State Champ Radio

by DJ Frosty

Current track

Title

Artist

Current show
blank

State Champ Radio Mix

1:00 pm 7:00 pm

Current show
blank

State Champ Radio Mix

1:00 pm 7:00 pm


billboard news

Page: 71

At the 66th annual Grammy Awards, Taylor Swift announced her new album ‘The Tortured Poets Department.’ We break down all the fan theories, take a look at the track list and more! Mariah Carey will take over the Park MGM’s Dolby Live in Las Vegas, Adele has added two “final” dates to her shows at […]

Singer-songwriter Toby Keith passed “peacefully last night on February 5th, surrounded by his family,” according to a statement on his official website. Tetris Kelly:Country legend Toby Keith has died at the age of 62. Toby Keith’s family released a statement letting fans know the singer passed away peacefully last night surrounded by his family after […]

For Black History Month, Billboard is celebrating by highlighting some of the greatest Black executives in music. Today, we’re celebrating Sylvia Rhone.

Sylvia Rhone:I’m very proud to run a label where our senior leadership is 53.6% women and 57.1% people of color.

Tetris Kelly:For Black History Month, Billboard is celebrating by highlighting some of the greatest Black executives in music. Today, we’re celebrating Sylvia Rhone.

Sylvia Rhone:Forty years is a long time in any business. Warner Music Group for 28 years, Universal Motown for seven years, and now Sony Music Group for 10-plus years.

Tetris Kelly:Sylvia Rhone became the first Black executive and woman to hold the dual title of CEO and Chairman, when she was appointed at Epic Records in 2019. Prior to that, she held senior roles at all three major record companies. In 1990, Sylvia was the first Black woman to head a major record label when she became CEO/President of Atlantic’s East West Records US Division. Always a champion for women, she helped artists like En Vogue, MC Lite, Missy Elliott and Nicki Minaj reach stardom. She was an integral part in the success of all of Young Money.

Sylvia Rhone:I’m certainly really proud of the artists that I work with and the biggest thrill is to see them be successful.

Tetris Kelly:Currently at Epic Records, she’s been a key part of the success of Camila Cabello, DJ Khaled, Travis Scott and 21 Savage. Last year, when she took home Executive of the Year at Billboard’s Women in Music, she told us, “I am focused on creating power by creating a culture where the creativity of artists on our roster can flourish and there is an exchange of ideas, culture and information from a diverse group of creatives and executives.”

Sylvia Rhone:I’m still as excited about the business today as I was over 40 years ago, because it’s simply simply my passion.

Tetris Kelly:Today we honor an epic woman in the music industry, Sylvia Rhone.Watch the full video above!

The 2024 Grammy Awards held on Sunday night (Feb. 4) boasted a wealth of history-making moments: female artists took home trophies in each of the Big Four categories for the third time in just five years; Taylor Swift became the first artist to win album of the year four times; Miley Cyrus won her first-ever Grammy for best pop solo performance with “Flowers.”
But one such historic moment went quietly overlooked on Sunday night — three of the winners in the Big Four categories were queer women. Cyrus’s record of the year win with “Flowers,” Billie Eilish’s song of the year win for “What Was I Made For?” and Victoria Monét’s best new artist win mark the first time in recent memory that three different LGBTQ artists took home trophies in the evening’s main categories.

“It’s huge,” says Anthony Allen Ramos, vice president of communications and talent at LGBTQ advocacy organization GLAAD. “Seeing LGBTQ women dominate three of the biggest categories is something to be really excited about and proud of, especially today.”

Wins for queer artists weren’t relegated to the evening’s big categories, either — LGBTQ artists earned wins across a multitude of genres. Boygenius, the supergroup made up of queer superstars Julien Baker, Phoebe Bridgers and Lucy Dacus, took home three trophies for best rock performance, best rock song and best alternative music album; Bridgers, meanwhile, walked away as the most awarded artist of the night with her four wins. Monét nabbed a win for best R&B album with Jaguar II. Americana categories awarded trophies to LGBTQ stars like Allison Russell (best american roots performance for “Eve Was Black”), Brandy Clark and Brandi Carlile (both in best Americana performance for “Dear Insecurity”).

Ramos points out that even in oft-undiscussed categories, LGBTQ artists saw huge wins. “We had Carla Patullo winning for best new age, ambient or chant album,” he tells Billboard. “It felt like we finally had wonderful representation in all genres, and I think that’s really important, because it’s not just about [queer artists] being in pop or dance. I never even thought about having LGBTQ inclusion in the best new age category!”

Representation for LGBTQ talent at the Grammys has steadily risen over the last few years, with the Recording Academy even debuting their new Academy Proud initiative this year to help “support and amplify LGBTQIA+ voices and drive queer representation at the Recording Academy and the music industry at-large.”

These major successes for queer folks at the 2024 Grammys come at a time of upheaval for the LGBTQ+ community at large — nearly 400 bills targeting the community have already been proposed this year in state legislatures around the United States, with more no doubt still to come. While LGBTQ+ artists earning record-high honors at an awards show might seem trivial in the face of direct attacks against queer and trans people around the world, the facts actually show otherwise.

According to data collected by The Trevor Project, 79% of LGBTQ+ youth reported that seeing musicians come out as members of the LGBTQ+ community made them feel better about their own identity. Meanwhile, 71% of respondents said that seeing straight, cisgender celebrities advocate for the LGBTQ+ community improved their own feelings on gender and sexuality.

Kevin Wong, the Trevor Project’s senior vice president of marketing, communications and content, tells Billboard in an emailed statement that representation at awards shows like the Grammys isn’t just about winning more trophies for queer-identifying artists — it’s about providing an example to kids in desperate need of hope in dark times.

“Seeing queer artists celebrated for their contributions to the music industry can make a positive impact on LGBTQ+ young people’s mental health,” he explains, adding that the onslaught of anti-LGBTQ legislation makes that representation “especially meaningful for LGBTQ+ young people.”

Even in the realm of music, Ramos says that queer success only begets more queer success. “The more success and art that they put out into the universe, the more that will resonate and connect with other artists and [help them] feel empowered to be themselves and to tell their authentic stories,” he says. “I was speaking with TJ Osborne, and he said it’s incredible how many times people have come up to him and said, ‘I am part of the community, I never felt like I could be a fan of country music, but you are changing that.’”

While Ramos points to a continued lack of representation for transgender and non-binary artists at the annual ceremony as an “area for improvement,” he makes it clear that the road ahead for LGBTQ+ artists only gets brighter. “This is a moment for everyone to realize that accepting yourself affects the art that you put out in the best way.”

Here are some controversial moments from the 2024 Grammy Awards. Tetris Kelly:While the Grammys is a night of celebrating music, it doesn’t go off without its fair share of controversy. Presenter:The Grammy goes to Killer Mike. Tetris Kelly:Killer Mike’s Grammy day was one for the books. He took home three trophies at the Grammy Premiere […]

Benson Boone joins the top 10 with “Beautiful Things,” Doja Cat’s “Agora Hills” and Teddy Swims’ “Lose Control” are the only two songs that keep their exact spots from last week’s chart, and we have a new queen that everyone has been talking about at top of the top 10. Watch the video to find […]

Here are the biggest winners, the best performances, and all the top highlight moments from the 2024 Grammys. Tetris KellyIt was ladies’ night at the Grammys, proving girls really do run the world. Hey it’s Tetris with Billboard News I’m at the 66th Annual Grammy Awards. I’m gonna be running down tonight’s big winners, losers […]

Dom Dolla talks about his Grammy nominations, being nominated for his work on “New Gold” with Tame Impala and Gorillaz, collaborating with Nelly Furtado, playing Coachella, the future of dance music, how dance music has changed over the years and more! Katie BainHi, I’m Katie Bain for Billboard News and I’m here with Grammy-nominated producer, […]

It’s Friday, February 2nd, and there’s a ton of new music out. Usher teamed up with Pheelz for their new track “Ruin,” TWICE dropped a new song titled “I GOT YOU,” G(I)-DLE’s new album ‘2’ is here, Kate Hudson released her first single & more. Spotify hosted its annual Spotify Best New Artist Party last […]

Few people had a bigger 2023 than Coco Jones — and she could very well turn 2024 into an even bigger year following Sunday night’s 2024 Grammys, where she’s nominated for a whopping five Golden Gramophones.
Ahead of Music‘s Biggest Night, Billboard staff writer Kyle Denis sat down with Jones to break down her whirlwind year and her feelings going into her first Grammy Awards as a nominee. At Sunday night’s telecast, Jones is nominated for best new artist, best R&B song (“ICU”), best R&B performance (“ICU”), best traditional R&B performance (“Simple,” with Babyface) and best R&B album (What I Didn’t Tell You – Deluxe).

“The Grammys are just a very respected group of people who earned their voice and their credits and credentials,” she says. “To me, I respect everyone who is nominated and decides because I just feel like the Grammys also help up-and-coming [artists and creatives]. For them to recognize the work that I’m doing, it just feels very affirming.”

The “Caliber” singer continues, “When I first learned I was nominated, I was on the plane. I definitely was asleep. My phone was vibrating so much, I was like, ‘This turbulence is crazy!’ But what I realized was, everyone was texting me congratulations.”

Last year, Jones earned her first Billboard Hot 100 entry with “ICU” (No. 62), which earned a remix featuring Justin Timberlake and also reached the top of Mainstream R&B/Hip-Hop Airplay and R&B Digital Song Sales. The success of “ICU” also gave way to a deluxe version of 2022 EP, What I Didn’t Tell You, which climbed to No. 6 on Heatseekers Albums — her first appearance on the chart in exactly a decade. In addition to her own music, Jones has lent her talents to collaborations with the likes of Brent Faiyaz (“Moment of Your Life”), Lil Tjay (“Grateful”), Adekunle Gold (“Make It Easy”) and Mean Girls movie musical star Reneé Rapp (“Tummy Hurts”).

“I have to say I really loved [working with] Reneé Rapp,” Jones gushes. “I think that was just so cool because it was mixing pop and R&B, and that’s something I want to do moving forward, so I like that. To me, it was kind of like foreshadowing.”

Like Rapp, Jones is also an acclaimed multi-hyphenate. She’s currently gearing up to film the forthcoming new season of Peacock’s Bel-Air, in which she portrays the ever-fashionable Hilary Banks. “I’m excited! A lot is still up in the air, we just ended the strike and I know everybody is getting back to work,” she says. “I’m not sure what’s in store for Hilary, I definitely want it to be surprising though, I’m like ‘Let’s up the stakes!’”

After spending 2023 on a major headlining tour, racking up R&B smashes and promoting season two of Bel-Air, Jones is ready to conquer the new year with the lessons she’s learned from those experiences. “Everything’s in seasons,” she muses. “Sometimes, people come into your life for a season, sometimes you have seasons where you don’t understand what’s going on, but seasons are the weather so they must change and they must evolve and they must go to something different. Don’t try to hold on to whatever has outlasted its season.”