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The Tiny Desk set was transformed temporarily into the Pink Pony Club for Chappell Roan‘s debut performance on the web concert series posted Thursday (March 21).
The 26-year-old rising pop star was joined behind NPR’s literal tiny desk by an all-female band, each musician outfitted in a pink collared shirt and matching blue eye shadow, red lipstick combos. In a pink dress, drag-inspired, Marie Antoinette-ish makeup and a tiara, Chappell was clearly the star of the show.

Between her performances of “Casual,” “Pink Pony Club,” “Picture You,” “California” and “Red Wine Supernova” — all five of which appear on the singer’s debut album The Rise and Fall of a Midwest Princess — the Missouri native even divulged one of her beauty secrets to the crowd.

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“Though it looks like it’s all my hair, it’s a wig,” she said of her highly teased red ‘do, which she adorned with butterfly clips. “It’s so hot. Is there a trash bag in [the wig]? That’s how we got it so big.”

Toward the end of her set, Roan confessed that performing on Tiny Desk has long been a dream of hers. “I love NPR, guys, I’m serious — I donate!” she added, earning ecstatic applause from her audience of NPR staffers.

The musician is currently touring with Olivia Rodrigo as an opener for the “Drivers License” singer’s Guts World Tour. Later this year, Roan will hit the road on her own headlining trek dubbed The Midwest Princess Tour.

Roan was first linked to Rodrigo through their shared producer, Dan Nigro. Last year, the engineer launched his own label imprint, Amusement Records, with the “Hot to Go” artist as his signee.

“My world opened up, and so did my music,” Roan told Billboard in June of writing songs with Nigro after getting dropped from her first label, Atlantic Records, in 2020. “My music reflected the feelings of my first time in a gay club, my first time falling in love with a woman, my first time feeling homesick — I had to go through all those experiences, that pain and suffering, to rebirth myself into where I am now.”

Watch Chappell Roan’s Tiny Desk performance above.

For the 3/11 installment of Tiny Desk, NPR welcomed the most apt band possible: 311.
Helmed by lead singer and guitarist Nick Hexum, the Nebraska rock band squeezed in behind the office’s literal tiny desk space to kick things off with “Beautiful Disaster,” a tune from 311’s 1997 album Transistor. With Tim Mahoney on guitar, Doug “SA” Martinez on turntables and vocals, Chad Sexton on drums and Aaron “P-Nut” Wills on bass, the group then segued into a hit from its self-titled 1995 record, “All Mixed Up.”

“This kind of reminds me of being in my dad’s basement, being back next to the pool table,” Hexum remarked, before quipping, “But it smells better here.”

311 went on to slow things down a bit for “Amber” from 2001’s From Chaos. For their finale, the guys closed with “Down,” also from their self-titled LP.

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After strumming their last notes, P-Nut held up a hand heart. “Thank you so much!” a beaming Hexum told the in-house audience as they showered the band with applause. “Much love. Stay positive, love your life.”

In September, 311 released a 30th-anniversary edition of its 1993 debut album Music. In the years since the original Music, the group has notched 16 albums on the Billboard 200, 10 of which made it into the top 10.

The band’s most recent studio album, Voyager, arrived in 2019 and debuted at No. 18 on the Billboard 200.

In 2022, 311 went through “a bit of a rough time,” as revealed by Hexum on Billboard‘s Behind the Setlist podcast. P-Nut had tweeted that he was “planning on taking a break from the band” upon fulfilling his obligations; however, within the next five months, the group was able to resolve things behind the scenes.

“I think breaks are healthy, and we have had a fairly intense touring schedule” Hexum said at the time. “Everything feels pretty well on track. And we’ve we’ve had some really good talks and discussions lately. We’re excited about the next chapter — P-Nut included.”

Fans of the band celebrate every March 11 as 311 Day, so it’s only appropriate that they celebrate with a Tiny Desk Concert for the band’s custom holiday. Watch 311 take on Tiny Desk above.

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Source: Prince Williams / Getty
Over the past few years The NPR Tiny Desk concerts have become a fan favorite event for music lovers across the board and while not many Hip-Hoppers are up on the intimate affairs, quite a few rappers have participated in the series.

The latest rapper to get down at the NPR headquarters in Washington D.C. is none other than Jeezy (formerly known as Young Jeezy) who took his trap style to the nation’s capital and gave everyone in attendance a lesson in thug motivation. Churning out hits like “Go Crazy,” “Air Forces” and “Standing Ovation” amongst other songs, Jeezy gave the crowd what they wanted and maybe more during his 23-minute performance and continues to prove that rappers can indeed give dope performances with a live band in tow.

Check out Jeezy’s NPR Tiny Desk Concert and let us know which one of those concerts are your favorite in the comments section below.
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Source: NPR / Youtube
Scarface sat down for an incredible Tiny Desk Concert, and it’s getting all the praise. But it should be expected considering the legendary Houston rapper is a legit musical icon with a catalog to match.

You knew things were going to be special when Facemob commented that Backyard, a just as legendary Go-Go band from Washington, DC, would be backing his performance. Face went through some of his catalog’s greatest hits starting with “My Block” and including songs like “Smile,” “I Seen A Man Die,” and, of course, the Geto Boys classic “Minds Playing Tricks On Me.”
NPR also reports that it was during rehearsals Face brought in producer Mike Dean (who performed on the original tracks) to handle the work on the keys. The performance, which also included Face picking up a guitar, was full of passion as he kicked his classic bars while conducting his talented musical accompaniment.
Check out the performance below and some of the more excited reactions in the gallery.
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Kim Tae-hyung, better known to ARMY as V, is never far from the spotlight.
With the release of his six-track collection Layover, the BTS star is very much the main man right now.

V marked the occasion by performing one of the first concerts for Tiny Desk Korea, a new series based on the popular NPR spot.

Filmed in Seoul, South Korea last month, with a newly assembled production crew and eight-member session band – many of whom flew from the U.S. for the recording – V unleashed three slinky Layover cuts.

V kicks things off with “Love Me Again,” takes us for a spin of “Slow Dancing,” and ends matters with “For Us.”

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“These songs evoke a sense of fleeting tranquility, as if they effortlessly pass by and offer a soothing pause,” he remarks in his native tongue.

The 11-minute performance video is part of the newly launched international version of Tiny Desk, a joint venture between NPR and LG U+, the Korean telecommunications and media company. The first few episodes, including performances by the Kim Chang Wan Band, Sunwoo Jung-A and the Yoon Suk Cheol Trio, are available on the Tiny Desk Korea YouTube channel, with new content dropping each Thursday.

Layover, meanwhile, has been warmly received since its Sept. 8 release. Music fans voted in a poll published Friday (Sept. 8) on Billboard, choosing the new solo collection as their favorite music release of the past week – with 96% of the vote.

The K-pop star’s six-track album, which also includes “Rainy Days,” “Blue,” and a piano version of “Slow Dancing,” is eying a top 10 debut in the U.K., where it entered the midweek chart at No. 5.

V is no stranger to the Tiny Desk format. With his BTS bandmates, he performed on the flagship segment back in 2020, and again in 2022.

Watch the latest Tiny Desk below.

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Bob Boilen is leaving NPR.

On Wednesday (Sept. 13), Boilen announced his departure from the media organization after a 35-year tenure. Boilen is the co-creator of NPR’s Tiny Desk Concerts, the creator and host of All Songs Considered and has directed All Things Considered for the last 18 years.

On social media, Boilen wrote, “After 35 years, I am leaving NPR. I’ve had the thrill of creating Tiny Desk Concerts, All Songs Considered, directing All Things Considered for 18 years and so much more. I love the people I’ve worked with, but it’s time to find new challenges. thank you for listening/watching.”

Boilen’s last day on the job is Oct. 2.

An internal memo obtained by Billboard also announced Boilen’s departure to staff.

“For over 35 years Bob has been a fixture here, whether as a long-time producer and director on All Things Considered or as a digital pioneer with NPR Music, Bob’s impact has achieved what few can; he has, through his work, changed NPR and changed the world around us,” reads the memo, written by NPR vp of visuals & music strategy Keith Jenkins and outgoing senior vp of programming and audience development Anya Grundmann.

In the memo, Jenkins and Grundmann add that the Tiny Desk series, which Boilen co-created in 2008, “has set the music industry agenda for the last 15 years” and succeeded in “bringing new audiences to NPR.”

The memo includes a note from Boilen, who states, “I leave at a time when new creative folks will hopefully envision exciting new futures for NPR Music.”

In addition to his work at NPR, Boilen is an accomplished musician and writer. His debut book, Your Song Changed My Life, was published in 2016.

The news of Boilen’s exit follows two other high-level departures at the public radio broadcaster as of late. In August, Grundmann — who worked with Boilen on Tiny Desk in her role overseeing music, podcasts, entertainment and talk shows at the broadcaster — also announced that she’s leaving the public radio giant at the end of the year following nearly 30 years at the organization.

That was followed earlier this month by an announcement from NPR president/CEO John Lansing that he’ll retire at the end of the year following a four-year tenure. Lansing’s time at NPR involved navigating the COVID-19 pandemic and a recent budget crunch. He’ll remain in place until NPR’s board of directors identifies his replacement.

Read the full staff memo on Boilen’s departure below.

All;Today, we’re sharing the news that one of our longest tenured colleagues, Bob Boilen, is retiring from NPR. For over 35 years Bob has been a fixture here, whether as a long-time producer and director on All Things Considered or as a digital pioneer with NPR Music. Bob’s impact has achieved what few can; he has, through his work, changed NPR and changed the world around us.Bob’s work on the broadcast side of NPR was extensive, and he later was instrumental in pushing NPR into the digital world at a critical moment of change in media. All Songs Considered, which began as a multimedia online show in 2000 and became one of NPR’s first podcasts in 2005, was a foundational element of NPR Music which Bob helped create in 2007. Bob has continued to produce the podcast weekly, and it’s also heard on more than a hundred NPR Member stations.While web video was still in its infancy, Bob created Project Song which placed a musician in a Big Brother type environment at NPR for 24 hours, allowing us to observe the song writing process, unfiltered. While its run was short, its impact was great; Project Song’s influence can be found in podcasts like Song Exploder. Project Song also has the honor of earning NPR its first Emmy in 2012.Finally, there is little left to say that hasn’t already been shared about the Tiny Desk series, which Bob co-founded in 2008. The series has set the music industry agenda for the last 15 years, and it continues to break new ground with its concerts and the Tiny Desk Contest; bringing new audiences to NPR. It is very difficult indeed to go anywhere in the world — whether it’s a battlefield in Ukraine, an embassy in Washington, a farm in the Midwest or a restaurant in Asia — where people haven’t heard about and watched Tiny Desk Concerts. This is the very definition of a global phenomenon.Bob is leaving NPR with a legacy of creativity and innovation. Knowing of his love for photography and the Eastern Shore, we hope his days continue to be filled with beautiful birds and sunsets — that is, when he can tear himself away from continuing to discover new music in clubs across America. We wish you all the best.Keith and AnyaA few words from Bob:I’m retiring from NPR after 35 incredible years. It’s time to find new challenges in life, and I’m excited about some of the possibilities. I leave at a time when new creative folks will hopefully envision exciting new futures for NPR Music. My last day is October 2.I lived the dream when I came to NPR’s All Things Considered without a day of journalism or radio in my background. I was a musician and a video producer in 1988, but the folks at NPR saw something in me and gave me opportunities to take chances and grow. Within a year, I was directing All Things Considered. I did that for 18 years. I produced hundreds of music stories, brought in music writers, and edited and produced their reviews.In 1999, I imagined a music show for the internet, and in 2000 All Songs Considered was born. Back then, it was a multimedia show with music. In the summer of 2005 All Songs Considered became what I believe was the first original content podcast for NPR.With the launch of NPR music in 2007, NPR covered music festivals, including Newport Folk, and, of course, SXSW, where Stephen Thompson’s comment to Laura Gibson became the spark that started the Tiny Desk series. The staff includes such great talent and now the videos look and sound better than ever.All the while, I got to be in an office with some truly amazing, talented, and fun people. Most of all I just want to thank all of you for making magic happen.

Longtime National Public Radio (NPR) programming executive Anya Grundmann will leave the network after nearly 30 years, the media organization announced Monday (Aug. 21). Grundmann will step down from her post as senior vp of programming and audience development at the end of the year. “It’s been the best kind of roller coaster ride,” Grundmann […]

Someone very special was posted up at NPR’s offices this week: Post Malone, making his Tiny Desk Concert debut on the heels of his new album Austin.
Posty’s voice sounded a little rough around the edges during the four-song performance, which he explained was due to the strain of his ongoing If Y’all Weren’t Here, I’d Be Crying Tour. After joking about how nervous he felt to perform on the web series, he noted: “I’m on tour, and my voice is ‘balls’ right now, so I appreciate you guys listening and putting up with that.”

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The rock star kicked off his set with “Sunflower,” his 2019 Billboard Hot 100 No. 1 smash with Swae Lee written for the Spiderman: Into the Spiderverse soundtrack. Next, with the help of a string quartet and backup singers, he transformed his 2017 single “I Fall Apart” into an emotional, folksy ballad.

“You guys f–king rock, thank you for being nice to me,” Post told the crowd halfway through the set.

The 28-year-old artist went on to sing “Circles,” which topped the Billboard Hot 100 for three weeks in 2019, before closing out with “Enough Is Enough,” a song from his July 28 album Austin. Both songs got the rootsy, full-band acoustic treatment as well, with Post playing acoustic guitar throughout the entire concert.

“I’m sweating my a– off,” he confessed after the performance concluded. “This is like a dream for me.”

Austin debuted last week atop both the Top Rock & Alternative Albums chart as well as the Top Alternative Albums chart, and reached No. 2 on the Billboard 200 in its first week. On top of his tour schedule, Post has been hard at work promoting the record, making stops on Zane Lowe’s Apple Music 1 show and Alex Cooper’s Call Her Daddy podcast.

Watch Post Malone’s Tiny Desk concert above.

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Trina probably wasn’t the first person people thought of when it comes to a Tiny Desk Concert (that in itself is a problem), but she delivered anyway. The Miami rapper kicked a medley of her hits over funky instrumentation and her performance has been getting praise ever since.
Things started on a somber note with Trina performing “Mama,” which is a dedication to her mother who unfortunately passed away from cancer in 2019. From there, the vibes picked up as Da Baddest B*tch performed her hits like “Da Baddes B*tch,” her smash collab with Trick Daddy “Nann N*gga” and “Single Again,” among more.
Of course, there are some haters on social media questioning why Trina was tapped—and they are quickly getting packed up for their tomfoolery. For the record, anyone with an issue with Trina is the Op. Those are the rules.

Twitter has been celebrating Trina’s turn on Tiny Desk Concert noting how she’s a blueprint for a lot of today’s female rappers like Megan Thee Stallion, Cardi B and yes, even Nicki Minaj. Peep some the more passionate praise in the gallery.
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6. Peep that ratio…

13. Trina NPR Tiny Desk

Source:NPR
Trina NPR Tiny Desk trina npr tiny desk