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The American Music Awards, a fixture on ABC from 1974 to 2022, is moving to CBS. The first show on its new network is set for Sunday, Oct. 6, live on both coasts at 8:00 p.m. ET and 5:00 p.m. PT and streaming on Paramount+.
The official announcement was made on Friday (April 26) by CBS and Dick Clark Productions (DCP), which is producing the 2024 AMAs. Nominees are based on key fan interactions as reflected on the Billboard charts – including streaming, album sales, song sales and radio airplay.
The AMAs are the third major awards show that CBS has picked up in the past few years, following the CMT Music Awards (in 2022) and the Golden Globes (earlier this year, having previously broadcast the show in 1981-82). CBS has also been the long-time home of the Grammy Awards (since 1973), the Tony Awards (since 1978) and the Kennedy Center Honors (also since 1978).
With the AMAs leaving ABC, the Oscars are ABC’s longest-running awards show. The Oscars moved from NBC to ABC in 1976.
The AMAs were created as a fan-based alternative to the Grammys. The first two Grammy live telecasts in March 1971 and March 1972 aired on ABC. When the Grammys shifted to CBS for the March 1973 telecast, ABC looked for a show to fill that void and went with Dick Clark’s fan-based show.
In December 1973, Clark was working on the first AMAs, which would launch on Feb. 19, 1974. The veteran producer knew a little publicity couldn’t hurt, so he found time for an interview with Billboard’s Bob Kirsch which ran on page one of the Dec. 15, 1973 issue under the headline “ABC-TV Slates Favorite Acts’ Awards Feb. 19.”
At the end of the piece, Clark attempted to take the long view of his fledgling show and said “If this is done properly, we may have a show that will last 20 years and will finally get the general public involved in popular music awards.”
Clark underestimated the longevity of his own creation. This year’s AMAs will be the 51st (there were two shows in 2003).
That first show ran just 90 minutes. It has been allotted three hours for many years, though this year’s show length has not been announced. The show in the first five years had a tight focus on three broad genres – pop/rock, soul/R&B and country. It now recognizes far more genres, including hip-hop, Latin, inspirational, gospel, Afrobeats and K-pop.
But, for the most part, the vision that Clark outlined to Kirsch 50 years ago still guides the show.
“This is probably the first time a major effort has been made to sample the U.S. public music taste through popular vote. … To date, we have received extremely favorable response from those in the music industry we have talked to about the show. They seem delighted at the opportunity to be honored by the music-buying public.”
Helen Reddy, Smokey Robinson and Roger Miller co-hosted that first show – each representing one of the three main genres. Reddy, who was red-hot at the time, was also the inaugural winner of favorite pop/rock female artist. Clark was executive producer of that first show. Bill Lee was producer. John Moffitt directed.
Clark, a master showman, was a legend in both music and television. He received a trustees award from the Recording Academy in 1990 and was inducted into the Television Academy Hall of Fame in 1992. He died in 2012 at age 82.
DCP is owned by Penske Media Eldridge, a Penske Media Corporation (PMC) subsidiary and joint venture between PMC and Eldrige. PMC is the parent company of Billboard.
After 25 years, Jack Sussman is stepping down as executive vp of specials, music, live events and alternative programming for CBS Entertainment. Sussman, who will leave following the Feb. 4 Grammy Awards, will return to producing, including serving as executive producer of two tentpole CBS specials, the Tony Awards and the Kennedy Center Honors.
Mackenzie Mitchell has been upped to vp of specials, while Mitch Graham will continue to run unscripted as executive vp of alternative, which he has overseen since 2020. Graham will report to Amy Reisenbach, president of CBS Entertainment, while Mitchell will report to Reisenbach and Bruce Gillmer, president, of music, music talent, programming and events for CBS parent Paramount and chief content officer of music of Paramount +.
“This is a storied department and I know both Mackenzie and Mitch will lead the team with distinction, transparency and positivity,” Reisenbach said in a staff memo obtained by Billboard. “They both launched careers and rose through the ranks at CBS while establishing deep roots in the TV community with limitless passion and creativity for making quality popular television.”
Sussman joined CBS in 1998 following roles at MTV, VH1, CNN and NBC and oversaw a wide variety of specials and yearly awards shows at the network. “I love live television,” he told Billboard in a 2017 profile. “You get one chance at it, and everybody’s got to be going in the same direction, because you are walking a tightrope.”
In an internal email, Sussman wrote to his colleagues, “I’m returning to my roots. I get to close out my career how I started in this business — producing. Working with talented artists and other creative producers has always been the best part of the job and now I will get to do that full time.” In addition to working on the Tonys and Kennedy Center Honors, Sussman says he will be “developing and producing outside passion projects for various platforms and live events along with the pro social and charitable organizations I have connected with throughout my career. A perfect next chapter as I look to slow down a little.”
Sussman has worked on more than 100 specials at CBS and with such artists as Garth Brooks, Bruno Mars, Celine Dion, Adele and Michael Jackson. “I’m so grateful to all the artists, managers, producers, record labels and production teams I’ve worked with along the way,” he wrote. “I had the good fortune early in my run at CBS of being mentored (and yelled at on occasion) by the giants who started the live television event business. I learned so much from them, and only hope I have been able to pass along some of that historical wisdom to this next generation.”
Both Graham and Mitchell have long tenures at CBS. Mitchell began at CBS in 2014 as a temporary assistant and had risen to vp while working on such annual shows as the Grammy Awards, Kennedy Center Honors and Tony Awards, as well as such specials as Garth & Trisha Live! and Adele: One Night Only. Graham started in the publicity department in 1999 and transitioned to the alternative department in 2013. He has worked on such shows as Amazing Race and Survivor. He has overseen the unscripted division since 2020.
“So proud to have watched these individuals and the collective team grow,” wrote Sussman in his memo to CBS staffers. “Mitch Graham is the best Alternative executive in town and Mackenzie Mitchell has grown into an outstanding executive overseeing our music and specials. You will not find two finer humans. The team is in great hands moving forward. They are simply the best, and a big reason this decision is both easier and harder.”
Sussman most recently oversaw CBS’ New Year’s Eve Live: Nashville’s Big Bash. The Dec. 31 show averaged 8.31 million viewers, more than doubling its primetime audience in 2022. This made it CBS’s most-watched original entertainment special since the Grammy Awards in February 2023. CBS also scored a ratings win with Jan. 7’s Golden Globes, which averaged 9.47 million viewers in its first year on the network, according to Nielsen.
Willie Nelson’s 90th birthday party is set to continue well into the last weeks of the 2023, with a televised all-star concert special, honoring the life and career of the country music legend. Featuring performances from Beck, Gary Clark Jr., Sheryl Crow, Snoop Dogg, Norah Jones, Miranda Lambert, Dave Matthews, Keith Richards, and the man of honor, Willie Nelson’s 90th Birthday Celebration is set to air Sunday, Dec. 17 on the CBS Television Network, and streaming on Paramount+.Nelson’s sons Lukas Nelson and Micah Nelson will also perform, alongside George Strait and Chris Stapleton, with Jennifer Garner, Chelsea Handler, Woody Harrelson, Ethan Hawke, Helen Mirren and Owen Wilson confirmed as hosts.
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The iconic artist, author, actor, and activist broke the news of the televised concert special Thursday night (Nov. 2) when he appeared as a guest on Stephen Colbert’s The Late Show. “I’m ready for it,” he tells Colbert.
Many stars on the lineup for next month’s special were on hand when Nelson blew out 90 candles back in April of this year.
The likes of Beck, George Strait, Snoop Dogg, Miranda Lambert, Norah Jones, Sheryl Crow, Dave Matthews, Tom Jones, The Chicks, and Chris Stapleton performed at the Long Story Short: Willie Nelson 90, A Star-Studded Concert Celebrating Willie’s 90th Birthday, spread across two-dates at the Hollywood Bowl.
“It was great,” he tells Colbert of that earlier love-in, “a little surreal of course. I loved every minute of it.”
Like a fine wine, Nelson seems to be improving with age. He was nominated for four Grammys earlier this year and a multi-part documentary on Nelson, titled Willie Nelson & Family, premiered at the Sundance Film Festival. On March 3, he released his latest album, I Don’t Know a Thing About Love, which highlighted songs written by Harlan Howard, on Sony’s Legacy Recordings. On Friday, Nov. 3, Nelson is inducted into The Rock And Roll Hall of Fame.
The party doesn’t end there. “It is the sincere privilege of our lives to have produced these shows celebrating our beloved Willie, and to partner with CBS to bring this special to fans around the world,” comment Mark Rothbaum and Keith Wortman, creators and executive producers of Willie Nelson’s 90th Birthday Celebration. “Viewers will now have the chance to sing, and laugh, and cry and experience the joy of this celebration like never before.”
For his latest late-night stint, Nelson performed “I Never Cared For You,” and “Whiskey River,” both of which appear on his Greatest Hits, released today to coincide with his Rock Hall elevation.
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Landing an interview with Jay-Z is no easy feat, but when your name is Gayle King it can be a bit easier to do so as her name holds the kind of weight that Jay-Z used to a move a lifetime ago.
Getting the exclusive with arguably the greatest rapper of all time, Gayle King and Jay-Z linked up at the Brooklyn Public Library where they toured his lifework and got into different aspects of his accomplishments and what they mean to him today.
From explaining where the diamond hand sign that became synonymous with Roc-A-Fella Records to revealing why he and Beyoncé named their daughter Blue Ivy, Jay-Z opens up about various topics and shows us how a lot of his life’s work is much deeper than rap.
Take a look at the full interview below and check out the eight things we learned from Jay-Z on CBS Mornings.
The hands displayed at The Book of Hov exhibit are actually Jay-Z’s hands
Jay-Z did the impression for the eventual mold. Interestingly enough, he didn’t know what he was doing it for. He says the team simply asked him to do it, so he did without questioning it. As for why he and his Roc-A-Fella team began throwing up the diamond sign, Jay-Z says it came from their belief that their R&B group Christión would sell 10 million records and go diamond. So they would throw up the diamond sign in support of Christión. They did not go diamond or even platinum, but that diamond sign itself definitely blew up.
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Jay-Z settled the raging hypothetical debate that has dominated the web, advising folks to take $500,000 instead of having dinner with him.
The Hip-Hop icon recently sat down for an in-depth interview with Gayle King for CBS Mornings to air later in the week. During the conversation, King brought up the debate that has become a viral fixture on social media platforms. “If you had a choice between being paid $500,000 in cash or lunch with Jay-Z, which would you choose?”, she asked. “You gotta take the money,” Jay-Z answered.
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King countered by saying that perhaps dining with the mogul would provide someone with wisdom more valuable than the money. “I mean, what am I gonna say? Everything that I’m gonna say — you got all that in the music, what, for $10.99? That’s a bad deal. I wouldn’t tell you to cut a bad deal,” Jay-Z responded with laughter. “Take the $500,000, buy some albums, listen to the albums, it’s all there. If you piece it together, if you listen to the words it’s all there.”
“Everything that I said was going to happen happened,” he continued, referencing one of his key hit albums in relation to his career. “Everything that I said I wanted to do, I’ve done. And there’s ‘The Blueprint’ — the blueprint, literally — to me and my life and my journey is there already.” The immediate response after the clip aired showed some relief that the viral hypothetical debate was over. It was also noted that Jay-Z had already answered the question – via the TIDAL account on X, formerly Twitter back in 2021. “Take the money,”, the post said.
The interview – which will be aired in two parts on Thursday and Friday (October 26 and 27) – was conducted as King and Jay-Z toured The Book of HOV exhibit which is currently on display at the Brooklyn Public Library. The massive exhibit, featuring a recreation of the studio where Jay-Z’s first album Reasonable Doubt was made, made its debut in the summer and has been extended twice due to popular demand.
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Jeff Probst is back again for the 45th season of Survivor, and this time, he’s welcoming a new group of castaways to Fiji. The season is set to air on Wednesday (Sept. 27) on CBS at 8 p.m. ET and the next day on Paramount+, but there are a few ways for you to stream the new season online without cable.
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Season 45 will see 18 competitors divided into three tribes of six people each as they form mini societies and compete to win advantages and outsmart their competitors. Unlike previous seasons, this one will start with 90-minute episodes giving fans a more in-depth look at the competition.
Castaways will be brought to new limits as the series states it’s amped up the challenges and advantages, making it one of its most “exciting” seasons yet. New episodes are set to drop every Wednesday, so make sure to clear you schedule!
Keep reading to learn the streaming options to tune in from.
How to Watch Survivor Season 45
CBS is home to Survivor and if you have cable you can just turn to the CBS channel found within your cable provider’s channel guide. If you don’t have cable you might be able to watch the show online with an HD antenna.
For cable cutters, Paramount+ is where you’ll be able to watch episodes of the survival reality show the next day. The streamer has access to every season of the show, which means superfans or those just starting to watch the show can start from the beginning. If you’re already a subscriber, just log into your account to gain access to the show for no additional cost.
Not a subscriber? Paramount+ offers a free week trial for new users when you sign up. You can choose from two plans: Paramount+ Essential (ad-supported for $6.99/month) or Paramount+ with Showtime (ad-free for $11.99/month). If you want to watch the show live, then we suggest Paramount+ with Showtime as it includes everything in the ad-supported plan such as access to the hundreds of shows and movies, CBS News, NFL and UEFA Champions League as well as live TV with CBS.
‘Survivor’ on Paramount+
$6.99/month after 7 days free
Besides Survivor, you’ll also be able to indulge in original shows and movies such as Fatal Attraction, Rabbit Hole, Grease: Rise of the Pink Ladies, 1923, iCarly,The Good Fight, Mayor of Kingstown, Seal Team, Star Trek: Discovery, Star Trek: Picard, Why Women Kill and Before I Forget.
Paramount+ is also on Prime Video for those with an Amazon Prime account. Not a Prime member?Launch your free 30-day trial here.
Looking for additional savings? Take advantage of live TV streamers like Hulu + Live TV, which offers everything in the Hulu library in addition to hundreds of live channel options such as CBS. New users can enjoy a 30-day free trial when you sign up here.
If you’re watching from outside the U.S., you can still watch Survivor through ExpressVPN or NordVPN, which gives you access to Paramount+, Prime Video and other platforms.
Check below for a preview of the new season.
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If you watched the 2023 Grammys, you probably know that Lil Wayne was honored with the Global Impact Award. What most people likely don’t know is that the award was reportedly going to none other than pop legend Janet Jackson, until things got too deep when Jantet’s people demanded CBS atone for villainizing her after the infamous Super Bowl XXXVIII half-time show incident with Justin Timberlake.
Actually, TMZ Sports noted that it’s unclear whether both Wayne and Jackson were supposed to receive the award or if Wayne got it once things went south with the “Control” singer. But what is clear is that since the half-time show where Jackson’s breast was exposed due to a wardrobe malfunction was broadcast by CBS, and CBS disinvited Janet to that year’s Grammys ceremony because of it, the network was going to need to make things right before Ms. Jackson (if you’re nasty) just lets bygones be bygones and graces the stage this year. Obviously, none of the above ended up happening.
From TMZ Sports:
Sources connected to The Grammys tell us … the Grammys wanted to bestow Janet with a Global Impact Award, but there was a snag. Recording Academy honchos wanted Janet to attend a pre-Grammy event with the Black Music Collective days before the main event to accept the award, but her schedule wouldn’t allow it. From there, we’re told discussions pivoted to a way Janet could receive the honor during the actual broadcast, but that presented another problem … CBS never made amends with Janet for making her persona non grata after the wardrobe malfunction
It was Super Bowl XXXVIII, broadcast on CBS, when Justin Timberlake ripped Janet’s top, revealing her breast. The network received a ton of flack over the incident, and CBS CEO Les Moonves pulled Janet’s invite to the Grammys that year. Our sources say Janet’s team and Grammy organizers began talking about ways CBS could either apologize or figure out a way to acknowledge how she was treated by the network, but things just got too complicated and talks ended.Honestly, Janet Jackson and her team should be commended for sticking to their guns and not allowing CBS or the Grammys to be blessed with her presence without first acknowledging the harm they caused. It just sounds like Janet chose herself over some janky award stage that didn’t want her when it wasn’t convenient. And that was the right choice.–
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