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Willow Shares 5 Things You Didn’t Know About Her New Song ‘Big Feelings’ | Billboard News

Willow shares five things you didn’t know about her new single, “Big Feelings,” including the inspiration and personal connection behind it.

Willow:
Hey, this is Willow, and these are five things that you didn’t know about my new single, “Big Feelings.”

No. 1: I shot the visual at the same place that I shot “Transparent Soul,” which is actually really crazy.

No. 2: I made the song with two of my really, really good friends — beautiful musicians Zach Tenorio and Chris Greatti.

No. 3: The composition of the song took it took a good amount of time before I could get the lyrics on, before we even did any, you know, thinking about lyrics. There was mathematics. It was like that meme. You know what I’m saying, where there’s the math.

And then No. 4: The idea of “Big Feelings” — the song title — “big feelings” was in my head for, like, a week and a half. And I had had opportunities to record that song. And every time I had an opportunity, I was like, “No, it’s not the time. No, it’s not the time.”

No. 5: “Big Feelings” is my favorite song that I’ve ever recorded to this date. It’s the craziest song, the vocals, the specific, you know, the pocket that I’m in, and just the composition is, to me, it’s just one of the best compositions that I’ve I’ve ever sang on or yeah. It’s just I hope you enjoy it as much as I enjoyed it. And peace and love.

The Black Keys on New Album ‘Ohio Players,’ Collaborating With Juicy J & More | Billboard News

Dan Auerbach and Patrick Carney reflect on their 20-year journey as The Black Keys. The duo elaborates on the various collaborations of their new album ‘Ohio Players,’ including Juicy J, Noel Gallagher from Oasis, Lil Noid and more. They also share some insight into their upcoming tour, what the fans can expect on the setlist and more!

Patrick Carney:

One night we were working here at Sunset and there’s a, there was, a very rare record that Dan wanted on eBay. 

Dan Auerbach:

I had been waiting a year and a half to get it. 

Patrick Carney:

He didn’t know that I knew that it was on eBay, and like, there was three minutes left, and it started jacking the price up. I was like watching him sweat because- 

Dan Auerbach:

He was behind me laughing. I didn’t know what he was laughing at and I was just freaking out because somebody else was bidding so heavy on this thing. I’ve been waiting like six days for this auction. 

Dan Auerbach:

Hey, I’m Dan.

Patrick Carney:

I’m Patrick, we’re The Black Keys and you’re watching Billboard News.

Lyndsey Havens:

Hey, I’m Lyndsey Havens for Billboard News. And we are here with the legendary hitmaking duo The Black Keys. What’s up, guys? 

Patrick Carney:

What’s up? How are you?

Lyndsey Havens:

Album came out just a few weeks ago, how are we feeling? 

Patrick Carney:

We’re stoked. We’re very happy with the album. We’re excited for the year ahead. 

Lyndsey Havens:

So this is your 12th album, obviously, a long road to get here. Do you have any rituals before you release an album at this point? Or does it all sort of feel the same?

Patrick Carney:

I heard that Chris Martin like … when he prepares to write, he likes to isolate himself and read all the bad reviews.

Keep watching to learn more!

Taylor Swift Sells 1.4 Million Copies of ‘The Tortured Poets Department’ on First Day of Release in U.S.

Taylor Swift’s The Tortured Poets Department is off to a blockbuster start in the U.S. On its first day of release, on April 19, the set sold 1.4 million copies in traditional album sales, according to initial reports to data tracking firm Luminate. That marks Swift’s biggest sales week ever for any album in the U.S. (Luminate’s sales, streaming and airplay data powers Billboard’s charts. All numbers in this story are for the U.S. only.)

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Plus, the set’s 31 songs (available on its deluxe streaming and digital editions) generated 243.4 million official on-demand audio streams in the U.S. on April 19, led by the album’s first single, “Fortnight,” featuring Post Malone, with 18.4 million streams. (That’s more than double the number of streams generated on the first day of Swift’s last release, 1989 [Taylor’s Version]; its 21 songs spurred 110 million streams on its opening day.)

In total, the album earned 1.6 million equivalent album units in the U.S. on its first day. The last album to exceed a million units in a week was Swift’s own 1989 (Taylor’s Version), when it tallied 1.653 million units in its first week late last year (week ending Nov. 2, 2023).

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Further news of initial sales and streaming activity for the album, as provided by Luminate, will be reported in the coming days.

With 1.4 million copies sold across all of the CD, vinyl, cassette and digital download versions of the album, The Tortured Poets Department garners the single-largest sales week for any Swift album. Previously, her largest sales week was registered by the opening week of her re-recorded 1989 (Taylor’s Version) last year, when it sold 1.359 million copies.

The Tortured Poets Department (abbreviated as TTPD) was initially released on April 19 as a standard 16-song digital download album, as well as an array of 17-song physical configurations (more details on the assorted versions later in this story). Two hours after the album’s release, Swift announced an expanded 31-song edition of the set and released it as a digital download and streaming album. She wrote: “It’s a 2am surprise: The Tortured Poets Department is a secret DOUBLE album. I’d written so much tortured poetry in the past 2 years and wanted to share it all with you, so here’s the second installment of TTPD: The Anthology. 15 extra songs. And now the story isn’t mine anymore… it’s all yours.”

The sales of The Tortured Poets Department will increase in the coming days, with the current tracking week ending on Thursday, April 25. The album’s final first-week sales number is expected to be announced on Sunday, April 28, along with its assumed large debut on the multi-metric Billboard 200 albums chart (dated May 4). If The Tortured Poets Department debuts atop the Billboard 200, it will mark Swift’s 14th No. 1 album, extending her record for the most among women. She would also tie Jay-Z for the most No. 1s among soloists. The only act with more than 14 No. 1 albums on the Billboard 200 is The Beatles, with 19.

All 13 of Swift’s full-length studio albums and re-recorded projects from 2008’s Fearless (her second album) through 2023’s 1989 (Taylor’s Version) have debuted at No. 1.

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each units equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. For all chart news, follow @billboard and @billboardcharts on both X (formerly Twitter) and Instagram. 

Sales Story: The 1.4 million sales number registered for the album is inclusive of both over-the-counter and download purchases of The Tortured Poets Department made on April 19, in addition to a likely large number of pre-orders of the album through Internet retailers that were shipped to customers for arrival on release day. Swift announced the album during the Grammy Awards on Feb. 4, and her official webstore began accepting pre-orders for the project that same day.

After one day on sale, The Tortured Poets Department is the top-selling album of 2024, year-to-date, in the U.S., surpassing the 188,000 sold by Beyoncé’s Cowboy Carter through the week ending April 11.

The Tortured Poets Department’s sales were bolstered by its availability across 19 different physical configurations (nine CDs, six vinyl LPs and four cassettes — with four of the physical configurations exclusively sold by Target stores) and two digital download offerings (the standard 16-song album, and a surprise deluxe 31-song edition that was released two hours after the original album bowed).

Collectively, the six vinyl LPs combined to sell 600,000 copies on the album’s first day — already the second-largest sales week for a vinyl album in the modern era (since Luminate began electronically tracking sales in 1991). Swift holds the record for the largest sales week on vinyl in the modern era, with 693,000 copies sold of 1989 (Taylor’s Version) on vinyl its first week.

Here’s a recap of the available versions of The Tortured Poets Department:

Standard 16-song digital download & streaming album

“The Manuscript” edition (standard CD, deluxe CD containing Swift-branded merchandise, ghosted white-colored vinyl, Target-exclusive clear vinyl, and white-colored cassette — each with the standard album’s 16 songs plus one bonus track: “The Manuscript.” The standard CD and vinyl editions are widely available through all retailers, while the deluxe CD and cassette are exclusive to Swift’s webstore. Swift also sold signed copies of the standard CD and vinyl variants exclusively through her webstore)

“The Albatross” edition (Target-exclusive CD, deluxe CD containing Swift-branded merchandise, smoke-colored vinyl, smoke-colored cassette — each with the standard album’s 16 songs plus one bonus track: “The Albatross.” The Target CD contains a poster. The vinyl is widely available, while the deluxe CD and cassette are exclusive to Swift’s webstore)

“The Bolter” edition (Target-exclusive CD, deluxe CD containing Swift-branded merchandise, beige-colored vinyl, beige-colored cassette — each with the standard album’s 16 songs plus one bonus track: “The Bolter.” The Target CD contains a poster. The vinyl is widely available, while the deluxe CD and cassette are exclusive to Swift’s webstore.

“The Black Dog” edition (Target-exclusive CD, deluxe CD containing Swift-branded merchandise, charcoal-colored vinyl, charcoal-colored cassette – each with the standard album’s 16 songs plus one bonus track: “The Black Dog.” The Target CD contains a poster. The vinyl is widely available, while the deluxe CD and cassette are exclusive to Swift’s webstore)

Deluxe 31-song digital download & streaming album (Contains the 16 songs on the standard digital album, plus the four bonus tracks that were issued on the above four variants [“The Manuscript,” “The Albatross,” “The Black Dog” and “The Bolter”] and 11 additional songs)

Million-Sellers History: Though the week isn’t nearly over with, The Tortured Poets Department already has the largest sales week for any album since Adele’s 25 bowed with 3.378 million copies sold (week ending Nov. 26, 2015). Presently, The Tortured Poets Department has the sixth-largest sales week for an album in the modern era (since Luminate began electronically tracking sales in 1991). The top six biggest weeks are (all in debut weeks): Adele’s 25 (3.378 million), *NSYNC’s No Strings Attached (2.416 million, in 2000), *NSYNC’s Celebrity (1.878 million, 2001), Eminem’s The Marshall Mathers LP (1.76 million, 2000), Backstreet Boys’ Black & Blue (1.591 million, 2000) and The Tortured Poets Department (1.4 million, 2024).

The Tortured Poets Department is the seventh Swift album to have sold at least one million copies in a single week, following the debuts of 1989 (Taylor’s Version), Midnights, reputation, the original 1989, Red and Speak Now. She is the only act with seven different albums to each sell at least one million copies in a single week in the modern era. In total, there have been 26 instances — by 24 different albums — in which an album sold at least one million copies in a week in the modern era. One of those albums, Adele’s 25, sold more than one million in three separate weeks.

Strong Streaming Numbers: On the album’s first day, the 31 songs on the project generated 243.4 million official on-demand audio streams. (On-demand video official streaming information for the project will be available in the coming days.) The album’s top five most-streamed songs, by official on-demand audio streams, on April 19 were: “Fortnight,” featuring Post Malone (18.4 million), title track “The Tortured Poets Department” (14 million), “Down Bad” (13.3 million), “My Boy Only Breaks His Favorite Toys” (12.7 million) and “So Long, London” (12.6 million).

Swift’s largest streaming week, by total on-demand official streams (both audio and video) generated by the songs on an album, is the opening week of Midnights, which garnered 549.26 million streams for its 20 songs (week ending Oct. 27, 2022). Midnights also owns the third-largest streaming week overall, trailing the opening frames of Drake’s Scorpion (745.92 million in 2018) and Certified Lover Boy (743.67 million in 2021).

Taylor Swift Surprises Swifties With Double Album, ATEEZ Talks Coachella, Peso Pluma & DJ Snake Drops New Single & More | Billboard News

It’s Friday, April 19th, and there’s been a ton of new singles dropped by some of your favorite artists! Taylor Swift announced “Fortnight,” featuring Post Malone, as her lead single prior to the release of her new double album, ‘The Tortured Poets Department.’ Nicki Minaj released her new single, “FTCU Remix” and after previewing “Teka” at Coachella, DJ Snake & Peso Pluma collab on a new single today. Let’s start off with Taylor dropping not one, but two albums today running a total of 31 songs spanning over 2 hours. ATEEZ talks about performing at Coachella. Dwayne Johnson stars in a new music video alongside country artist Chris Janson for his new song “Whatcha See Is Whatcha Get.” Afrobeat artists Bnxn & Ruger sit down with us to talk about their online “beef,” New Album ‘RnB’ and more! 

Tetris Kelly:

We’re breaking down Taylor’s new albums and all the hottest new music, talking to ATEEZ ahead of Coachella weekend two, and chatting with besties Chris Janson and Dwayne Johnson plus Bnxn and Ruger stopped by our studio. It’s Friday, April 19, and let’s get started with our Friday Music Guide. Taylor unleashed “The Tortured Poets Department’ and at 2am announced it was a double, anthology album. The first single of 31 songs is “Fortnight” featuring Post Malone. And our Taylor coverage doesn’t stop there. We’re breaking down ‘The Tortured Poets Department.’ After Taylor Swift gifted Swifties with her Post Malone first single and a surprise double album, the Internet exploded with theories of who and what it’s all about, with even Kim Kardashian catching a stray. We break down what they’re saying. After her breakup with six year boyfriend, Joe Alwyn, Swifties thought they’d hear the pop star sing all about it on the album as they think you do on songs like “So Long London” and “loml” which can mean love of my life but also d*mn girl. But is “loml” about Joe? The real d*mn girl, most of the songs seem to be about her dating stint with Matty Healy.  Swifties have decoded lyrics about typewriters and even concluded she was disappointed in fans and the media for making her turn on him. Also check the spelling on “thanK you aIMee” and Swifties are obsessed with this lyric and the

Watch to learn more!

ATEEZ Talk About Being the First K-Pop Boy Band to Perform at Coachella & More | Billboard News

ATEEZ talk about being the first K-pop boy band to perform at Coachella. The boys discussed their preparation and confidence in their performance and how they were inspired by other artists’ sets they watched, including Ice Spice, Tyler, the Creator, Doja Cat and J Balvin.

Tetris Kelly:

Hey, it’s Tetris with Billboard News hanging out with ATEEZ. What’s up? I know it’s been a minute. Being the first ever K-pop boy group to play Coachella, how was it?

San:

It was really hard, but we’re gonna just show ourselves and that’s what we’ve been doing so far. And we are 100% confident about it. It was really cool. It was really cool. It was really an honor to us, and we will do more and more.

Hongjoong:

We just do our things continually. Many, many good artists and many good K-pop artists … go to huge festivals continually.

Tetris Kelly:

And then I heard you over there talking about Ice Spice — did you guys get to go see anybody else’s set while you were there?

Hongjoong:

Yeah, some of our members went to Ice Spice’s set, but it was crazy. We were really surprised with every moment.

San:

A few members watching Coachella at other artists’ stage and they were really crazy. J Balvin and Doja’s and The Rose, we really learned from them.

Hongjoong:

Yes, I think Tyler, the Creator and Doja and J Balvin in the three stages gave me big inspiration. So after that, I just make music after going back to the hotel.

Tetris Kelly:

Oh, I love it. You were right back to work! Yeah, that’s cool. Have you guys been on TikTok lately? Because you’re all over TikTok. 

Watch to learn more!

TOMORROW X TOGETHER Lands Sixth No. 1 on Top Album Sales Chart

TOMORROW X TOGETHER lands its sixth No. 1 on Billboard’s Top Album Sales chart, as minisode 3: TOMORROW opens atop the tally (dated April 20). The set sold 103,500 copies sold in the U.S. in the week ending April 11, according to Luminate. Also, the top 10 welcomes debuts from Conan Gray, The Black Keys, Vampire Weekend, Khruangbin and J. Cole.

Billboard’s Top Album Sales chart ranks the top-selling albums of the week based only on traditional album sales. The chart’s history dates back to May 25, 1991, the first week Billboard began tabulating charts with electronically monitored piece count information from SoundScan, now Luminate. Pure album sales were the sole measurement utilized by the Billboard 200 albums chart through the list dated Dec. 6, 2014, after which that chart switched to a methodology that blends album sales with track equivalent album units and streaming equivalent album units. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.

TOMORROW X TOGETHER’s minisode 3: TOMORROW enters with 103,500 copies sold. Of that sum, physical sales comprise 101,500 (all from CD sales), while digital downloads comprise 2,000. The album’s sales were supported by its availability across 17 collectible CD editions (including exclusive editions sold by Barnes & Noble, Target and the act’s webstore), all containing randomized paper merchandise (but with the same audio tracklist). It was also issued across multiple digital download variations, including five iterations that each contained a different voice memo as a bonus track, plus an edition that boasted bonus remixes.

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Conan Gray notches his third top 10-charting effort on Top Album Sales as Found Heaven starts at No. 2 with 27,000 copies sold. It also matches his chart-high, as Kid Krow peaked at No. 2 in 2020. Vinyl sales powered more than half of the set’s first week (58%), with nearly 16,000 copies sold of the album across 10 vinyl variants (including exclusives for Amazon, Barnes & Noble, independent record stores, Target and Gray’s official webstore; the latter also offered a signed edition). The album also launches at No. 1 on the Vinyl Albums chart. Seven different iterations of the CD edition of the album were available (most with the same tracklist, just with different cover art) including one that was signed by the artist. Found Heaven was also issued as a standard digital download album, along with an alternative version, with different cover art, sold through the artist’s webstore.

Beyoncé’s Cowboy Carter falls to No. 3 after debuting at No. 1 a week earlier. The set sold 21,000 copies in its second week (down 88%). While Cowboy Carter’s CD and vinyl editions were available to purchase only via Beyoncé’s official webstore in the set’s first two weeks of release, those physical configurations became widely available to all retailers beginning on April 12. (The album has also been purchasable as a digital download, widely, since its release on March 29.)

The Black Keys’ Ohio Players debuts at No. 4 on Top Album Sales with 20,000 copies sold, marking the seventh top 10-charting effort for the band. The set was available in seven vinyl variants, a standard CD, standard cassette, standard digital download, and a deluxe boxed set containing branded merchandise (a T-shirt and sticker set) and a CD.

Vampire Weekend’s Only God Was Above Us bows at No. 5 on Top Album Sales, with 16,000 copies sold. It’s the act’s fourth top 10-charting effort and brings the group its first debut on the ranking since 2019’s Father of the Bride bowed at No. 1 (May 18, 2019 chart). The new album was available in four vinyl variants, a standard CD, standard download, and two deluxe boxed sets (each containing a branded T-shirt and a copy of the CD).

Khruangbin’s A La Sala steps in at No. 6 on Top Album Sales with 14,000 copies sold, garnering the act its fourth top 10-charting effort. 80% of the album’s first-week sales were from vinyl offerings, six in total. It was also issued as a standard CD, cassette and digital download.

J. Hope’s Hope On the Street, Vol. 1 falls 2-7 in its second week on the chart, with 9,000 sold (down 80%).

J. Cole’s Might Delete Later rounds out the six debuts in the top 10 on Top Album Sales, as the surprise release from the rapper bows at No. 8 with 9,000 sold (all from a standard digital download). It’s the seventh top 10-charting set for the artist.

Closing out the top 10 are a pair of former No. 1s from Taylor Swift, as Lover falls 3-9 (7,000; down 28%) and 1989 (Taylor’s Version) drops 4-10 (6,500; down 28%).

In the week ending April 11, there were 1.294 million albums sold in the U.S. (down 3.7% compared to the previous week). Of that sum, physical albums (CDs, vinyl LPs, cassettes, etc.) comprised 964,000 (down 3.3%) and digital albums comprised 329,000 (down 4.9%).

There were 525,000 CD albums sold in the week ending April 11 (up 1.4% week-over-week) and 433,000 vinyl albums sold (down 8.7%). Year-to-date CD album sales stand at 6.698 million (down 31.3% compared to the same time frame a year ago) and year-to-date vinyl album sales total 6.858 million (down 49.3%).

Overall year-to-date album sales total 18.177 million (down 36.8% compared to the same year-to-date time frame a year ago). Year-to-date physical album sales stand at 13.626 million (down 41.9%) and digital album sales total 4.551 million (down 14.5%).

Inside Taylor Swift’s ‘Tortured Poets Department’ Spotify Pop-Up | All Access | Billboard News

Taylor Swift’s upcoming album ‘The Tortured Poets Department’ has everyone excited, and fans can’t wait to uncover the hidden meanings and Easter eggs within her Spotify pop-up, The Tortured Poets Department Library.

Chris Olsen:
This is crazy. I mean, what Spotify has done is also so beautiful. The energy here is beautiful, Swifties are the best people in the world

Tetris Kelly:
So many Swifties, lyrics and Easter eggs? It’s Tetris with Billboard, and Spotify is helping us celebrate ‘The Tortured Poets Department.’ Taylor Swift, what are you telling us? We try to find out in Billboard All Access. You wouldn’t believe the line at The Grove as Spotify enticed Swifties with a mission before Friday’s release of ‘The Tortured Poets Department.’

Swiftie #1:
I cannot wait. I actually can’t believe it’s already coming out. We just saw you at Coachella, Taylor!

Swiftie #2:
I literally can’t wait. This woman’s a genius. She is a genius! 

Swiftie #3
Twenty new songs, hopefully some music videos, merch, it’s gonna be amazing.

Tetris Kelly:
Fans grabbed bookmarks and a card where they could pick the song they’re most excited for and then deposit it at the library pop-up. And in addition to hidden lyrics and titles, they also had a photo opp to commemorate the moment. And what are the Easter eggs here? I gotta find them.

Chris Olsen:
There’s a lot of 2’s here. There’s a lot of Easter eggs that lead to the number 2, and I don’t know what that means, but I’m shaking once again.

Swiftie #1:
I saw the December 13th sign over there. And then I also saw a journal that said “us” and it was like hidden behind something and I really wanted to go in there and see if it was a journal about her and Travis, but who knows.

Watch to learn more!

Taylor Swift: Insider Her Record-Breaking Billboard Chart History | Billboard Explains

Will Taylor Swift earn another No. 1 album? In light of her highly anticipated release of ‘The Tortured Poets Department’ this Friday, April 19th, let’s take a look back at Taylor Swift’s many history-making achievements.

This is Billboard Explains: Taylor Swift’s Record-Breaking Chart History.

Narrator:
​​The day has finally arrived. Taylor Swift’s upcoming studio album, ‘The Tortured Poets Department,’ drops on April 19. And to celebrate, we’re looking back at some of Taylor’s incredible achievements on the Billboard charts. This is Billboard Explains: Taylor Swift’s Record-Breaking Chart History.

Taylor kicked off her charts journey back in July 2006 when her debut single ‘Tim McGraw’ arrived on the country charts. It also made the Billboard Hot 100, peaking at No. 40 the next year. She kicked things into high gear with her sophomore album ‘Fearless,’ which includes hits like “Love Story” — that reached No. 4 on the Hot 100 — and “You Belong With Me,” which went to No. 2 in 2009.

Since then, Taylor has been a Hot 100 force to be reckoned with. She’s racked up 11 No. 1 hits, tying her with Whitney Houston for the fourth most among women in chart history. The superstar has charted 232 songs on the Hot 100, more than any other female artist and only second to Drake overall. Often, Taylor is competing against herself. She’s the only woman to replace herself at No. 1 on the Hot 100, and she’s done it three times. In 2014, “Blank Space” knocked “Shake It Off” from the top spot. And then in 2023, “Is It Over Now? (Taylor’s Version)” took out “Cruel Summer” before the songs switched places the following week.

And we can’t forget the history-making album ‘Midnights.’

Watch above to learn more!

YG Marley Lands in Top 3, Madison Beer in Top 10 in TikTok Billboard Top 50 | Billboard News

On the TikTok Billboard Top 50, YG Marley’s “Crazier in the Moonlight”  jumps into the top three, and Madison Beer lands in the top 10 with “Make You Mine.” Alek Olsen remains at No. 1 for the fourth week straight with “Someday I’ll Get It.”

Tetris Kelly:

One trend reigned supreme while two songs returned to the top 10. Alek Olsen’s “Someday I’ll Get It” spends a fourth week on top of the TikTok Billboard Top 50 for the chart posting April 18. It ties Flo Milli’s “Never Lose Me” for the most consecutive weeks at No. 1, while the rest of the top 10 are the same as last week.

YG Marley’s “Crazier in the Moonlight” jumped up from No. 14 to No. 2, a new peak for the reggae hit. Also reaching new heights is Madison Beer’s “Make You Mine,” which climbs 20-8.

Every Thursday, Billboard will bring you the verified list of the hottest songs on TikTok by monitoring music discovery and engagement on the platform in the United States. To find the TikTok Billboard Top 50 each week, users can simply go to any sound detail page and tap the top right button to access the charts page.

Watch the full video above!

JoJo Siwa Backlash Continues, NBA YoungBoy Arrested, Ariana Grande’s Grandmother Awarded For Hot 100 | Billboard News

It’s Wednesday, April 17th, and JoJo Siwa keeps on taking heat from the public and Lil Tay steps in. Ariana Grande’s grandmother officially became the most senior person to chart on The Hot 100, Kid Cudi is set to perform at Coachella weekend two and Charli XCX & Troye Sivan announced a co-headlining tour coming later this year. NBA YoungBoy has been arrested? You read that right, the rapper was arrested in Utah for various drug, fraud and weapon charges while on house arrest. Our latest cover star, Tyla, talks about her viral hit, “Water,” the collaborations on her self-titled debut album and more. Tate McRae shares more about her friendship with Olivia Rodrigo, her fashion choices growing up and more!

Rania Aniftos:

JoJo Siwa taking a lot of heat, Ariana’s Nona breaks a record, Kid Cudi joins Coachella and Charlie and Troye Sivan hit the road. YoungBoy Never Broke Again has been arrested. We go behind the scenes with Billboard cover star Tyla and Tate McRae takes us Behind The Photo. Another day, another Billboard News. I’m Rania Aniftos and it’s Wednesday, April 17th. Everyone’s been talking about JoJo Siwa since she released “Karma,” but it’s not just people trolling on the internet now. JoJo Siwa clarifies that viral moment while some others hop on the hate train. Practically everyone saw that moment of our interview with JoJo Siwa, well JoJo clarified what she meant on SiriusXM. That wasn’t the only flack JoJo got after releasing “Karma.” Folks online dug up an unreleased version of the song by Brit Smith from 12 years ago accusing JoJo of stealing the track. Jojo told TMZ that she didn’t steal it. Rock Mafia who wrote the song allegedly for Miley Cyrus at the time recorded a version with Brit Smith that didn’t see the light of day until it showed up on TikTok recently. Well Brit released her version and many people bought it on iTunes in order to, what looks like, spite JoJo. One person who definitely is not a fan of JoJo? Lil Tay. After people online compared the young rapper who went viral after an online death hoax to JoJo, she told people to not compare them.

Keep watching to learn more!