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Life is sweet for Sabrina Carpenter, as the U.S. pop star lands at No. 1 on Australia’s albums chart and completes a top-three sweep of the national singles tally.
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Carpenter’s Short n’ Sweet (via Island/Universal) debuts at the summit of the ARIA Albums Chart, published Friday, Aug. 30, for her first leader in the land Down Under.
Short n’ Sweet is her sixth album, and first to crack the top 10. Previously, her highest-charting LP was Emails I Can’t Send, which peaked at No. 27 in 2022.
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With that hot start, Carpenter breaks a four-week unbroken stand at the summit by Australian acts (Lime Cordiale, Tones & I, Amy Shark and Cold Chisel).
Sabrina’s domination doesn’t end there. Her latest single, “Taste,” debuts at No. 1 on the ARIA Chart, ahead of “Please Please Please” and “Espresso,” respectively, for a rare trifecta. All three tracks have now logged time at the chart summit.
According to ARIA, Carpenter is the first artist to swamp the top three since April 2024, when bestie and touring partner Taylor Swift did so. On that occasion, TayTay owned the entire top 10 with tracks from The Tortured Poets Department, an historic feat. Carpenter lands another seven tracks in the top 50, and becomes the first act to secure three ARIA No. 1s in the same calendar year, since Drake did it in 2018.
Coming in at No. 2 on the ARIA Albums Chart is Aussie indie act Teenage Dads’ Majordomo (Chugg/MGM), their second album, while Sydney pop punk outfit Stand Atlantic completes an all-new top three Was Here (Hopeless Records/RKT), new at No. 3. Both are career best chart positions.
Close behind is Irish alternative rock outfit Fontaines D.C. with their fourth album Romance (XL/Inertia), new at No. 6. That’s a serious uplift from the Dubliners’ 2020 effort A Hero’s Death, which peaked at No. 26, and Skinty Fa, which topped out at No. 24 in 2022.
Finally, Travis Scott lassos a top 10 spot with Days Before Rodeo (Epic/Sony), new at No. 9. Celebrating its 10th anniversary, the Houston, TX rapper reissues his 2014 mixtape with additional material, across new formats, including streaming platforms for the first time. The original mixtape didn’t impact the ARIA Chart, though Scott has three ARIA top 10 albums to his name, including No. 1s for Astroworld (from 2018) and Utopia (2023).
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Streams and sales of Beyoncé’s 2016 Kendrick Lamar-featuring song “Freedom” have continued to rise throughout the last month following its pick as Vice President Kamala Harris’ campaign theme song for her 2024 U.S. presidential campaign, capturing its biggest streaming day in a month on the day after Harris accepted the Democratic Party’s nomination at the party’s national convention on Aug. 22.
On Aug. 23, streams of “Freedom” ballooned to 159,000 official on-demand U.S. listens, up 43% from 111,000 on Aug. 22, the final day of the Democratic National Convention, according to Luminate. (Incidentally, Aug. 22 was also the day Beyoncé was rumored to be performing at the Chicago convention, the whispers of which did not ultimately ring true.)
A week before on Aug. 16, “Freedom” pulled 49,000 such streams, making that gain far more pronounced: a 224% jump.
Kamala Harris’ Presidential Campaign Effect on Beyoncé’s ‘Freedom’
Billboard
Streams of the song accelerated once the convention began on Aug. 19. It earned 51,000 streams on day one, followed by sums of 87,000, 101,000 and 111,000 prior to the accumulation of 159,000 on Aug. 23.
That being said, the Aug. 23 count for “Freedom” isn’t its largest over the last month or so. On July 23, one day after Harris walked out to “Freedom” while visiting her newly minted campaign headquarters, the song scored 205,000 official on-demand streams, then a 646% boost over July 22’s sum of 27,000. It rebounded again on July 25 and 26 following the premiere of a campaign ad featuring the song on July 25, racking up 179,000 and 184,000 streams those two days, respectively.
32% of “Freedom’s” on-demand official streams in the U.S., year-to-date, have occurred in the span of time between when Harris used the song at her first campaign event (July 22) and the day after she accepted the Democratic party’s nomination (Aug. 23). In those 33 days, the song garnered 2.8 million on-demand official streams – of the song’s total 8.8 million earned since the start of the year.
As for sales, “Freedom” jumped 216% in the week ending Aug. 22 to 2,000 downloads sold, spurring its coronation at No. 1 on Billboard’s R&B Digital Song Sales chart dated Aug. 31. The song had never been No. 1 before; it debuted at No. 15 on the May 14, 2016, survey and had not charted since 2019 until it blasted onto the ranking at No. 2 Aug. 3 due to its initial affiliation with Harris’ campaign.
That 2,000-download count also puts “Freedom” at No. 25 on the all-genre Digital Song Sales list, its first time there since the chart dated May 21, 2016.
“Freedom” was released as part of Lemonade, Beyonce’s sixth studio album, which debuted at No. 1 on the Billboard 200 dated May 14, 2016. It peaked at No. 35 on the Billboard Hot 100 that year.
—Additional reporting by Keith Caulfield
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