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Travis Scott’s Utopia rules the Billboard 200 albums chart (dated Aug. 19) for a second week, as the set earned 147,000 equivalent album units in the U.S. in the week ending Aug. 10 (down 70%), according to Luminate. The album charged in at No. 1 a week ago with 496,000 units earned in its first week — the biggest week for an R&B/hip-hop or rap album in 2023.
Utopia is the first rap album to spend its first two weeks at No. 1 on the Billboard 200 in nearly two years, since Drake’s Certified Lover Boy logged its first three weeks at No. 1 (Sept. 18-Oct. 2, 2021 charts), of its five total (nonconsecutive) weeks atop the list. Utopia is the first rap album with more than a single week at No. 1 in over a year, since Tyler, the Creator’s Call Me If You Get Lost claimed a total of two weeks at No. 1, in two separate weeks (July 10, 2021, its debut frame, and April 30, 2022, charts).
Utopia leads a sleepy top 10 on the Billboard 200, which is absent of any debuts in the region for the second time in less than a month. Just three weeks ago, on the July 29-dated list, there were also no new debuts in the top 10.
The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new Aug. 19, 2023-dated chart will be posted in full on Billboard‘s website on Aug. 15. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.
Of Utopia’s 147,000 equivalent album units earned in the week ending Aug. 10, SEA units comprise 110,000 (down 55%, equaling 145.99 million on-demand official streams of the streaming set’s 19 total songs), album sales comprise 37,000 (down 85%) and TEA units comprise less than 1,000 (down 58%).
Morgan Wallen’s chart-topping One Thing at a Time rises 3-2 on the Billboard 200 with 92,000 equivalent album units earned (down 4%), while the Barbie movie soundtrack steps 4-3 with 74,000 (down 18%), Taylor Swift’s former No. 1 Speak Now (Taylor’s Version) bumps 5-4 with 60,000 (down 9%) and Swift’s chart-topping Midnights ascends 8-5 with 56,000 (up 15%).
Swift’s former No. 1 Lover climbs 10-6 (51,000 equivalent album units; up 17%); Post Malone’s Austin falls 2-7 in its second week (50,000; down 55%); Peso Pluma’s Génesis slips 7-8 (47,000; down 6%); Swift’s former leader Folklore jumps 12-9 (44,000; up 9%) — as she boasts four albums in the top 10 for a third time, having become the first living artist to achieve the feat in nearly 60 years last month — and Wallen’s chart-topping Dangerous: The Double Album falls 9-10 (43,000; down 4%).
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
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Travis Scott makes a massive return to the Billboard Hot 100 (dated Aug. 12), thanks to the arrival of his new studio album, Utopia.
All 19 songs from the set rank on the Hot 100, pushing Scott’s total from 93 to 111 total charted songs in his career. (One track from the album, “K-POP,” debuted a week earlier.) The rapper becomes just the 15th artist in the chart’s 65-year history to log 100-plus career entries on the survey.
Utopia debuts at No. 1 on the Billboard 200 with 496,000 equivalent album units earned in its opening week (July 28-Aug. 3), according to Luminate. It captures the third-biggest week of 2023 for any album and the largest for any R&B/hip-hop or rap release.
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Here’s a look at all of Scott’s songs on the Aug. 12-dated Hot 100 (all of which are debuts except “K-POP”).
Travis Scott on the Aug. 12-Dated Hot 100:No. 3, “Meltdown,” feat. DrakeNo. 5, “FE!N,” feat. Playboi CartiNo. 11, “I Know?”No. 14, “Hyaena”No. 16, “Thank God”No. 17, “Topia Twins,” feat. Rob49 & 21 SavageNo. 18, “K-POP,” with Bad Bunny & The Weeknd (after debuting a week earlier at No. 7)No. 19, “My Eyes”No. 23, “Modern Jam,” feat. Teezo TouchdownNo. 25, “Delresto (Echoes),” with BeyoncéNo. 26, “Telekinesis,” feat. SZA & FutureNo. 27, “Sirens”No. 28, “God’s Country”No. 34, “Skitzo,” feat. Young ThugNo. 36, “Circus Maximus,” feat. The Weeknd & Swae LeeNo. 38, “Til Further Notice,” feat. James Blake & 21 SavageNo. 46, “Lost Forever,” feat. Westside GunnNo. 49, “Looove,” feat. Kid CudiNo. 53, “Parasail,” feat. Yung Lean & Dave Chappelle
Notably, thanks to their featured appearances, Rob49, Westside Gunn, Yung Lean and famed comedian Dave Chappelle all earn their first Hot 100 appearances.
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With 111 career Hot 100 entries, up from 93 before this week, Scott passes Elvis Presley (109), Lil Uzi Vert (106), Justin Bieber (105), Jay-Z (105), YoungBoy Never Broke Again (103), The Weeknd (96) and Eminem (95) for the 10th-most in history.
Here’s an updated look at every act that has charted 100-or-more songs on the Hot 100, which began on Aug. 4, 1958.
Most Career Billboard Hot 100 Hits:298, Drake212, Taylor Swift207, Glee Cast185, Lil Wayne167, Future141, Kanye West136, Lil Baby132, Nicki Minaj114, Chris Brown111, Travis Scott109, Elvis Presley106, Lil Uzi Vert105, Justin Bieber105, Jay-Z103, YoungBoy Never Broke Again
Of Scott’s 111 songs to chart on the Hot 100, 52 have reached the top 40, six have peaked in the top 10, and four have hit No. 1: “Sicko Mode” (in 2018; it includes uncredited vocals from Drake, Swae Lee and Big Hawk), “Highest in the Room” (2019), “The Scotts,” with Kid Cudi (2020), and “Franchise,” featuring Young Thug and M.I.A. (2020).
Before Scott, the last artist to gain entrance to the Hot 100’s 100 hits club was Lil Uzi Vert, last month. Before that, YoungBoy Never Broke Again reached the milestone in May, and, fittingly, became the youngest artist to ever achieve the feat, at age 23.
Presley, whose career predates the Hot 100’s launch, became the first artist to tally 100 total hits. He scored his 100th in May 1975 with “T-R-O-U-B-L-E.”
As for who might be next in line to join the elite club after Scott, The Weeknd is currently at 96 Hot 100-charted songs, followed by Eminem (95), Young Thug (92), James Brown (91), Lil Durk (87), 21 Savage (85), Beyoncé (82), Juice WRLD (79) and Gunna (77).
While it’s rare for artists to chart triple-digit entries on the Hot 100, it’s become a more regular occurrence since the ranking began including streaming figures (which make up the chart’s data mix with radio airplay and sales). As such, certain artists have been able to chart a high number of songs on the Hot 100 in recent years after releasing high-profile albums. The model contrasts with prior decades, when acts generally promoted one single at a time in the physical-only marketplace and on radio. That shift in consumption helps explain why artists have been able to chart many songs over short spans in recent years.
On the latest Billboard Hot 100 chart (dated Aug. 5), Ryan Gosling scored his first appearance, as “I’m Just Ken,” from the new Barbie movie, in which he stars with Margot Robbie, debuted at No. 87.
Notably, the song isn’t Gosling’s first foray into music. He charted once before, with “City of Stars,” from his 2016 film La La Land. His solo version spent two weeks at No. 1 on the Jazz Digital Song Sales chart, while a mix with co-star Emma Stone reached No. 8 on the Hot 100’s Bubbling Under ranking.
But before that, Gosling broke through at age 13 as a member of The Disney Channel’s The All-New Mickey Mouse Club revival, which ran for seven seasons (1989-94). He starred in the show’s final two seasons, performing song and dance numbers alongside several future Billboard hitmakers.
In total, four separate iterations of the Mickey Mouse show franchise have aired. The original series, The Mickey Mouse Club, aired on ABC in 1955-59, followed by The New Mickey Mouse Club (syndicated; 1977-79), The All-New Mickey Mouse Club (The Disney Channel; 1989-94) and Club Mickey Mouse (Facebook, Instagram; 2017-18).
Of every Mouseketeer over the show’s four iterations, spanning over 60 years, 15 of have charted songs on the Hot 100. Gosling now becomes the 15th.
Here’s a look at every cast member from every edition of the series to chart a song on the Hot 100, listed chronologically from when they first reached the ranking.
(Honorable mention to Rhona Bennett, who appeared on The All-New Mickey Mouse Club in 1991-94 and is currently a member of En Vogue. She joined the R&B group in 2003, after it charted all 14 songs of its Hot 100 hits.)
Annette Funicello
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