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If it’s Friday, you know it’s high time for another spin around the Executive Turntable, Billboard’s comprehensive(ish) compendium of promotions, hirings, exits and firings — and all things in between — across music.
Keychange U.S., a non-profit organization championing gender equity and inclusion across music, added four new members to its board of directors: Andreea Gleeson (TuneCore), Christine Osazuwa (Measure of Music, Shoobs), Jessica Sobhraj (Cosynd), and Matthew Yazge (Whitman Insight Strategies). Additionally, Keychange U.S. hired YouTube and Reddit veteran Maria Gironas as its new general manager, working closely with the board on its stateside initiatives. Founded in 2017, Keychange focuses on empowering women and gender minority artists and industry pros. The organization’s goal is to reshape the music industry to make it more inclusive. Keychange’s Gender Equality Pledge has been signed by more than 650 global music organizations. The U.S. expansion of Keychange was launched in June 2022 with funding from TuneCore and its Paris-based parent Believe.
“After launching the gender equality study, BE THE CHANGE three years ago, it was important that we continued to support the mission of the report, namely, to see the industry move towards more equitable and diverse representation across genders. That’s what led us to Keychange,” said Gleeson. “Witnessing the impact of what Keychange has been able to achieve in Europe and the many lives it has influenced, it became apparent that we needed to bring similar efforts to the US. I’m honored to be named US Chair for the Board of Directors. Together with the rest of the illustrious board, I am excited to continue to drive impact, both globally and locally, for women and gender-expansive individuals, be they developing music creators or rising executives.”
South Korean tech conglomerate Kakao, owner of Kakao Entertainment and a majority stakeholder in K-pop company SM Entertainment, appointed Shina Chung to be its next CEO. She currently runs the company’s venture arm. When Chung officially takes over the mothership in March, she’lll be Kakao’s first female chief executive and has already signaled change is afoot at the perpetually embattled company. “I will carry out active and responsible management,” Chung said. “I will not miss this opportunity for change because Kakao does not have much time.” Her appointment arrives a month after Kakao and its former chief investment officer were indicted for stock manipulation related to its pursuit of SME earlier this year. Kakao owns the country’s dominant chat app, KakaoTalk, and subsidiary Kakao Entertainment owns Starship Entertainment, home to K-pop megastars Monsta X, as well as South Korea streaming app Melon. In August, Kakao Entertainment and SM Entertainment revealed their plans to create a North American joint venture by the end of this year.
Ming Lu was appointed to the newly created role of vice president of artist development and entertainment strategy at Universal Music Greater China. Ming Lu’s job will be to build up opportunities for the label’s Chinese-language roster and facilitate opportunities for artists across film, TV, gaming and other sectors. Ming Lu joins Universal from Warner Music, where he most recently served as a senior director. Prior to WMG, he put in five years as director of artist management at Modern Sky.Based in Beijing, Ming Lu will report directly to Timothy Xu, chairman and CEO of UMGC. “With his keen insights on youth culture and strategic approach in the entertainment businesses, Ming Lu will be instrumental to drive the innovation and growth at the very heart of our business – providing the full spectrum of services and utmost opportunities for artists,” said Xu.
All in the Family: Veteran journalist Raina Kelley is VIBE‘s new editor-in-chief. Starting Jan. 2, Kelley will oversee the editorial direction and vision of the 30-year-old VIBE brand as it begins a new chapter as part of the portfolio of its sister publication Variety. She’ll work closely with Variety co-EICs Ramin Setoodeh and Cynthia Littleton, who’ll expand their remits as editorial directors of VIBE. The NYC-based journalist was most recently vp and EIC of Andscape, the ESPN vertical devoted to covering the intersection of Black culture and sports. She assumed the leadership role in May 2021 after serving as managing editor of the site (then called The Undefeated) for five years. Prior to The Undefeated, she served as deputy editor at ESPN The Magazine. Vibe joined the Penske Media portfolio — which also includes Billboard and The Hollywood Reporter — through its 2020 joint venture with MRC. “We’re thrilled to welcome Raina to the Variety family,” said Setoodeh and Littleton. “Raina brings with her an incredibly rare set of skills and experiences across politics, sports and media. She will be instrumental in maintaining VIBE’s unique voice of authority and infusing her perspective into all of our initiatives. We look forward to VIBE’s exciting evolution ahead.”
Agency Briefs: Creative Artists Agency (CAA) announced 16 promotions to agent. Those promoted include Gabrielle Fetters, Megan Glendinning, Justin Gorkowitz, Evan Greenberg, Leilani Houston, Alex Hubert, Hannah Kaiser, Ashley King, Kyle Margolis, Peppa Mignone, Max Miller, Khalil Roberts, Sarah Phillips, Cami Potter, Jack Upton, and Connie Yan to agent or executive. (Dave Brooks) … GOA Music & Speakers (Greg Oliver Agency, Inc.) has expanded and elevated its staff, with Tim Robinson joining as an artist agent, and David Richt being promoted from booking coordinator to artist agent. GOA Music currently represents Big Daddy Weave, Tasha Layton, Rhett Walker and more. (Jessica Nicholson)
Death Row Records hired UMG veteran Kat MacLean Daley as the revamped label’s first vp and head of publishing, effective immediately. No surprise, MacLean Daley reports directly to DRR owner Snoop Dogg and is based in Los Angeles. In her new role, she’ll handle day-to-day operations and focus on building on Death Row’s publishing prowess, plus expand the label’s catalog and roster. She joined UMPG in July 2017 in the business and legal affairs department, and worked her way up to director of music sampling and business development. “Kat’s already a legend in the world of clearances and publishing, and her drive and discipline was what I wanted to bring to Death Row,” said Snoop. “The talent that has been a part of Death Row for over 30 years deserves to have their songs heard, but also to be properly licensed and paid as songwriters and producers. I know that Kat is the right person to take care of our history, while also helping us write the story for the chapters to come. There’s a Kat in the Dogg house now.”
Board Shorts: The Country Music Association elected its board of directors for 2024, with new board members including Austin Neal (The Neal Agency), Shannan Hatch (SESAC), Mike Harris (UMG Nashville), Jeffrey Hasson (UTA), Annie Ortmeier (Triple Tigers Records), Rachel Whitney (Spotify), Brent Daughrity (Gallagher), Deana Ivey (Nashville Convention & Visitors Corp), Michelle Tigard Kammerer (Amazon Music), Adam Weiser (AEG Presents), Stephen Parker (NIVA) and John Zarling (615 Leverage + Strategy). The board officers for 2024 will be Kella Farris, chairman (Farris Self & Moore, LLC), Jay Williams, president-elect (WME), Jennie Smythe, president (Girlilla Marketing) and Ben Vaughn, secretary/treasurer (Warner Chappell Music Nashville) … Former Stone Temple Pilots manager Steve Stewart joined the advisory board of Sonar Media, a new music, social media, and streaming mobile platform … Former AOL and Univision-ary Kevin Conroy joined the advisory board of American Weekend Entertainment, parent of Gen Z influencer network Music Daily.
ICYMI:
Warner Music Nashville appointed Stephanie Wright as senior vp of A&R … WME announced detailed departmental changes relating to A&R and bookings … Scott Hendricks (pictured) will be leaving Warner Music Nashville at the end of the month … The National Independent Talent Organization (NITO) hired Nathaniel Marro as its first managing director … and Datwon Thomas was named executive producer of talent for Dick Clark Productions (DCP).
Global creative audio network Squeak E. Clean Studios named Chris Clark and Michael Gross (MG) co-managing directors of the U.S. At the same time, Hamish Macdonald will step aside as global managing director of the company, which creates soundtracks and sound designs for ads, film and TV, but he’ll continue to oversee Squeak E’s operations in Australia. Clark joined the Squeak squad in 2020 from ad giant Leo Burnett, while MJ is two years in after a tenure at someplace called “Google.” Macdonald said he is “so proud of this announcement,” adding, “It is such an incredibly exciting next stage in Squeak E’s growth and a much deserved promotion to two great leaders. Both Chris and MG have all the talent, skills and drive to handle the role of MD independently, but as they both bring insights steeped by equally impressive backgrounds from different sides of the industry, they are the dynamic duo to lead this incredibly talented team into the stratosphere.”
Radio, Radio: Partridge Family star Danny Bonaduce retired from Seattle radio this week after 12 years at classic rock station KZOK. Bonaduce, who said he’ll take it easy in Palm Springs but keep a place in his “beloved Seattle,” said recently that he has hydrocephalus, a neurological disorder caused by a buildup of fluid in cavities deep within the brain … Australian radio legend Richard Kingsmill announced his retirement after a 35-year reign as a champion of music at Triple J radio. “His dedication and passion for supporting Australian music and musicians has shaped our industry,” said APRA AMCOS in a statement. “An absolute a radio her. Big bravo.”
Warner Music Group veteran Barry Landis launched Pivot Music, a new label offering scoring and licensing services for filmmakers and music supervisors. Pivot’s general manager of operations is Ben Jones, a graduate of Belmont University’s Curb College of Music Business. “I’m excited for this new approach to the music industry,” says Jones. “The models for business are constantly changing and being at the frontlines of these shifts is crucial.”
Anastasia Brown departed Visionary Media Group (VMG), where she has been chief content strategist since 2020. Brown’s role centered on directing the creation and allocation of all digital and physical content across platforms for VMG’s music, film, television and scoring projects. Her 30-year career includes roles as a music supervisor, artist manager, music publisher, film/soundtrack/TV producer, author, TV personality, A&R/label executive and content creator at companies including Firstars Management in Nashville, Ark 21 Records, the Nashville Convention & Visitors Corporation and Warner Nashville. She earned a Grammy nod for her role as music consultant on the 2011 Footloose remake and served as an on-air judge on the USA Network series Nashville Star from 2005 to 2007.
Experiential entertainment company Mycotoo promoted Cirque du Soleil alum Michael Wilder to director of production and hired Jessica Herrera as director of business development. Wilder has 25-plus years of experience under his belt, and recently spearheaded Mycotoo’s production for the fan activation for Netflix’s “Stranger Things: The Experience.” Herrera has 16 years of economic development experience and was previously the director of econ dev for the city of El Paso, Texas. Mycotoo CEO Seth Cover: “Their unparalleled expertise and track record of success will be undoubtedly valuable in enabling us to deliver live experiences that bridge entertainment, human connection, and inspiration to audiences worldwide.”
Executive Turntable: Spotify’s UK Boss Departs
Warner Music Nashville has appointed Stephanie Wright as senior vp of A&R, reporting to label co-chair/co-president Cris Lacy. Wright joined the company as a consultant in October. Wright has spent more than 23 years in A&R at Universal Music Group in Nashville, beginning as an assistant at Capitol Records and rising through the ranks to […]
The holiday season is a lousy time for new Christmas music. From one year to the next, the top of the chart sees little turnover.
During the last decade, Mariah Carey’s “All I Want for Christmas Is You” has been the top holiday song eight times, except in 2014 and 2016, when Pentatonix took the honors with “Mary, Did You Know” and a cover of Leonard Cohen’s “Hallelujah,” respectively. Brenda Lee’s “Rockin’ Around the Christmas Tree” and Bobby Helms’ “Jingle Bell Rock” are reliable runners-up. Of 2022’s top 10 holiday tracks, nine were also in the top 10 in 2021; six of them were in the top 10 in 2016. Reaching that region means outperforming some of the iconic recordings of the past 100 years, including Bing Crosby’s “White Christmas” and Nat “King” Cole’s “The Christmas Song.” It’s tough competition.
This year, Jordin Sparks is hoping to nudge into the Douglas fir-scented scrum with a multiplatform approach to establishing a Christmas-season earworm. The American Idol season 6 winner recently signed with Epidemic Sounds, a platform that licenses royalty-free music to content creators, and released the four-track EP The Gift of Christmas on Nov. 21, which includes covers of “Jingle Bells,” “Silent Night,” “O Come, All Ye Faithful” and “Angels We Have Heard on High.”
Epidemic Sound acts like a record label by releasing the EP to digital service providers and getting tracks on playlists. But the most powerful distribution mechanism is its army of content creators that attract huge audiences. According to Epidemic Sound chief of music Niklas Brantberg, music licensed from the platform is heard 2 billion times daily on YouTube and 500 million times daily on TikTok.
Sparks’ EP is off to a good start. The songs on The Gift of Christmas have been used thousands of times and amassed nearly 10 million views to date, according to the company. In just two weeks, her cover of “Jingle Bells” became the best-performing holiday track ever released at Epidemic Sounds.
Sparks’ holiday branding strategy also includes a three-part seasonal decorating and home improvement video series, Merry & Bright, which is sponsored by Home Depot and will be shown on the video streaming interface built into 22 million VIZIO TVs. Katlyn Wilson, director of branded content sales and strategy at VIZIO, says Sparks “was the perfect host for this,” adding, “She has done Christmas content before. Hopefully, it will be a great way for her to continue to establish herself in the Christmas space.”
The Gift of Christmas is not Sparks’ first foray into seasonal music. She released the holiday album Cider & Hennessy in 2020, and two of its songs were featured in the 2021 Hallmark Channel movie A Christmas Treasure, which co-starred Sparks.
The Hallmark Channel is so important to the holiday music business that BMG, Downtown Music Publishing, Kobalt Music Publishing and Seeker Music partnered with the cable network for songwriter camps in 2023. Hallmark executives clued in the creators to what they look for when licensing music. “So far, we’ve had five placements from that camp,” says Mariana Migliore, director of creative synch at BMG — two of them by HunterGirl, the runner-up on season 20 of American Idol. “The Hallmark Channel will promote [the songs] on their SiriusXM channel and Spotify playlists,” she adds.
Other platforms such as Netflix and Amazon Prime have followed Hallmark Channel’s lead and are getting more involved in Christmas movies. That presents an opportunity to get holiday music in front of large audiences that wouldn’t hear the music otherwise. “It feels like probably every other writer of ours is either an openly big fan of putting their music in that kind of project, or they are secretly obsessed with those projects,” BMG senior vp of creative synch Jonathan Palmer says. “It becomes like a bucket-list item for them.”
Warner Music Group has partnered with British health tech start-up MediMusic to trial “music as medicine” to help relieve pain, anxiety and stress. MediMusic will conduct research testing in several closed randomized controlled trials in both the United States and the United Kingdom that will deliver playlists from the Warner Music catalog to patients and sample groups to observe how they respond to the music in real-time.
“MediMusic’s proprietary algorithms extract the relevant features from the digital DNA of a piece of music, resulting in a fingerprint for healthcare use,” according to a press release, with the help of artificial intelligence, machine learning and patient data. The company then automatically creates personalized 20-minute playlists and plays the music through a streaming device called the MediBeat and a pair of headphones. Patients wear a heart rate monitor on their wrists to monitor the physiological effect of a piece of music.
The release states that initial trials conducted by MediMusic and the UK National Health Service using the MediMusic technology reduced the heart rate of anxious dementia patients by 25%.
Secretly Distribution announced new global multi-year deals with Danger Mouse‘s 30th Century Records, the catalog of singer-songwriter David Gray and Madlib‘s Madlib Invazion. Secretly will support all of 30th Century Records’ new music and back catalog, including vinyl reissues. For the Gray catalog, the company will work with Bella Figura Music to provide the catalog with global digital support and vinyl reissues. And for Madlib Invazion, Secretly will handle distribution for Madlib and the rest of the label, including new music from Madlib expected next year.
Additionally, Secretly announced multi-year contract renewals with three longtime label partners: Captured Tracks, Rhymesayers Entertainment and Run for Cover.
SoundCloud announced partnerships with dance label Helix Records and hip-hop label Payday Records to offer expanded global artist services for emerging electronic and hip-hop artists identified by SoundCloud for a potential signing with one of the labels.
ASM Global and Voltus, a distributed energy resource platform and virtual power plant operator, struck a partnership through which ASM Global-managed venues will be paid for energy reduction efforts across all venues located in wholesale and regulated power markets in the United States. Earlier this year, the ASM Global Acts Foundation announced a plan to convert the company’s venue portfolio into the world’s most sustainable, which includes reducing energy consumption by 25% by 2030 from this year’s baseline and becoming carbon neutral by 2050.
Colorado Springs, Colo.-based live entertainment company Notes Live entered into a non-binding letter of intent for a business combination transaction with wine producer Fresh Vine Wine, a company listed on the NYSE American stock exchange. The two parties expect to negotiate and enter into a definitive agreement before the end of January; Notes Live is planning to seek shareholder approval for the transaction at a meeting scheduled for Jan. 31.
The final closing is expected in the second quarter of 2024, subject to closing conditions including approvals by NYSE American of the continued listing of the combined company’s common stock after the closing. The combined company’s common stock would trade on the NYSE American under the ticket “VENU” following the closing.
Notes Live currently operates two entertainment campsites in Colorado Springs and Gainesville, Ga. and is also developing luxury amphitheaters in Colorado Springs; Broken Arrow and Oklahoma City, Okla.; and northern Texas. According to a press release, “The parties expect that the owners of Notes Live would own a substantial majority of the issued and outstanding shares of Fresh Vine common stock on a post-transaction basis, which may be in excess of 90%.”
The Feldman Agency is teaming with Tennis Canada to launch The Bowl at Sobeys Stadium, a new open-air concert venue in Toronto. Located on the York University campus, the Bowl will accommodate up to 9,000 guests and feature private lounges and an onsite restaurant.
Lucas Thomashow, former senior vp at Avex, announced SANA, a new label that will be a joint venture with recently launched artist and label services company Santa Anna (led by Todd Moscowitz and Lee L’Heureux), Sony Music and independent label LISTEN TO THE KIDS (founded by Conor Ambrose). SANA’s partnership with Santa Anna will encompass distribution, marketing and promotion, while the A&R and marketing teams at LISTEN TO THE KIDS (which partnered with Santa Anna in January 2023) will work with SANA on the strategy and development of the label. SANA will be based in LISTEN TO THE KIDS’ studio and offices in L.A.
Production company Jesse Collins Entertainment has signed with CAA for representation. The company, which boasts three divisions — specials, unscripted and scripted — is next slated to produce the 75th annual Emmy Awards. The company’s credits include the American Music Awards, BET Awards, Becoming a Popstar, Cardi Tries, American Soul and The New Edition Story. Founder/CEO Jesse Collins and president Dionne Harmon executive produce all Jesse Collins Entertainment programming; the company has a multi-year, non-exclusive overall deal with Paramount Global.
Lyric licensing and data solutions company LyricFind and music metadata leader Music Story extended and expanded their multi-year relationship. The broader partnership allows Music Story to help further LyricFind’s commercial reach by selling the company’s services to customers in the United States and globally. Prospective customers can also tap Music Story’s U.S. and international metadata services.
“By making Music Story an extension of LyricFind’s services, we’re taking a major step forward in unlocking the power of metadata to help more people discover and enjoy the music they love with lyrics while ensuring that songwriters and copyright holders are fairly compensated for their incredible work,” said LyricFind founder/CEO Darryl Ballantyne in a statement.
B2B streaming media service Tuned Global partnered with the new “artist-centric” streaming platform Sona to help launch Sona’s music service and marketplace, sona.stream. Tuned Global will provide content delivery, tools and reporting services for Sona under the deal, including its content delivery and APIs that will allow fans to create playlists and launch radio stations based on their favorite artists (beginning in 2024).
Co-founded by artist/producer TOKiMONSTA and Laura Jaramillo, Sona allows fans to stream music for free without subscriptions or ads but also to buy SONAs, or digital twins of specific songs that share future streaming rewards with their owners. Artists can choose which songs to auction as SONAs, while fans can purchase songs as SONAs to earn 70% of that song’s future streaming rewards on the Sona platform.
Beats marketplace BeatStars has partnered with software developer Resonant Cavity, creators of the popular mobile studio and vocal effects app Voloco, to integrate with Voloco beginning in January. “Our collaboration with BeatStars will bring the best beat catalog into the most powerful mobile recording studio,” said Patrick Flanagan, CEO/founder of Resonant Cavity, in a statement. “As artists experience studio-quality vocals from Voloco over top-tier beats from BeatStars producers, they’re going to be inspired to create something exceptional.”
UnitedMasters has officially launched in Nigeria, Billboard can exclusively announce. The global music distribution platform aims to connect independent African artists to the global stage.
With UnitedMasters’ premium music distribution services, innovative technology and first-of-its-kind artist marketing solutions, Nigerian artists will be able to upload and distribute their music to global media parters — such as Spotify, Facebook, Instagram, Apple Music, YouTube, Snap and TikTok — as well as critical African services, like Boomplay, Audiomack, Muska, Music in Ayoba, Anghami and Joox.
“UnitedMasters’ move into Nigeria is the next logical step in making independence the standard setting for the music industry all around the globe,” UnitedMasters CEO Steve Stoute said in a statement to Billboard. “While we’re active in a number of exciting markets around the world, Nigeria is simply second to none when we talk about talent density and untapped potential, both for individual artists and the Naija diaspora as a whole.”
UnitedMasters offers tailored music distribution plans for artists, from the “Debut” tier with 90% royalty retention to “Select” tier, which includes unlimited music releases and brand collaborations. For the special Nigerian launch, UnitedMasters will introduce reduced pricing, with the “Select” tier at 20,000 NGN/year, as part of its commitment to accessible, high-quality music distribution for all independent artists in Nigeria.
“Nigeria is already a musical powerhouse, and our role is to ensure that the cultural command it enjoys today becomes an economic and political annuity for generations to come,” said Stoute. “Our promise that you can shape the future of music without sacrificing your ownership is critical to establish in Nigeria, while artists from around the world seek to emulate the success of these Naija heroes. As we see it, winning with, not just within, Nigeria is the one move that will accelerate our cause in every market.”
Nigerian American rapper Tobe Nwigwe and Nigerian producer Sarz are already on the platform. In June, Billboard exclusively announced that UnitedMasters was partnering with Sarz and his 1789 imprint in efforts to discover, develop and empower the next generation of African artists and producers. Sarz recently released his “Happiness” single, featuring Asake and Gunna, via 1789 and UnitedMasters ahead of his new album, which is due in 2024. “Happiness” arrived three months before his previous “Yo Fam!” single with Crayon and Skrillex.
As part of the launch, Nwigwe and Sarz will perform during a “Live from Lagos” concert on Thursday (Dec. 14) in collaboration with Don Julio, with VIPs being served Don Julio 1942. In the coming months, Don Julio and UnitedMasters will continue working together by unveiling a series of programs aimed at spotlighting independent Nigerian artists and making strategic investments in the future of Nigerian music. UnitedMasters will utilize the brand partnerships they already have with Don Julio, Coca Cola, the NBA and more, while simultaneously building relationships with brands on the ground to support local artists and contribute to the prosperity of the Nigerian music industry.
“Don Julio partnerships are often driven by cultural truths. Don Julio has organically been a part of the Afrobeats scene for years, so when we were looking for meaningful ways to enter into the Nigerian market, the UnitedMasters launch was an obvious choice,” added Sophie Kelly, svp of global tequila and mezcal at Diageo. “This partnership will begin in December, but ultimately expand Don Julio’s presence in the music scene of Nigeria throughout 2024.”
Lawyers for the Michael Jackson estate quietly threatened to sue a pop culture collectibles website this week over plans to auction off unreleased Jackson studio recordings that the estate claimed were “unquestionably stolen,” resulting in the items being withdrawn from sale.
Last month, Gotta Have Rock and Roll said it planned to auction more than two dozen masters tapes purportedly recorded by Jackson during 1994 sessions at The Hit Factory, a famed New York City studio. The auction house called the tapes “incredibly rare unreleased recordings” and said each would eventually sell for as much as $4000.
But after correspondence from attorneys for the Jackson estate that was obtained by Billboard, including an email from well-known litigator Alex Spiro earlier this week that threatened to seek an immediate court restraining order, the tapes are no longer listed on the auction site.
GHRR did not return a request for comment on the status of the tapes. A rep for the Jackson estate declined to comment.
The incident highlights the sometimes blurry line between legitimate rock and roll collectibles and goods that have been stolen from artists. Last year, three men were indicted in New York for attempting to auction Don Henley’s handwritten notes and lyrics for the Eagles album Hotel California; they claim they lawfully obtained the materials from a journalist who was simply given them.
The Jackson tapes, posted for sale as part of GHRR”s “Rock & Roll Pop Culture Winter Auction 2023,” cover 25 recordings that purportedly include “Oh Love,” “Sexy Love,” “Doing What My Heart,” “New Jelly” and many others. The site estimated that each tape, which it said was “an artifact ONLY with no copyright” with reproduction “STRICTLY prohibited,” would sell for between $2,000 and $4,000.
But in a letter dated Nov. 29, Jackson estate attorney Jonathan Steinsapir warned that the tapes had been stolen. He demanded that Gotta Have Rock and Roll not only “cease and desist from any and all efforts to further auction these tape,” but also immediately return them.
“Neither Michael Jackson nor his record company, Sony Music Entertainment, ever sold or gave away master tapes from his recording sessions at The Hit Factory (or anywhere else),” Steinsapir wrote in the letter, obtained by Billboard. “These tapes were unquestionably stolen or otherwise taken without authorization. Accordingly, they are the property of the Jackson Estate.”
The letter was apparently unsuccessful.
On Tuesday, the estate contacted the Gotta Have Rock and Roll again, this time represented by Alex Spiro, a nationally prominent attorney who has previously represented Jay-Z, Megan Thee Stallion and Elon Musk in court. In an email to the auction house’s lawyer, Spiro noted that Gotta Have Rock and Roll had informed Steinsapir that it “will not comply with these demands.”
“We write to notify you that we intend to seek a temporary restraining order and preliminary injunction tomorrow (December 13) in New York Supreme Court,” Spiro wrote. “Please feel free to contact me should you have any questions.”
Less than two hours later on Tuesday, the company’s attorney responded to Spiro with an email: “There is no contact information on your email. What is the best phone number to reach you?”
By Wednesday, the tapes had been removed from Gotta Have Rock and Roll’s site. The auction site still lists numerous Jackson items as part of the sale, including a “Michael Jackson Circa 1984 Owned & Worn Red Military Style Jacket” that they estimate will sell for more than $10,000. But the tapes, and the specific lot numbers they occupied, are no longer visible.
The auction house did not respond to specific questions from Billboard, including how the auction house came into possession of the tapes, and whether they had been returned to the estate.
It’s not the first time the Jackson estate has sued over materials allegedly stolen from the late star. In 2022, the estate sued Jeffré Phillips, who was once engaged to Michael’s sister La Toya Jackson, over allegations that he stole various materials from the singer’s Carolwood estate in the wake of his death. In October, the estate said that case had been “amicably resolved” after Phillips “voluntarily returned Michael Jackson’s property to the Estate.”
In less than two months, the-ever first North American music industry climate summit will happen at the USC Campus in Los Angeles. Today (Dec. 14), the event is announcing a robust list of speakers and programming for the day-long event.
Happening Feb. 5, the Summit will feature speakers including Lindsay Arell, head of sustainability at ASM, Maggie Baird the founder of Support + Feed, John Fernandez, the director of the Environmental Solutions Initiative at MIT, Adam Gardner, the co-founder and Co-Director of REVERB (and also the guitarist and vocalist for Guster), Garrett Keraga, the senior manager of sustainability, policy & advisory at ClimeCo, Cassie Lee, the CEO of Sound Future, Michael Martin, the CEO and founder of r.World & Effect Partners, Amy Morrison, the president & co-founder of the the Music Sustainability Alliance, Lesley Olenik the vice president of touring at Live Nation and Jake Perry, the director of operations at C3 Presents.
Other speakers will represent companies including TAIT, CES, Coca Cola, Overdrive Energy Solutions and Rock-it Global. Additional speakers will be added before the event. Panels will be moderated by GreenBiz Chairman & Co-founder Joel Makower and address climate-related problems specific to the music economy including carbon emissions from fan travel, waste management, clean energy options and much more. See the complete Summit program below.
The Music Sustainability Summit is being produced by The Music Sustainability Alliance, an organization that provide science-based solutions, business case analyses, best practices, and tools for operational change across the industry. Tickets for the event — running 9 a.m. to 5:30 p.m. — are available on a sliding scale between $25 and $200 and are available now.
“We welcome all, the climate curious and the climate experts,” Music Sustainability Alliance co-founder and president Morrison said upon the Summit’s announcement. “There will be something for everybody.”
Music Sustainability Summit 2024 Program
Our Place in the World, Welcome from the MSA: Get grounded in space in time with Amy Morrison and Michael Martin, co-founders of the MSA, and Joel Makower, founder of GreenBiz – the most vital resource for greening the economy on the planet.
What’s the Problem?, The New Music Sustainability Basics: Emissions and waste are hard to measure, so we’ve gotten the experts to do it for us. MIT presents an overview of the music industry decision makers from a sustainability lens, showing us where to place our emphasis – ClimeCo brings a holistic picture of the problems we face, based on interviews from players across the music landscape. Finally, Cassie Lee from Sound Future shows us how to leverage the power of live events as a catalyst for climate innovation.
The Artist-Activist Spectrum, Artist Discussion: You’re small, you’re huge. You’re an activist first, you’re an artist first. Most likely, you’re somewhere in between. Join artists from all over the spectrum as they speak openly about the challenges, anxieties, and joys of climate action. And learn how to most effectively support them in their quest for impact.
What We Eat Matters, Food, Carbon, and Equity: “Plant-based eating is the single biggest way to reduce your impact on the earth.” – Univ. of Oxford. This conversation will explore how the music business can set precedent for other industries. From catering, to concessions, to community outreach, we will shine a light on how to eat more sustainably for the planet and each other. This conversation will show the opportunities artists and the music industry have, to shift to a more equitable food system and how they can impact local communities.
That’s Trashy!, Waste Management: It’s the most visible problem in the live music industry: millions of plastic cups, food containers, and pounds of food waste. No one likes it, it’s expensive, and there’s a solution. Join the people engineering the future of zero waste venues, and hear directly from waste haulers and concessionaires about the pain points of the transition.
Dark Days for Diesel, New Horizons for Power: Diesel generators are like the gas-powered leaf blower of the music industry: dirty, loud, and carbon-polluting… but familiar and reliable. As clean energy technologies become more widely available, festivals are leading the way in innovative power solutions to shift the industry away from fossil fuels. Meet the experts battery-powering the revolution and learn how you can hop on the train before it leaves the (solar-powered) station.
Haul it All, Freight, Trucking, Logistics, and Shipping: Whether you’re touring with a convoy of 18-wheelers, a fleet of cargo planes, ocean freight or just an acoustic guitar, getting all your gear from place to place is top-of-mind from an emissions perspective. Learn how to design cleaner, less-wasteful touring from the ground up and what artists and tours are doing today to reduce their environmental and social impact.
The Elephant in the Car, Fan Travel: It sucks, and no one wants to talk about it: anywhere from 50 – 90% of the music industry’s emission problems come from fan transportation. Like it or not, we generate the demand, and that means we’re responsible for the planes, trains, and automobiles that get people to the show. How do we even get started? From shuttle programs, to incentivizing mass transit, to lobbying for clean energy, it’s time to bite the bullet and build a livable future for our fans and ourselves.
Our Voice, Our power, Climate Communications and Fan Engagement: We’re musicians and music business professionals, not scientists. So let’s learn how to use our best weapons – our voices – to fight climate change. Learn from climate communication experts about the most effective ways for musicians and their teams to talk about climate – without fear of getting canceled.
Processing: What Just Happened?, Moderated Group Discussion: Joel Makower of GreenBiz leads us in conversation. Now that you’ve got the lay of the land, it’s time to put it all together. Meet with your new (and old) partners on the journey. Ask questions about your place on the road to zero emissions. If you’ve got questions, chances are, you’re not the only one. In this session, the audience has a chance to join the discussion and inform what’s next.
Where do we go from here?, Onwards and upwards with the MSA: Learn what’s next for the MSA and others in the industry, including plans for getting together to help each other along, and shared resources for maintaining a high level of impact.
Argentine singer-songwriter Maria Becerra has signed with Wasserman Music for representation worldwide (except in Mexico, Chile and Argentina), the talent agency announced on Thursday (Dec. 14). She will be represented by agents Juan Toro and Ryan Soroka. The deal caps off a significant 2023 for Becerra who in May signed a label deal with Warner […]
Warner Music Latin America and management and promotion company OCESA Seitrack are launching a booking and brand partnership agency for artists, together with broadcaster Sergio “Checho” Rodríguez. All Warner Music artists will have access to the services offered.
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The joint venture, called “Touring the World,” will be helmed by Rodriguez — operating from offices in Colombia, Mexico, Spain and the United States — and will offer artists support in different areas related to touring, brand partnerships, booking and other artist services. It will be supported by Warner Music’s expertise and infrastructure as well as OCESA Seitrack’s massive commercial structure in multiple countries. Touring the World will also have support from its existing artist services company, Get In, which is owned by Warner Music Spain.
The new joint venture, says Warner Music Latin America president Alejandro Duque, “signifies a pivotal moment, as we combine our experience to deliver professional services and global opportunities for artists.”
“This is a joint venture and the vision is for it to be independent,” adds Duque. “We want to avoid conflicts of interest, and for that to work, it has to be an independent agency.”
Not all Warner artists, for example, will be part of Touring the World nor will they be compelled to sign with the agency. By the same token, OCESA Seitrack, which is a massive concert promoter and management company with clients like Alejandro Sanz and Ha*Ash, will continue to operate its other businesses, separate from Touring the World.
Touring the World wants to “expand the concept of booking and provide a solution for artists so they can have both a touring strategy together with branding and sponsorship efforts,” says Alex Mizrahi, CEO and founder of OCESA Seitrack. The company will focus on artists “that are heating up and who we think have global potential.”
The list of artists currently signed to Touring the World include Piso 21, Manuel Medrano, Elena Rose, Yng Lucas, Blessd, Molotov, Lagos and Ximena Sariñana. Of note is that Touring The World is not looking to become a management company or a concert promotion company if one is already in place.
“We don’t want to take away business or management from anyone. We’ll work with existing managers if they’re interested […] But, it’s very important for us to have the best interests of the artists in mind,” says Mizrahi. “Over the past 20 years at OCESA Seitrack, we’ve meticulously built the touring commercial structure we possess today. This alliance between friends and renowned professionals promises immense benefits for the artists and managers we collaborate with.”
The notion of Touring the World was sparked over a friendly breakfast with Duque, Mizrahi and Rodríguez, a concert promoter who was also a director at GTS, UMG’s artist management and services company for Latin and Spanish artists. Under the GTS model, however, artists are managed or co-managed by GTS, while Touring the World will not be acting as management.
“Touring the World is created by and for artists and their fans,” says Rodríguez, who will oversee teams in Colombia and Mexico and work closely with Spain’s Get In. “This alliance fills me with excitement, standing alongside the finest partners one could ask for.”
Beyond their respective expertise, the partners also bring to the table in-culture and in-country expertise throughout Latin America and Spain.
Iñigo Argomaniz, founder and CEO of Get In, states: “The union of these forces for the creation of ‘Touring the World’ is exciting and will enable a wide range of opportunities to develop the careers of Spanish artists in America.”
Hulu has scrapped a reality show that was to follow Sean “Diddy” Combs and his family, according to a new report in Rolling Stone. Though it’s not clear when Hulu stopped making the show, the report comes after multiple allegations of sexual assault and abuse were lodged against the rapper and entrepreneur over the past month.
The project, which reportedly had a working title of Diddy+7, was being produced for Hulu by James Corden‘s production company, Fulwell 73, which also works on The Kardashians. A source with knowledge of the situation tells Billboard the show was in its nascent stages and is not currently in production.
Combs has been sued for sexual assault by a total of four women, including his longtime romantic partner, R&B singer Cassie, who accused him of rape and physical abuse, among other allegations. Though that case settled the day after it was filed, Combs was subsequently sued by three more women, all Jane Does, who say the hip-hop mogul sexually assaulted them. In the most recent case filed, the woman says she was “sex trafficked” and “gang raped” by Combs, former Bad Boy Records president Harve Pierre and another man in 2003 when she was 17. A separate case over that alleged incident was filed against Pierre and Bad Boy alleging sexual assault.
Combs has strongly denied all of the allegations; on Dec. 6, he released a public statement that said in part: “Sickening allegations have been made against me by individuals looking for a quick payday. Let me be absolutely clear: I did not do any of the awful things being alleged. I will fight for my name, my family and for the truth.”
In the aftermath of the allegations, Combs stepped down from his role as chairman at Black music TV company REVOLT on Nov. 28. The company simultaneously released a statement saying that while Combs “had previously no operational or day-to-day role in the business, this decision helps ensure that REVOLT remains steadfastly focused on our mission to create meaningful content for the culture and amplify the voices of all Black people throughout this country and the African diaspora.”
According to Rolling Stone, a total of 23 brands have severed ties with Combs’ e-commerce marketplace Empower Global, which officially launched in July, since the allegations came out. The outlet also reports that in the wake of the lawsuits, liquor company Diageo — with which Combs has been embroiled in a bitter legal battle over his DeLeon Tequila brand for months — filed a request asking a judge to deny Combs’ request to control a $15 million marketing budget for DeLeon, which would entail his image appearing in new ads for the spirit.
Combs released a new album, The Love Album: Off the Grid, in September via his Love Records imprint.
If you or someone you know has experienced sexual violence and need support and/or resources, reach out to RAINN and the National Sexual Assault Hotline (800-656-HOPE) for free, confidential help 24/7.