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beyonce

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Beyoncé may not be what some country music fans are used to witnessing within the genre, but it is clear that she is coming to show and prove that she belongs in the arena. The Houston superstar saw her new single “Texas Hold ‘Em” reach No. 1 on Billboard‘s Hot Country Songs chart and it appears she’s made history along the way.
Beyoncé became the first Black woman to ever go No. 1 on the Hot Country Songs chart with “Texas Hold ‘Em,” a single from her upcoming album, tentatively titled Act II which will be a followup to 2022’s Act I: Renaissance. Along with the Hot Country Songs honors, “Texas Hold ‘Em” and another Act II single, “16 Carriages,” debuted at No. 2 and No. 38 respectively on the Billboard Hot 100.

Viewers of Super Bowl LVIII were treated to the announcement of the singles and musical direction of Queen Bey by way of a Verizon commercial, so many knew what to expect. However, the shift in sound is evidently a welcome one and part of a growing trend in country music of Black creators getting their shine within a space that normally was not one many felt included in.
Adding to this, Beyoncé going No. 1 with “Texas Hold ‘Em” places her in rare air as she once sat at the top of seven of Billboard’s song charts in the soloist capacity which include Hot 100, Hot Country Songs, Hot Dance/Electronic Songs, Hot Gospel Songs, Hot Latin Songs, Hot R&B Songs and Hot R&B/Hip-Hop Songs.
Further, Beyoncé made history yet again by becoming the first woman to top the Hot Country Songs and Hot R&B/Hip-Hop Songs charts, joining the likes of Justin Bieber, Ray Charles, Billy Ray Cyrus, and Morgan Wallen.
Act II is slated for a March 29 release.

Photo: James Devaney / Getty

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Source: James Devaney / Getty
A country radio station in Oklahoma is finding out exactly why you don’t play with the Bey Hive after going viral for refusing to play Beyonce’s new country release, “Texas Hold ‘Em.”

The backlash occurred after a fan took to social media to share the response from SCORE following his online request to radio station KYKC, which read: “We do not play Beyoncé on KYKC as we are a country music station.” The small country music station in Ada, Oklahoma received an onslaught of complaints for the refusal to play Beyoncé’s debut tracks from Act II and was forced to change its tune fans called out the station for playing a role in keeping Black artists excluded from the genre.

KYKC-FM confirmed that they added the song to its country playlist, noting that it was also included in the playlists of two other stations it oversees, KCFC-FM and KADA-FM.
Roger Harris, a general manager for South Central Oklahoma Radio Enterprises, stated that the reply was a “standard reply” since KYKC doesn’t [usually] play her music — noting that two of its other stations do. In addition, Harris said KYKC wasn’t aware of the two new country songs and didn’t “even have the song” at the time of backlash, but after emails, calls, and more requests flooded the station about the song, Harris said they made an effort to track it down, listened to it, and agreed that it sounded “country.”
“While Beyonce’ has long been prominent on our playlists for SCORE radio stations KADA and KXFC, she has not been traditionally considered a country music artist,” Harris wrote. “While we were briefly unaware of the rapid success of her recently released country music offerings, her new country music offerings were added to our KYKC playlist this morning.”
Beyoncé isn’t the first artist with an R&B, Hip-Hop, and Pop background to step into country music. Back in 2019, Lil Nas X’s viral hit “Old Town Road” was disqualified from the Billboard country charts for “not embracing enough elements of today’s country music”, despite going on to make history as the highest-certified song in history.

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Source: John Shearer / Getty
Sunday night’s (Feb. 11) Super Bowl was one for the ages and while much of the world was fixated on seeing Taylor Swift cheer her man on during the big game, Beyoncé took the opportunity to not only star in a new commercial for Verizon, but also dropped two new tracks much to the surprise of even the Beyhive.

For a few days prior to the Super Bowl, Verizon had been dropping hints that they might’ve had something in the works with the “Irreplaceable” singer and last night confirmed that Beyoncé was indeed down with Verizon as they dropped a comedic commercial showcasing Bey’s many talents. From singing to playing the saxophone to launching off into space, Beyoncé is confident that there is nothing she can’t do… as long as she has her Verizon connect backing her?

Following the commercial spot, Bey dropped two new tracks in “Texas Hold ‘Em,” and “16 Carriages” which will be featured on her next project, Act II which is set to release on March 29. Did we mention that it’s a Country album?
Check out the two new cuts below and let us know if you’re feeling what Beyoncé dropped in the comments section below.
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Jay-Z doesn’t make many public appearances where he speaks these days, but that shifted majorly over the weekend. During his acceptance speech at the annual Grammy Awards ceremony for the Dr. Dre Global Impact Award, Jay-Z took a slight shot at the Recording Academy and mentioned that his wife, Beyoncé, has a leading 32 Grammy Awards but has never won the coveted Album of The Year trophy.
Flanked by his daughter Blue Ivy, Jay-Z took to the stage but humbly thanked Dr. Dre, the man for whom the award is named. In a loose moment for both men, Hov is heard lavishing praise upon the veteran producer, who bashfully tried to keep the moment focused on the man on the stage.
From there, the rapper born Shawn Carter launched into a freewheeling speech where he mentioned Beyoncé, who looked on with a beaming smile, stating that he doesn’t understand how the Academy hasn’t voted for her to win the AOTY Grammy.
Jay then spoke about the nature of the award show itself, mentioning the historic win for DJ Jazzy Jeff and The Fresh Prince and their 1989 boycott of the ceremony. The Brooklyn bomber then made mention of how the pair went on to watch the Grammys anyway. He then turned the moment on himself after he boycotted the Grammys in 1998 for snubbing the last DMX, who had a monster year with two top-charting and acclaimed albums.
It didn’t end there as Jay continued to shoot from the hip, saying that some nominees will feel like they were robbed and that some might actually get robbed before wrapping it up and saying that some people probably didn’t deserve to be nominated.
Check out the speech from Jay-Z below. Keep scrolling for reactions from X, formerly Twitter.


Photo: Getty

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Source: Allen Berezovsky / Getty / Shannon Sharpe
Shannon Sharpe is feeling the wrath of Beyoncé fans after some recent comments.
The Hall-of-Famer/ NFL champion turned ESPN analyst and media personality is catching heat online after comments he made about Beyoncé and Taylor Swift.
During a recent episode of his Nightcap show with former NFL player Chad Ochocinco, the ESPN’s First Take analyst talked about Taylor Swift and her recent appearances at NFL games to watch her boyfriend, Kansas City Chiefs superstar tight end Travis Kelce, play.
Sharpe read an article detailing how Swift’s presence has generated an extra $300 million in revenue for the team, claiming no other artist has that type of impact on the league. Ochocinco countered by bringing up Beyconcé.
The Club Shay Shay host disagreed, saying, “Not like this. Beyoncé ain’t moving the needle like this chick.”
He added, “The NFL can have anybody do halftime. I guarantee Taylor Swift is first.”

The Hive Was Not Feeling Shannon Sharpe’s Comments
Of course, the Hive, Beyoncé’s loyal fanbase, caught wind of Sharpe’s statements immediately, pointing out that if the Houston singer were dating an NFL player and attending their games, she would most definitely have the same impact.
“If Beyoncé was single and dating cam newton or an Odell in thier prime definitely would have moved the needle,” one user on X, formerly Twitter, wrote.

Another X user added, “Now Unc I’m with you when you’re right but if Beyonce was with an NFL player she would’ve moved the needle just like Taylor if not further!”
Some came to Sharpe’s defense, adding, “Shannon right nobody moving needles like Taylor.”
We’ll have to call C A P on this because we all know when Beyoncé does something, the world stops.
More reactions to Shannon Sharpe’s comments are in the gallery below.

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Source: Prince Williams / Getty / Trina
The Barbz are R E A C T I N G all because Trina shared her opinion on who she feels is the Queen of Rap, and here’s a hint: it’s not Nicki Minaj.
The “baddest b*tch” shook the Hip-Hop tables when she crowned Beyoncé the queen of Rap during an interview with HipHopDX after she was asked about her thoughts on the new wave of female Hip-Hop stars.
The “Pull Over” crafter credited the Houston singer with opening doors, allowing for many female rappers in the ever-evolving and constantly growing Hip-Hop industry.
Yeah, Beyoncé ’cause she’s like the number one female rapper when she does rap,” Trina said.
She continued, “It’s just one of those things like, of course, this is the Queen’s Beyoncé, but when you hear her do a song and it’s rapping involved, it’s like, ‘Oh my God,’ like it just, it’s more inspiration and, um, I don’t know it’s just a good thing, man.”

The Barbz Are Mad & Trina Doesn’t Care
Trina’s opinion hit a nerve with the Barbz, who feel their queen, Nicki Minaj, currently holds that title. They didn’t realize that Trina wasn’t one to back down, and she took to Instagram to tell them to stay mad while doubling down on what she said during the interview.
In a post shared in her IG Stories, she wrote:
“For the dusty crusty funky b***hes in the bacccckkkk [loudly speaking emoji] Beyoncé is the queen of rap (when she raps) and ALL other genres of music,” she wrote in her IG Story post, which can be viewed below. “Now stay mad goofy’s I said what I said and NANN b***h gone check me. [middle finger emoji] Carry on [hot face emoji].”
She also shared a permanent post on her Instagram timeline for good measure.

She said what she said.
You can see the reactions to Trina giving Beyoncé the rap crown in the gallery below.

Photo: Prince Williams / Getty

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The childhood home of one of music’s most iconic stars went up in flames in the early morning hours of Christmas Day. According to a report from ABC13, the former home of Beyoncé, located in the 2400 block of Rosedale Street in Houston’s Third Ward, caught fire around 2 AM local time.
The fire reportedly ripped through the second story of the home where the family that lives there now was still dressed in festive holiday pajamas. According to accounts from those on the scene, no one was hurt in the fire which was reportedly under control within moments of the arrival of Houston’s Fire Department.

“They did a great job. I’m going to say in less than 10 minutes, we had a really good grip on this fire,” District Chief Justin Barnes said.

HFD is still trying to determine the cause of the fire.
The Knowles family has long since moved out of the home, but fans still consider it an iconic landmark.
While Beyoncé no longer lives in Houston, she and her family regularly host charitable events in the city. In the early days of the COVID-19 pandemic, the global superstar and her mother, Tina Knowles, helped set up mobile testing sites in her hometown, according to CNN.
Beyoncé has offered no comment about the fire at this time.

Photo: Getty

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Source: Kevin Mazur / Getty / Beyoncé
Did Beyoncé or someone on her team rip off artist Hajime Sorayama with her Renaissance tour visuals?
Spotted on TMZ, Sorayama called out Beyoncé on social media when he posted some of his artwork alongside her Renaissance tour visuals, saying she and her team didn’t contact him for permission.
“Yo @beyonce You should have asked me ‘officially’ so that I could make much better work for you as like my man @theweeknd,” the post read per TMZ’s reporting.
According to the celebrity gossip site, many people were under the impression that Queen Bey got permission to copy Sorayama’s work, but that was not the case.
His angry post doesn’t indicate if he plans on taking legal action against Beyoncé and the people behind her tour, but that doesn’t mean he won’t.
Social media has been reacting to the news. Of course, the hive has their queen’s back, alluding to Sorayama biting off Mugler.
“Mugler was the one who made Beyoncé’s OG robot suit in the early 2000s … this was just petty and incorrect. Huge ego for what exactly?” one user on X, formerly Twitter, wrote in response. 

While others are reveling in the fact that someone has the guts to call out Beyoncé for something.
“Seeing Hajime Sorayama call out Beyoncé saying she did a shit job stealing his designs makes me happy,” another post read. 

We are willing to bet that Beyoncé crossed her Ts and dotted her Is to ensure something like this wouldn’t happen. Someone on her team either dropped the ball, or this is a big nothing.
In the gallery below, you can see more reactions to Beyoncé allegedly ripping off Hajime Sorayama.

Photo: Kevin Mazur / Getty

2. Was it?

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Source: Kevin Mazur / Getty / Beyoncé
Beyoncé is closing out 2023 with a box office win thanks to her Renaissance concert film.
Spotted on Variety, Beyoncé can now add Queen of the Box Office to her still-growing list of accomplishments. Renaissance: A Film By Beyoncé won the weekend at US theaters with a $21 million debut, slightly ahead of expectations.

Beyhive members who put on their best Renaissance looks once again to head to theaters to watch Renaissance helped the Houston singer join the ranks of Taylor Swift’s “The Eras Tour” ($92.9 million), 2008’s “Hannah Montana & Miley Cyrus: Best of Both Worlds Concert” ($31.1 million), 2011’s “Justin Bieber: Never Say Never” and 2009’s “Michael Jackson: This Is It” ($23.2 million).

Beyoncé’s $21 million domestic box office debut was a massive win for the movie theater industry that was already reeling following “flops” by Marvel Studios’ The Marvels, Disney Animation’s Wish, and Ridley Scott’s latest epic Napoleon starring Joaquin Phoenix as the French emperor and military commander.
In a quote shared by Variety, the head of movie consulting firm Franchise Entertainment, David A. Gross, said about the film’s performance, “This is an excellent domestic opening for a concert film. There are natural comparisons to Taylor Swift’s recent film, but these are very different artists and audiences.”
While Beyoncé can celebrate her film’s success in the US, that was not the case overseas. The concert film did not meet expectations, only bringing in $6.4 million in 94 territories and earning $27.4 million globally.
There is still time to improve on those numbers.
Renaissance: A Film By Beyoncé is being distributed by AMC Theatres, with the “Cuff It” singer taking 50% of box office earnings while the exhibitors pocket the rest of the earnings per Variety.
These numbers pale compared to Queen Bey’s $549 million worldwide she made from her world tour.
Still, her box office win is nothing to dismiss.

Photo: Kevin Mazur / Getty

All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes. Beyoncé is feeling the cozy vibes. The Grammy winner donned a wintry white, oversize teddy coat while in London on Wednesday […]