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BMG signed a Senegalese rapper from Paris that Universal Music Group had dropped because of Holocaust-denying and antisemitic lyrics — but executives in Berlin ultimately pulled the plug on releasing his music at the last minute, according to a report in The New York Times published Friday (Feb. 3).
In internal documents obtained by The Times, in 2021 BMG’s French division weighed the financial benefits of signing the rapper, Freeze Corleone, against his history of hate speech, and decided to sign him so long as his connection to the German label would remain secret. In previous songs, the rapper had questioned the Holocaust and compared himself to Adolf Hitler. In one 2018 song featuring Corleone, “KKK,” he raps about “Nazi vehicles” and says he’s “determined with lotta ambitions nigga, like the young Adolf.”
In 2020, Universal Music France released Corleone’s La Menace Fantôme (The Phantom Menace), which went double platinum in France and included lyrics in songs like “Tarkov” that mention a “fraternity like Aryans” (though with no explicit mention of Jews). Despite the album’s success, a week after it began distributing LMF, in September 2020 the label said it was cutting all ties with him because the album had “revealed and amplified unacceptable racist statements.”
After UMG dropped him, the 30-year-old rapper, whose real name is Issa Lorenzo Diakhate, Tweeted “finally free.”
Then in 2021, BMG’s French team proposed signing Freeze Corleone, who was becoming increasingly popular in the Parisian hip-hop scene. In internal emails and memos reviewed by The Times, French label executives at BMG noted the artist was “France’s fastest growing artist in the last 2 years” and would thus “really help us meet our revenue target.” But the executives, Sylvain Gazaignes, the French operation’s managing director, and Ronan Fiacre, the head of A&R, also noted the controversy around the 2020 UMG release.
“In order to mitigate the risk of possible controversy,” BMG executives wrote in an internal memo reviewed by The Times, their contract would ensure the label had the right to approve his lyrics. The memo also said the contract should keep BMG’s involvement with the rapper’s career hidden. There should be “no BMG logo anywhere on the release,” Dominique Casimir, BMG’s chief content officer, said in an email she sent to a BMG lawyer and other executives, according to The Times.
BMG signed a one-album deal with Freeze Corleone worth about $1 million in October 2021, according to The Times. About three weeks after signing the deal, Casimir decided to cancel the contract the day before the release of “Scellé part. 4,” Corleone’s first single from the album, titled Riyad Sadio. The decision came after Casimir’s German team had completed a review of Freeze Corleone’s past lyrics and told the French team they needed to end the relationship with the artist, a person familiar with the matter confirms to Billboard. (An undisclosed settlement was paid to Freeze, the source says.)
Freeze Corleone has two entries on the Billboard Global Excl. U.S. chart — “Freeze Rael,” which spent one week on the chart in September of 2020 at No. 176, and “Mannschaft,” billed as SCH featuring Freeze Corleone, which landed at No. 167 in April of 2021.
In a statement sent to Billboard, BMG says “today’s New York Times story confirms that as soon as senior BMG executives became aware of the historic allegations against the artist, it ended their relationship. No record was released. BMG stands firm against anti-Semitism and hate.”
For Berlin-based BMG, the incident is the second such situation in the past five years involving an artist known to have music containing antisemitic lyrics. In 2018, a controversy exploded over an album BMG released by two German rappers, Kollegah and Farid Bang. The album, Jung Brutal Gutaussehend 3 (Young Brutal Good-Looking 3), contained lyrics like “make another Holocaust, show up with a Molotov,” but nevertheless became a hit.
Antisemitism is a particularly sensitive issue for the label’s parent company, media giant Bertelsmann, which in 2002 apologized for its past ties to the Nazi regime after an independent commission of academics the company hired found it had thrived during World War II by producing antisemitic material and Nazi propaganda. Bertelsmann previously had claimed to have played an active role in the Nazi resistance.
Casimir, who was promoted in May to the CCO post and given a seat on BMG’s board (and was recently named to Billboard’s 2023 Power 100 list), also oversaw the signing of the controversial German rappers as managing director for Germany at that time.
After BMG decided to drop him, Freeze Corleone released his album independently. Two employees in France involved in the Freeze Corleone signing — who “believed in the artist” – have since left the company but were not fired, the source familiar tells Billboard. Gazaignes remains a top executive in the French division.
BMG has announced a long-term succession plan for Hartwig Masuch, the record label and publisher’s only CEO since launching in 2008. Parent company Bertelsmann said Monday (Jan. 30) that Masuch will be replaced by Thomas Coesfeld, BMG’s CFO, effective Jan. 1, 2024.
Thomas Coesfeld
Bertelsmann Printing/Group_Kai-Uwe Oesterhelweg
When he takes over as chief executive, Coesfeld will also receive a seat on the Bertelsmann Group Management Committee (GMC), which advises the Group Executive Board. Masuch will remain in an advisory role after the transition, which will be “finalized at the end of the year,” said Bertelsmann chairman and CEO Thomas Rabe.
Under Masuch’s leadership, BMG has grown to be the fourth-biggest recorded music and publishing company in terms of revenue, trailing only the three majors. At a gathering of senior Bertelsmann execs in early October, Masuch announced BMG would be generating one billion euros in revenue starting in 2024. In the first half of 2022, the most recent final figures available, the company reported revenues grew 25% to 371 million euros ($405.7 million), compared to 2021’s first half.
In recent years, BMG has acquired music rights from Peter Frampton, Harry Nilsson, Simple Minds, Tina Turner and Mötley Crüe, among others, and through a partnership with KKR the company has acquired catalogs from John Legend and ZZ Top. On the label side, BMG has signed Duran Duran, Santana, Bryan Adams, Maxwell and Louis Tomlinson.
“Since 2008, [Masuch] has built the new BMG from scratch with a completely new business model that focuses on the needs of artists and songwriters, based on its core values of service, fairness, and transparency,” said Rabe.
Masuch joined Bertelsmann in 1991, overseeing Germany, Switzerland and Austria as part of BMG Music Publishing first incarnation. In 2008, he advised Bertelsmann when the company sold its share of Sony BMG Music Entertainment to Sony in 2008, and soon, helped start BMG Rights Management — which later became BMG.
“After 32 years at Bertelsmann and more than 14 years at BMG, now is the right time for me to hand over the reins to a new generation,” Masuch said in the company’s announcement. “I am convinced that the company will be in the best hands with Thomas Coesfeld and BMG’s outstanding, highly motivated global leadership team. As our annual results will show, the company is in excellent shape both creatively and financially. I look forward to a seamless transition by the end of the year. I am sure that under Thomas’ leadership, BMG’s core values of service, fairness and transparency will continue to evolve and flourish, leading the company to even greater success.”
Coesfeld was named deputy chief financial officer at BMG in October 2021 before taking over as CFO in April 2021. He previously served as chief strategy officer on the executive committee of the Bertelsmann Printing Group, a division of BMG’s parent company Bertelsmann. He began his career in 2014 as a management consultant at McKinsey in Munich.
“I am sure that under Thomas’ leadership, BMG’s core values of service, fairness and transparency will continue to evolve and flourish, leading the company to even greater success,” said Masuch.
Added Coesfeld, “Under Hartwig Masuch’s leadership, BMG has delivered an impressive growth story and developed into a modern music company in which data, technology, and services play a key role. My aim is to continue this success story together with the company’s top management and its more than 1,000 employees worldwide, and to leverage the enormous creative and entrepreneurial potential of the music industry for Bertelsmann.”
BMG has promoted JoJamie Hahr to executive vp of recorded music, Nashville.
Hahr will oversee day-to-day operations of BMG Recorded Music in Nashville, including BBR Label Group and its roster and imprints Broken Bow Records, Stoney Creek Records and Wheelhouse Records. She will continue reporting to Jon Loba, president of BMG Nashville.
Hahr was promoted to senior vp of BBR Music Group in 2020, where she oversaw all artist strategy, brand partnerships, strategic marketing and digital/creative efforts for BBR Music Group imprints Broken Bow Records, Stoney Creek Records and Wheelhouse Records. She has been with BBR Music Group for eight years. Prior to joining BBR, Hahr served as national director of field promotion for The Valory Music Co., after being promoted from director of Southeast promotion and marketing. Her two decades of music industry experience have also included stints at Universal Music Group, Nashville radio station WSIX and Orlando radio station WWKA.
“I’ve had the good fortune to work with JoJamie for a significant part of her professional life. Whenever she has been given a new opportunity for growth, she has not only met, but exceeded my high expectations,” said Loba in a statement. “She is one of the very best music executives in the industry and this promotion recognizes her many contributions, while at the same time giving her the opportunity to help further grow BMG Nashville, where I have no doubt, she will once again exceed our expectations.”
“It’s a privilege and a blessing to work with our extraordinary artists and our BMG family every day,” added Hahr. “Jon Loba has always encouraged my passion and my growth and I’m thankful for his belief in me. BMG truly puts artists and their music first, and I’m extremely proud of what we all continue to build together in Nashville and beyond.“
Over the past year, BBR Music Group has seen two red-hot artist breakthroughs. In March, Lainey Wilson won new female artist of the year and song of the year at the 2022 ACM Awards, followed by wins for female vocalist of the year and new artist of the year at the 2022 CMA Awards in November. Meanwhile, Jelly Roll just earned his first No. 1 single on Billboard‘s Country Airplay chart with “Son of a Sinner” after previously earning his first No. 1 single on Billboard‘s Mainstream Rock Airplay chart with “Dead Man Walking.” The singer has also a total of spent 22 weeks atop Billboard‘s Emerging Artists chart. Elsewhere, three-time ACM entertainer of the year winner Jason Aldean earned his 25th No. 1 Country Airplay hit in May.
BMG has acquired the catalog of Peter Frampton, the company announced today (Dec. 7). The deal includes his publishing, songwriter, artist and session work revenue streams, as well as his neighboring rights, for the entirety of his career, including massive hits like “Baby I Love Your Way” and “Show Me the Way,” as well as his work with Humble Pie. Terms of the deal were not disclosed.
In a statement, Frampton said he was “pleased to join the BMG family. As an artist-first company, I trust BMG will care for my legacy and that my songs are in good hands.”
It’s the latest acquisition deal for BMG, which has also picked up the rights to catalogs of Harry Nilsson, Jean-Michel Jarre, John Lee Hooker and John Legend (in partnership with KKR) in the past year. This deal extends as far back to works by Frampton’s first band, The Herd, and includes his latest album, 2019’s All Blues.
“From his incredible early rise of success to Humble Pie, his countless collaborations to achieving global stardom as a solo artist, Peter Frampton is one of the most inspirational and tireless musicians of his time,” BMG’s president repertoire & marketing for New York and Los Angeles Thomas Scherer said in a statement. “We are proud a legendary artist of his caliber entrusts BMG as the custodians of his most treasured works. A revered musical catalog of this magnitude, paid tribute to by countless artists, will continue to live on for generations.”
BMG has acquired the songbook of beloved, Grammy-winning singer-songwriter Harry Nilsson for an undisclosed amount, the company announced Monday (Nov. 14).
The deal includes Nilsson’s publishing catalog and writer revenue streams of songs including “One,” “Coconut,” “Jump Into the Fire,” “Gotta Get Up” and “Me and My Arrow” as well as songs co-written with John Lennon (“Mucho Mungo/Mt. Elga” and “Old Dirt Road”), Danny Kortchmar (“(Thursday) Here’s Why I Did Not Go to Work Today” and “Moonshine Bandit”), Dr. John (“Daylight Has Caught Me”) and Ringo Starr (“How Long Can Disco On”). The deal additionally includes artist revenue streams of Nilsson’s recordings, also including including hits he didn’t write like “Everybody’s Talkin’” and “Without You.”
Over his career, Nilsson released 18 studio albums, including his 1966 debut Spotlight on Nilsson, Harry, Nilsson Sings Newman, Nilsson Schilsson, A Little Touch of Schmilsson in the Night, the Lennon-produced Pussy Cats, Knnillssonn and Flash Harry. The list also includes soundtracks for Skidoo, Son of Dracula and Popeye, as well as the posthumous album Losst and Found. Nilsson died of a heart attack in 1994 at age 52 while recording the latter album, which was finished and released 25 years later in 2019.
As part of the acquisition, BMG will collaborate with Nilsson’s family to explore opportunities around his other creative assets. These include Nilsson’s story for The Point! — the 1971 ABC TV special for which he also wrote the soundtrack — as well as his name, image and likeness, including for film, TV, stage and books.
Nilsson launched his music career in 1960s Los Angeles as a songwriter for groups including The Monkees and Three Dog Night. He broke through with his cover of Fred Neil’s “Everybody’s Talkin’” in 1969, peaking at No. 6 on the Billboard Hot 100 and netting him a Grammy for best contemporary vocal performance, male. He cemented his status as a left-field hitmaker with his seventh album, 1971’s Nilsson Schmilsson. That set was nominated for album of the year at the 1973 Grammys and ultimately went was RIAA-certified gold on the strength of hit singles, including the No. 1 smash “Without You” (a cover of the song by Badfinger), “Jump Into the Fire” and “Coconut.” He followed that with the Gold-selling Son of Schmilsson the following year. That album’s biggest hit, “Spaceman,” peaked at No. 23 on the Hot 100.
Over the decades, Nilsson’s music has found new generations of fans thanks to placements in films and TV shows like Goodfellas (“Jump Into the Fire”), Reservoir Dogs (“Coconut”), Russian Doll (“Gotta Get Up”), Forrest Gump (“Everybody’s Talkin’”) and You’ve Got Mail (“The Puppy Song”).
The Nilsson family’s team was led by John Rudolph of 1.618 Industries, Inc. (formerly Music Analytics) with counsel provided by Jason Karlov and Amanda Taber of Barnes & Thornburg.
“We are delighted to have found a partner that shares our love and reverence for Harry’s legacy,” said the Nilsson family in a statement. “We look forward to a long relationship with BMG, working together to celebrate this true genius of pop music.”
Thomas Scherer, BMG president of repertoire & marketing, Los Angeles and New York, added, “For generations, Harry Nilsson’s timeless music has captivated millions of people all around the world. A brilliant songwriter with an exceptionally beautiful and unique voice, we will ensure his spirit thrives for generations to come. We are honored the Nilsson family chose BMG to entrust as the custodians of his musical legacy and are proud to represent the cherished works of Harry Nilsson.”
Other recent acquisitions by BMG include the publishing and/or recorded music catalogs of John Legend, Mötley Crüe, John Lee Hooker and ZZ Top.
Halsey has signed a global publishing deal with BMG. The deal includes administration of future songs as well as her recently released single “So Good” and the Calvin Harris-led collaboration “Stay With Me” (also featuring Justin Timberlake and Pharrell).
Previous to this announcement, both Halsey’s recorded music and publishing were handled by Universal Music Group’s Capitol Records and Universal Music Publishing Group (UMPG). Her compositions written prior to the new BMG deal, including the critically acclaimed If I Can’t Have Love, I Want Power (2021), will remain under UMPG’s care.
Halsey says of the deal, “I’m thrilled to announce this partnership with BMG. I was immediately drawn to their artist friendly, songwriter-first mentality and I’m looking forward to taking this journey with my new BMG family.”
One of the industry’s brightest stars today, Halsey, born Ashley Frangipane, became a cult-favorite with their debut album Badlands (2015), an alt-pop compilation that revealed their distinctive sound as both a singer and writer to her followers on Tumblr and to the world. From there, Halsey broke through to the mainstream as the top liner on Chainsmokers’ “Closer,” which reached No. 1 on the Hot 100 and stayed there for twelve weeks. The song eventually broke the record for most weeks in the Hot 100’s top five, with 26 weeks (or six months).
Halsey has remained a top-earning artist ever since, charting on Billboard’s U.S. Money Makers list for 2020, and the singer-songwriter bolstered that monetary success with the critical and artistic acclaim of Manic (2020) and If I Can’t Have Love, I Want Power (2021). Beyond the music, Halsey is also an accomplished author, activist, and entrepreneur. Their book I Would Leave Me If I Could: A Collection of Poetry debuted on the New York Times Best Seller list for 2020, and their makeup brand about-face beauty, an inclusive beauty line for all, is a top seller. Through her music and business pursuits, Halsey is known for drawing attention to important causes, including women’s rights, mental health, and LGBTQ+ rights.
Jason Aron and Anthony Li, Halsey’s co-managers at Anti-Pop, said, “BMG’s creative and refreshing approach to publishing is very exciting. Thomas and his team globally, have welcomed us with open arms. We appreciate their passion and dedication to putting artists first.”
Thomas Scherer, president of repertoire & marketing, Los Angeles and New York, said, “Halsey is an inspiration, a multi-faceted creator with a voice that hits you straight in the heart. We are prepared to present them everything we can offer, with our team’s full support around the world from Australia to Asia, Europe to LATAM, and all throughout North America. We welcome Halsey and their team to BMG and look forward to working alongside with them to elevate them to a whole new level.”
Warner Chappell Music Korea has renewed its global publishing deal with 153/Joombas Publishing, one of the top independent music publishers in the country. The two companies have been working together since 2018 and the partnership has entailed 153/Joombas’ entire catalog, including songs for aespa, BTS, EXO, (G)I-DLE, GOT7, ITZY, IU, Lim Young-woong, Monsta X, NCT DREAM, Red Velvet, SEVENTEEN, Stray Kids, and Taeyeon. Founded by Hyuk Shin — a South Korean producer known for writing “One Less Lonely Girl” for Justin Bieber, “Growl” for EXO, and discovering Blackbear and DEAN — 153/Joombas Publishing has a roster of almost 100 writers whose work both defines K-pop and popular music worldwide. CJ Kim, general manager of Warner Chappell Music Korea, said: “Joining forces with 153/Joombas Publishing again will further strengthen and solidify our position as a leader in K-pop music. We are pleased to elevate our alliance to a new level, and can’t wait to take their incredible songwriters with us on our journey as we continue to maximise the opportunities and value for K-pop music in unprecedented ways.”
Afrojack, the Grammy-winning producer and DJ, has extended his worldwide publishing deal with BMG, including all the works written and produced by the Dutch talent since he signed with BMG in 2008, including hits like “Titanium,” “Take Over Control” and “Hey Mama.”
Spirit Music Nashville has signed a co-publishing agreement with Joy Williams, half of the long-defunct duo The Civil Wars. The deal also includes the acquisition of compositions from her various song catalogs, including but not limited to The Civil Wars, as well as some of her masters. Spirit will handle her publishing on a go-forward basis with the exception of Front Porch, her most recent release, which will also be included for administration.
Reservoir has acquired rights to the entire catalog and future works of Naughty By Nature member KayGee as well as distribution rights moving forward. Beyond his Grammy-earning work with the hip-hop trio, KayGee, aka Keir Lamont Gist, made a name for himself writing and producing for 50 Cent, Notorious B.I.G., Mary J. Blige, Fat Joe, Luther Vandross, and Queen Latifah. he also founded his own label in the 1990s, Divine Mill, which represented artists like Zhané, Next, and Jaheim — all of whom he produced and wrote for as well.
Baby Queen has signed a worldwide publishing deal with Sony Music Publishing. A critical darling in U.K. pop music, Baby Queen, aka Bella Lathan, says of the deal she is “excited to be working with Sony and with a team that truly undersands who [she is] as a person and as an artist.”=
Page 1 Management, a writer-producer management firm founded by Ashley Page and led in the U.S. by A&R Danielle Middleton, has signed Travis Mendes. Known for his work as a writer, producer and engineer, Mendes has played a hand in making songs like “All Time Low” and “Guillotine” by Jon Bellion, “Fools Paradise” by Isaac Dunbar, “Love Me for Now” by Cheatcodes and more. He says of the deal “I’m so happy to join this beautiful, amazing family of creatives at Page 1, and I’m excited to continue to learn and craft more amazing music for the world to hear!”
Milk & Honey Music has launched the new Milk & Honey U.S. Scholarship, an initiative to develop and mentor Australia and New Zealand-based women in songwriting and production, and its inaugural recipient is Chelsea Warner, a Sydney native making R&B, pop and hip-hop. As part of the scholarship, Warner will be given a two month residency in Los Angeles, where she will receive mentorship from top songwriters Oak Felder and Jenna Andrews. Organized by Milk & Honey leaders Lucas Keller, Milly Petriella, and Peter Coquillard, Petriella says of the program, “Less than 20% of our industry is female and the number of women in production is considerably less, it’s time to create real experiences, connections, and provide financial support if we are to truly going to change the future landscape of the music industry.”
Warner Chappell Music France has signed Some 1ne and Machynist, the duo behind some of the country’s biggest hits. They are perhaps best known for composing “Djadja” and “Pookie” for Aya Nakamura and No Crari, the sophomore album from French rapper OBOY.
Pulitzer Prize and Tony Award-winner Michael R. Jackson (A Strange Loop) has won the ASCAP Foundation Richard Rodgers New Horizons Award. The annual award is presented to an ASCAP-affiliated musical theater composer that shows great promise at an early age. Previous recipients include Lin-Manuel Miranda, Pasek & Paul, and David Hein & Irene Sankoff.
IMPF partnered with Music Publishers Canada to host Create Nordic Bridges, a songwriting camp that promotes publisher and songwriter collaboration between Nordic and Canadian talents. The camp took place in Toronto from Oct. 27-29 and brought together 12 songwriters, producers and artists from Canada, Estonia, Finland and Sweden.
MOBO Award-winning artist Stefflon Don has entered into a global recording partnership with BMG, Billboard has learned exclusively.
The Jamaica-via-London MC will release her debut studio album, Island 54, in 2023.
Among the forthcoming album’s tracks will be “Clockwork” featuring dancehall superstar Spice. The single was produced by Grammy-winning Beam (Beyoncé, Justin Bieber, Pop Smoke), while its accompanying video counts five million views on YouTube.
In a statement announcing her new partnership, Stefflon Don said, “I’m excited about partnering with BMG because they trust my creativity. They have an amazing support team across the globe, and I am super excited to expand my fan base alongside my new family BMG.”
Tim Reid, BMG’s senior vp of repertoire & marketing, stated, “Stefflon Don is a unique artist who has already accomplished so much on a global scale, collaborating with some of the biggest names in music while gaining equal acclaim on her solo projects. We are incredibly excited to partner with her on the next chapter of her musical career.”
Added Thomas Scherer, BMG’s president of repertoire & marketing, Los Angeles and New York, said, “Stefflon Don is an artist who knows exactly what she wants to achieve, and we are happy to be part of her journey towards this. Our partnership expands on a string of recent BMG signings with artists who desire more control of their music with our global team fully supporting them in exceeding their goals.”
Prior to upcoming album Island 54, Stefflon Don released the mixtapes Real Ting and Secure. Breaking through in 2017 with the singles “16 Shots” and “Hurtin’ Me” featuring French Montana, she has since collaborated with a diverse array of artists, among them Future, Lil Baby, J Balvin, Mariah Carey, Halsey and DJ Khaled.
Stefflon Don’s more recent collaborations include DJ Frass’ “Sweet Bounce,” “Dip” with Ms Banks, “Amazing” with Vybz Kartel and Dunw3ll as well as Calvin Harris’ “Woman of the Year” with Chloe Bailey and Coi Leray.
The first British female rapper to be featured on Spotify’s Rap Caviar playlist, Stefflon Don also performed for the first-ever UEFA Women’s Euro Final show this year. Her other career milestones thus far also include being recognized on the Forbes 30 Under 30 list in 2019.