiffy Gucci attire and interlinked braids (that was a dope touch), Doechii performed her hit singles “Denial Is A River” and “Boiled Peanuts” much to the delight of the crowd. After giving a captivating performance you can understand why she’s up for Best New Artist and even has her album Alligator Bites Never Heal up for Best Rap Album of 2024. While she has some stiff competition in the likes of Drake and Eminem, we’re sure she’s honored to even be in the running.

Check out Doechii do her thing on The Late Show with Stephen Colbert, and let us know your thoughts in the comments section below.

HipHopWired Featured Video

Source: Eric Charbonneau / Getty
Whenever Will Smith tells his story expect some flowers to be given to those that helped him. He says his relationship with Alfonso Ribeiro changed his life.

As per HuffPost, the Philadelphia, Penn., native recently made an appearance on Vice’s Black Comedy in America series. During the in depth interview the multi-hyphenate discussed the many people that helped him during his historic career. When discussing his run as a rapper he made sure to highlight his partner DJ Jazzy Jeff. “There’s been a couple of creative relationships I’ve had that have totally transformed my life. And the first one was Jazzy Jeff,” Will Smith explained.

When it came to acting he revealed that meeting his The Fresh Prince of Bel Air co-star Alfonso Ribeiro was a game changer. “When you meet somebody who understands you in a way that other people don’t understand you. And they’re able to understand you, then craft things for you to create and shine and explode. And Alfonso was that guy for sure” he said.
The “Summertime” rapper went on to detail that the man who would go on to be forever known as Carlton Banks has always been special. “When he came in for the audition, there was like no question. That’s the one,” Will added. “Nobody commits as hard as Alf. We call it the ‘comedic limb.’ You know where you gon’ try this joke and you gon’ go out there with it, and you gon’ risk it all. And one of his big things, why he would commit so hard with the lines, he says, ‘You commit so the writers can know it doesn’t work.’”
You can see Will Smith discuss Alfonso Ribeiro below.

HipHopWired Featured Video

Source: Anadolu / Getty
If we know anything about Cardi B it’s that she’s all about getting that bag. But when she revealed her latest endorsement of clothing brand Shein, people reacted with shock and criticism as the “W.A.P.” rapper is known for rocking high-end clothing brands.

As surprising as it was to see Cardi B co-sign a clothing brand that many people wouldn’t admit to wearing just because it’s, well, “cheap,” some people began to roast Cardi for daring to promote affordable coats and jackets, saying she must be strapped for cash if she’s willing to go this route. “Shien?!?! Are you kidding me. That’s embarrassing,” one commenter said. Still, many others came to her defense in the comments section reminding people that Cardi came from the bottom to the top responding with comments like, “She humble she grew up hustling she buys shein and. Nothing wrong with it and she paired it with red bottoms she knows.”

Not one to take any disrespect lying down, Buzzfeed is reporting that Cardi addressed her haters herself by going on X Spaces and reminding everyone she’s still getting plenty of money.
Per Buzzfeed:
“People say that I’m surviving on Shein deals and brand deals,” she began. “Y’all like to talk about tour deals a lot. I want to let y’all know I could wake up tomorrow, sign a contract, and have half of $65 million — or half of $70 million – in my bank.”
Adding that she was offered that much on her “off year,” she continued, “I don’t want to take tour deals until I announce my album. When I announce my new album I know they’re going to up it. You’ve got to move smart like a bitch. You can’t act like you’re hungry, especially when you’re not.”
“I’m not surviving, baby. Spend like about $3 million in a month,” Cardi said, later adding that she’s waiting for an $80 or $100 million deal. “As long as my bills is paid, I can buy whatever the fuck I want whenever the fuck I want. Shit, I can go spend $500,000 on a fucking car tomorrow. I could buy me a $300,000 watch tomorrow. Bitch, I could buy your mother.”
Yeah, don’t try to slander Cardi’s money moves cause she will respond.
What do y’all think about Cardi B’s Shein deal? Is she too big of a star to go that route or do y’all think it’s much ado about nothing? Sound off in the comments section below.

HipHopWired Featured Video

Spotify Wrapped is back for 2024 and this year’s wrap-up adds some interesting new genres, graphic flourishes, and month-to-month breakdowns of your listening habits. For the eighth year in a row, Drake is listed as the most-listened-to rapper in both the United States and the world.
In some circles, it’s been said that Drake and his audio war with Kendrick Lamar put a tarnish on the Canadian superstar’s musical legacy. However, that hasn’t put a dent into Drizzy’s streaming numbers as evidenced by the latest Spotify Wrapped roundup.

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In the United States, Taylor Swift is just one slot ahead of Drake as the most-listened-to artist, which makes all the sense in the world given her massive popularity and supportive fanbase. With Swift and Drake taking spots one and two, the rest of the United States’ top 10 list includes in order Zach Bryan, Morgan Wallen, Kanye West, Future, Kendrick Lamar, Travis Scott, The Weeknd, and Metro Boomin.
On the domestic front, the inclusion of Future, Metro Boomin, and Kendrick Lamar has a tipping point in the explosive “Like That” track that ignited the war of words between Drake and K-Dot and culminated in the chart-topping “Not Like Us” that boosted the profile of the Compton, Calif. star.
On the global front, the top artist is Taylor Swift once more, with The Weeknd, a rival of The Boy, taking the second slot with Bad Bunny at #3, Drake at #4, and Billie Eilish at #5.
As it stands, Drake can once again claim superiority as the top rapper in the States and the OVO honcho may be motivated to gain ground on the global front despite having a largely quiet 2024. All eyes will be on October’s Very Own for sure in the following year.
Source: Spotify

Photo: Getty

HipHopWired Featured Video

Spotify Wrapped is back for 2024 and this year’s wrap-up adds some interesting new genres, graphic flourishes, and month-to-month breakdowns of your listening habits. For the eighth year in a row, Drake is listed as the most-listened-to rapper in both the United States and the world.
In some circles, it’s been said that Drake and his audio war with Kendrick Lamar put a tarnish on the Canadian superstar’s musical legacy. However, that hasn’t put a dent into Drizzy’s streaming numbers as evidenced by the latest Spotify Wrapped roundup.

Related Stories

In the United States, Taylor Swift is just one slot ahead of Drake as the most-listened-to artist, which makes all the sense in the world given her massive popularity and supportive fanbase. With Swift and Drake taking spots one and two, the rest of the United States’ top 10 list includes in order Zach Bryan, Morgan Wallen, Kanye West, Future, Kendrick Lamar, Travis Scott, The Weeknd, and Metro Boomin.
On the domestic front, the inclusion of Future, Metro Boomin, and Kendrick Lamar has a tipping point in the explosive “Like That” track that ignited the war of words between Drake and K-Dot and culminated in the chart-topping “Not Like Us” that boosted the profile of the Compton, Calif. star.
On the global front, the top artist is Taylor Swift once more, with The Weeknd, a rival of The Boy, taking the second slot with Bad Bunny at #3, Drake at #4, and Billie Eilish at #5.
As it stands, Drake can once again claim superiority as the top rapper in the States and the OVO honcho may be motivated to gain ground on the global front despite having a largely quiet 2024. All eyes will be on October’s Very Own for sure in the following year.
Source: Spotify

Photo: Getty

HipHopWired Featured Video

Source: Houston Chronicle/Hearst Newspapers / Getty
Beyoncé has already leveled up after being snubbed at the Country Music Awards. Billboard has named her the greatest pop star of the 21st century.

As reported by HuffPost, the trade publication recently curated a list of the greatest talents in music. On Tuesday (Dec. 3), Billboard released their Greatest Pop Stars of the 21st Century list. The editorial staff ranked the 25 most prominent talents in the game. Included in the exclusive list are the likes of Drake, Jay-Z, Adele, Taylor Swift, Ariana Grande, Justin Bieber, Bruno Mars, Bad Bunny and more. Landing at the top spot is Beyoncé, crowning her as the best of the best with the receipts to match the claim.

Billboard chronicles her epic run of hit songs starting with her first No. 1 single “Bills, Bills, Bills” as part of Destiny’s Child. The group would follow things up with “Say My Name,” which also topped the Hot 100 chart. From there they track her game-changing solo career that has produced several anthems and left an indelible impact on popular culture. Since then, she has won over 16 American Music Awards, 36 BET Awards, 27 Billboard Awards, 32 Grammy Awards and 30 MTV VMA Awards. “There are no flop eras for Bey, no periods where she disappeared for a half-decade, no clear missteps that were not immediately and emphatically course-corrected. There are only varying degrees of winning for over two decades,” the feature reads. 

You can read Billboard’s  editorial on why Beyoncé is the greatest pop star of the 21st century here.

HipHopWired Featured Video

Source: CHRISTIE’S / Christie’s
Jay-Z’s The Book of Hov exhibit at the Brooklyn Public Library last year was a huge hit amongst Hip-Hop fans. Now, anyone who missed out on the exhibition will be able to bring it home as The Book of Hov will be turned into an actual book.

The Associated Press is reporting that the exhibit dedicated to arguably the greatest rapper alive will now be available in print form as The Book of Hov: A Tribute to Jay-Z will be available Wednesday (Dec. 4), as Jay-Z celebrates his 55th year on this Earth. Available to purchase on Assouline, the 432-page book features what the 600,000 visitors of The Book of Hov exhibition saw first-hand at the Brooklyn Public Library divided into eight chapters with 675 illustrations.
Per the AP News:

“The Book of Hov: A Tribute to Jay-Z” unveils Jay-Z’s deep connection with the art world and his rising business ventures, reveals his unique method of composing rhymes mentally and his criminal and social justice activism. It offers a tribute to Baseline Studios where “The Blueprint” and “The Black Album” were birthed. The book also captures him articulating his vision and manifesting his future through a series of interviews spanning several years.
Some of the book’s other highlights include the guitar Jay-Z played at the Glastonbury Festival; Daniel Arsham’s sculpture of the iconic “HOV Hands”; his Rock & Roll Hall of Fame award; and hundreds of paper planes, which were created by New York City schoolchildren who wrote their dreams inside.
“The Book of Hov: A Tribute to Jay-Z” will be available in three editions: The classic version for $120, the ultimate for $2,000 and price upon request for five special limited- edition copies with a tri-fold each housed in a bronze slipcase artwork by Arsham.
A portion of the proceeds from the sale of the special limited edition will be donated to the Brooklyn Public Library.
We don’t know about y’all, but if we’re putting down $2,000 for a book about Jay-Z it better come with a chance to meet him in person or a golden ticket kind of contest or something. Just sayin’.
Will you be picking up a copy of The Book of Hov: A Tribute to Jay-Z? Let us know in the comments section below.

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Jay-Z joined the growing ranks of celebrities in the cannabis space via the high-end Monogram brand, coupled with endorsements from his creative and artistic peers. Now, it’s being reported that Jay-Z’s brand, initially boasting $575 million in funds, has blown through the cash and can’t even be found in stores in dispensaries where advertised online.
In a report from SFGate, Jay-Z, birth name Shawn Carter, joined the cannabis space in 2020 with Monogram, and it came replete with the level of class and luxury expected of anything Hov puts his name on. Boasting a quartet of strains and pre-roll packages, Monogram was believed to be one of the major players, considering its top pitchman’s success in business.

Fast forward to 2024 and it doesn’t appear that the brand ever got its footing. illustrating this point, any potential buyer of Monogram wouldn’t be able to as none of its listed partner dispensaries in California and Arizona carried the product.
The outlet spoke with Seth Yakatan, an investor and adviser who worked with the California legal cannabis sector, and said that Monogram’s parent company, The Parent Company (TPCO), spent high amounts of cash which is evidenced by its seven-part video series featuring Jadakiss, Tinashe, Curren$y, 2 Chainz, and Chika among others.
Monogram was formed on the back of an investment round raised by The Parent Company, which consists of three cannabis businesses with TPCO going public in 2020 via a special-purpose acquisition company which SFGate explained as a fundraising method that fast-tracked a huge haul of cash. In all, TPCO oversaw 20 cannabis retail brands, several grow houses — places where cannabis is grown — and retail stores based in California.
Much of Monogram’s success was based on market projections made by TPCO and was expected to rake in $334 million after announcing the launch. However, as the story notes, California’s competitive market had to compete against itself amid high taxation, falling wholesale prices, and even illegal cannabis sales thus causing many businesses to close up shop.
SFGate also reports that Monogram is no longer in business with TPCO, with the split reportedly taking place two years ago. Monogram is now owned by an LLC connected to the Gold Flora brand, which absorbed TPCO’s business thus making them a minority owner.

Photo: Getty

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Source: Paras Griffin / Getty
Drake’s legal filings against Kendrick Lamar and UMG have earned him some wrath from Uncle Luke, with the Hip-Hop icon calling him soft.
Drake’s latest move in his ongoing feud with Kendrick Lamar – filing legal petitions against the Compton rapper and Universal Music Group – has rubbed many in Hip-Hop and pop culture the wrong way. Count Luther “Uncle Luke” Campbell among them, evidenced in a social media post the Hip-Hop veteran shared over the past weekend.

“I like Drake’s music, I don’t like what he got going on right now but I like his music,” Luke began. “Some things you don’t talk about. You don’t talk about payola, you don’t talk about buying livestreams and you don’t sue after you got dissed, and you done did some dissing.” He’d go on to proclaim that it was a hallmark of this generation. “That’s y’all young people. y’all young people live in a soft society. That’s why I’m glad I’m an OG. All y’all young people soft. Soft, soft, soft. You got rappers that wanna diss somebody, then wanna go get the gun. Why not go and fight?”
The 2 Live Crew founder would go on to share differences between his generation and this one, citing his past beef with Dr. Dre and Snoop Dogg. “One thing that’s off limits, the kids are off limits, girlfriends are off limits, mamas are off limits,” Luke said. His views were mostly met with approval in the comments, with one user writing: “Can’t tell people they wrong anymore without they feelings getting hurt…I just leave everything alone.”
Drake’s pre-action petition claims that Universal Music Group and Spotify were responsible for inflating the streaming numbers for “Not Like Us” using bots on social media and other means. The Certified Lover Boy artist filed the documents shortly after Kendrick Lamar’s latest album, GNX, was released. The move has earned him heavy criticism from others including Joe Budden, who called him a “piece of s—t” on his latest podcast episode, citing the Canadian rapper’s negative actions in the past fueling this karmic retribution.
UMG’s response to the filing was swift, stating: “The suggestion that UMG would do anything to undermine any of its artists is offensive and untrue. We employ the highest ethical practices in our marketing and promotional campaigns. No amount of contrived and absurd legal arguments in this pre-action submission can mask the fact that fans choose the music they want to hear.”